The Kill Artist

Daniel Silva

The Kill Artist

Daniel Silva
67 pages2-hour read
Fiction
Novel
Adult
Published in 2000

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 3-EpilogueChapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, sexual content, substance use, addiction, child death, rape, and cursing.

Part 3: “Restoration”

Part 3, Chapter 35 Summary

The narrative flashes back to the history of Tariq al-Hourani’s family. Before the 1948 Arab-Israeli War, his father, Daoud al-Hourani, was a wealthy and respected leader in his Upper Galilee village, maintaining good relations with nearby Jewish settlers. During the war, hundreds of thousands of Palestinians were expelled from or fled from their homes. This expulsion is termed “al-Nakba” (454), a Palestinian word meaning the Catastrophe. During this time, the al-Hourani clan fled to a refugee camp in Lebanon. Life in the camp was miserable and, over the years, Daoud’s influence waned as his promises of a swift return to Palestine proved false. Five years into their exile, his wife gave birth to their second son, Tariq. Years later, after being unjustly detained at the Beirut airport and denied reentry into Lebanon, a humiliated Daoud renounced his calls for patience and urged his sons to fight. His older son, Mahmoud, joined the fedayeen (Palestinian militants) and was killed.


In the present, at Charles de Gaulle Airport in Paris, Yusef gives Jacqueline final instructions to wait at a café for a contact; if the contact does not appear within an hour, she is to take the next available flight to London and not contact Yusef upon arrival—instructions Jacqueline recites back verbatim. After Yusef leaves, a woman who calls herself Leila approaches Jacqueline, explaining that there has been a change of plans and she will be Jacqueline’s escort. Watching from a distance, Gabriel realizes Tariq has altered the rendezvous, outmaneuvering him. He follows the women as they board a flight to Montreal. Aboard Benjamin Stone’s private jet, Shamron informs Gabriel that a team in Canada, led by Zvi Yadin, will be ready to surveil them upon arrival. Shamron believes Tariq is planning to disrupt an upcoming peace deal signing ceremony at the United Nations. Stone, who owns the jet, tells Shamron he wants to repay all of Shamron’s debts by publishing Gabriel’s story—an Israeli who restores paintings by day and kills terrorists by night—serializing it, selling the film rights, and receiving an exclusive on the manhunt. As they fly, Gabriel has a restless sleep, envisioning the airport scene as a painting with a hidden layer revealing the ghostly figure of Tariq.

Part 3, Chapter 36 Summary: “Paris”

After leaving the airport, Yusef moves evasively through Paris by taxi, Métro, and on foot to ensure he is not being followed. He arrives at an apartment building in the Sixteenth Arrondissement, where he is admitted by a stout man with strawberry blond hair.


Meanwhile, at the Office headquarters in Tel Aviv, Mordecai, the second-most-senior officer, confronts Lev, the head of Operations, about the sudden disappearance of the entire Ottawa station staff. Mordecai explains that when he tried to call the station chief, Zvi Yadin, about a minor expense issue, he found no one was there. Lev feigns ignorance and, upon learning Shamron is in Europe, instructs Mordecai to locate him.

Part 3, Chapter 37 Summary: “Montreal”

Leila drives Jacqueline from the Montreal airport through a snowstorm to the Queen Elizabeth hotel. Inside, Tariq watches them from the hotel bar. He is aware that Shamron’s agents are likely surveilling the area and reflects on his impending death from a brain tumor, which he plans to use as his most powerful weapon. He approaches Jacqueline, introducing himself as Lucien Daveau, and they go up to his suite.


In the room, Jacqueline activates the tracking beacon hidden in the gold cigarette lighter given to her by Shamron. Tariq questions her motives for undertaking the mission, and she maintains her cover story, claiming she is acting out of love for Yusef. He insists she check her London voicemail on speakerphone; she receives messages from her supposed mother, from Julian Isherwood, and from Gabriel. Tariq notes the third caller was not Yusef, raising his suspicion. He agrees to take her shopping for warmer clothes.

Part 3, Chapter 38 Summary: “Montreal”

Zvi Yadin, the Ottawa station chief, meets Gabriel and Shamron at the Montreal airport and gives Gabriel a Beretta target pistol inside a stainless steel combat case. Yadin reports that Leila handed Jacqueline off to Tariq (using the alias Lucien Daveau) at the hotel and then departed. Yadin’s team of four, including a new agent named Deborah, is conducting surveillance. He also warns Shamron that Lev is asking questions about the Ottawa station’s unauthorized absence.


While shopping in an underground mall, Tariq moves evasively and, at an espresso bar, he acquires a briefcase containing a weapon. Meanwhile, Gabriel uses a credit card-style key concealed inside a folded tourist map—passed to him by a sayan on the hotel’s concierge staff—to enter Tariq’s room and plant a surveillance device on the telephone.


At their command post in the Sheraton hotel, the team listens to the bugged phone and reviews surveillance footage, which allows Shamron to positively identify Tariq. They learn that Tariq and Jacqueline are going to dinner at a restaurant on rue St-Denis, a busy, bohemian street. Shamron decides this is the ideal location to assassinate Tariq and orders the team to prepare.

Part 3, Chapter 39 Summary: “Montreal”

Tariq and Jacqueline ride an escalator to underground Montreal, walk to a Métro station, and ride east to the rue St-Denis. Gabriel and Deborah position themselves at a restaurant across the street, while other team members wait in nearby getaway cars. As Tariq and Jacqueline exit after their meal, Gabriel moves to intercept and kill him. Just as he draws his weapon, a car screeches to a halt between them. Tariq shoves Jacqueline into the vehicle, and her handbag—containing her passport and the lighter with the tracking beacon—falls into the street. Before the car speeds off, Tariq gives Gabriel a mocking smile.


Gabriel retrieves the purse. In the team’s van, Shamron furiously criticizes Gabriel for hesitating and not taking the shot. Gabriel defends his actions, arguing that a shot was too risky and would have endangered bystanders. With Jacqueline abducted and the tracking device lost, the operation is a failure. Shamron declares that their priority now is to get to the United States to protect the Israeli prime minister. Gabriel voices his fear that without a passport, Jacqueline is now a liability whom Tariq is likely to kill.

Part 3, Chapter 40 Summary: “Sabrevois, Quebec”

After leaving Montreal and switching cars several times, Tariq drives Jacqueline south toward the US border. He appears ill and sweaty. He dismisses his evasive maneuvers in the city as a “routine security precaution” but reveals that he was aware of her tracking device in the gold lighter (404). When Jacqueline panics about crossing the border without a passport, Tariq produces a Canadian passport in the name of Hélène Sarrault bearing Leila’s photograph, which is a passable likeness. Feeling she has no other option, Jacqueline agrees to use it. They cross into Vermont without incident. A few miles past the border, Tariq pulls out a Makarov pistol and holds it to her head.

Part 3, Chapter 41 Summary: “Washington, D.C.”

In his Washington, DC, hotel suite, PLO Chairman Yasir Arafat receives a surprise late-night invitation to the White House from US President James Beckwith. During their private meeting, they discuss the recent assassinations of Israeli officials, agreeing that Tariq is the likely culprit. Arafat reveals a critical piece of intelligence: Tariq is dying from a severe brain tumor, a fact he has already shared with Ari Shamron. Arafat voices his suspicion that Shamron may be playing a double game, suggesting that some factions within Israeli intelligence might not be opposed to Tariq disrupting the peace process. As he leaves, Arafat confirms he will be attending a reception at the New York home of Douglas Cannon, a former US ambassador. President Beckwith gives him a final, ominous warning to “watch your back” (416).

Part 3, Chapter 42 Summary: “Burlington, Vermont”

While driving, Tariq reveals that he knows Jacqueline is an Israeli agent who works for Gabriel Allon. He brutally beats her with his gun when she denies it. Her resistance finally broken, Jacqueline stops denying her identity and focuses on finding a way to survive and warn Gabriel.


Tariq explains that his organization discovered her identity through a flaw in her cover story, comparing photographs of her with those of a woman who worked with Gabriel in Tunis, and that Yusef was knowingly luring her into a trap from the beginning. He tells her his new plan is to use her as bait to draw Gabriel into an ambush. They drive through the night and arrive at dawn in a Brooklyn neighborhood. Tariq leads her into a second-floor apartment on Parkville Avenue, where Leila is waiting to secure her.

Part 3, Chapter 43 Summary: “New York City”

Shamron briefs the Israeli prime minister in New York about the failed operation in Montreal and assigns Gabriel to the prime minister’s security detail. In the Brooklyn safe house, Tariq disguises himself as a waiter named Emilio Gonzales. He tells Jacqueline, who is now spread-eagled on the bed with her wrists and ankles secured by four sets of handcuffs and her mouth gagged with heavy electrical tape, that he will have Leila impersonate her on the secure phone line to lure Gabriel to a specific location. After Tariq leaves, Leila taunts and tortures Jacqueline by pouring hot tea on her stomach.


Realizing Leila intends to kill her, Jacqueline devises a plan. She pretends she needs to use the bathroom and, once inside, secretly arms herself with a metal nail file. When Leila leads her back to the bed, Jacqueline attacks, stabbing Leila in the face and neck. Leila drops her gun. As the wounded Leila lunges at her, Jacqueline retrieves the weapon and shoots her dead.

Part 3, Chapter 44 Summary: “New York City”

Disguised as a waiter, Tariq infiltrates a party by carrying in a case of champagne and claiming to be a last-minute hire. Meanwhile, Jacqueline steps over Leila’s body, dials her London number, enters an additional code, gives the security word to a calm operator, and is connected to Shamron. She tells him she killed Leila with a nail file and a gun and that Tariq is disguised as a waiter—but she does not know where Tariq is going. As she is on the phone, a man armed with a baseball bat breaks down the apartment door. Jacqueline shoots and kills him. Shamron gives her an address and instructs her to walk to Coney Island Avenue to be picked up.


Gabriel, who is nearby with the prime minister’s security detail, receives the alert from Shamron. He commandeers a car and speeds to the location. He finds Jacqueline on the street, visibly traumatized. He pulls her into the car, and as he holds her, she breaks down.

Part 3, Chapter 45 Summary: “New York City”

Tariq is disguised as a waiter at a party in the Fifth Avenue apartment of Douglas Cannon. He sees Yasir Arafat’s motorcade arrive and prepares to act. His plan is nearly thwarted when a supervisor relegates him to kitchen duty after a guest spills wine on his jacket. Tariq bypasses the order by preparing a plate of Tunisian dates, a favorite of Arafat’s, and uses it as a pretense to approach him.


Gabriel, reasoning during dinner that Tariq’s plan to lure him away from the target means the target must be somewhere Gabriel would not naturally be, phones Shamron and asks where Arafat is. Realizing Tariq is there disguised as a waiter, he races to the apartment. Just as Tariq closes in, an aide gives Arafat a warning, and he retreats to a private study. Tariq deceives a bodyguard and follows Arafat inside. There, Arafat recognizes Tariq and engages him in a tense psychological dialogue, appealing to their shared history and warning him that assassination will tarnish his legacy. Tariq relents and leaves the room.


Gabriel and Jacqueline burst into the party. Jacqueline spots Tariq escaping through the kitchen. Tariq ambushes Gabriel in a service stairwell, shooting him in the chest. As Gabriel collapses, Jacqueline pursues Tariq down 17 flights of stairs. She corners him in a lower corridor and shoots him dead. Moments later, Shamron arrives, takes the gun from her, and demands to be taken to the wounded Gabriel.

Part 3, Chapter 46 Summary: “Jerusalem: March”

Several months later, Gabriel is recovering in a Jerusalem safehouse. Shamron summons him for dinner in Tiberias and informs him that Lev has resigned. He offers Gabriel the now-vacant position of Chief of Operations, which Gabriel declines. Shamron reports that they have smoothed things over with the Americans, who were furious about the unauthorized operation, and says he is convinced it was CIA agent Adrian Carter who leaked the story to the press. He urges Gabriel to focus on his own healing, telling him it is time to “restore yourself” (471), and agrees to call off the agents who have been watching him.


Freed from surveillance, Gabriel travels around Israel. He then visits Jacqueline in Herzliya, where he asks her to recount Tariq’s confession from their drive to New York. Still feeling the story is incomplete, he leaves for Tel Aviv. At a café, he reads a newspaper report that Benjamin Stone is missing and presumed drowned, then spots Yusef on the street. He confronts Yusef at gunpoint, and Yusef reveals he works for Shamron.


Gabriel immediately drives to Shamron’s villa and confronts him. Shamron confesses the entire operation was an elaborate deception: The real Yusef died years ago, and Shamron’s agent, an orphan, assumed his identity to become a deep-cover mole in Tariq’s organization. Shamron used his own agent, Yusef, and Jacqueline as unwitting pawns to lure Tariq into a trap. He justifies the extreme measures as necessary to eliminate Tariq’s network and restore the Office’s reputation. When Gabriel returns to his apartment, he finds an envelope from Shamron containing a plane ticket to London, new passports, and cash.

Epilogue Summary: “Port Navas, Cornwall”

Sometime later, Gabriel returns to his secluded cottage in Port Navas, Cornwall, in the early hours of the morning. Peel, who is staying nearby, is awakened by the sound of Gabriel’s MG. From his window, Peel watches the car pull up to the cottage. He flashes his torch twice and the car’s headlights flash back in response. Reassured by the stranger’s return, Peel goes back to bed and falls peacefully asleep.

Part 3-Epilogue Analysis

The flashback to Tariq al-Hourani’s family history in the Upper Galilee establishes an important counter-narrative to Gabriel’s own traumatic past, framing their conflict as a tragically symmetrical feud. Before the 1948 Arab-Israeli War, Tariq’s father, Daoud, is depicted as a respected village leader who maintains peace with his Jewish neighbors. The family’s subsequent displacement and suffering in a Lebanese refugee camp parallel the historical Jewish diaspora, grounding Tariq’s radicalism in a legacy of loss and humiliation. His story echoes a similar story of displacement and oppression as told by Jacqueline, though neither character is eager to draw this comparison. Tariq’s father’s transformation from a man of peace to one who preaches violence after being degraded at the Beirut airport—concluding that “[t]he Arabs treat us worse than dogs. The time for patience has ended. It is time to fight” (361)—is the origin point for his sons’ militancy, illustrating the role of family history in establishing a context for violence. This backstory establishes that Tariq’s vendetta is not abstract. It is, instead, deeply personal, mirroring the way the Munich massacre shaped Gabriel’s life. This parallel structure reinforces the theme of Trauma and Vengeance as Unending Cycles, portraying the two men as tragic figures on opposite sides of a shared cycle of reciprocal violence, each driven by a foundational trauma.


Gabriel’s restless sleep on the flight to Montreal, in which he envisions the airport scene as a painting with a hidden layer, introduces a central metaphor for the operations that follow. Just as his restoration work has taught him that “what appears on the surface is quite different from what is taking place just below” (370), the narrative is structured around layers of deception. Tariq constantly alters plans, using misdirection to outmaneuver Gabriel in Paris and testing Jacqueline’s cover in Montreal. In turn, Gabriel uses a concierge, a sayan, to plant a listening device. This dynamic of layered realities extends to physical disguises, most notably Tariq’s transformation into the waiter Emilio Gonzales, a performance so complete that he is almost unrecognizable. This motif of concealed truth culminates in the final reveal of Shamron’s master deception, in which the entire manhunt is a fiction designed to lure Tariq into a trap, with Gabriel and Jacqueline used as pawns in Shamron’s game. Espionage and art restoration become intertwined crafts, both requiring the meticulous manipulation of surfaces to control what is seen and what remains hidden.


While Gabriel and Tariq are trapped in their roles, Jacqueline’s arc is one of radical, forward-moving transformation from a controlled asset into an autonomous agent. In these chapters, her ordeal begins with Tariq’s brutal beating in the car and her imprisonment in the Brooklyn safe house, where she is systematically broken down. However, her decision to arm herself with a nail file and attack her captor, Leila, marks her transition from an operative following a script to a survivor acting on pure instinct. Her evolution is subtly tracked by the symbol of the gold lighter. When her handbag containing the lighter—and its hidden tracking beacon—is lost in Montreal, it signifies her severance from Shamron’s direct control. Her subsequent actions, culminating in the killing of Tariq, are not sanctioned hits. In the novel, they are presented as acts of immediate, personal retribution to protect the wounded Gabriel. No longer just a monitored piece in a larger game, she is forced to rely on her own will, ultimately becoming the operation’s unlikely and decisive actor.


The tense confrontation between Tariq and Yasir Arafat in Douglas Cannon’s study offers an alternative to the novel’s primary modes of violence and deception. Arafat defuses the assassination attempt with psychological maneuvering rooted in their shared history, rather than violence. By evoking memories of their past comradeship and appealing to Tariq’s legacy within the Palestinian movement, Arafat reframes the assassination as a “foolish” act that will tarnish Tariq’s memory rather than immortalize it. He presents Tariq with a choice: Die a martyr for a cause, or be remembered as “just another fanatic” (458). This dialogue-driven climax stands in stark contrast to the physical violence that characterizes the rest of the narrative. It demonstrates that—in the complex web of Middle Eastern politics—personal history and appeals to identity can be weapons as potent as any gun, capable of averting bloodshed through a subtle understanding of an adversary’s psyche. This also frames Arafat as a foil to Shamron, with one willing to use words and diplomacy while the other is more likely to use subterfuge and violence.


The final confrontation at Shamron’s villa reveals that the entire operation was built on an amoral deception that implicates everyone. Shamron’s confession that he orchestrated the manhunt by positioning his own deep-cover agent, Yusef, as a lure redefines the narrative’s central conflict. His justification—that the deception was necessary to restore the Office’s reputation and eliminate Tariq’s network—embodies Mossad’s operational motto, “By way of deception, thou shalt do war” (414). The casual revelation of Benjamin Stone’s probable murder emphasizes the utter ruthlessness of his methods. This reveal is the logical consequence of the theme of The Psychological Toll of State Violence, showing how the logic of the secret war corrodes trust and turns human relationships into tactical assets. The command for Gabriel to “restore yourself” directly invokes the theme of The Restorative Nature of Art, but it is deeply ironic. The restoration Gabriel now requires is not for a painting, but for a soul fractured by his mentor’s deep betrayal, a wound far deeper than the bullet he took from Tariq.

blurred text
blurred text
blurred text

Unlock all 67 pages of this Study Guide

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs