56 pages ⢠1-hour read
Mitch AlbomA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Annie reaches the afterlife and is washed into a world of perpetual blue. She wonders whether she is in a dream and what happened to Paulo, and as she looks around, the blue fades away to be replaced by both natural and urban landscapes. One by one, a series of train car chairs appear in front of her, and Annie follows them until she reaches a compartment door. Inside, she finds a young boy in control of the train.
Annie is six years old and walking home from school with an older boy and his two sisters, whom she stays with until her mother gets home from work each day. They tend to bully her and take advantage of her naivety, and on this occasion, they decide to urge her to knock on the door of the house where a witch is rumored to live, offering to pay her five dollars. Annieās mother has been tight on money since being single, and Annie is enticed by the idea of being able to buy toys. She knocks on the door of the house. A woman answers. She scolds Annie and explains she isnāt a witch; sheās just sick. When Annie returns to tell the others, they tell her she canāt have the five dollars since the woman was not really a witch.
Annie realizes she has no mouth nor a body at all, but the boy she meets can hear her thoughts. He tells her sheās in heaven, and it finally hits Annie that she has died. He sarcastically calls Annie āslow,ā and Annie enters a denial period where she believes she should not have died yet: āBut it wasnāt my time. Iām not old or sick. Iām just⦠[ā¦] a person who makes mistakesā (45). The boy takes the train through the air and then under a purple ocean before emerging into a natural landscape. He punches the glass window and he and Annie hurtle out and onto the tracks.
The boy explains to Annie that he is the first of five people she will meet in heaven: the five people who will teach her lessons that eluded her in life, and that will help make the events of her life clearer. He tells Annie to watch as another train approaches with a boy, the same boy Annie is talking to now, chasing it. He explains that he thought he could āhang on like a kiteā (48), and in doing so, his arm was ripped from his body.
Meanwhile, on Earth, Tolbert picks up his wifeās car and attempts to call his assistant, who doesnāt pick up. Tolbert heads to the balloon field.
The train stops, and a woman notices the boy on the ground. She wraps his arm and the scene flashes to a hospital, where the boy becomes the first person to ever receive a full limb attachment. He points out how the success of the surgery came to save many more lives. He and Annie watch the moment unfold. Annie wonders why she is there, but the boy tells her to keep watching. Suddenly, he begins to grow up, until he becomes a middle-aged man. He confesses he died of a heart attack around this age despite becoming a doctor and introduces himself as Sameer. The scene changes to a different hospital, in which Dr. Sameer goes into a room to check on Annie, who had just had her hand reattached after the Ruby Pier accident.
Annie is eight years old and heads to Ruby Pier with her mother and the latest in a series of her motherās miscellaneous boyfriends. Annie feels recently neglected and pushed out of her motherās life. Sure enough, at the pier, Annie is given some tickets and told to go have fun and avoid large rides. Annie is bored by mid-afternoon and, after getting a pipe cleaner rabbit from a worker (Eddie), wins a wooden airplane from a fair game. She tosses it into the air, and it lands underneath the free fall ride. Annie climbs under the railing to retrieve it.
In the present, Annie enters the body of her eight-year-old self as she lies in the hospital bed. She realizes that Sameer was her doctor, and her voice starts to return. Annie wonders why she is meeting Sameer in the afterlife if she hardly remembers knowing him on Earth. Sameer explains that she is reliving past moments because āit all ties togetherā (59); an individualās time on Earth is only a tiny fraction of a massive, interconnected chain of people and events. He reminds Annie that everything that happened to her is part of a process that started long, long ago. He takes Annie from her childhood body and brings her back into her spirit form. They return to the massive landscape and Sameer reveals that it, along with the train, is his heaven. Before departing, Annie asks Sameer if she was able to save Paulo in the end, but he cannot tell her the answer; all he replies with is, āOthers are comingā (64).
The Next Person You Meet in Heaven is divided into a series of five lessons that Annie learns in the afterlife. Each is taught by a different person that her life intertwined with, and each is a lesson that will help Annie view both her past and future in a new light. The first of these lessons comes from someone that Annie does not expect to meet: the surgeon, Sameer, who reattached her hand after the Ruby Pier accident. Sameer imparts the important lesson that one tragedy, such as Annieās accident or his own, can be something that saves countless lives in the future. He does not regret his own accident, telling Annie that his surgery was the first of its kind: āThanks to my ignorant chasing of a train, many future patients were healedā (53). This illustrates The Purpose of People, Suffering, and Life, showing how every incident is actually a piece of a much larger puzzle, and something painful for one person can ultimately protect others from similar suffering.
In addition, Sameer teaches Annie about Interwoven Human Connectionsāspecifically the extent to which humans affect one another on a cosmic scale: āWe humans make so much of āourā time on Earth. We measure it, we compare it, we put it on our tombstones. We forget that āourā time is linked to othersā timesā (61). This hints at The Purpose of People, Suffering, and Life and the meaning of oneās existence. If Sameer had died in his accident, he would not have been able to save Annieās hand; likewise, had Eddie lived, he would not have met Tala and learned that his purpose was, ultimately, to save Annieās life. All of these lessons intertwine as Annie learns them, culminating in her realization of her own purpose.
Albomās āheavenā is full of symbolism. Through Sameer, Albom introduces the idea that each personās afterlife is unique, reflecting their idea of what āheavenā means. This is shown through Sameerās train, which is an inverted version of the accident that he experienced. In life, Sameerās arm was taken off by a train, and in death, he is the trainās engineer. This shows that he has taken control over what happened to him, rather than letting himself be ruled by pain, fear, or resentment. Trains are a common passion of young boys, and Sameer chooses for his heaven to be a representation of his innocent childhood and the sheer joy that came from the excitement of it all. This is also why he first appears in his childhood form. Sameerās heaven juxtaposes urban and natural life, posing each beside the other. There is a clear sense of appreciation for all of the varied existences that life offers, and it is a strong contrast to the barren desert that is to follow.
Annieās encounter with Sameer foreshadows what is later revealed to be her chosen career path: nursing. Annie and Sameer share many similarities, including childhood accidents, revolutionary surgeries, and an interest in paying forward the help they received as children to others who need them.



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