The Long Song

Andrea Levy
51 pages1-hour read
Fiction
Novel
Adult
Published in 2010

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of rape, physical abuse, emotional abuse, and racism.

The Book on Scotland

The book on Scotland that Robert shares with July is a symbol of the deceptive allure of white paternalism and the romanticized European world he represents. Showing the book to July creates an intimate shared space where Robert plays the role of a benevolent teacher. Seemingly interested in July’s Scottish heritage, he then exploits the power balance between enslaver and enslaved by kissing her. This event is central to The Myth of the Benevolent Enslaver, as by offering July the book, he dangles the promise of a world of civility, knowledge, and belonging—a world symbolized by the picturesque castles and landscapes within its pages. July initially participates in this fantasy, framing her mother’s rapist, Dewar, as a devoted father to meet Robert’s expectations and secure his favor. However, the book’s promise is ultimately hollow. It represents an idealized narrative that has no connection to the brutal reality of July’s life or the true nature of her parentage. The book thus symbolizes the gap between the colonizer’s professed noble intentions and their exploitative actions, marking the moment when July becomes entrapped by Robert’s calculated charm.

Cockroaches and Vermin

The recurring motif of cockroaches and other vermin represents the pervasive moral rot and physical decay of the plantation system, which constantly intrudes upon the supposedly refined spaces of Amity. These creatures symbolize a squalor that cannot be contained by colonial pretensions of civility, embodying the dehumanization and degradation that underpins the entire enterprise. 


Robert’s intense phobia of cockroaches is particularly significant; his terror reflects his inability to confront the ugly reality of the world he now inhabits and commands. His attempts to eradicate the thousands of insects in his home are as futile as his efforts to impose a clean, “righteous” order on the plantation’s inherently corrupt foundation. For July, the vermin become a subtle source of power. Unafraid of the insects, just as she’s inured to the degradation of enslavement, she turns the colonizer’s disgust into a weapon. After discovering Robert cowering from a cockroach infestation in his home, she demonstrates her superior composure and control by killing the largest of the insects. In return, Robert gives July a cracked blue-and-white plate as a reward: a symbol of fractured civility that she keeps as a memento of her power over him. The motif culminates in July’s final act of defiance, where she serves Robert and Caroline a dish filled with cockroaches, confronting both characters with the moral decay they have tried so hard to ignore.

Caroline’s Fine Clothing

Caroline’s elaborate English clothing and restrictive corsets serve as a symbol of the artificial, stifling, and absurd performance of white British femininity within the colonial setting of Jamaica. Her attire, completely unsuited for the tropical climate, represents the imposition of a foreign and inappropriate cultural standard, showing the colonists’ refusal to adapt to their environment. This performance of respectability and superiority is a facade that requires immense, invisible labor from the enslaved people who must wash, iron, and mend these delicate garments. As July’s narration asserts, the “puff and twaddle” of a white woman’s mind, preoccupied with “the want of a new hat to wear with her splendid pink taffeta dress” (10), stands in stark contrast to the brutal reality of the enslaved. 


Caroline’s preoccupation with planning elaborate outfits for every occasion demonstrates her deep detachment from The Suffering That Sustained Colonial Wealth and Power. Her clothing physically confines her, mirroring the way her rigid social role and prejudices mentally and morally restrict her. The constant struggle to maintain this illusion of European civility emphasizes the fragility of colonial authority and its heavy reliance on the very people it dehumanizes, making her fine clothes a symbol of both her power and her pathetic dependence.

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