The Man of Mode

George Etherege

56 pages 1-hour read

George Etherege

The Man of Mode

Fiction | Play | Adult | Published in 1676

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Act IVAct Summaries & Analyses

Act IV, Scene 1 Summary

The characters gather at Lady Woodvill’s house for a dance. Dorimant is there, disguised as Mr. Courtage. Old Bellair speaks to his sister, claiming that he does not love Emilia, even though he does. Lady Townley believes that Dorimant is actually Mr. Courtage; she complains about the lewd nature of people these days, particularly Dorimant. To this, Dorimant agrees. He jokes about young people, prompting Harriet to suggest that he would be a good match for her mother. Dorimant praises mature women as more intelligent and charming. This pleases Lady Woodvill, who compares him favorably to “that wicked Dorimant” (4.1.49). This amuses the other characters, but Lady Woodvill is unsure what is so funny. She dances with the disguised Dorimant.


Old Bellair approaches Emilia and jokes with her. Pretending as though he is not interested in her, he calls her “ugly” (4.1.85) when speaking to Dorimant. Once Dorimant has extracted himself from a conversation with the women, Emilia and Medley urge him to talk to Harriet. Dorimant approaches Harriet and asks why she has such a cold demeanor. She does not want to seem fake or pretentious, she explains, as she believes herself too independent to worry about what other people think of her. Dorimant suggests that she smile, but she chides him for not thinking much of her face as it is. Dorimant suggests that she should show off her beauty at Court, but Harriet is not interested in being picked apart by other people.


Harriet impresses Dorimant, but he is determined that she should not know this, lest the knowledge allow her to “revenge the wrongs [he has] done / her sex” (4.1.139-140). He adopts a nonchalant demeanor, pretending as though he is suddenly passionately in love with her. This display of irony makes Harriet skeptical, but she responds with a similar performance of her own.


Sir Fopling arrives with his “company of French rascals” (4.1.175). His pompous character is immediately recognizable behind his mask, which amuses the other guests. Talking with the characters, Dorimant reminds Fopling to address him as Courtage. Fopling talks about his status in Paris and his many romances. As Harriet makes a joke, Fopling hints that many of his romantic conquests were shared with Dorimant. When Harriet asks about the masked entourage, Fopling claims that he has brought them to entertain the guests. Harriet would prefer to see Fopling dance, and he adopts a show of false modesty. He dances a jig, pleasing himself. Harriet is amused.


Lady Woodvill, Lady Townley, and Old Bellair return. Harriet jokes with her mother about Courtage; her mother responds that Courtage—at the very least—is preferable to the “wild, extravagant” (4.1.313) Dorimant. She suggests that Harriet herself might be interested in Courtage, if she were not already engaged.


Dorimant recalls that Belinda is set to arrive soon. He worries, however, that he has now fallen “so foppishly in love” (4.1.321) with Harriet instead of Belinda. He speaks to Lady Woodvill, asking whether she has met Fopling. She has not, and she expects that Dorimant will soon join Fopling. She urges Harriet to leave with her, so Dorimant escorts them to their carriage.


Old Bellair speaks to Medley, who is more interested in Fopling seemingly leaving. Fopling explains that he must speak with Courtage. Medley promises to join him soon. While Old Bellair fetches a bottle to drink with Medley, Young Bellair appears. He tells Medley that he and Emilia have a plan. When a toast is raised, Medley mocks Old Bellair, saying that they are toasting Emilia. Old Bellair insists that he has no affection for her. Fopling sings a merry drinking song, then invites Medley to join him. He is going to meet Dorimant. Young Bellair invites himself along. Fopling calls for their way to be lit with lights, even though it is daytime. Confused, the other characters follow him anyway.

Act IV, Scene 2 Summary

At Dorimant’s lodging, Belinda arrives. She tells Dorimant that she has “a thousand fears” (4.2.5). She hopes that he will be discreet, but she has noticed the cruel way he has treated Mrs. Loveit. She wants him to promise not to see Mrs. Loveit again. He promises not to see Mrs. Loveit and invites Belinda to stay. Handy appears, announcing the arrival of Young Bellair, Fopling, and Medley. Belinda wants to leave and Dorimant allows her to go.


The presence of a woman in Dorimant’s lodgings amuses the three men. Fopling is surprised that Dorimant does not have a mirror. He suggests that Dorimant should invest in a cravat and recommends a servant to help with Dorimant’s preparations for going out.


Medley asks about Mrs. Loveit, prompting Fopling to delightedly boast about seeing her the previous night. Fopling is planning to write a song for Mrs. Loveit. At the others’ request, he sings the “pretty new tune” (4.2.134).


Fopling asks his footman whether his bath is ready, then leaves. Medley inquires as to when Dorimant plans to extract his revenge on Mrs. Loveit. Dorimant says that he plans to act soon and invites Medley to join him. Medley claims to be too busy with Bellair, who explains that he is certain that Harriett is in love with Dorimant. He has noted how her demeanor changes when she is speaking about Dorimant and how she is angry when anyone criticizes him. He has also noted that his own father seems to be in love with Emilia. Dorimant recommends that Young Bellair marry Emilia as soon as possible. 


As the characters prepare to depart, Young Bellair suggests to Dorimant that he should also be thinking of marriage, otherwise he will not be able to get close to Harriet.

Act IV, Scene 3 Summary

Belinda arrives on the Mall, alone and disconcerted. Having forgotten to issue directions, she is worried that Mrs. Loveit will see her. One of Mrs. Loveit’s footmen spots Belinda and invites her to his mistress’s house. Belinda accepts the invitation, but tells the footman that—if anyone asks where she has gone—he should tell them that she has been anywhere other than Dorimant’s lodgings.

Act IV Analysis

In Act 4, Scene 1, the setting changes to a dance taking place at Lady Woodvill’s house while the characters continue to engage with Desire as a Social Game. The dance is a social event and a public affirmation of the rules of etiquette. As with the scene set at the Mall, the dance invites scrutiny of individual actions. At the dance, each person’s behavior is closely monitored and any sign of nonconformity is turned into scandal for the consumption of the attendees. In this sense, the dance can be used deliberately by the characters as a means of exploiting said etiquette. Encouraging or forcing someone to breech etiquette can cause them to lose their reputation, thus damaging their social standing. This introduces a tension into a setting which is otherwise a friendly social event.


Dorimant attends in disguise as Mr. Courtage. Many of the characters know his true identity, as does the audience, but Lady Woodvill does not. When Dorimant begins to charm Lady Woodvil, dramatic irony is used to mock the hostess. She complains about Dorimant to Dorimant himself, criticizing the low reputation of a man she does not believe she has ever met. To the characters (and to the audience), Lady Woodvill’s criticism of Dorimant is superficial and misplaced, as she is being charmed by Dorimant himself even as she is making these criticisms. 


The interaction plays on the blend of performance and deception that occurs throughout the play. As with Harriet and Young Bellair pretending to be in love for the sake of their parents, Dorimant pretends to be someone else for the purpose of mocking one of his critics. The interaction is staged for the benefit of the audience as a way to bolster Dorimant’s reputation. He is clever and cunning, the interactions suggest, while those who criticize him are easily duped and thus less credible. Dorimant uses one of the chief accusations against him—that he is not sincere or trustworthy—to shield himself from criticism.


Despite Dorimant’s battle against Mrs. Loveit and his mockery of Lady Woodvill, there are subtle ways his character is beginning to change, complicating The Performance of Masculinity. Unlike his previous relationships with Mrs. Loveit or Belinda, Harriet challenges him. She refuses to be bound by the rules of the games he plays, speaking frankly and directly to him in a manner he does not expect. Dorimant is used to getting what he wants, so Harriet’s refusal to behave as expected prompts him to alter his own behavior. At the same time, Harriet’s unconventional attitude toward social expectations contrasts with Belinda and Mrs. Loveit, who continue to behave in the expected way. They operate according to Dorimant’s expectations, seeking to make him jealous or helping him to scheme instead of uniting against the masculine ethos that exploits them both. 


Harriet’s effectiveness at playing this game is shown through her refusal to accept the imbalanced nature of the rules, revealing her awareness of The Fragility of Women’s Social Standing. Dorimant reacts to her wariness by treating her with more affection and sincerity than he did with either of his previous partners. Harriet, who was engaged to marry Bellair by her mother, manages to moderate Dorimant’s notorious behavior until he is behaving more like Young Bellair.

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