59 pages • 1-hour read
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Content Warning: This section of the guide features depictions of death, death by suicide, suicidal ideation, graphic violence, cursing, substance use, animal death, and emotional and physical abuse.
Cal works on a trefoil knot carving for Lena, though it feels “dumb and delusional” given their current distance. He recently invited her to dinner via text, but she declined, saying she was exhausted. When he texted that he loved her, her reply came after a long delay and felt “a million miles away” (297). Cal wants to go to her house and “haul her free” of whatever is separating them, but he doesn’t know how (297).
Trey arrives from school and is outraged by Mart’s plan. She objects that the Moynihans will face no real consequences for Rachel’s death or the rumors about Cal and Rachel. When Trey suggests killing Tommy, Cal refuses, saying they need Tommy alive to stop the factory scheme and discredit the rumors about him and Lena. Public humiliation will be punishment enough. If Tommy is dead, the land scheme will continue to move forward, harming everyone who lives in Ardnakelty. Trey dismisses the townspeople’s welfare, but Cal argues that choosing to live in a place creates an obligation to it. Trey reveals Lena told her to leave Ardnakelty and never come back, but Trey doesn’t want to go because she feels she has earned her place there.
That evening, Mart, P.J., and Senan arrive at Cal’s door. Mart hands Cal a makeshift balaclava, and they set off toward Tommy’s house. P.J. wants to call Bobby Feeney again, but Bobby won’t stand against Tommy because he feels like he owes the other man, since selling land to Tommy allowed him to travel and meet a woman. As the group leaves, more men emerge from side roads to join them, some carrying tools as weapons.
The mob marches silently through the village to Tommy’s property, where they are joined by more men. They don balaclavas and masks before entering Tommy’s yard. Security lights flood the property as the men, now 40 to 50 strong, surround the house. A bedroom light comes on, but no one appears. Cal gestures to a security camera, signaling to Tommy that he can see him. The men begin chanting that the land is theirs and demanding he leave. Cal feels himself dissolve into the collective fury. When a young man picks up a rock, Mart stops him. A distant police siren sounds, and Mart tells everyone to leave. The crowd disperses. As Cal turns at the gate, he thinks he sees a curtain move.
At her house, Lena hears distant chanting and is struck with terror that a mob is coming for her. However, she sees the glow of security lights from Tommy’s property and realizes the mob is there. She understands that Cal has taken her information to Mart and is now part of the crowd. She feels the town has “eaten him” and knows Tommy will retaliate against her. Lena longs to flee, but feels it is too late.
Cal regroups with Mart, Senan, and P.J. on the road. The men are disgusted that Tommy hid and called the Guards. Mart says they gave Tommy a chance and expects an emissary tomorrow. He reminds Cal that they were all at P.J.’s house all night as an alibi. Cal returns home to find Trey waiting. He tells her Tommy has reason to be scared, which satisfies her.
The next day, Cal watches for Tommy’s counterattack but sees only normal activity. He texts Lena; she reads it but doesn’t reply. He spends most of the night watching Mart’s property, reflecting that his relationship with Lena may be permanently damaged.
On Saturday morning, Cal visits Mart in his sheep shed, where Mart is treating ewes for scald. Mart reports recent developments: a car fire, spray-painted walls, a woman forced into a ditch by a tractor, and various social conflicts over the factory issue. Cal worries this is the wrong kind of trouble, that the townsfolk are just becoming angrier at one another, but Mart says people need momentum to overcome their ingrained deference to Tommy. Mart reveals his real concern: the retaliation lacks Tommy’s usual scale. He expected Tommy to use official channels to devastate Mart himself, and Tommy’s restraint is troubling.
Mart tells Cal the rumors regarding the love triangle between him, Lena, and Rachel are becoming more dangerous. He recounts talk that a jealous Lena poisoned Rachel with antifreeze after Rachel visited her house to discuss the supposed affair with Cal. Cal notes Lena has an alibi, but Mart explains how Tommy could fabricate witnesses and evidence to circumvent it, including claims that Rachel returned to Lena’s later or that Lena went to meet Rachel elsewhere. Lena could easily be arrested. Mart admits he knew Tommy might trace the leak regarding the land scheme back to Lena but says warning the townland mattered more. He promises they will protect Lena because she is Cal’s “woman.” Cal, sensing a shift in his own standing within the community, agrees to go to the pub with Mart.
At her house, Lena has been going through the motions of her daily life, waiting for Tommy’s move. When Breege, a friendly Guard who previously interviewed her, arrives, Lena fears something has happened to Cal. Breege says she is there because people are worried Lena might harm herself. She explains that if she believes Lena is at serious risk of self-harm, she may have to take her “somewhere […] safe.” Lena recognizes Tommy’s ultimatum, delivered through Breege: be seen as mentally unsound or as a murderer. She calmly denies being suicidal and dismisses the rumor about Cal. Breege eventually accepts Lena’s explanation but leaves her card and says she will check in again. Lena knows this is only a temporary reprieve.
Cal and Mart arrive at Seán Óg’s pub, which has an uneasy atmosphere. They join Senan, P.J., and Francie at a table. Mart announces Tommy’s plan to have Lena arrested for Rachel’s murder. Cal proposes publicly accusing Tommy of killing Rachel, arguing this will give others the courage to come to them with information and give them leverage to force Tommy to back down. The others are hesitant, wanting to take a more “subtle-like” approach. Mart, however, is “bored of being subtle” (335), and loudly announces to the entire pub that Tommy murdered Rachel and is framing Lena. Bernard McHugh, a plant manager and Tommy loyalist, confronts Mart and defends Tommy, claiming the land-grab is just a rumor. He says Tommy personally assured him no compulsory purchases are planned and argues the factory will revitalize the dying town. P.J., Senan, and Francie find their voices and join Mart in denouncing Tommy. Mouth McHugh, Bernard’s brother, insults Cal and Lena. Cal punches him, triggering a brawl that engulfs the whole pub.
The barman and his helper throw Cal and several others out into the street, and the fight dissipates. Cal’s friends are “exhilarated” by their open defiance. On the drive home, Mart claims he started the confrontation to force people out of indecision. He grows serious and confesses his fear of becoming an old man out of touch with change. He tells Cal that he believes their fight is ultimately futile: Economic forces will eventually take the land, if not through Tommy then through other investors waiting for the aging farmers to retire or die. The fields, walls, and hedgerows will be cleared for industrial agriculture. Mart’s true goal is not to win but to fight hard enough that people will know they resisted and will retain some spirit for whatever comes next.
On Sunday, a sore Cal makes himself visible in his front yard, washing his car and waiting for potential informants. He reflects on his attachment to Ardnakelty; he considers the town his “last love” and no longer thinks of leaving, even though his relationship to the place is complicated.
Trey arrives with Kate, her friend and football teammate. They tell Cal that they investigated at their friend’s party the previous night, questioning party attendees to determine who was near the river when Rachel died. They learned that Zoe Greaney and her friends, who were in a derelict house near the old bridge, saw Tommy Moynihan walking toward the bridge around 9:30 that night, hours before the search for Rachel began. Cal recognizes this as crucial evidence, breaking Tommy’s alibi of being home all evening, but explains they cannot take it to the Guards because the girls would recant and Tommy would deny it. Instead, he plans to use it to confront Eugene, who he believes is close to breaking. Trey and Kate volunteer to stake out the Moynihan house to watch for when Eugene is alone. Cal reluctantly agrees.
As Cal cooks lunch, Trey confronts Cal about the rumors surrounding Lena and her emotional withdrawal. She criticizes both him and Lena for their handling of the situation. Cal, feeling “at the end of his rope,” insists he is doing everything he can (363).
Trey and Kate watch the Moynihan house all day, but Eugene does not leave alone. Cal stays up all night waiting for possible visitors, but no one comes. He texts Lena that he loves her but gets no reply.
At her house, Lena sleeps on the sofa with a loaded shotgun under it, having taken it from the gun safe where it sat unused for six years. When her dogs alert her late at night, she hears someone walk up the drive, thump her front door once, and leave. She goes to the door and finds a bottle of antifreeze and a half-filled bowl on her doorstep. She understands the bowl is a threat against her dogs, and the bottle is a suggestion that she kill herself. She pours the antifreeze from the bowl down the sink and throws the bowl away, leaving the bottle on the step.
In these chapters, the text’s escalating conflict centers on the symbol of the Land, which represents communal identity and generational continuity in the rural town. As the local men coordinate an intimidation campaign against Tommy Moynihan, their central grievance is the impending threat to their ancestral territory. The masked, chanting mob that surrounds Tommy’s house forcefully demands that he leave their land alone, framing his corporate acquisitions as an aggressive intrusion that threatens the community’s way of life. Following the chaotic brawl at Seán Óg’s pub, Mart Lavin confesses to Cal that the physical fight against Tommy is likely futile. Mart acknowledges that economic forces and industrial agriculture will inevitably consume the townland over the coming decades. He explains that his true goal in inciting the rebellion is to ensure the community fights hard enough to retain its spirit when “alla this is taken off [them] and changed” (351). This revelation reframes the men’s resistance, suggesting the existential threat the modern world represents to rural ways of life as Ardnakelty fights against cultural erasure.
The facade of rural tranquility shatters as the narrative explores the theme of Violence and Vigilantism in Small-Town Communities through the community’s coordinated mob action and public brawls. Early in the conflict, Cal joins a masked group of up to fifty men who besiege Tommy’s house under the cover of night. Later, after Cal deliberately punches Mouth McHugh at the pub to force the town’s hand in confronting Tommy, a massive physical altercation engulfs the establishment. These moments demonstrate how the community’s ingrained habits of deference and silence rapidly give way to raw aggression when existential threats arise. The violence is a calculated communal mechanism used to publicly condemn and intimidate those who violate unwritten social codes. As part of the mob harassing Tommy’s house, Cal experiences “the wild freefall of the fact that this fury isn’t his sole possession […] it’s a thing held in common” (305). The community’s anger is something that brings them together and unites them in a common cause. Their unity in this moment reflects their shared way of life and determination to protect their culture and ancestral territory.
Cal’s participation in the town’s vigilante tactics marks a critical shift in his character trajectory, solidifying his new position as an active participant bound by local obligation. When Trey questions the plan to merely disgrace Tommy and suggests killing him instead, Cal insists that choosing to live in Ardnakelty means that he “owe[s] the place something” (299); killing Tommy would not be in the best interest of the other townspeople, and Cal doesn’t “have the right” to take matters into his own hands and disregard everyone else. When Trey and Kate reveal that teenagers saw Tommy near the old bridge on the night of Rachel’s death, Cal realizes the legal system will never believe adolescents over the powerful Moynihan family. Consequently, he actively adopts the region’s extrajudicial methods, donning a makeshift balaclava to join the intimidation mob and subsequently inciting the pub fight to draw out potential informants. Cal intentionally utilizes this public spectacle to manipulate Tommy’s behavior, hoping the pressure will yield leverage to protect Lena from being framed for murder. These actions represent a definitive departure from his formal police training, demonstrating his assimilation into a culture that bypasses official channels to enforce its own justice.
Conversely, Tommy relies on insidious psychological warfare to reassert control, further isolating Lena and demonstrating his absolute influence over the community. Rather than confronting Cal or Mart directly, Tommy circulates a rumor that Lena murdered Rachel out of jealousy. An unknown person leaves a bottle of antifreeze and a half-filled dog bowl on Lena’s doorstep in the dead of night, simultaneously daring her to take her own and threatening her dogs, her last line of defense against an increasingly hostile community. Tommy circumvents direct physical confrontation by manipulating community perception and weaponizing the police, effectively offering Lena an impossible choice between being branded a murderer or a woman in the midst of a mental health crisis. This indirect coercion reflects the sophisticated methods of power maintenance in insular societies, where isolation and character destruction are frequently wielded to suppress defiance without leaving a legally actionable trace. Lena’s decision to sleep fully dressed with a loaded shotgun nearby emphasizes the terrifying effectiveness of this psychological siege, as Tommy turns her own sanctuary into a space of vulnerability.



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