The Sinner

Shantel Tessier

61 pages 2-hour read

Shantel Tessier

The Sinner

Fiction | Novel | Adult | Published in 2022

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of gender discrimination, sexual violence and harassment, rape, mental illness, child abuse, child sexual abuse, pregnancy loss, death by suicide, suicidal ideation, substance use, addiction, graphic violence, sexual content, cursing, illness, death, physical abuse, and emotional abuse.

Photos and Videos

Many of the twists and reveals in The Sinner rely on photos and videos as evidence of events. These are often misleading, even though they are not doctored. Sin discovers James’s abuses through photos on James’s phone, and similar photos later appear in Liam’s office. However, these photos expose only a portion of the abuse Elli faced as a child. Later in the story, Sin realizes that someone must have taken the photos of James and Elli, which leads him to discover that Liam was involved in the abuse. Chance shows Amelia a video of Lincoln and James abusing Elli, which Amelia misinterprets as a sign that Elli was willingly having sex with both men. In each case, the photos of the abuse fail to expose the full story of Elli’s trauma. They even mislead the characters into believing that all the abusers are dead, that Elli was complicit in her abuse, and that the evidence of abuse is limited to tangible representations.


Photos and videos represent the limits of physical evidence. For example, Amelia shows Elli and Kira a video in which Sin ties her to a bed. Elli and Kira conclude that Sin slept with Amelia and that Corbin has been showing other Lords videos of him and Kira having sex. Later, they discover that neither conclusion is accurate, as Sin tied Amelia to the bed for Chance to have sex with her, and Corbin has not broken Kira’s trust. The video appears to be reliable evidence, but it masks the reality of the situation. This reflects the secrecy of the Lords society. Characters often note that things are not always what they seem, with photos and videos becoming a physical representation of this fact.

Drug Use

Drug use is a form of escape and control. For Elli and Kira, drugs blot out the challenges and trauma of growing up under the influence of Lords society. Elli notes how she takes drugs to forget memories of trauma, and it is reasonable to conclude that Kira, too, experienced challenges growing up as the daughter of a Lord and Lady. Marcus, Holland, and Mack, who are not Lords, use drugs as a way to control women. They lack the societal apparatus of the Lords, which allows men to abuse women without consequence.


By contrast, Lords are not allowed to do drugs. This is a way of maintaining self-control. Sin often refuses drinks, criticizes those who take drugs, and focuses on staying “sharp” in case he needs to take care of Lords business. Abstaining from drug use is a way for the Lords to maintain their dominance, while drugs are a way for non-Lords to distract themselves from the problems caused by the Lords.

Pregnancy and Reproduction

Pregnancy and reproduction are joined motifs in The Sinner. They come up most frequently with Sin’s desire to get Elli pregnant, the need to produce more Lords, and the measures taken to limit or control reproduction in the Lords society. Sin wants to impregnate Elli because he sees it as another form of ownership; he goes as far as taking away her birth control to achieve this goal. Damaging birth control before sex is another form of sexual assault, reflecting Sin’s desire to control Elli. For Sin, his relationship with Elli cannot be complete until she is pregnant, and his frequent references to “owning” Elli are inextricably intwined with the motif of pregnancy.


The Lords value women only as a means to produce more Lords. Sin reveals that Lincoln had a vasectomy at the orders of the Lords because his family was not successful; this exposes how reproduction is a broader form of control within the Lords society. Liam and Laura get pregnant, fulfilling the Lords’ desire for more powerful children.

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