The Witches of Cambridge

Alice Hoffman
56 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Chapters 8-12Chapter Summaries & Analyses

Content Warning: This section of the guide contains discussion of graphic violence, death, sexual content, sexual harassment, death by suicide, suicidal ideation and/or self-harm, substance use, antigay bias, religious persecution, and gender discrimination.

Chapter 8 Summary

In the summer of 1951, Ava returns to her family’s farm in Maine, where she is met with a cold reception. Her father is suspicious of her dog, Jack, calling him a wolf. Her mother believes black dogs are bad luck and forces Jack to stay in the shed. Ava spends her days working in the garden, selling produce, and wandering the woods with Jack, all while longing for Jamie Mather. She recalls rescuing Jack from the river with Jamie, who kissed her after admitting his father warned him to stay away from Lilith House.


Ava’s mother expresses her fear of Radcliffe women and secret societies, prompting Ava to lie about not having joined one. One evening, Ava overhears her parents discussing her resemblance to her biological mother, whom her father calls “that witch.” Ava is shocked by the revelation that the woman she knows as her mother is not her biological mother, but she feels that this new information explains why she has always felt emotionally neglected. She remembers a mysterious woman in red boots who once visited in the winter, leaving black apples on her windowsill and waving to her from outside, and she wonders if this woman was her biological mother. In late August, she receives a letter from Jamie in Wyoming containing only a folded paper crow. Taking this as a sign, she tells her parents she must return to Cambridge early to register for classes and leaves without looking back.

Chapter 9 Summary

In the fall, the Lilith Society initiates two new members—Hailey, a legacy; and Cleo, who grew up on a horse farm in Connecticut practicing magic as she pleased and whose supportive, magical parents discouraged her from joining the Lilith Society. Ava continues working at a café, while Lauren stays on at the Peabody Museum but moves from leading tours to selling tickets, which gives her free hours to wander the museum or write in her grimoire. Lauren is dismissive of Maureen Healy, whom she considers an outsider because she does not belong to the Society despite her magical ability, though Ava defends their friend and accuses Lauren of snobbery. Lauren has spent the summer exploring dark magic, performing a spell to seal her heart that causes flowers to wilt at her touch. In a Shakespeare seminar, her intense reading of Macbeth and her resentment of the era’s academic sexism fuel her turn toward the left-handed (or crooked) path.


When words she has written in her grimoire appear on her skin and begin to fade, Lauren—fearing their disappearance—decides to have them permanently tattooed. She finds a reclusive artist in Central Square named Carrick, whom locals call Goliath due to his height, despite his gentle, introverted personality. He is intrigued by her and agrees to tattoo the word “conjure” over her heart. He works slowly to ensure she will return. They begin a physical relationship, and Lauren discovers that he has tattooed the letter “L” on his arm. Believing the connection is a weakness, she gives him a banishing spell to perform. He secretly keeps the candle, and after she leaves, completes the word he had begun with “L.”


Ava wonders why she hasn’t heard from Jamie now that the school year has begun. She finds him at a dive bar and confronts him, asking why he hasn’t sought her out. They go on a walk together, and Jaimie finds a discarded newspaper and folds another paper crow, explaining that his mother taught him how to do it. Though the men in his family try to bully him into following in their conservative footsteps, his mother encourages him to be true to himself. He tells her a story his mother told him, about a crow who fell in love with a human woman. He became a man, and for a time they were happy, but soon his crow nature reasserted itself, and he flew away. When he returned, back in his crow form, he couldn’t speak, and she didn’t recognize him. The crow turned white from grief, and the woman died by suicide, hanging herself from the same tree in which the crow had once roosted. Jamie speculates that his mother told him this story to impress upon him that “love is complicated,” but that this doesn’t mean it isn’t worth the potential pain. He and Ava share a kiss and reconcile. After they part, Ava goes to the library, believing that the uncatalogued manuscript she found before was a message and hoping to find another one.

Interlude 2 Summary: “The First Witch of Cambridge 1692”

The narrator is the same young woman who was rescued from Bridewell Prison by Maria Mather in the previous Interlude. She soon discovers that her mistress, who goes by “May,” also has a suppressed magical nature. They travel to Salem during the height of the witch trials to witness the execution of Reverend George Burroughs, which is based on spectral evidence—that is, flimsy testimony about paranormal events supposedly connected with the accused. On the journey, Increase’s son, Cotton Mather, makes an unwanted advance, and the narrator bites his hand. Disturbed by the injustice against the innocent George Burroughs and fearing for her mistress, the narrator devises a plan. She plants the idea among the other servants that May Mather is a witch, waits for the gossip to take hold, then tells the Reverend that his wife is under suspicion, using those pre-existing rumors as leverage. Fearing for his beloved wife’s safety, Increase Mather publicly denounces the use of spectral evidence, delivering a sermon that helps turn the tide against the witch hunt. Two years later, the narrator leaves the Mathers’ service. May Mather tells her that she will miss her like a daughter and gives her a substantial amount of money as a parting gift. She renames herself Rose Bridewell, uses the money May gave her to buy land in Cambridge, and establishes a safe community for other outcast women accused of witchcraft.

Chapter 10 Summary

As Senator McCarthy’s anti-communist “witch hunts” continue, Lauren becomes infatuated with a professor, Eugene Sharpe, who teaches Anthropology of Magic. When he invites Lauren and several other female students to view artifacts up close—a privilege not normally afforded to female students—he conjures a brief flame from his hand. While the other students believe this is a magic trick, Lauren recognizes it as genuine magic. She also spots a ring on his finger that signals his affiliation with the Crooked Path. Another Lilith Society member, Ashton, is also romantically interested in the professor, and Lauren promises Ashton that she is not interested while secretly wearing magical perfumes to attract his attention. Meanwhile, a new, magical tattoo appears on her shoulder: the same letter L that Carrick tattooed on himself. Believing this is a message, she sends a magical reply to Carrick’s doorstep—the word “NEVER.” However, Carrick immediately pours ink over the first letter of the message, revealing what he interprets as the true message hidden within it: “EVER.”


Ava returns to the Divinity School library and finds another letter from the Lilith Society founder hidden inside a 17th-century cookbook.

Interlude 3 Summary: “The First Witch of Cambridge 1692-1694”

The narrator visits her former mistress, May Mather, revealing that May’s son Cotton secretly possesses the magical inheritance he despises and punishes himself for it. To ensure the safety of the women’s community she has built, the narrator asks May to have her powerful husband appoint a constable who will protect witches. May knows such a man—her cousin from England—and promises to contact him; not long afterward, Amadis Grey is appointed to the post.


When Amadis meets the narrator, they immediately fall in love. He is the son of a woman skilled in magic, and he respects the narrator’s magic. They begin a life together, and the narrator becomes pregnant, but their happiness is shattered when Amadis reveals that he has a congenital heart defect and will die young. Unwilling to have her watch him decline, Amadis decides to return to England to die. After his departure, the heartbroken narrator finds a gold ring he left for her. She slips it on her finger, considering herself married to him.

Chapter 11 Summary

At Christmas, Jamie Mather brings Ava to his family’s estate in Sudbury. The visit is fraught with tension. Jamie’s brothers, Brent and Sawyer, and his father, Paul Mather, are openly hostile. During the uncomfortable dinner, Ava becomes so angry at Brent’s mockery that she unconsciously uses magic to shatter a wineglass in his hand. Later, Jamie’s mother, Louise Mather, confides in Ava, admitting that she knows both Ava and Jamie are “magic” and warns that her husband will never accept their relationship. In the library, snooping during the after-dinner poker game, Ava finds a family history book containing a letter from Cotton Mather reading, “I have taken care of Rose Bridewell. There will be no more magic” (198). Recognizing the evil in it, she leaves the letter where it is. That night, Jamie and Ava sleep together. The next morning, Ava overhears Paul telling Louise he will do whatever it takes to separate Jamie from Ava. The overheard conversation reveals that Paul himself was born with the magical inheritance but has suppressed it. Ava also learns that they have known of Jamie’s magic since he was an infant and could not be drowned. As they depart, Louise waves a tearful goodbye while Paul watches menacingly from a window.

Chapter 12 Summary

At the Lilith Society’s end-of-year dinner in spring 1952, Ashton, a graduating senior, is missing. The members cannot locate her with magic, as a stronger power seems to be blocking their efforts. They call the police, and Detective Billy Healy, Maureen Healy’s brother, is assigned the case. Lauren Bell is hostile toward him, but Ava confides her suspicion that Ashton was in love with the wrong person. The name “Lauren Bell” unnerves Billy, triggering a memory of his past romantic encounter with Lionel Bell, who he does not know is Lauren’s brother. Fearing another witch hunt, the society institutes new safety rules.


Disturbed, Lauren seeks out the tattoo artist Carrick, who reveals that it was Jamie Mather specifically whose father had him followed by a private detective, resulting in the drug arrest that sent Carrick to jail and led indirectly to his brother Frankie’s death. This news hardens Lauren’s resolve to protect Ava from Jamie, who she believes is bad for her. Meanwhile, Ava waits for Jamie, with whom she has planned to spend the summer. She ties ribbons and keys to a tree to call him to her. Jamie arrives late, explaining he was fighting with his family. He gives Lauren a note for Ava, asking her to meet him so they can run away together. Convinced that any Mather will only bring Ava pain, Lauren tears up the note after he leaves.

Chapters 8-12 Analysis

The interludes recounting the story of Rose Bridewell in the 1690s are woven directly into the 1950s narrative, establishing a structure that presents history as an active, living force influencing the present. When Ava discovers another of Rose’s letters hidden in a 17th-century cookbook, the object creates a tangible link between the two timelines, collapsing the centuries between the women and positioning Rose as a mentor and guide to Ava. Rose’s first-person account reveals the origins of both Lilith House and the Mather family’s deep-seated conflict with witchcraft. Her strategic manipulation of Increase Mather—using gossip about his own wife to persuade him to denounce spectral evidence—is a risky but effective act of resistance against a system designed to crush her. This historical narrative provides a direct precedent for the dangers facing the Lilith Society in the present, illustrating the theme of The Ongoing Struggle Against Oppression. The narrative argues that the forces threatening women are cyclical. This is powerfully confirmed when Ava finds Cotton Mather’s letter in the Mather library, which coldly states, “I have taken care of Rose Bridewell. There will be no more magic” (198). This artifact hints that the Mather legacy remains an ongoing threat, as embodied in the 1950s by Paul Mather, who mirrors the same controlling, violent impulses as his notorious ancestor.


While Rose Bridewell builds a community to resist oppression, Lauren Bell embarks on a solitary, inward-facing quest for the power to protect herself against a hostile world. Wounded by the deaths of her parents, disgusted by the academic sexism in her Shakespeare seminar, and eager to fortify herself against emotional vulnerability, Lauren performs a spell to seal her heart and turns to the “left-handed path” of dark magic. Her decision to have words from her grimoire permanently tattooed onto her skin is a radical act of claiming ownership over her body and identity, making her internal power externally visible. The word “conjure” over her heart signifies her commitment to making her will manifest in the world. Her relationship with the tattoo artist Carrick, a man feared by the community but who possesses a hidden tenderness, complicates her pursuit of hardness. He sees her as being “made out of words” (137), recognizing the source of her power even as she tries to use a banishing spell protect herself from the destabilizing influence of love. Lauren’s journey presents a compelling contrast to Rose’s, exploring an alternative path for a witch seeking agency: not through communal strength, but through a defiant, self-protective isolation that risks becoming its own kind of prison.


Ava’s disastrous Christmas dinner with the Mather family highlights the intense pressure placed on individuals who defy established familial and social norms. The open hostility from Jamie’s father, Paul, and his brothers, Brent and Sawyer, is a brutal enforcement of conformity, punishing Jamie both for his inherent difference as a witch and for his more sensitive personality. This rejection is rooted in a family history of violently suppressing difference, a desperate, ongoing effort to erase a magical lineage that threatens their rigid patriarchal order. This conflict demonstrates The Dangers of Assimilation and Appeasement, as both Jamie and Ava are targeted by families who would rather deny their identities than accept them. Ava’s own adoptive parents mirror this pressure, with her mother fearing Radcliffe societies and her father contemptuously labeling her biological mother “that witch” (125). Unable to find acceptance, Jamie and Ava are pushed together, their bond solidified by the matching scars of their amputated 11th fingers, a physical mark of a heritage others wish to eradicate.


As external forces threaten Ava, Lauren’s journey into dark magic intensifies, culminating in a radical act of protection that complicates the bonds of loyalty and trust. Lauren’s decision to intercept and destroy Jamie’s note is a deep betrayal born from a twisted sense of duty. This act, while severing Ava’s connection to Jamie, is framed as a misguided expression of The Power of Sisterhood. Lauren, having sealed her own heart, prioritizes her sororal bond with Ava above all else, believing she must shield her from the Mather family’s destructive legacy. Her resolve is hardened by Carrick’s revelation that Jamie’s father was indirectly responsible for his brother’s death, confirming her belief that the entire Mather line is toxic. Furthermore, she fears Ava will suffer the same fate as Ashton, who is suspected to have disappeared because she “was in love with the wrong person” (212). Lauren’s choice redefines her connection to Ava, transforming their sisterhood from a source of mutual support into a force that is also controlling and destructive, ironically echoing the very patriarchal control she despises.


Throughout these chapters, the symbol of crows evolves to represent the complexities of love, transformation, and miscommunication. When Jamie sends Ava a folded paper crow, she interprets it as a “declaration,” a fragile, meticulously crafted promise of connection. This gesture gains a somber depth when Jamie shares his mother’s tragic folklore: a story of a crow-man whose human wife fails to recognize him upon his return in bird form, leading to her death from grief. The tale is a direct warning that love can be lost through a failure of perception and that one’s true nature, if not understood, can become an obstacle to reunion. The story foreshadows the potential for a tragic misunderstanding between Jamie and Ava, especially as powerful forces—his family and now Lauren—actively work to keep them apart. In a moving attempt to rewrite this inherited narrative, Ava ties ribbons and keys to a tree to call Jamie to her, consciously mimicking the actions of the wife in the story. Her act is one of defiance, an attempt to use a story of loss as a spell for reunion, asserting her own magic against a predetermined fate.

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