The Night We Met

Abby Jimenez

55 pages 1-hour read

Abby Jimenez

The Night We Met

Fiction | Novel | Adult | Published in 2026

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Themes

Content Warning: This section of the guide includes discussion of emotional abuse, mental illness, addiction, and substance use.

Loyalty as an Ethical Principle

In The Night We Met, loyalty is not only a character trait but also a fundamental ethical principle that certain characters live by. Though Larissa’s actions are influenced by her idea of loyalty, Chris’s concept of loyalty is particularly pervasive and is one of the main issues guiding his actions until the final chapter of the novel. While Chris sees loyalty as a good quality, he sometimes fails to realize when it goes too far.


Chris’s loyalty toward his friends is apparent from the novel’s opening when he agrees to get up early to drive a near-stranger to the hospital because his best friend asked him to do so. Significantly, the very first way Chris describes Mike in the novel is “loyal to a fault” (11), showing how this trait not only runs in their friend group but also is especially important to Chris in his longest friendship. Since Chris has known Mike since childhood and Mike is equally loyal, when Chris starts to fall for Mike’s girlfriend, Chris always feels like he’s at fault and a bad person for even thinking of Larissa in that context. When Chris realizes that he’s in love with Larissa later in the novel, he asks himself, “What kind of piece of shit lets himself get there?” (197), showing how he equates his morals with his loyalty to his best friend.


However, Chris’s obsession with loyalty also proves detrimental in many ways because he often fails to see when he’s enabling or infantilizing others. This ethical complication is most evident in his dynamic with Mike and Larissa. Chris persuades himself that he needs Mike and Larissa to stay together, so he starts to do things unasked that he thinks will make Mike look better in Larissa’s eyes. He drives over at three o’clock in the morning to clean off Larissa’s car, removes products with nuts from the cabin pantry, and buys a replacement Christmas gift for Larissa at the last minute. While Chris rationalizes these choices by claiming that he’s helping Mike and taking good care of Larissa, he doesn’t realize that his interference is preventing Mike and Larissa from developing an honest dynamic. Likewise, his determination to cover up Mike’s heavy drinking means that Larissa is largely unaware of the problem until much later in the narrative, which prevents her from making an informed choice about the relationship for well over a year.


By the novel’s close, Chris has learned that loyalty must be paired with boundaries, for both his own sake and that of others. He realizes that his loyalty to Mike has prevented him from pursuing his true feelings for Larissa, while his enabling behavior helped Mike avoid facing his challenges for too long. Chris thus ends the novel with a healthier concept of loyalty, learning that he can be loyal to his friends while still leaving enough space for both himself and his friends to be autonomous and authentic.

Economic Precarity Shaping One’s Sense of Agency

When the novel opens, Larissa’s absent father has used her social-security number to open credit cards in her name and racked up debt, which is extra difficult for Larissa since she already works long hours just to make ends meet. Larissa’s financial hardships build on one another, revealing poverty as a systemic problem rather than an individual one. Through her struggles, the novel exposes how economic precarity shapes one’s sense of agency.


Larissa is always working, and with all this added stress, she doesn’t have the time to think of changing the way she lives, let alone save up the extra money she would need to give herself a break or allow her to pivot. Her best friend, Lexi, describes Larissa’s way of living as “survival mode,” showing how Larissa doesn’t get a chance to actually live her life because she has to focus on just making it day to day. Given Larissa’s survival mode, she’s often limited in what she can and can’t do in her life. For example, she can’t afford to live somewhere other than the dingy apartment that she and her mother share, so when Nancy decides to move out, Larissa feels like she must move in with Mike, in spite of her shaky feelings for him.


When she breaks up with Mike, Larissa feels that she has no other options for what to do, calling herself “homeless” until Chris offers to take her in. When she’s fired from waitressing at the diner, one of her main sources of income, Larissa thinks, “I never got a break […] I never got to feel truly safe and secure and stable because the bad things never stopped happening” (246). When Chris takes her into his home, Larissa feels like she’s out of survival mode for the first time in her life. Chris not only takes care of her living situation but also pays for everything else, allowing her to stop thinking of money for once. He also provides her with the means to build her own business, something that Larissa couldn’t have done financially on her own.


With Chris, Larissa has both support and the agency to change her life. She realizes, “For the first time in my life, I was not pigeonholed by poverty into living with someone I didn’t want to live with. I had the choice” (261). By the end of the novel, Larissa is both more financially stable and much more self-confident, launching her catering business and living with Chris out of love, not necessity. Her transformed circumstances thus reinforce how agency can be directly tied to economic security.

The Courage to Choose an Unfamiliar Path

When Larissa and Chris get lost on their walk in the park and wonder whether they should turn back or keep going, Larissa is reminded of something she once read about. She tells Chris, “Did you know in an emergency people tend to escape out the door they came in, even if it’s not the safest route […] They’ll run right into the danger they’re trying to get out of, just because it’s familiar” (87). Larissa thinks about this often, especially since she often falls into patterns that are unsatisfying but familiar. A key part of her and Chris’s character arcs thus involves finding the courage to choose an unfamiliar path.


Larissa often compares herself to her mother, especially when it comes to men. Her mother has worn herself down trying to change men who refuse to work on themselves and who don’t see Nancy’s value, and Larissa promises herself that she will never be like that. When she realizes Mike’s true nature later in the novel, she immediately starts making these comparisons again, realizing that she settled for what felt easy instead of pursing a more genuine relationship. Larissa’s excuses for Mike’s drinking represent the familiar path because it shows how she unintentionally fell back on what she knew from childhood.


Other characters must grapple with this decision as well, particularly Chris and Mike. Chris is so used to his friendship with Mike being based on providing for him, yet he realizes toward the end of the story that their relationship has shifted. Chris realizes that Larissa has become his best friend, though he admits, “[I]t never occurred to me that anyone could ever take that spot from Mike. It was a truth almost as old as I was, something I didn’t even question” (254). Chris falls back on his familiar way of taking care of Mike, something that he later realizes has been enabling his bad habits. Similarly, Mike doesn’t question his ways of coping, falling back on his coping mechanism of drinking heavily to avoid his anxiety. When Mike finally apologizes to Chris, Chris sees that he has finally taken the unknown path in his life. During Mike’s final exchange with Larissa, she tells him “to take the exit that makes the most sense. Not the door he knows” (295).


This theme is brought back around in the final lines of the novel when Chris and Larissa get lost in the zoo and think about returning the way they came. Chris says, “But we’ve already seen that. What if what’s coming is better than what we’ve already done?” (298). These lines highlight the ways that the characters have all taken a new path in life.

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