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Content Warning: This section of the guide includes discussion of death, graphic violence, physical abuse, emotional abuse, suicidal ideation, and sexual content.
After Bartholomew pulls Sybil from the river, he immediately leaves, cryptically promising a grand reappearance when the time is right. King Benji’s knights then arrive. Benji lies, claiming that water sprites attacked them and dragged Dedrick into the water to his death. Even after he sees the shattered remains of the Harried Scribe’s inkwell, Benji sticks to his lie, defending Sybil despite his fury. Otto Lange is devastated and orders his men to kill every water sprite they find. The royal caravan then departs for the Fervent Peaks, traveling through the earthquake-ravaged city before stopping at an outpost for the night. The next morning, Sybil sees Benji sparring with his knights, who are intentionally letting him win to inflate his ego. Hamelin taunts Sybil by wearing Rory’s three gold rings on his gauntlet. Rory interrupts and challenges the king to a real sparring match, easily defeating him. After Rory hauls Benji to his feet, Maude and Bartholomew arrive. Maude is wearing the golden sash, revealing that she was the true winner of the joust.
Benji smoothly acknowledges Maude as his champion and the victor of the joust, pretending she was always his dearest friend. Sybil has a private reunion with Maude, who reveals her plan to strip Benji of his power by bankrupting his noble supporters in the tournament. Maude then arranges a moment alone for Sybil and Rory. They share a passionate moment inside a carriage, but their intimacy is cut short when Maude knocks on the carriage to signal that they must leave. Later, Bartholomew gives Sybil a notebook he stole from the king, which belonged to King Benedict Castor the First. When questioned, Bartholomew confirms matter-of-factly that the limestone shard he threw at Dedrick was a piece of his own body and that he is slowly crumbling. Sybil is deeply upset and bets Bartholomew to take better care of himself. While reading the old king’s notebook, Sybil and Bartholomew find no information about the sedative ox-eye, but they discover an important fact: When sprites die, their bodies don’t decay but instead turn into limestone, the same material that forms the tor. As the caravan approaches the Fervent Peaks, they see that one of the mountains has crumbled.
The king’s caravan slowly makes its way through the Fervent Peaks, with wreckage from last night’s earthquake frequently blocking the path. When they finally reach the town, they’re met by Avice Fischer, Hamelin’s mother, who leads them to the Ardent Oarsman’s castle. On the castle steps, they find the corpses of 20 sprites staked through their necks, a gruesome display for which Avice and the local nobles proudly take credit, stating that they chased all the sprites out of the mountains the previous night—at the same time that the earthquake occurred—killing those that couldn’t escape. At the welcome feast, Avice secretly proposes an alliance to Sybil: If Sybil helps kill Benji and agrees to marry Hamelin, Avice will make her a powerful figure in the Peaks. Sybil flatly refuses, unwilling to be a “holy object” for Avice to exploit. Worried about Sybil, Rory and Maude drink ox-eye to better understand her visions, while Bartholomew looks on. Only Rory is plunged into a vision, witnessing the abbess of Aisling Cathedral drowning Sybil. Speaking in a low, terrible rasp, Rory prophesies the violent end of the Stonewater Kingdom. The vision concludes with Sybil, now clad in armor, pressing the abbess into water and then pulling her out and striking her with a hammer, reducing her to dust, as Rory is crushed by the cathedral’s falling ceiling.
Rory steals back his three stolen gold rings from Hamelin in a castle corridor. He then takes Sybil to a remote plateau to train for the next tournament event, the feats of strength. At first, Sybil smashes huge rocks with impressive strength, but the pain in her abdomen soon overwhelms her. Rory confronts her about her ultimate plan: She admits that she intends to destroy the remaining magical stone objects and then sacrifice herself to end the kingdom’s cycle of tyranny. She believes that her death will finally convince the people to stop believing in false idols. Rory vehemently rejects her martyrdom. They spar, and the fight gives way to passionate intimacy, but Sybil is again overcome by pain from her wound. To help her, Rory offers Sybil his blood, which contains the healing properties of spring water. She drinks it, and her pain subsides. Back in her room, King Benji confronts Sybil, forbidding her from competing. He informs her that he and Avice have already agreed to change the final event to a swimming race across the basin. Since Sybil can’t swim, Bartholomew volunteers to compete in her place, reasoning that as a creature of stone, he doesn’t need to breathe.
Bartholomew competes in the feats of strength. In the first event, a swimming race, Hamelin uses the magical stone oar to create a wave, cheating to narrowly win, with Bartholomew taking second place. The second event is rock breaking, which Bartholomew wins with a single deliberate blow that splits the rock in two but sends limestone blooming off his own back. The final event is a test of endurance where competitors must hold a heavy stone in a net. As Hamelin begins to falter, while Bartholomew holds his own stone without any apparent strain, he again uses the oar to cheat, battering Bartholomew with waves. When this fails to make Bartholomew drop his stone, Hamelin slams the oar into Bartholomew’s back, causing more damage to the gargoyle’s already slowly crumbling body. When Hamelin swings the oar a second time, Bartholomew catches it in his free hand while still holding the net aloft. He then snaps it in half, destroying the magical object. Enraged, Hamelin drops his stone and attacks Bartholomew with a hammer. Sybil immediately tackles Hamelin, beating him viciously in the shallow water. Hamelin eventually overpowers her and is about to deliver a fatal blow with his hammer. To save Sybil, King Benji throws the Artful Brigand’s coin, which obliterates the hammer and kills Hamelin.
Benji’s staged sparring match, in which his knights deliberately lose to inflate his ego, demonstrates his reliance on manufactured reality. This performance of power is part of a broader strategy of Spectacle as a Tool of Political Control. After being pulled from the canal, Sybil witnesses Benji invent a story about a sprite attack to cover up his own incompetence and the destruction of the Harried Scribe’s inkwell. This lie is a calculated political act that further scapegoats a marginalized group to stoke fear and justify violence, as seen when Otto Lange immediately orders the slaughter of all water sprites. However, this control is fragile. Rory and Maude’s presence provides a counter-spectacle that publicly undermines Benji’s authority. Rory’s easy defeat of the king exposes the curated sparring matches as a sham, while Maude’s appearance with the victor’s sash reveals that the joust was another of the king’s deceptions. The gruesome display of 20 dead sprites staked to the castle stairs in the Fervent Peaks is a cruder, more brutal form of Benji’s usual political theater, intended to project an image of strength and order through terror. These displays reveal a kingdom where power is maintained by controlling what the populace sees and fears.
Rory’s involuntary vision after drinking ox-eye brings the kingdom’s cyclical history of violence into sharp focus. He witnesses the abbess drowning a young Sybil, an echo of the past, but then sees an armored Sybil turn the tables, drowning and then shattering the abbess with a hammer. This sequence, narrated by a disembodied voice that declares, “What happed before will happen again” (211), suggests a recurring pattern of abuse and retribution. The vision highlights the challenges involved in Breaking Cycles of Oppression, implying that escaping the past may require enacting its violence in reverse. This context clarifies Sybil’s subsequent confession to Rory: She plans to destroy the remaining magical stone objects and then sacrifice herself, as she believes her own death is the only way to remove the “holy object” at the center of the kingdom’s oppressive faith, thereby ending the cycle of tyranny. Rory’s response highlights his supportive role in her character arc: He rejects her characterization of herself as a “holy object,” challenging her to see beyond Benji’s objectification and claim ownership of her own life and identity.
The discovery in Benji’s grandfather’s journal that dead sprites transform into limestone—the very rock that comprises the sacred tor—ties these unjustly maligned creatures to the literal, physical foundation of the kingdom’s religious and magical power. This knowledge recasts the widespread persecution of sprites as a form of societal self-harm, with the kingdom actively destroying the source of its own sacredness. Bartholomew becomes the living embodiment of this connection. During the feats of strength, he physically crumbles, his body shedding limestone as he exerts himself for Sybil’s cause. The image of “the haze of limestone that bloom[s] off his back” during his victory is a metaphor for the kingdom’s decay (237); its strength is built on the sacrifice and desecration of the very beings that constitute its core. The persecution is thus shown to be a deep and tragic ignorance, a society preying on its own origins.
The feats of strength is a crucible for the novel’s conflicting ideas about power, loyalty, and defiance. Hamelin embodies the kingdom’s corrupt definition of strength, relying on brute force and the unearned power of one of the magical stone objects to cheat his way to victory. In contrast, Bartholomew’s strength is rooted in endurance, loyalty, and a quiet dignity that exposes Hamelin’s bravado as hollow. His climactic destruction of the Ardent Oarsman’s oar is both a literal and symbolic act of Breaking Cycles of Oppression, shattering a talisman of inherited, abusive power. The ensuing violence further complicates the nature of heroism and allegiance. Sybil’s ferocious attack on Hamelin is an act of protective fury rooted in her intense, emotional loyalty to Bartholomew, while Benji’s intervention to save her—killing his own knight with the Artful Brigand’s coin—is motivated strictly by his desire to protect what he sees as his property. This public chaos contrasts with the private intimacy between Rory and Sybil, particularly when Rory offers his blood to heal her. This exchange, an act of mutual trust and vulnerability, presents a model of strength based on care rather than domination, functioning as a quiet but deep instance of Love as an Act of Rebellion against the kingdom’s brutal public code.



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