The novel weaves three timelines between early 20th-century India, England, and the present day, tracing the consequences of a forbidden love across four generations.
In Darjeeling, India, in February 2000, Anahita Chavan celebrates her hundredth birthday. A healer and former nurse, she possesses an inherited ability to sense when loved ones die through a mysterious high-pitched singing. For 78 years she has believed her son Moh, whom she was forced to leave behind in England, is alive, despite holding his death certificate. Her family dismisses this as delusion. Anahita has written a 300-page manuscript addressed to Moh, telling her life story. She entrusts it to her great-grandson Ari Malik, a 25-year-old tech entrepreneur in Mumbai, asking him to discover what happened to her son. Ari is skeptical and stores the manuscript unread. A year later, Anahita senses that Moh has finally died, and she passes away three days later. Her solicitor sends Ari an envelope containing the date she sensed Moh's death alongside his original death certificate; the dates do not match.
In July 2011, Rebecca Bradley, a 29-year-old American film star, arrives in England to shoot a period drama called
The Still of the Night at Astbury Hall, a crumbling baroque estate on Dartmoor. She is fleeing personal turmoil: Her boyfriend, Hollywood star Jack Heyward, proposed, but she has not accepted, and his escalating cocaine and alcohol use echoes her painful past. Her birth mother, Jenny Bradley, had an addiction and placed Rebecca in foster care at age five before dying of an overdose. Rebecca never knew her father.
At Astbury, Rebecca meets Mrs. Trevathan, the protective housekeeper, and the estate's solitary owner, Lord Anthony Astbury. When Rebecca appears in 1920s costume with blond-dyed hair, Anthony is shaken and shows her a portrait of his American grandmother, Violet Astbury, who married his grandfather Donald in 1920. The resemblance is extraordinary. Anthony explains that both Violet and Donald died tragically young, beginning the family's decline. At night, Rebecca detects a mysterious perfume and hears faint singing.
Meanwhile in Mumbai, Ari's long-term girlfriend Lali leaves him over his workaholism. The loss forces a reckoning. He reconnects with his mother and, on his flight to London for business, finally opens Anahita's manuscript.
Anahita's story forms the novel's historical spine. Born in Jaipur in 1900, she is the daughter of a progressive scholar and a healer-mother who passes down Ayurvedic medicine, a traditional Indian healing practice, along with the gift of second sight. Her father dies of typhoid when she is nine, and Anahita and her mother move to the
zenana, or women's quarters, of the Maharani (queen) of Jaipur. There Anahita befriends Princess Indira of Cooch Behar at the 1911 coronation
durbar, a grand assembly of Indian royalty honoring King George V. When Anahita's mother later dies in a monsoon landslide, Indira's mother, Maharani Ayesha, becomes her guardian and funds her education.
In 1913, Anahita accompanies Indira to boarding school in England. World War I strands them there, and during holidays at Astbury Hall, Anahita bonds with Donald Astbury, the young heir, over dawn rides on Dartmoor. When the Maharani offers Anahita the choice of returning to India, she stays, drawn by Donald and her ambition to become a nurse. She joins the Voluntary Aid Detachment (VAD), a wartime volunteer nursing corps, and serves in France. On Armistice Day in 1918, she reunites with Donald, and their friendship becomes a love affair. Donald confesses the estate is bankrupt and proposes. Before they can marry, the Maharani summons Anahita to help Indira, who is starving herself rather than accept an arranged marriage. Anahita sails to India, discovers she is pregnant, and helps Indira elope with Prince Varun. She writes repeatedly to Donald, urging him to wait.
Donald never receives her letters. His mother, Lady Maud, intercepts the correspondence to prevent an interracial marriage. Believing Anahita has abandoned him, Donald proposes to Violet Drummer, a wealthy American whose fortune can save Astbury. He is fond of Violet but does not love her as he loved Anahita. Meanwhile, Anahita gives birth to Moh while recovering at her school friend Charlotte's home in Yorkshire. When she reaches London, she discovers Donald's marriage from a society magazine.
Donald later learns from his sister Selina that Anahita is alive and that Maud intercepted the letters. He finds Anahita and Moh in poverty and moves them to a cottage on the moors near Astbury, resuming his relationship with Anahita in secret. Anahita becomes a beloved village healer. When Violet falls ill during pregnancy, she requests Anahita's help, and the two women become genuine friends, deepening Anahita's guilt. Violet gives birth to a daughter, Daisy, but hemorrhages and dies at 23. Two days later, police arrest Anahita for Violet's murder, a charge orchestrated by Maud and the local doctor, Dr. Trefusis, who present herbs from Anahita's garden as evidence of poisoning.
After the arrest, Maud and Dr. Trefusis come to seize Moh and deliver him to a London orphanage. Donald intercepts them on horseback, but Maud blocks his path and the doctor swerves his car. The horse rears, throwing Donald onto a rock. Maud refuses to summon help and orders the doctor to take Moh away. Donald dies. Jim Fenton, the assistant postman, witnesses the scene from hiding and keeps the secret his entire life. In prison, Anahita is told both Donald and Moh are dead. Indira secures the dismissal of the charges through her royal connections, on the condition that Anahita leave England permanently. Anahita is given Moh's death certificate but refuses to believe it: She never heard the singing. She returns to India and gives birth to a daughter, Muna, conceived on her last night with Donald.
In 2011, Ari drives to Astbury, meets Rebecca, and gives her manuscript pages for Anthony. Over several visits, Ari and Rebecca develop a close friendship, riding together on the moors and sharing their struggles. Rebecca discovers Donald's diary hidden in Violet's former bedroom, confirming Anahita's account. Jack arrives at Astbury, and his drinking and drug use convince Rebecca to end their relationship.
Anthony, increasingly fixated on Rebecca's resemblance to Violet, proposes marriage and calls her "Violet." When she refuses, he chloroforms her and takes her to the cottage on the moors, where his alter ego, "Alice," emerges. Anthony has schizophrenia, triggered by a traumatic upbringing: His mother Daisy, herself shaped by Maud's cruelty, raised him as a girl and taught him to idolize the dead Violet. Mrs. Trevathan and Ari rescue Rebecca, and Anthony is committed to a psychiatric hospital.
Ari visits Mrs. Trevathan's 91-year-old mother, Mabel Smerden, who confirms Moh survived that day. Mabel learned the truth from her own mother's deathbed confession. Ari traces the child to the Randall Home for Foundlings in London, where Moh was renamed Noah Adams. The registrar reveals that Dr. Noah Adams became an eminent obstetric surgeon specializing in preeclampsia, a dangerous pregnancy complication of the kind that killed Violet. He devoted his life to maternal health and earned an Order of the British Empire (OBE) for his charitable work. Ari compares the date of Noah's death with the date Anahita recorded hearing the singing; they match exactly, confirming her lifelong intuition. He tears up the fraudulent death certificate.
Rebecca decides to leave acting temporarily and travel to India. At the airport, Ari spots her in the economy line for the same flight. He hears the faint singing for the first time, a sign that Anahita's hereditary gift of intuition has passed to him, and he recognizes Rebecca's significance in his life. He invites her to join him in business class. She ducks under the barrier, and they embrace.
In an epilogue set in 1957, Anahita describes raising Muna, building a medical career, and founding India's first women's hospital. Among the specialists she consults is a Dr. Noah Adams from London. She does not know he is her son, but she hopes he will visit one day. She closes her letter affirming that Moh was always loved.