The Woman Who Smashed Codes: A True Story of Love, Spies, and the Unlikely Heroine Who Outwitted America's Enemies

Jason Fagone

67 pages 2-hour read

Jason Fagone

The Woman Who Smashed Codes: A True Story of Love, Spies, and the Unlikely Heroine Who Outwitted America's Enemies

Nonfiction | Biography | Adult | Published in 2017

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Themes

Content Warning: This section of the guide includes discussion of emotional abuse and gender discrimination.

The Patriarchal Bias of the Historical Record

In The Woman Who Smashed Codes, Jason Fagone shows how the historical record reflects choices made by people in power. This, he suggests, is a pattern shaped by patriarchal bias. Elizebeth Smith Friedman’s biography exposes how influential men and major institutions minimized or absorbed her work. By tracing the gap between what she achieved and what she was credited with, the book shows how publicity and institutional reach often outweigh merit. This pattern began early in her career, persisted through her government work, and ended with J. Edgar Hoover seeking public acclaim for her most celebrated accomplishment.


This pattern began at Riverbank Laboratories and can be found from the earliest days of Elizebeth’s partnership with William Friedman. Their series of cryptology papers, the Riverbank Publications, built the base of the modern field, yet these papers “are commonly attributed to William alone” (77). Elizebeth’s contributions were not erased; they were never even considered worthy of inclusion. She sometimes accepted this imbalance to help William secure copyright from their controlling patron, George Fabyan, but the outcome stayed the same. Her role faded from view, creating an imbalanced historical record that erased Elizebeth. Public accounts and later histories centered William, letting her contributions slip under her husband’s growing reputation, ignoring Elizebeth’s significant contributions to the emerging field.


Her marginalization continued after she built her own career. During World War II, when the Coast Guard that unit she had created and led for a decade shifted to Navy control, officials demoted her because she was a woman. Despite her unmatched experience, she lost the title of “Cryptanalyst-in-Charge,” and a male lieutenant whom she had trained became her new chief. This decision captures how institutional habits sidelined Elizebeth , even as she was still expected to perform the same work, allowing her new superior to take the credit. The Navy favored someone with rank instead of the person with skill, echoing a wider pattern that discounted female leadership in military and intelligence settings.


Hoover carried out the most sweeping erasure of her work. Elizebeth and her Coast Guard team identified and broke the Nazi spy rings in South America during WWII, but their oath of secrecy prevented them from speaking. Hoover, who faced no such restrictions and benefited from longstanding relationships in the media world, seized the moment. He launched a broad publicity campaign and framed the FBI as the protagonist in the operation, a deliberate and calculated move made out of a fear that Elizebeth’s true role would “siphon publicity from the bureau” (294). Hoover expanded his public standing until he became an untouchable national figure, while Elizebeth was allowed to languish in relative obscurity. By shaping the public story while Elizebeth’s work stayed locked in government files, Hoover removed her from a major counterespionage success. He embodies this institutional patriarchal bias, acting as a chief instigator in a concerted effort to remove Elizebeth from history in favor of less capable men. In this sense, the book asks how many women suffered from a fate similar to Elizebeth and if their stories are now ready to be told in full.

Secrecy and the Consolidation of Institutional Power

In The Woman Who Smashed Codes, Fagone portrays secrecy as an active tool that powerful people and institutions use to build authority and shape public stories. Throughout Elizebeth’s career, from her early years on a private research estate to her federal work, those who controlled information controlled the people around them. Fabyan used this tactic to manipulate his employees, and, later on, government agencies used it to craft their own legends. Power and the attempt to consolidate power are thus key themes in the book, as the figures believed themselves to be locked in a competitive, zero-sum game. 


Fabyan shows how secrecy works on an intimate scale. As the founder of Riverbank Laboratories, he managed information to keep his staff bound to him. When Elizebeth and William planned to leave for better jobs, Fabyan intercepted their mail and hid offers from outside employers. He also installed listening devices in their classrooms, spying on them “to anticipate their movements and prevent them from ever leaving” (99). By blocking communication and watching their private conversations, Fabyan trapped two valuable researchers and turned secrecy into a means of personal control, all while acknowledging the importance of the emerging field of cryptoanalysis. Fabyan’s actions suggest that he was keenly aware of the relationship between secrecy and power, especially as he sought power for himself by creating parallel institutions to rival government departments. 


The pattern grew larger once J. Edgar Hoover entered the story. Hoover used classified intelligence work to craft a public image of an all-knowing FBI, especially when he claimed credit for the Nazi spy cases in South America. The book shows that Elizebeth’s small Coast Guard unit broke those spy rings, yet the secret nature of their work let Hoover promote a false version of reality that bolstered his public reputation. His postwar publicity effort casted the FBI as the lone hero, a story that spread unchecked about the “solo feats of FBI tenacity” (300). Bound by legal restraints, Elizebeth could not point out the flaws in Hoover’s argument. Secrecy became the curtain behind which Hoover reshaped events and converted another agency’s achievement into political advantage. 


In this sense, secrecy and the laws policing secrets became weapons of the institutions themselves, allowing men like Hoover to increase their power because they didn’t feel beholden to these laws, whereas people like Elizebeth didn’t have this privilege. Government protocol then hardened this power structure. After WWII, Elizebeth and other intelligence workers had to sign oaths that barred them from describing their work, burying their achievements in what she called “government tombs.” Those rules locked their contributions out of sight and kept the official, often inaccurate, version of events intact. This enforced silence let institutions guard and burnish their own history while the people who created that history remained unheard.

Cryptology Blends Rigorous Science With Creative Intuition

In The Woman Who Smashed Codes, cryptology appears as a field that depends on scientific method and imaginative insight. Fagone moves away from the idea that codebreaking is a technical exercise and instead shows how the work grew from analysis, linguistic sensitivity, and creative leaps. Elizebeth’s background in poetry and literature became an ideal preparation since her success rested on her feel for language rather than formal mathematics. Her instinctive pull toward uncovering hidden meanings—whether in a poem or an intercepted message—was driven by her desire to understand the world. 


The book underscores how Elizebeth’s literary training shaped her strength as a codebreaker. Her studies in Greek, English literature, and poetry sharpened her sense of patterns, rhythms, and structures in language. The narrative points out that this sensitivity mattered more to her cryptology work than advanced mathematics, a field in which she had little to no training. She looked for the architecture of language and noticed when it shifted, allowing her to break codes in languages that she didn’t know. By presenting her skill this way, the book shows cryptology as a discipline rooted in both method and instinct, but also one facilitated by a true creative intuition.


Moments of intuitive insight reveal how this blend works. In one instance, William tried to break an “unbreakable” cipher device by testing logical keywords such as “cipher” and “alphabet.” When those attempts failed, he asked Elizebeth to name the first word that came to mind. She “instantaneously responded, ‘machine’” (87), and her guess proved correct. William claimed that the “female mind” helped her find the key, but the book frames the moment as an example of associative thinking that makes connections that rigid deduction alone cannot. This scene captures the “springlike elasticity” of mind that the work requires, a form of human creative endeavor that eludes machines. This focus on the intuitive and the creative informed both Friedmans’ dislike for computers and technology since they remembered a time when the field of cryptology was the work of “paper-and-pencil heroes” (253). 


The narrative also returns to the Friedmans’ early project at Riverbank, where they searched for hidden ciphers in Shakespeare’s plays. They eventually disproved the theory, but this experience taught them how to separate real patterns from imagined ones. That mix of literary inquiry and evidence-based testing laid the groundwork for their later achievements. Their path shows how cryptology grew from imagination paired with disciplined analysis, a craft that sits where poetry and science meet.

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