The Interestings

Meg Wolitzer

60 pages 2-hour read

Meg Wolitzer

The Interestings

Fiction | Novel | Adult | Published in 2013

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Part 1, Chapters 7-9Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of sexual content, rape, substance use, gender discrimination, mental illness, and illness.

Part 1: “Moments of Strangeness”

Part 1, Chapter 7 Summary

Jules visits the Labyrinth frequently, though she never feels she entirely belongs. Jonah formally becomes Ash’s boyfriend, and Cathy becomes Goodman’s girlfriend. However, Cathy and Goodman fight constantly, and he sometimes instructs Ash to tell Cathy he is not home. Ethan lives in a cramped Village apartment with his father, who is a public defender, and has converted their dining room into an animation studio. Jules admits she never wants her friends to see her ordinary house in Underhill.


Jules feels her mother, Lois, is losing her to the cosmopolitan Wolf family, whom she idealizes. The Wolfs celebrate everything with style. Betsy Wolf is a glamorous Smith graduate, Gil is a banker, Ash is destined for theater success, and Goodman is charismatic but erratic. Goodman was expelled from his previous school for openly cheating. Ash explains the pressure is on her to be perfect while Goodman repeatedly fails. Jules’s sister, Ellen, asks what Jules gets from the Wolfs, and Jules answers simply that she gets “[e]verything” from them.


In a flash-forward to her college ears, Jules loses her virginity to a boy she is not particularly attracted to, wishing instead she had experienced a sensual moment with Goodman.


Back in the present, Goodman DJs his cousin Michelle’s wedding at the Labyrinth. Goodman’s parents worry he lacks real talent. At the Wolfs’ New Year’s Eve party on December 31, 1974, the friends gather in Goodman’s bedroom. At midnight, Ethan kisses Jules in what he calls a nostalgia kiss. Ethan resolves to stop thinking about himself and engage with the wider world. Jules secretly resolves to be loved by someone who excites her, a wish she knows is cruel to faithful Ethan.


Throughout 1975, relationships shift. Ash and Jonah break up in February after Ash performs a one-woman play about the 20th-century American poet Edna St. Vincent Millay. In March, Goodman breaks up with Cathy after meeting a British girl, Jemma, on a family vacation to Tortola. At Spirit-in-the-Woods that summer, Cathy focuses on dance and falls in love with Troy Mason, a Black dancer on scholarship. When Goodman sends Ash and Jules to bring Cathy to the teepee, they watch her dance with Troy through the studio window and realize they cannot bring her back into their circle.


The Wunderlichs photograph the campers lying on the lawn to spell out the camp’s name from above. During the photo, Jules lies with her feet touching Goodman’s head, feeling it is the closest she will ever come to touching him. At the farewell party, Gudrun Sigurdsdottir, the Icelandic weaving teacher and lifeguard, tells Goodman that heartache is lingering.


Back in the city, Goodman’s parents send him to psychoanalyst Dr. Spilka out of concern for his increased alcohol intake. In November, Cathy brings Troy to gathering of the Interestings. Goodman watches them morosely. Ash reveals that she and Jonah almost had sex but were too inexperienced, so they watched the pornographic film Behind the Green Door for guidance, which only highlighted their incompatibility.


At a weekend gathering, a drunk Goodman grabs Jules’s wrist, tells her she is all right, and kisses her. She senses he loses interest mid-kiss, and he dismisses her.


On New Year’s Eve 1975, the friends attend the Wolfs’ party and gather in Ash’s room with a water pipe and hash. Goodman and Cathy leave together, and Jonah helps them get a cab. At midnight, the remaining friends exchange chaste kisses. Later, Ethan answers a call and learns that Goodman has been arrested. Cathy accused him of raping her after they snuck into a party at Tavern on the Green. Jonah blames himself for providing the cab and the strong hash. The friends quietly debate whether Goodman could be guilty and what Cathy’s motives might be if she were falsely accusing him. At Ash’s insistence, Gil allows Jules, Ethan, and Jonah to accompany the family to the police station.

Part 1, Chapter 8 Summary

Goodman spends the night in a holding cell. Lawyer Dick Peddy informs the Wolf family that Goodman will not be arraigned immediately and they should go home. Reporters question them as they leave. Ethan comforts Ash, promising to take care of her. Jules tries to rationalize the event as a misunderstanding, suggesting that Goodman mistook Cathy’s protests for passion.


The legal case dominates the Wolf household. Gil complains about the enormous legal bills. Goodman’s early admission to Bennington College is threatened. He becomes withdrawn, drinking and smoking in his room. Ash asks Jules to meet with Cathy, arguing that the lawyer’s prohibition on contact applied only to the family.


In February 1976, Jules meets Cathy at a coffee shop near Lincoln Center. Cathy insists Goodman raped her, describing physical evidence the doctor found. She accuses Jules of being unable to see the truth because of her devotion to the Wolfs, and reveals that Ethan has been calling her. He is the only one from their friend group to do so. When Jules suggests it might have been a misunderstanding, Cathy becomes furious and tells her to learn to think for herself before leaving.


Jules tells Ash that Cathy is genuinely hurt by what happened, which raises her doubts about Goodman’s innocence. Ash becomes furious and orders Jules to leave. After nearly two weeks, Ethan brokers a reconciliation, and Jules returns to the fold on the condition that she supports Goodman’s innocence. Ethan’s continued contact with Cathy upsets Ash and Goodman. One night, in a moment of despair, Betsy tells Ash that she finds the male of the species unknowable, briefly suggesting doubt about her own son.


In early April, Dr. Spilka leaves a message that Goodman missed his appointment. That afternoon, Ash discovers Goodman’s room is unusually clean and he is gone. His bank passbook, passport, and other documents are missing. Gil calls the Wunderlichs, but they have not seen him. Goodman fails to appear for his court date and a bench warrant is issued. The tabloids briefly cover the story before it is overshadowed by more violent crimes.


In May, Ash spends a weekend at Jules’s house in Underhill to escape the tension. Jules tries to hide ordinary items she finds embarrassing. Lois and Ash get along well. After Ash leaves, Jules returns the hidden items, only to find her mother has removed them again, suggesting Lois is aware of her daughter’s shame.


At the start of summer 1976, Ash, Jules, Ethan, and Jonah return to Spirit-in-the-Woods for a final summer. The camp feels different and younger. Gudrun does not return; she married in Iceland. The original staff, including the Wunderlichs, Ida Steinberg, and Ethan’s mentor, Old Mo Templeton, are older and feel more tired to the group.


Ash tells Jules a fairy tale about a brother who turns into a deer, expressing a fantasy that Goodman will return wounded so she can care for him. One night, Jules wakes to footsteps nearby, hoping it is Goodman. She realizes it is Ethan, who has snuck into their room to be with Ash. Jules lies awake, furious and jealous, listening to their intimacy.

Part 1, Chapter 9 Summary

For the year following that summer, Jules feels intensely lonely as Ash and Ethan deepen their relationship as lovers. Goodman’s disappearance enabled their romance to take hold. Ethan becomes integrated into the Wolf family. In April 1977, the friends receive college acceptances. Ash is going to Yale, Ethan to the School of Visual Arts, Jonah to MIT for robotics, and Jules to SUNY Buffalo.


Jules and Jonah commiserate as the only single members of their friend group. Ethan spends more time with the Wolfs, effectively moves into Goodman’s old room at the Labyrinth. Ash later confides that Ethan is a surprisingly good lover, which only deepens Jules’s loneliness. On the subway, Jules has a crisis, feeling unbearably alone.


The Wolf family plans a summer trip to Iceland. Ash invites Jules, all expenses paid. Ethan was also invited but cannot go, having chosen to care for Old Mo Templeton, who is sick, over a prestigious internship. Lois reluctantly allows Jules to go on the trip, though she is uncomfortable with the Wolfs’ generosity.


In July, Jules and the Wolfs fly first-class to Iceland. Upon arrival in Reykjavik, Jules develops severe food poisoning. When she recovers, she finds a note from Ash urging her to meet them at the nearby Café Benedikt. Walking through the bright Reykjavik night, Jules looks through the café window and sees Gudrun Sigurdsdottir, the Wolf family, and Goodman.


Inside, the family explains what happened. Homesick and desperate, Goodman had called home in March. He recounts his escape: He went to Spirit-in-the-Woods, where the cook Ida Steinberg gave him Gudrun’s contact information. He bought a fake passport in Boston, flew to Paris, and eventually reached Iceland, where he has been living with Gudrun and her husband, working in construction under the name “John.” Gil and Betsy have been secretly sending him money.


Ash reveals that Ethan does not know about Goodman. She fears his strict ethical code would compel him to report Goodman out of a sense of duty to Cathy. Gil extracts a promise from Jules to keep their secret. Betsy explains that Ash insisted on bringing Jules for emotional support outside the family. The Wolfs reunite with Goodman animatedly while Jules and Gudrun sit on the periphery.

Part 1, Chapters 7-9 Analysis

Jules operates as a passive observer of other people’s lives: She watches Cathy and Troy dance intimately through the studio window, lies awake listening to Ethan and Ash’s secret intimacies at camp, and peers through the window of Café Benedikt to discover the fugitive Goodman in Iceland. These acts of observation emphasize Jules’s lack of agency in the lives of her more charismatic or wealthy friends. Rather than driving the narrative, she absorbs the shifting romantic and legal dynamics from the periphery. Jules’s proximity to these events physically represent her feeling of being “outside love” (148) and power. This dynamic establishes her lifelong comparative identity, ensuring she defines her own worth primarily by measuring it against the spectacular dramas and achievements she witnesses in the lives of others.


Jules experiences acute resentment when Ash and Ethan enter an intimate relationship, realizing that the steadfast devotion Ethan once directed at her now belongs wholly to her best friend. When Jules awakens to the sounds of their murmured intimacy, she lies in the dark, “furious, actually” (197), and bewildered by the depth of their connection. This emotional alienation compounds when the group’s college acceptances arrive: Ash and Ethan acceptance to elite institutions overshadow Jules’s acceptance at SUNY Buffalo. Rather than a repressed desire for Ethan, Jules’s resentment stems from the sudden consolidation of love and talent that excludes her. The pairing of the group’s most beautiful girl with its most gifted artist creates an intimidating partnership that highlights Jules’s self-perceived mediocrity, underscoring The Corrosive Impact of Envy on Friendship as a theme.


The subplot of Goodman’s criminal allegations exposes how wealth insulates the privileged from legal and moral consequences. After Goodman has been charged with rape, the Wolf family uses their immense financial resources to hire expensive defense lawyers and, ultimately, to secretly fund Goodman’s escape to Iceland. However, the most consequential maneuver they pull in the context of the novel is Jules’s manipulation. Gil and Betsy leverage Jules’s devotion to Ash to extract a vow of silence regarding Goodman’s whereabouts. The Wolfs’ response demonstrates a closing of ranks that prioritizes familial protection over truth, bypassing the justice system entirely. Jules’s complicity in this secret, which she is asked specifically to withhold from the ethically rigid Ethan, forces her to abandon her moral clarity to maintain her proximity to the cosmopolitan Wolf family. The adults weaponize Jules’s innate weakness, which Cathy angrily identifies during their tense coffee shop meeting, to protect their son. This mirrors the deep, widespread cynicism toward government and authority prevalent in the mid-1970s post-Watergate era. The teenagers’ assumption that the adult world thrives on corruption finds validation in the Wolf parents’ willingness to use their capital to evade the law.


Spirit-in-the-Woods transforms from an idealistic sanctuary into a site of compromise. During their final summer in 1976, the camp appears tangibly diminished: The original staff age visibly, the legendary Old Mo Templeton fails in health, and Gudrun Sigurdsdottir does not return. The physical decline of the camp dismantles the illusion of an eternal, protected childhood. Later, when it is revealed that Goodman sought help from the camp’s cook to secure Gudrun’s contact information, the novel turns the artistic haven into a logistical waypoint for Goodman’s criminal flight. This shift marks the group’s definitive exit from their adolescent utopia. The camp can no longer insulate them from the messy, unequal realities of adulthood, forcing the characters to recognize that their shared artistic promise remains fragile and easily dismantled by external pressures and moral failures. This drives Managing Ambitious Expectations of Adult Life as a theme.

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