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In post-war Andarra, magic is regarded as a dangerous and blasphemous tool of the oppressors. The Four Tenets and the larger Treaty were devised as regulatory measures to prevent the return of tyranny and protect both magical and non-magical beings. However, as Davian, Asha, and Wirr struggle with their own limited freedom, the novel explores the ethics of constraining such power, and the story implies that magic is neither inherently good nor evil; it is a power defined by context, intent, and consequences.
To the Loyalists, the ability of the Gifted to wield Essence and the Augurs’ ability to See the future and Read and Control minds are insidious powers that no individual should be allowed to freely possess. Administrator Talean, who enforced the Treaty, believes “in protecting the Gifted just as much as protecting everyone else from them” (34). Davian’s unconscious use of mind Control to kill a group of men and mutilate Taeris’s face is one example of the tragedies caused by unchecked power. Likewise, Wirr believes in “reasonable checks and balances” (107) and advocates for amending existing rules rather than abolishing them completely. Even Ilseth Tenvar admits that the Augurs “are at fault. Undoubtedly” (30) for abusing their powers. Yet the rules that were subsequently set in place to balance power are also punitive, giving those who serve the new regime the license to retaliate against their former enemies. For example, Asha learns that the Administration “wouldn’t lift a finger” (84) to address a Shadow’s accusation, and neither Shadows nor Gifted have any legal recourse to challenge their abusers. Thus, the laws intended to ensure justice are now hypocritically used to legitimize injustice.
The Gifted and Augurs are not predisposed to tyranny just because they have the potential to wield magic that is powerful enough to subjugate the non-Gifted. During Davian’s Augur training, Malshash explains, “You’ll have opportunities—many opportunities—to use kan in ways that will benefit you, but are not strictly…moral. It’s a constant temptation” (361). These words emphasize that power, whether magical or mundane, is not inherently corrupt; the moral labels come instead from the ways in which such power is used. Malshash makes a distinction between the use of kan for manipulative Control and the ethical use of “Influencing” to help Davian focus. The narrative also provides several examples of the Gifted using their powers for good, as when certain characters save lives, heal wounds, or engage in self-defense. In Asha’s case, she brings criminals like Ilseth Tenvar to justice. However, a morally ambiguous use can be seen in Erran’s decision to employ mind Control over Elocien for the greater good. Though the novel focuses on the wielding of magic, this premise becomes an analogy for all forms of power, and the events of the novel illustrate ways to wield power responsibly and ethically. Within this context, the revised Tenets give the Gifted greater autonomy and the right to defend themselves, but Wirr balance these rights with accountability. Yet through Davian’s doubts, the novel also examines the question of whether those with power are destined to abuse it.
Memory is a central theme in the novel, as the three main characters— Davian, Asha, and Caeden—all experience some form of memory loss. To stabilize their sense of identity, they must find a balance between remembering and forgetting the past. Each choice brings a wealth of consequences for the characters’ personal development and for the evolution of the story as a whole.
The novel frequently demonstrates that memory loss can translate to distrust and a fragmented sense of self, as the blanks in the characters’ memories can lead to self-doubt and manipulation. For example, the traumatic attack that Davien endures as a child leaves him blocked from the pivotal event that made him Gifted. This gap becomes a hindrance to his development, as he can neither understand his failure to conjure Essence nor trust Taeris’s version of what happened. Yet to Taeris, the false memory he gives Davian protects the youth from execution and shields him from the guilt and fear of possessing an Augur’s uncontrolled power, thereby freeing Davian to become someone new. The novel uses dramatic irony to reveal what Davian doesn’t know about himself. Far from being an incompetent student, Davian is a powerful and potentially dangerous Augur who can Read other people’s memories and even “experience” them as his own. Malshash warns, “[Y]ou have to be careful. Once you Read someone’s memory, it becomes yours, too. If you’re not careful, that can change you” (333). For Davian, memory is an unreliable narrative that blurs the lines between his own identity and that of others.
For Asha, her partial memory loss is a violation of her will, and regaining it affirms her sense of self. Whereas Taeris uses Davian’s memory loss to protect him, Ilseth inflicts amnesia on Asha as a way to dominate her. Exploiting the fact that trauma disrupts memory, he lies and tells her, “[Y]ou couldn’t take the memory of seeing it. You…went wild, when I refused to help” (76). Only when Erran retrieves her memory does Asha confirm her suspicions that Ilseth has been gaslighting her. The return of her memory validates her instincts about who she is and what she “would never have done” (76).
Finally, Caeden (as Tal’kamar) believes that forgetting the past is the key to becoming a better version of himself. By using the Waters of Renewal, a magical pool of forgetting, Caeden starts his life anew. When the time comes to restore his memories, he is selective, curating a specific identity to remember and embody. However, as Asar reveals, “The problem, Tal’kamar, is that if you do not know who you were, you cannot know to change” (591). Forgetting may erase Caeden’s guilt, but it also erases his sense of accountability. Although he intentionally wiped his past, he spends the entire novel attempting to retrieve it, and this pattern highlights the paradox that by succumbing to his desire to forget, he amplifies his need to remember. Thus, through memory and forgetting, each character negotiates their sense of self, demonstrating that identity itself is a fluid construction.
The Licanius Trilogy follows a “closed-loop” model of time travel in which the past cannot be changed. Augurs can see a fixed future of events but cannot avoid them. Traveling to the past only reiterates what has already been predetermined: a cycle that presumably eliminates free will. In Book One, Caeden comes to terms with his past evils as Aarkein Devaed and learns that to be a better man, he must create a more nuanced definition of free will to include accountability.
In the world of the novel, two belief systems exist: one where life is fated by El, “the god of predestination” (226) and one where the past can be altered. In the past, Caeden (as Tal’kamar), desired to change the evil path that he had taken under his alias, Aarkein Devaed. His attempt to travel to the past to prevent his atrocities failed; Malshash (who is also Tal’kamar) briefly references this attempt to use the Jha’vett, an artifact for time travel, when he tells Davian, “Instead of getting it to work, though, [Devaed] just…damaged it” (291). Unable to change the past, Caeden then decides to wipe his memory in order to “go where Aarkein Devaed cannot follow” (3). The premise of a closed time loop allows the novel to explore the meaning of free will and redemption: two concepts that for Caeden, the time loop precludes.
To exercise free will, Caeden learns to value and take responsibility for his choices. In the midst of his amnesia, Caeden has a gut instinct that he has a guilty past, and he questions whether he can make amends. When Davian contends, “[E]ven if you find what you’re afraid of, you’ll still have a choice moving forward” (214), the youth’s advice highlights the importance of intent in the process of redemption. Likewise, Nihim emphasizes the value of choice in determining one’s moral path, asserting, “Everyone has a darker nature, Caeden. Everyone. Good men fear it, and evil men embrace it. Good men are still tempted to do the wrong thing, but they resist those urges.” (226). To Nihim, people find redemption and exercise free will by purposefully making the right choice. He contends, “Just because El knows each choice I’m going to make—even if He created me knowing it’s the choice I would make—doesn’t mean it’s not mine” (227). Nihim thus rejects the idea that predestination absolves a person of responsibility for their actions. Continuing these explorations, the remaining books of the series focus on Caeden’s developing sense of self-awareness and accountability for his past actions and his willful decision-making in the face of a predestined future.



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