The Secret, Book & Scone Society

Ellery Adams

52 pages 1-hour read

Ellery Adams

The Secret, Book & Scone Society

Fiction | Novel | Adult | Published in 2017

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Themes

Content Warning: This section of the guide includes discussion of illness, death, emotional abuse, child abuse, gender discrimination, and substance use.

Finding Healing Through Shared Vulnerability

Early in the novel, Adams establishes that each member of the Secret, Book, and Scone Society carries a private wound shaped by past trauma that keeps them isolated from those around them. Across the narrative, the four women build trust and community by sharing their secrets with each other, turning their individual burdens into a shared source of strength. During their first meeting, Nora declares, “By showing up tonight, we’ve agreed to trust each other […] With our stories. Which, I imagine, are the secrets we’ve been keeping from the rest of the world” (66). Their agreement to reveal their most painful secrets and the shared purpose of solving the mystery of Neil’s murder allow them to begin the healing process that each of them had found impossible alone. Their shared vulnerability facilitates their personal restoration.


The members of the secret society find common ground when they come together to oppose the town’s institutional corruption. Their ethical stance unites them in a common cause, which motivates them to strengthen their connection through shared vulnerability. After Sheriff Hendricks quickly labels Neil’s death a suicide, Nora and the other women gather together, wanting to speak for a man who “doesn’t have a voice anymore” (43), emphasizing their commitment to push back against the town’s corrupt authorities. When Hester questions how they can trust each other in the middle of a dangerous investigation, Nora names their rule by saying that “[t]here’s only one way to gain trust” and explaining, “We have to tell each other our stories” (45). Their practice of honesty and vulnerability turns their alliance into a community.


Sharing their secrets increases their empathy, both for each other and themselves, allowing them to release the burdens of guilt and shame that they’ve been carrying alone. When Estella describes a childhood shaped by her mother’s flings and an abusive stepfather who was murdered by her biological father, the others respond with quiet support. When June describes enduring a lawsuit that left her bankrupt and estranged from her son, Hester puts “an arm around June and squeeze[s]. ‘I’m so sorry,’ she whisper[s]” (115). When Hester reveals her secret pregnancy as a teenager and the pain of surrendering her daughter for adoption under her parents’ strict authority, June tells her, “It’s better to let it all out […] Here, where you’re safe. Here, in this wonderful, cozy house. With your friends” (213). Each confession receives the same compassionate response, free of judgement. Their openness breaks down the barriers that each woman has constructed as a form of self-protection.

Reading as a Tool for Survival and Self-Discovery

From the novel’s opening scene, Adams establishes books as a therapeutic survival tool. Nora’s chance encounter with Neil on the park bench introduces her self-defined role as a bibliotherapist—a person “able to help people solve their problems by recommending certain titles” (3). Throughout the novel, Nora’s bibliotherapy sessions underscore the novel’s argument that stories can help a person rebuild a damaged sense of self. Engaging with Nora’s recommendations prompts her customers to confront their pain directly instead of avoiding it. She chooses narratives for each customer that echo their individual needs, helping them face the past and find a way toward forgiveness, healing, and self-discovery.


Adams roots Nora’s belief in the healing power of books in her personal experience—the months spent in a hospital burn unit recovering from her accident. After a drunk-driving accident left her scarred, she felt broken and wished for death. Her burn-unit nurse gave her a curated set of books to read. She began with novels about characters with physical differences, like Mary Shelley’s Frankenstein and Gaston Leroux’s The Phantom of the Opera, and then moved to stories that incorporate drunk driving. When Nora objected that the nurse was being cruel, she explained her method by saying, “Let the stories be your antiseptic. Bear the pain now for a chance at a better tomorrow” (7). The more Nora read the nurse’s recommendations, the more she learned that stories can be an “ice-axe to break the seas frozen inside our soul” and create the first opening for healing (1). Nora’s own therapeutic reading experience became the basis for her faith in literary treatment, which inspired her to own Miracle Books.


Each of Nora’s curated sets of books provides an emotional reckoning rather than an escape. As Nora tells Neil, the right titles “will force you to grapple with the hardest truths of your life” before they “pull you up, higher and higher, until you feel the sun on your face again” (4). Her bibliotherapy at Miracle Books follows a steady, attentive pattern. She begins by listening carefully to a person’s distress and then chooses books that meet the heart of that pain. When an unhappy accountant misses the joy of her grandmother’s kitchen, Nora gives her cookbooks and novels about rediscovering pleasure in food, such as Chocolat by Joanne Harris and The Hundred-Foot Journey by Richard C. Morais, which help the woman feel joy again. When a man named Roger struggles to connect with his daughter during her cancer treatment, Nora selects books about fatherhood, including Harper Lee’s To Kill a Mockingbird.


Miracle Books itself becomes a haven shaped by Nora’s belief in narrative healing. She arranges the store to feel warm and inviting, a place surrounded by what she calls “our communal story” (4). The Secret, Book, and Scone Society choose the shop as the place where they can share their own painful histories with each other, protected by the “walls of stories” around them (66).

The Deceptive Tranquility of Small-Town Life

In The Secret, Book & Scone Society, Adams emphasizes the dual nature of her fictional small-town setting. Miracle Springs advertises itself as a quiet retreat with restorative pools and tree-lined streets, but Adams cuts through that image, revealing corruption, greed, and violence beneath the surface. The novel subverts the cozy small-town ideal by progressively revealing the town’s most respected figures as key players in the novel’s central crime. This contrast between outward respectability and hidden danger demonstrates how a peaceful setting can mask corruption perpetuated by systems of power.


The book breaks the illusion of safety immediately with the violent death of Neil, a visiting businessman, who is pushed in front of a train. His murder exposes the decay in Miracle Springs. Sheriff Hendricks’s decision to restore calm by calling the death a suicide without a real investigation immediately points to institutional corruption. His overt sexism and misogyny during his interviews with Nora and her friends raise further questions about his personal ethics. Adams introduces the sheriff through Hester’s perspective: “He doesn’t like women. Or at least, any woman who’s dared to leave the 1950s behind. Every time he comes in the bakery, I cringe. He never fails to comment on how he thinks all women should be wearing aprons” (28). Hester’s perspective is confirmed by Sheriff Hendricks himself. When Nora refutes his position that Neil died by suicide, the sheriff asks, “‘Is this your female intuition talking?’ […] with unmistakable contempt” (31). His blatant dismissal pushes the four women to form their secret society and investigate Neil’s death themselves.


The society’s private investigation reveals an expansive web of corruption that reaches far beyond the sheriff’s office. A group of the town’s most influential men runs the fraudulent Pine Ridge Properties scheme, including the sheriff and his brother, Dawson, the president of the local bank. Bob, a local bartender, explains that after Neil’s death, the sheriff and Dawson gathered with the remaining Pine Ridge partners in a meeting that “felt more like an Irish wake than an interview” (74)—an observation that links local law enforcement with financial corruption and a real-estate scam and reveals a network of powerful men using their position and influence for personal profit. The scam preys on hopeful residents and exploits their desire for stability and community in the name of personal greed.


The novel complicates the notion of small-town safety by revealing hidden violence and cruelty in characters who appear harmless on the surface. Bob, the friendly bartender at the Oasis Bar who confesses a crush on Estella, later emerges as a paid killer hired to murder Neil and Fenton. His benign demeanor curbs suspicion, demonstrating that danger in Miracle Springs often wears a familiar face. When Nora first encounters Collin, the mastermind behind the real-estate scam, she concludes, “He hadn’t pushed his partner in front of a train—not this debonair man in his pressed shirt and pants […] A husband and father who seemed genuinely interested in literature […] Nora sincerely hoped he wasn’t involved. She liked this man” (100). Later, the reveal that Collin attempted to run Nora off a quiet road, had two people murdered, and intends to kill Nora and her friends exposes a hidden corruption belied by his outward appearance.

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