A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summaries & Analyses
Quizzes
Reading Tools
Content Warning: This section of the guide includes discussion of emotional abuse and death.
Linda realizes that Christian is in love with Lavender Davis, a serious and capable welfare worker. Though her pride is wounded, Linda does not feel heartbroken. One afternoon in Perpignan, she sees Christian and Lavender walking together, looking perfectly happy and absorbed in each other. On an impulse, she packs her bags, writes a letter to Christian saying their marriage has failed and asking him to look after Matt. She commits to her decision to leave Christian by adding a postscript, telling him he would be better off marrying Lavender. She takes the night train to Paris.
On the journey, Linda regrets her hasty decision. She reflects on how she has thrown away the past two years and worries she is destined for the life of a “bolter.” When she arrives at the Gare du Nord in Paris, she discovers her return ticket to London has expired. With only a few shillings, no contacts in the city, and overwhelmed by exhaustion and despair, she sits on her suitcase and cries. A stocky, dark-haired Frenchman in a Homburg hat approaches her. Amused by her situation, he offers to help, securing her a room at the Hotel Montalembert and promising to take her to lunch.
The Frenchman introduces himself as Fabrice de Sauveterre and remarks that with him, affairs usually last five years. At lunch, Linda recounts her story. Fabrice critiques her clothing, but admits she has some charm. Linda feels an immediate, overwhelming physical attraction to Fabrice, which she finds both thrilling and frightening. She resists his invitation to see his apartment, insisting she is a respectable woman.
Over the next two days, Fabrice courts Linda. He lends her money for her ticket, takes her to dinner, and shows her Paris, including a trip to Versailles. Linda is captivated by his stories and conversation but continues to insist she must return to London. He does not pressure her, but calls her hotel room at two o’clock in the morning and asks to come over. Linda agrees, acknowledging that the night porter can be under no illusion as it is.
Fabrice installs Linda in a luxurious modern apartment overlooking the Bois de Boulogne, complete with a housekeeper named Germaine. Linda soon learns that Fabrice is a wealthy duke. He tells her about his deceased fiancée, Louise, a beautiful and proper woman he still mourns, which makes Linda intensely jealous.
Linda and Fabrice establish a routine: Fabrice spends every night with Linda, but is occupied with his own affairs during the day. Linda passes the time shopping for expensive clothes with the money he gives her. One day, Lord Merlin and Davey Warbeck make a surprise visit to Linda; it was Davey who hired a detective to find her new address. They are amused by Linda’s new life as a kept woman and warn her that Fabrice is known throughout Europe as a notorious womanizer. When Fabrice learns of their visit, he is unconcerned. As the threat of war grows, he makes Linda promise that she will return to England the moment he tells her it is necessary.
While waiting for Merlin and Davey at the Ritz, Linda overhears two women discussing Fabrice’s devotion to another woman, Jacqueline, who is away in England. Devastated, Linda goes to Fabrice’s ancestral home to confront him, but is awed by its grave, civilized beauty and realizes that causing a scene would be pointless. After war is declared, Fabrice moves into Linda’s apartment, shutting up his own and sending his mother to the country; his intelligence job keeps him mostly in Paris, so Linda sees rather more of him than before. He showers her with extravagant Christmas gifts, including a sable coat and a bulldog puppy she names Plon-plon.
One day in April, Fabrice arrives from the front looking grave and worried. He tells Linda she must leave for England immediately. Linda attempts to leave behind the expensive clothes he bought her, feeling she cannot take them, but he insists. He escorts her and Plon-plon to a plane bound for London, ending her idyllic life in Paris.
Back in her London house in Cheyne Walk, Linda waits anxiously for news from Fabrice as France falls to the Germans. Fanny’s husband, Alfred, and the Radlett boys (Bob, Matt, and little Robin) all return safely from the evacuation at Dunkirk. Fanny visits Linda and finds her unpacking trunks of beautiful clothes sent from Paris. Linda tells Fanny that her time with Fabrice constituted “eleven months of perfect and unalloyed happiness” (177). Before being sent to the United States for safety, Linda’s first daughter Moira pays her a brief, awkward visit.
After months of silence, Fabrice phones Linda early one morning. He comes to her house and tells her for the first time that he loves her, explaining that he risked the journey to England just to say it. He has joined General de Gaulle and is now working for the French Resistance. After one day together, he leaves again in a Free French military car, promising he will be “back and forth” (186), but their parting leaves Linda in despair.
The London Blitz begins. After a bomb damages their house, Fanny and her family take refuge at Alconleigh. They are soon joined by Fanny’s mother, the Bolter, and her new Spanish lover, Juan, who is quickly hired as the family’s cook after revealing his culinary genius. Fanny visits Linda in London and learns she is pregnant with Fabrice’s child. Shortly after, Linda’s house is destroyed in a raid. Rescued unharmed, Linda finally agrees to move to Alconleigh.
Linda spends a quiet pregnancy reading fairy tales. A letter arrives from Fabrice, but his handwriting is completely illegible. During a tense invasion scare, Uncle Matthew makes detailed plans for the family’s defense, ordering Davey to blow up the well-stocked store-cupboard to deny supplies to the Germans; Linda subsequently takes Uncle Matthew aside to learn how to do it herself, doubting Davey’s willingness.
On May 28, Linda gives birth to a boy but dies from complications. Around the same time, Fabrice is captured by the Gestapo in France and executed; he is hailed as a hero of the Resistance. Fanny adopts their orphaned son, also named Fabrice. The Bolter tells Fanny that Linda’s death was perhaps for the best, and when Fanny says Fabrice was the great love of Linda’s life, the Bolter replies sadly, “One always thinks that. Every, every time” (214).
Linda’s departure from Perpignan marks her final break from a life governed by ideology. Her realization that Christian is in love with the more ideologically suitable Lavender Davis comes across less as romantic heartbreak than it does a moment of clarity. Her work with the Spanish refugees, a response to the historical crisis of La Retirada, represents the height of her political engagement, but it is precisely in this context that she understands The Extent to Which Political Ideology Fails Human Needs. Christian’s all-consuming devotion to the cause, mirrored in his intellectual partnership with Lavender, leaves no space for Linda’s intensely personal and romantic nature. Her impulsive flight, which she punctuates with the “fatal feminine practice” of a telling postscript (138), is a definitive rejection of a life dictated by abstract principles. This act of “bolting” is thus depicted as an essential step toward self-realization, as she turns away from a world of collective suffering to pursue her own individual happiness.
The chance encounter at the Gare du Nord, where a destitute Linda sits crying on her suitcase, initiates the novel’s central romance and its primary argument for love in modern society. Linda’s complete helplessness strips her of social pretense, making her accessible to Fabrice de Sauveterre in a way that would be impossible within her own class. This meeting underscores the theme of Prioritizing Personal Happiness Over Social Convention. Unlike her socially sanctioned marriage to Tony Kroesig or her ideologically driven union with Christian, her relationship with Fabrice begins as a scandalous pick-up. Fabrice is immediately amused by her earnest assertion that she is a femme sérieuse (“respectable woman”), recognizing that her true self exists outside such conventional categories. The “overwhelming physical attraction” she feels is immediate and personal (145), a force that operates beyond the logic of social standing or political alignment that has governed and failed her in her previous relationships.
Fabrice’s luxurious Paris apartment becomes a self-contained world, a sanctuary from the political turmoil brewing across Europe. This period, which Linda later defines as “eleven months of perfect and unalloyed happiness” (177), is dedicated entirely to private pleasure and personal connection. The motif of pets and animals recurs with Fabrice’s gift of a bulldog puppy, Plon-plon, but where her earlier pets represented a desperate search for affection, the puppy here signals a life of shared contentment. This modern, sun-filled apartment stands in deliberate contrast to Fabrice’s ancestral home, a place of “grave and solemn beauty” that shows a lineage and social world from which Linda is pointedly excluded (166). Their life together is an artificial paradise, but it is also the only place where Linda finds genuine fulfillment. Fabrice’s insistence that she continue buying beautiful clothes as war becomes imminent thus becomes an assertion of their private world of beauty and love as a form of defiance against the encroachment of public chaos.
The war’s inevitable intrusion shatters Linda’s Parisian idyll and forces her back to the eccentric, feudal world of Alconleigh. These final chapters juxtapose the epic scale of World War II with the hyperlocal, almost farcical defense preparations of Uncle Matthew. His plan to have Davey blow up the well-stocked larder to deny supplies to the Germans exemplifies Valuing Spiritual Authenticity Over Materialism; it is a visceral, land-based, and deeply personal response to a national threat, devoid of grand strategy but full of defiant spirit. Linda’s quiet decision to learn the procedure herself, correctly sensing Davey’s lack of resolve, signals her full reintegration into the Radlett ethos of eccentric but courageous action. Her final months at Alconleigh, spent reading fairy tales in the Hons’ cupboard, represent a retreat into the imaginative safety of her childhood, turning the chapters into a final, peaceful interlude before the tragic conclusion of her own romantic story.
The novel concludes by weighing Linda’s romantic idealism against world-weary cynicism. Linda’s death in childbirth, coinciding with Fabrice’s execution as a hero of the French Resistance, elevates their affair to the level of mythic tragedy, fulfilling the lifelong pursuit that gave the novel its title. Yet, this romantic interpretation is immediately challenged by the Bolter’s final words to Fanny regarding Fabrice being the great love of Linda’s life. The Bolter, who has lived a life of serial passions, suggests that what feels like a unique, transcendent love is merely a recurring illusion. This final exchange leaves the novel’s central question open: Either Linda’s pursuit was a noble quest that found an authentic yet tragic end, or she was simply another victim of a romantic fantasy. Fanny’s choice to adopt the baby Fabrice provides the implicit answer, suggesting that Linda’s love, unlike the Bolter’s fleeting affairs, created a tangible and lasting legacy, affirming its reality and ultimate worth.



Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.