Book Brief

Things We Lost in the Fire

Mariana Enríquez

Things We Lost in the Fire

Fiction | Short Story | Adult | Published in 2016

Book Brief

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Mariana Enríquez

Things We Lost in the Fire

Fiction | Short Story | Adult | Published in 2016
Book Details
Pages

192

Format

Short Story • Fiction

Genre
Gothic Literature

•

Horror & Suspense

•

Magical Realism
Setting

Principally Buenos Aires, Argentina, in contemporary times, including the 1990s.

Theme
Politics & Government
Topic
Trauma & Abuse
First Publication Year

2016

Publisher

Hogarth

Edition

Hardcover • 2017

Audience

Adult

Recommended Reading Age

18+ years

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Super Short Summary

Twelve unsettling horror stories turn contemporary Argentina into a landscape where ordinary life brushes against the supernatural. Abandoned houses, black magic, urban legends, and troubled neighborhoods expose deeper fears rooted in poverty, inequality, political violence, and social neglect. Often centered on women and girls, the collection finds friendship, compassion, humor, and love amid its darkness.

Dark

Unnerving

Suspenseful

Gritty

Mysterious

Reviews & Readership

4.0

69,790 ratings

77%

Loved it

19%

Mixed feelings

4%

Not a fan

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Review Roundup

Reviewers praise Enríquez’s fusion of supernatural horror with political, social, and environmental concerns, emphasizing that the stories remain gripping rather than merely didactic. They also admire the collection’s thematic and aesthetic unity, its strong sense of place, and its clear, propulsive prose. The principal caution is intensity: the book is gruesome, violent, and upsetting, with frequent bodily trauma. Individual stories may appeal unevenly depending on taste, although one critic maintains that none is a failure.

Who should read this

Who Should Read Things We Lost in the Fire?

This collection is best for readers who enjoy literary horror, macabre imagery, and stories that unsettle rather than neatly explain themselves. Its twelve eerie, often grotesque tales place everyday terrors within contemporary Argentina, connecting supernatural unease with inequality, violence, corruption, and the memory of dictatorship. Readers drawn to horror as social criticism will find plenty to consider, while the compassion shown toward frightened and lost characters adds emotional weight. Approach with caution if disturbing material or ambiguous endings are dealbreakers.

4.0

69,790 ratings

77%

Loved it

19%

Mixed feelings

4%

Not a fan

Character List

Protagonist of the title story, she feels both fascination and revulsion toward the women’s self-burning protest movement against domestic violence.

A former children’s social worker, dismissed for negligence, who moves with her husband and believes a neighboring child is chained outside.

A mischievous one-armed girl who befriends Clara and Pablo, tells wild stories about her missing arm, and shares their fascination with a derelict house.

The narrator of “Adela’s House,” Clara explores a mysterious derelict mansion alongside her older brother Pablo and their mischievous friend Adela.

Clara’s older brother and Adela’s friend, he joins the two girls in investigating the derelict mansion at the story’s center.

A district attorney who investigates police brutality and ventures into a slum while pursuing a witness connected to murdered children.

A formerly vibrant young man who, overwhelmed by depression, isolates himself in his room and communicates with others through online chat.

A Buenos Aires tour guide whose attention becomes fixed on Cayetano Santos Godino, an early-20th-century child murderer called the “Big-Eared Runt.”

Book Details
Pages

192

Format

Short Story • Fiction

Genre
Gothic Literature

•

Horror & Suspense

•

Magical Realism
Setting

Principally Buenos Aires, Argentina, in contemporary times, including the 1990s.

Theme
Politics & Government
Topic
Trauma & Abuse
First Publication Year

2016

Publisher

Hogarth

Edition

Hardcover • 2017

Audience

Adult

Recommended Reading Age

18+ years

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