The Sinner

Shantel Tessier

61 pages 2-hour read

Shantel Tessier

The Sinner

Fiction | Novel | Adult | Published in 2022

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Themes

Content Warning: This section of the guide includes discussion of gender discrimination, sexual violence and harassment, rape, mental illness, child abuse, child sexual abuse, pregnancy loss, death by suicide, suicidal ideation, substance use, addiction, graphic violence, sexual content, cursing, illness, death, physical abuse, and emotional abuse.

The Privileges and Prohibitions of Elite Societies

There is a contradiction at the heart of The Sinner. The Lords are men who do whatever they want whenever they want, but they must follow orders without question, obey the will of the society, and avoid harming other Lords and Ladies. Each of the rules that the Lords follow are payment in exchange for special privileges. The Sinner examines how these privileges can be outweighed by prohibitions, depending on circumstances. When the society gives a Lord an assignment that goes against his desires, he can no longer do what he wants, or he must face the consequences of disobeying the society. This subverts the idea of a Lord being a “Deity” in control.


Throughout Sin’s journey, he navigates the limits of the Lords’ rules and rewards. He also uses the Lords’ society to justify his behavior toward Elli. As he notes: a “Lord is taught that he can have whatever he wants, even if that means they have to take it” (66). Sin’s narrative arc culminates in the Epilogue, where Sin has become a successful and powerful Lord. This is in line with the happily ever after ending common in romances, in which both leads reach their full potential.


The foundation of the Lords’ society is the reward for service, which varies between money, power, and sex. However, these privileges are not distributed evenly across the organization. Sin frequently notes the varying powers and ranks of different Lords. For example, Sin does not hesitate to punish David, since David is a lower-ranked Lord than Sin’s father. Although David is a Lord, he is not allowed to have sex with Elli because she “belongs” to another Lord. Sin observes how this contradiction is also the source of power struggles between newly initiated Lords, like Ryat and Matt, in which Lords fight to “take” the chosen Lady they want. Hierarchy within the Lords’ society drives much of the novel’s tension.


Ultimately, Tessier portrays secret societies as enigmas, even to those initiated into them. When Liam speaks to Sin in the Epilogue, he tells him: “You know what they want you to know. What they want you to see. What they want you to hear” (600). This suggests that every detail that Sin thinks he knows could have been meticulously crafted by the Lords to ensure his loyalty. Liam’s argument is that the Lords manipulate everyone into perceiving the privileges of being a member as greater than the prohibitions membership places on them. Accepting contradictions are simple conditions of the rewards they reap.

Gendered Social Grooming and the Commodification of Women

The Lords see men and women as following a restrictive binary. Men are raised to be “possessive, dominating, and fucking vile” (317). They have exaggerated traits that are often ascribed to men in a binary understanding of gender. In contrast, women are objects. They are groomed and given to Lords as chosen Ladies because the Lords “need the women to produce the children” (491), ensuring a future generation of Lords and Ladies. Sin eventually comes to understand that both he and Elli are shaped by the Lords society. As he notes: “They fucked us both up in different ways” (242). The difference between how Sin and Elli were raised exposes the inherent marginalization of women both inside and out of the Lords society.


Early in the novel, Tessier makes it clear that women lack agency. Each Lord “is gifted a chosen” (4), removing a woman’s will from the equation. Even if a woman’s husband dies, she isn’t free; that Lady is “then gifted to another Lord” (4). Men take women as objects. Though Sin acts like he is subverting the system by rejecting Amelia as his chosen, his phrasing suggests similar, even more intense forms of ownership. For example, Sin plans to “control [Elli] like a puppet on a string” (15). Additionally, he acknowledges how Elli is “fragile and can be easily manipulated” because he himself has manipulated her (160). Even in “protecting Elli,” Sin refers to Elli as “something” he owns: He will not “let Linc have his way with something that’s mine” (160). Tessier presents these details as a microcosm of the Lords society; all Lords perceive women as objects to be owned and manipulated.


This theme is inextricably linked to The Impact of Trauma on Attachment and Self-Image. The grooming women experience in the Lords society is traumatic and has lasting impacts on self-image. Sin acknowledges this damage and how it persists into the present: “Elli needs constant reminding that she’s owned. That she belongs to someone” (318). James’s abuse of Elli as a child convinced her that she is worthless without a man “using” her. Laura feels the same way, moving from Nicholas to James to Lincoln while maintaining an affair with Liam. When Laura acknowledges that James sexually abused Elli, she blames Elli, seeing herself in competition with other women to be “chosen” by the Lords. This shows how women also internalize misogyny.

The Impact of Trauma on Attachment and Self-Image

Through Elli, Tessier explores a complex connection between trauma and self-perception. As a child, Elli survived sexual abuse perpetrated by her step-father, James, as well as other Lords, including Chance, Liam, and Lincoln. This led Elli to see herself as “the kind [of girl] a man calls at two o’clock in the morning because he wants his dick sucked” (55). Each element of her self-image was carefully crafted by James’s abuse. Elli feels lowly because she was below his wife; she feels sex is something that needs to be hidden, as the abuse happened in the early morning; and she learns the only use a woman has is to provide sex, as the specific sex act is one that pleasures only the man. Each of these elements drive Elli’s growth and the changes in her self-image over the course of the novel.


Elli uses journals to express her sexual fantasies, which often mimic the abuses she faced when James was alive. The journals allow Elli to “get [her] desires out,” since she has no one to confide to about them (125). The journals allow Elli to keep her fantasies a secret. When she shares them with Sin, it signifies that she has started to overcome her trauma.


Secrecy is a critical element of Elli’s shame, as James taught her to associate sex with guilt and discomfort. Elli struggles with seeing herself as a “whore,” noting: “My body was made to serve men” (141). Feelings of uselessness and guilt make Elli see herself as a hidden object, possessed by a man and only allowed to emerge in service of that man, which is precisely how she lived during James’s abuse.


The biggest challenge Elli faces is accepting her sexuality and believing that she is worthy as a sexual partner. When Elli doubts Sin’s feelings, her mind immediately jumps to Amelia: “I feel inadequate […] [Amelia]’s fulfilling all of his needs, so I’m long forgotten” (386). In Elli’s mind, men only need women for sex, and Sin having sex with Amelia would mean that he has chosen Amelia instead of Elli. Elli’s idea of usefulness or worthiness is distinctly tied to sex as a service women perform for men.


By the end of the novel, Elli has changed. She decides to become a sex therapist and lives happily with Sin. This shows how she has grown through her trauma while understanding the importance of breaking the cycle of abuse in which she was caught as a child.

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