Weavingshaw

Heba Al-Wasity
55 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Part 1, Chapters 10-18Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, substance use, addiction, racism, ableism, gender discrimination, bullying, child abuse, child death, physical abuse, emotional abuse, illness, and death.

Part 1: “The Reckoning”

Part 1, Chapter 10 Summary: “The Festival of Demons”

St. Silas summons Leena to the Festival of Demons, a historically religious event that has become a secular city-wide party. Instead of the Morish dress provided for her, Leena wears a traditional Algaraan kaftan, reminding her of a happier past. St. Silas leads her through the revelers to an abandoned cathedral courtyard, where they observe a Black Coat named Basil Richards. Leena sees the ghost of an Algaraan prisoner standing behind him. The phantom has a knife with the initials “B.R.” in his back and the words “The Wake” burned into the skin of his wrist.


St. Silas confronts Basil, revealing he knows the man is a triple agent working for him, Mr. Orley of the Black Coats, and the Wake. At St. Silas’s command, Basil answers Leena’s questions, confirming that the late Lord Avon led the Wake and that the organization trades Algaraan prisoners. He claims not to know who currently leads the group or any information about Leena’s father. After Leena gets her answers, St. Silas sends her out of the courtyard and shoots Basil dead.

Part 1, Chapter 11 Summary: “The Pistol”

Outside the cathedral, Leena’s brother confronts her. He is furious that she lied about her job and is now employed by the infamous St. Silas. When St. Silas appears, Rami draws his sword, and St. Silas pulls a pistol. Leena steps between them, explaining that she made a deal with St. Silas in exchange for the medicine that saved both their lives. She convinces Rami to leave by warning him that she will be punished for his interference. After Rami departs, St. Silas threatens to kill him if he ever meddles in their contract again.


In a sudden act of defiance, Leena snatches St. Silas’s pistol and holds it to his abdomen. He challenges her to shoot, confident she lacks the will. She questions him about Lord Avon, and he admits he knew Avon ran the Wake but demands a secret in exchange for more information. Leena refuses to trade her last secret, which is that ghosts can possess her body when she sleeps. St. Silas does, however, reveal that Avon took something from him that altered his life. Leena lowers the weapon, and St. Silas takes it back, showing her where to aim if she ever truly intends to kill. On the carriage ride home, he watches her with a new, intense focus, as if her actions have fundamentally changed his perception of her.

Part 1, Chapter 12 Summary: “War’s End”

The next day, St. Silas doesn’t punish Leena for threatening him, instead acting as if nothing happened. He cancels the morning’s confessions, explaining that riots have broken out in the Ridgeways factory district. He shows her a newspaper reporting that the war in Algaraa has ended with rebel forces, led by Commander Yosif, capturing the capital. The riots Golborne are inspired by this revolution.


Later, St. Silas takes Leena to Lord Avon’s former townhouse to search for his ghost, but the house is empty of spirits. During the carriage ride back, Leena presses St. Silas for more information because she’s convinced that Avon’s ghost must be tied to Weavingshaw. St. Silas confirms that Avon created the Wake to ensure his hold on the estate, which was drowning in debt. He then reveals that he has already secured them invitations to an upcoming hunting party at Weavingshaw, which is now owned by a tradesman named Mr. Martin. The conversation ends when St. Silas abruptly complains that Leena’s lavender perfume is a distraction.

Part 1, Chapter 13 Summary: “Lord Hargreaves”

The narrative shifts perspective to Lord Hargreaves, a high-ranking aristocrat, who convenes a meeting of the Wake at Weavingshaw. In attendance are Lord Kilworth, an indebted nobleman, and John Martin, the tradesman who now owns the estate. They discuss the recent revolution in Algaraa and their fear that the Morish commoners will be inspired to overthrow their own ruling class. Hargreaves, who is of mixed Morish and Algaraan heritage, reflects on founding the Wake years ago with his childhood friend, the late Lord Avon (referred to as Percy), to restore their dying bloodlines to their former wealth and glory. This goal was driven primarily by Percy’s financial ruin and Hargreaves’s yearning to command respect after a lifetime of being bullied mercilessly for his mixed heritage.


They are joined by Lord Calligan Fray, a demon nobleman. Hargreaves unveils his plan to prevent a revolution by finding a legendary artifact called the Limitless Vessel, which can summon a demon army into the human world. Lord Calligan claims the vessel is lost, but Hargreaves insists that St. Silas knows its location. He instructs the members of the Wake to find a weakness they can use to blackmail St. Silas into helping them. Hargreaves privately recalls that Lord Avon’s red diary contained the secret to finding the vessel, and that he has spent 10 years searching for it, believing it hidden somewhere in Weavingshaw. He believes only St. Silas has the power to find what the dead have hidden.

Part 1, Chapter 14 Summary: “Mr. Orley”

Leena has a nightmare about Mrs. Van, who appears demonic. She wakes to hear St. Silas and Mrs. Van arguing outside her door. The strange encounter deepens Leena’s unease, and she requests a lock for her room, which St. Silas grants. The next day, Rami fails to appear for their scheduled meeting. Panicked that something has happened to him, Leena goes to St. Silas for help. Though initially dismissive, he is moved by her resolve to confront the Black Coats gang alone and gives her the location of their leader, Mr. Orley. St. Silas then insists on accompanying her to protect his “interests.”


At Orley’s headquarters, a den for the drug Tar, St. Silas grows suspicious of a timepiece Leena carries, which is engraved with the name “Fray.” They meet Orley, a man with inhuman features similar to Mrs. Van’s. Leena sees the ghost of a servant boy beside him. Orley confirms Rami is being punished for winning a fight he was meant to lose due to a deal between a businessman and the Black Coats. To learn Rami’s location, St. Silas offers a personal confession as payment. He recounts how a confessor’s mother once slit his throat, leaving a visible scar. Orley seems to feed on the pain of the memory but is disappointed by St. Silas’s lack of shame. He provides Rami’s location but demands another secret to reveal who ordered the punishment. St. Silas declines, saying he will find out independently, and they leave.

Part 1, Chapter 15 Summary: “The Burial”

On the way to find Rami, Leena mentions seeing the message “No Burials for Lambs” on a parchment in Orley’s office that St. Silas insists was blank (157). They arrive at an abandoned cottage and find Rami beaten and tied to a chair. As St. Silas frees him, Rami’s three Black Coat captors return. One grabs Leena from behind. She stabs him with her dagger, but he does not release her, so St. Silas then shoots and kills him. In the ensuing standoff, St. Silas wounds another Black Coat, Mackenzie, forcing the third, Burr, to surrender. Burr reveals that Mr. Martin hired them to punish Rami. St. Silas makes them return Rami’s stolen sword before letting them flee.


As they prepare to leave, Leena insists on burying the body of the man St. Silas killed. She physically jumps from the carriage without permission, and when he challenges her, she threatens to stop helping him find Lord Avon. Visibly agitated, St. Silas relents. The silence while digging the grave is unbearable, so he orders Leena to speak, and she recites passages from her botany book. After the burial, Leena sees the man’s ghost. The young, starving Algaraan boy reminds her of Rami. Distraught, she accuses St. Silas of not understanding the lack of choices available to her people. In response, he confesses he was forced to kill a 14-year-old boy and bury his first body when he was only 12.

Part 1, Chapter 16 Summary: “Theodore Daye”

A week later, Leena is plagued by insomnia and guilt over forcing St. Silas to relive the traumatic memory of burying his first body. The ghost of the servant boy from Orley’s office begins following her and protecting her from other spirits at night. She learns his name is Theodore Daye. Leena’s suspicions about Mrs. Van deepen further when the housekeeper implies she’s much older than she looks, saying she served St. Silas’s father and his father before him. Leena then argues with the recovering Rami, who remains defiant about his choice to win the rigged fight.


Leena goes to St. Silas to resume her duties and successfully bargains for him to employ Rami as a guard. During their conversation, Theodore’s ghost appears and indicates he knows Lord Avon. The mention of Theodore’s name disturbs St. Silas. Theodore confirms he can summon Lord Avon’s ghost, but only if they find Lord Avon’s lost red diary, which he reveals is hidden at Weavingshaw. Shaken, St. Silas asks Leena to call him by his first name, Bram. She refuses, determined to maintain a professional distance. He dismisses her, announcing he will be traveling for a few days.

Part 1, Chapter 17 Summary: “The Injured Boy”

Leena observes St. Silas with a client, a tradesman named Mr. Marlow, who asks St. Silas to “clean up the mess” at his house (192). Leena senses St. Silas’s cold fury and knows he plans retribution. That night, Mrs. Van wakes Leena and summons her to the kitchen. St. Silas arrives covered in blood, carrying a 7-year-old boy who has been severely beaten. As they begin treating the child, Leena sees the ghost of Mr. Marlow hovering nearby with St. Silas’s dagger in his chest.


Speaking to the ghost, Leena shouts, “You did this to him!” (195). However, St. Silas believes she is accusing him of attacking the child. He explains that the boy is a servant whom Marlow brutalized for breaking a vase. As Leena and Mrs. Van tend to the boy’s dislocated shoulder and other injuries, St. Silas calms the child by telling him a folktale. After the boy is treated and sedated, Marlow’s furious ghost disappears. Leena realizes that St. Silas misunderstood her accusation and thought she believed him capable of harming a child.

Part 1, Chapter 18 Summary: “The Courtyard”

Unable to sleep, Leena finds St. Silas smoking in the courtyard. The atmosphere is charged as he makes provocative comments in an attempt to restore the distance between them. Leena persists, explaining she was yelling at Mr. Marlow’s ghost, not him. St. Silas presses her on why clarifying her perception of him was so urgent and demands to know her opinion of him. Instead of a direct answer, she lists her observations: He shows mercy to vulnerable confessors, his servants are devoted to him, and he is deeply affected by the confessions he collects.


To defuse the mounting tension, Leena playfully remarks that the only truth she knows for certain is that he takes two sugars in his coffee, an indulgence in “sweetness” that seems at odds with his harsh persona. He replies that he would “love to give in to sweetness” (209), a comment she understands is about her. As he escorts her from the courtyard, she reflects that the night felt like the “completion of a circle” because she was able to help heal a child (210), unlike when she was barred from helping Rami during his amputation. St. Silas acknowledges she did well, then observes that she is looking at him without any of her former loathing.

Part 1, Chapters 10-18 Analysis

In the second half of Part 1, the relationship between Leena and St. Silas begins to shift as The Lengths People Will Go to Save a Loved One emboldens her. When Leena snatches St. Silas’s pistol and presses it to his abdomen, her act of defiance is a critical turning point in their dynamic, shifting her from a coerced participant in his schemes to an active agent who challenges his authority. This confrontation inverts their usual roles; she is no longer just a source of secrets for him but a wielder of leverage against him. Her action is a direct consequence of The Lengths People Will Go to Save a Loved One, as St. Silas’s threat against Rami provokes her into an unprecedented act of aggression. St. Silas reacts with a mixture of detached amusement and genuine fascination, revealing that her defiance has altered his perception of her. His intense observation of her on the carriage ride home confirms this shift, which is further developed in their final encounter in the courtyard. There, he admits his curiosity about her opinion of him and acknowledges the change in her feelings when he observes that she looks at him “like [she] no longer loathe[s] [him]” (210). This development complicates the established power imbalance, suggesting a move toward a more volatile and reciprocal relationship that departs from the traditional Gothic dynamic of a vulnerable heroine dominated by a powerful, unknowable male figure.


The burial of the young Algaraan Black Coat advances the theme of Systemic Oppression of Diasporic Groups. Leena understands that the young man’s violent death is a symptom of the societal forces that trap her people. When she accuses St. Silas, “You belong to this land, hold superiority in it […] You always have a choice” (175), she articulates the vast gulf of privilege that separates them. Her anguish emphasizes the reality that, for marginalized communities like the Algaraans, crime is often a product of desperation, a point driven home by the ghost’s resemblance to Rami. This idea is reinforced by Basil’s casual dehumanization of Algaraan prisoners, whom he dismisses as criminals who would have been executed anyway. The end of the war in Algaraa and the subsequent riots in Ridgeways further highlight this tension, suggesting that the same oppressive conditions exist in both nations and encouraging solidarity between the majority and the marginalized. This focus on the sociopolitical roots of crime and resistance grounds the novel’s fantasy elements in a tangible critique of social injustice.


While St. Silas maintains his intimidating persona, these chapters dismantle his facade of pure villainy by revealing a buried history of trauma and a capacity for compassion. His pained confession to Orley about having his throat slit, his forced memory of burying a body at age 12, and his visible agitation while digging the grave all expose deep vulnerabilities beneath his cold exterior. This humanization culminates in the rescue of the abused servant boy. As St. Silas gently tells the child a folktale to soothe his pain, the narrative presents a version of him entirely at odds with the merciless “Saint of Silence.” His actions are not transactional; he murders the abuser, personally tends to the boy’s wounds, and arranges for his future care without any apparent benefit to himself. This complexity moves him beyond the archetype of the Byronic hero, recasting him as a man whose cruelty is a protective armor forged by his own suffering. His vulnerability is also apparent in his shaken reaction to the name Theodore Daye and his uncharacteristically personal request that Leena call him Bram, suggesting a deep-seated desire for connection that his dangerous life has denied him.


The shift in narrative perspective to Lord Hargreaves in Chapter 13 expands the novel’s scope from a personal supernatural mystery to a high-stakes political conspiracy, furthering The Weaponization of Secrets as a central engine of the plot. The meeting of the Wake reveals that the seemingly disparate threads of aristocratic debt, urban gang violence, and supernatural beings are closely interconnected. Hargreaves’s plan to blackmail St. Silas into finding the Limitless Vessel demonstrates that secrets are the primary currency of power among the ruling class. The red diary he seeks serves as a motif of The Weaponization of Secrets as the concealed book holds the key to world-altering power. The discovery that Mr. Martin, the tradesman who ordered Rami’s beating, is a member the Wake connects the street-level oppression of the Algaraans directly to the aristocracy’s efforts to maintain control. This structural choice provides readers with important information that Leena and St. Silas lack, creating dramatic irony and raising the stakes of their impending visit to Weavingshaw, an estate described in classic Gothic terms as being situated upon “the grieving moors.” 


The supernatural world of the novel gains significant political and social dimension in these chapters. The presence of Lord Calligan Fray at the Wake meeting transforms demons from a mythical concept, evoked by the Festival of Demons, into a society with its own structure, needs, and limitations, such as their reliance on vessels to enter the human world. This makes demons potential political allies or adversaries, complicating the story’s moral landscape. At the same time, Leena’s relationship with the dead evolves. Her ability to see ghosts moves from a passive curse to an active tool when she uses it to gain information from Basil. The ghost of Theodore further develops this shift; unlike other spirits, he actively helps and protects Leena, warding off other phantoms and providing an important clue about the red diary. This suggests that Leena’s power is a unique form of access to knowledge that could rival even that of St. Silas. The mystery of Mrs. Van and Mr. Orley’s inhuman characteristics hints at an even broader supernatural society operating just beneath the surface of the human world.

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