53 pages • 1-hour read
Ann PatchettA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summaries & Analyses
Reading Tools
Content Warning: This section of the guide includes discussion of illness and substance use.
On a clear May day near the end of the school year, Daphne Fuller, an English teacher at a girls’ prep school, visits the Metropolitan Museum of Art with her husband, Jonathan Fuller, a retired hospital administrator. Jonathan quietly alerts her that an older man has been trailing them through several galleries. Daphne dismisses it, but Jonathan steers them on a deliberate detour to test his suspicion. In the Modern and Contemporary wing, Jonathan follows the man out of the gallery while Daphne remains behind. When she goes to find him, she finds her husband talking with a well-dressed, white-haired man in round tortoiseshell glasses—Eddie Triplett, her former stepfather, one marriage further back than her current stepfather, Lucas Ekker. When he speaks, Daphne recognizes him as Eddie and says his name. He responds with her childhood nickname, “Duck,” and she begins sobbing.
Jonathan guides the three of them to the museum’s Dining Room. Over tea and, for Eddie, two glasses of Chardonnay, they fill in the decades. A water main break at Random House—where Eddie still works as an editor—had given him an unplanned free morning. Daphne recalls how, after the divorce, her mother, Abigail Ekker, forced Eddie to resign from Houghton Mifflin in Boston, Massachusetts, where the two had met and worked together—a punishment Daphne had considered disproportionate and privately believed, as a child, that she had caused.
When Eddie asks if Daphne became a writer, she recalls a promise they made on the night of a car accident to dedicate books to one another. Instead, she tells him that she teaches English. As a child, she had wanted Eddie’s name—Triplett—as a nom de plume, a term Eddie taught her while they were in the car after the accident. Eddie says that he never remarried and tells Daphne that, aside from her and her sister, Leda Ha, he has no children. Daphne tells him that Leda became a clinical psychologist and writes a column for The New York Times called “Your Therapist” under the name Dr. Ha. Eddie is stunned—he regularly reads it. Before parting, Eddie gives Daphne his phone number but declines to take hers, leaving her to decide whether to contact him. When they embrace, the scent of Ivory soap floods Daphne with a childhood memory of sleeping with her face buried in his neck for warmth.
Outside the museum, Daphne asks to visit Leda, who lives on the Upper West Side. Jonathan walks her through Central Park—she realizes midway that he came along to prevent her from getting lost while distracted. He remarks that of her father and stepfathers, Eddie was the best one. Daphne recalls meeting Jonathan at a hospital in Gloucester, Massachusetts, when her father, Buddy Zabriskie, was dying of metastatic melanoma. Jonathan’s first wife had died of the same disease, and he sought Daphne out to offer comfort before asking her to dinner.
At Leda’s building, Daphne finds her sister in the lobby sorting mail. Inside the apartment, the sisters talk through the day. Daphne says that she wept when she recognized Eddie and reflects on lingering childhood guilt surrounding the divorce and Eddie’s departure. Leda admits that she has carried the same guilt, believing that her appendicitis triggered the chain of events that led to the car accident and ultimately to Eddie’s departure from the family. Daphne then admits that she told Jonathan her mother had been driving when he first asked about the scar on her forehead. Leda is direct—that’s a lie, not an oversimplification. The chapter ends with Leda claiming that Daphne never told her about the car accident, while Daphne insists she did, right after Leda came home from the hospital when they were children.
The narrative shifts to Friday, January 18, 1980, in Winchester, Massachusetts, and follows Abigail, Eddie, and Daphne. Seven-year-old Leda falls suddenly and severely ill at school. The nurse takes her temperature—103.5—and calls Abigail at Houghton Mifflin in Boston. Abigail goes to Eddie’s office to tell him she needs to leave. Eddie hands her the car keys, offers to represent her at an important meeting, and calls after her that she should press Leda’s lower right abdomen— his brother nearly died of a ruptured appendix, and Eddie knows the symptom to watch for.
Abigail forgets the instruction until she’s undressing Leda at home. The instant she touches the spot, Leda screams. Abigail takes her straight to the emergency room, where Leda is rushed into surgery for appendicitis. While waiting, Abigail thinks about how close she came to leaving Leda at home and how Eddie’s advice prompted her to take Leda to the hospital.
Eddie collects nine-year-old Daphne from her after-school program and calmly tells her that Leda had an emergency surgery and will be fine. The two carry out his plan: They go home, pack bags for Leda and Abigail, pick up a takeout dinner, and return to the hospital. They find Leda asleep; Abigail reports that Leda’s appendix ruptured during the operation and that she will be monitored overnight. Eddie offers to stay overnight, but Abigail refuses. Eddie and Daphne leave for home.
On the drive, a conversation about Leda’s love of raspberries leads to mention of a nearby raspberry farm. On impulse, Eddie suggests that they drive up to the farm to eat their chicken and look at the stars. The road is dark, steep, and without streetlights. As they near the top of the hill, Eddie switches off the headlights so that the stars are fully visible. Both of them are looking up at the sky when the car drifts off the road’s edge and pitches into the darkness below.
During the fall, Eddie’s main concern is that he never checked whether Daphne had put on her seat belt. The car crashes and comes to rest on its left side. Eddie feels a severe injury to his left foot or ankle. Searching the darkness, he can make out Daphne’s shape: She’s dangling but held by her belt. He whispers her nickname, and she answers that she’s there and asks if he’s all right. Eddie is relieved that Daphne is alive and that he hasn’t killed her.
The novel’s movement between the present and the past establishes the theme of The Haunting Power of Unresolved Grief. By opening with a chance encounter in a museum and then shifting to an extended account of events from 1980, the novel demonstrates how Daphne’s reunion with Eddie brings buried memories back into the present. Daphne’s intense reaction to recognizing her former stepfather—weeping uncontrollably in the Modern and Contemporary wing—reveals feelings that she believed she had left behind. The shift to an interlude mirrors this shock, moving from Daphne’s adult recollections to a broader account of the circumstances surrounding Eddie’s departure from the family. This transition allows the reader to see events beyond Daphne’s childhood understanding, providing additional context for the family history she has carried into adulthood. Her return to these memories illustrates how early emotional wounds can remain significant long after the events themselves have passed.
Daphne’s effort to simplify her own history introduces the theme of The Construction and Deconstruction of Family Narratives. Rather than explaining the painful circumstances surrounding Eddie’s departure, Daphne offers a simplified version of events to protect herself. When her Jonathan previously asked about her facial scar, she told him that her mother had been driving the car. She later describes this explanation to Leda as an “oversimplification,” acknowledging that she omitted important details about the accident and her relationship with Eddie. This omission shows how Daphne protects herself by keeping one of her most painful childhood experiences outside her marriage. Similarly, Daphne operates under the assumption that her mother intentionally erased Eddie from their lives following the divorce. Leda’s own admission of long-standing guilt—believing that her childhood illness set in motion the events she associated with Eddie’s departure—further emphasizes how each family member develops personal explanations to make sense of a painful loss.
Leda’s sudden illness reveals how care, absence, and responsibility are distributed within the family. When seven-year-old Leda develops appendicitis, the medical emergency highlights the contrast between Eddie’s reliability and Buddy’s absence. Abigail’s terror over her daughter’s near-death experience turns into anger toward Buddy, while simultaneously deepening her reliance on Eddie’s practical competence. Eddie’s knowledge of appendicitis symptoms positions him as a stabilizing figure, demonstrating the important role he plays within the household despite not being the girls’ biological father. The illness also becomes significant in the family’s later understanding of these events. As Leda notes in the present day, she spent years believing that her appendicitis began the sequence of events she associated with Eddie’s departure from the family. By linking a childhood medical emergency to the sisters’ later feelings of guilt, the novel illustrates how children can develop personal explanations for events they don’t fully understand.
The physical plunge of the Chevrolet Impala down a dark hillside serves as a pivotal turning point in the novel’s family history. The crash becomes a defining event in Daphne’s memory of Eddie and one of the key events around which the family later builds its explanation for his absence. Patchett contrasts the wonder of the stargazing detour with the danger of the dark hillside, turning an impulsive act of care into the accident that shapes Daphne’s childhood understanding of loss. As the car falls through the darkness, Eddie’s overriding fear isn’t for his own life but for Daphne’s safety. When the vehicle finally comes to rest on its side and Eddie realizes that Daphne has survived, the text emphasizes his relief: “Eddie Triplett had not killed a child, nor would he ever again in his life love another person as much as he loved her” (41). This moment establishes the depth of his attachment to Daphne and foreshadows the lasting significance of the accident in both characters’ lives. Because Daphne later associates the crash with Eddie’s disappearance, the scene also prepares for the novel’s examination of how a single event can become the basis for an incomplete family narrative.
This enduring devotion underscores the theme of The Complexity of Love Beyond Conventional Boundaries. Daphne and Eddie’s relationship lacks the biological and legal permanence of a traditional father-daughter dynamic, yet it remains one of the most significant emotional relationships in her life. In the present day, Daphne’s sudden reunion with Eddie brings back powerful memories of her childhood despite their decades of separation. When he hugs her goodbye at the museum, the faint scent of Ivory soap triggers a memory of seeking warmth against his neck as a child. This immediate, physical recollection emphasizes that their bond has survived even though their formal family relationship ended decades earlier. Even as a nine-year-old, Daphne recognizes Eddie’s distinct presence, adopting his editorial habits and imagining his surname as part of her future writerly identity through a nom de plume. By centering this enduring affection between a former stepfather and his stepdaughter, the narrative suggests that meaningful family bonds can persist even after the legal and social structures that once defined them have disappeared.



Unlock all 53 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.