And Now, Back to You

B. K. Borison

And Now, Back to You

B. K. Borison
55 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Chapters 9-16Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of emotional abuse, gender discrimination, mental illness, and cursing.

Chapter 9 Summary: “Delilah”

While driving the news van to Garrett County, Delilah and Jackson continue to banter. Delilah teases Jackson about his rigid timetables, while he tolerates her insatiable need for snacks. Delilah herself vetoes the salsa-music station, leaving them stuck with NPR. When Delilah complains about being cold, Jackson gives her his coat.


The conversation turns to Jackson’s disastrous morning broadcast, in which he wore a green shirt in front of a green screen, making most of his body disappear—only his head and some shoulders remained visible. He admits that he was nervous and that he wants to be a good partner to her on this assignment. Delilah reassures him that they’re a team and admits that when she first met him, she thought he was handsome but had a dull personality. Jackson says that while he found Delilah’s constant smiling to be strange, her on-air enthusiasm, particularly her report in the turtle costume, was attractive to him. Flustered by his sincerity, Delilah spontaneously directs him to pull off the highway into a rundown diner, abandoning his carefully planned schedule.

Chapter 10 Summary: “Jackson”

At the diner, Jackson places a highly specific order, and Delilah teases him. He reflects internally that he becomes rigid and controlling when other parts of his life feel chaotic, such as being away from his sisters and dealing with his estranged mother. Delilah asks about his family, and Jackson explains, “My mother is…Unconventional […] It’s why I have full custody of the girls now” (117). Expecting pity, he’s surprised when Delilah accepts this easily and shares that her grandfather raised her on his own for similar reasons.


Later, in the van, they conduct a live radio call-in. Jackson wants a script, but Delilah insists that they improvise. Aiden has come to the station specifically to support Jackson, though his presence annoys the regular host, Benny. During the segment, a nervous Jackson says little, only confirming that the diner’s turkey sandwiches were good.

Chapter 11 Summary: “Delilah”

Jackson and Delilah arrive at Wolf’s Lodge, where their cameraman, Mark, will join them the next day. The owner, Lottie, informs them that Delilah’s reservation was canceled that morning by an email from their station, and no other rooms are available. The email claimed that she had found lodging at the dilapidated Liberty Hall across the street. Jackson insists on walking her over to make sure that she’s okay and has everything she needs.


Liberty Hall is decrepit and unsettling. After they hear a strange noise from a closet and the door begins to shake, they flee in terror. Delilah agrees that she can’t stay there. Meanwhile, Jackson receives texts from his sisters, who are mortified that his recent on-air appearance has made him popular with their classmates. They tell him, “The entire school just thinks you’re hot and now our lives are ruined” (136).

Chapter 12 Summary: “Jackson”

Back at the lodge, Delilah fruitlessly searches for other available accommodations. Fed up, Jackson gives her a key to his room, insisting that they will have to share. He overrules her objections by pointing out the logistical impossibilities of her staying elsewhere during a major blizzard. Delilah finally agrees and texts a friend at the station to try and trace the email cancelation to Keith to prove that he’s sabotaging her.


Together, Jackson and Delilah review weather models and realize that the storm is intensifying into a blizzard. They’re both excited by the professional challenge. When Delilah asks what makes Jackson more nervous—the broadcast or sharing a room with her—he can’t deny either worry.

Chapter 13 Summary: “Delilah”

Inside the room, Delilah and Jackson discover that there’s only one large bed. Jackson had anticipated this and already requested a cot, but Delilah convinces him that the bed is comfortable enough for them to share. As they review weather projections on the bed, Delilah finds herself increasingly attracted to Jackson’s quiet kindness.


Feeling flustered, Delilah gets ready for bed but trips and falls, landing with her face on Jackson’s thigh. He goes out to the balcony to give her privacy. While she’s in the bathroom, she snoops in his toiletry bag and finds a repurposed Father’s Day card inscribed, “BEST BAG BROTHER EVER” (150), in a child’s handwriting with stick figures drawn inside. After her shower, she builds a pillow wall down the middle of the bed and falls asleep listening to Jackson’s low, muffled voice on the balcony. Just before she drifts off, Jackson quietly tells her that he knows she was looking through his things. When he asks what she found, she replies, “Just pieces of you” (153).

Chapter 14 Summary: “Jackson”

Jackson wakes early after a restless night, his thoughts consumed by the assignment, his family, and his growing feelings for Delilah. When Delilah wakes up, he tries to act gruff, but she sees through his pretense. Jackson FaceTimes his sisters while Delilah is in the shower, but he gets flustered when she emerges from the bathroom, and Penelope and Adeline see her emerge in only a towel. The sisters, along with Aiden and Lucie, are delighted by the implication that they’re together and tease him mercilessly.


After the call, Jackson admits to himself that he chose not to find Delilah another room because he wanted her to stay with him. He confesses to her, “I think I like you” (164), admitting his confusion over this unplanned development. Delilah smiles, tells him that she likes him too, and correctly guesses that his attraction grew when she showed her serious, professional side by planning out their broadcast.

Chapter 15 Summary: “Delilah”

Before their next broadcast, Jackson is overcome with on-air anxiety, becoming silent and withdrawn. Mark surprises Delilah by expressing concern for her career, warning that she should put her best foot forward so that no one finds a reason to detract from her talent.


To help Jackson, Delilah pulls him into a secluded alcove and asks him to practice his lines by pretending he’s talking to his sisters. He tries, but his anxiety spirals into a frantic, rambling tangent about climate change and “corn sweat.” To break him out of his panic, Delilah impulsively kisses him. The kiss stuns him into silence. As they take their places in front of the camera, Jackson reaches for her hand out of view, squeezes it for reassurance, and proceeds to deliver a flawless broadcast.

Chapter 16 Summary: “Jackson”

In the lodge after their broadcast, Delilah and Jackson discuss the kiss. He assures her that he wasn’t uncomfortable and is grateful she helped him overcome his anxiety. A shy fan named Dustin approaches their table and asks Jackson to thank Delilah for keeping him company on his trips away from home. Delilah is deeply touched.


The moment leads to a more vulnerable conversation. Jackson explains that his past resentment toward her stemmed from wishing he could be more like her—warmer toward other people and more comfortable in his skin. He compares her to a lamp whose bright, positive energy he found difficult to deny. He opens up about his difficult childhood, revealing that to manage his mother’s mental illness and unpredictability as a child, he made charts and bought pill containers to help her remember her medication—building the rigid routines he still relies on. He admits that he struggled with how easily Delilah seems to carry her own burdens. Moved to tears, Delilah holds his hand and confesses that being positive isn’t always easy for her.

Chapters 9-16 Analysis

During Jackson and Delilah’s drive to western Maryland, Borison employs the forced-proximity trope to shift them from professional adversaries to potential lovers. Their initial interactions are defined by playful antagonism—Delilah throws peach rings at Jackson’s head, and he grumbles about her disregard for his careful scheduling of the trip. The contained space of the news van forces a level of intimacy that their previous encounters prevented. When Jackson wordlessly gives Delilah his coat because her “lips are turning blue” (104), the gesture signals away from rivalry. Their banter, a hallmark of the rom-com genre, becomes a tool for connection rather than antagonism. Their drive physically removes them from the professional context of the news station and places them on equal footing, allowing their dynamic to evolve organically. As Jackson drives, Delilah observes, “It is my professional opinion that no one should look so good while driving a news van” (104). Later, when Jackson asks Delilah if he has “a face for TV,” Delilah presses her “palms to [her] thighs and clear[s her] throat, feeling flustered,” noting that “[t]his news van has never felt so small” (109). The confines of the van and the shared goal of covering the storm strip away their public personas, creating the necessary conditions for their mutual attraction to grow.


As Delilah and Jackson begin to collaborate, the motif of weather models shifts from a source of professional conflict into a symbol of their growing mutual respect. In their hotel room, they lean over Jackson’s laptop, their shared excitement mounting as they realize that the winter storm is intensifying into a blizzard. This moment of intellectual connection solidifies a new foundation for their relationship. Delilah correctly intuits that Jackson’s attraction to her solidified when she showed her serious, professional side, asking, “It was the thing about the talking points that did it for you, wasn’t it?” (164). Her question makes their mutual attraction explicit, rooted in a shared passion and a recognition of each other’s competence. Their ability to analyze the European and GFS models together demonstrates a merging of their different approaches—his data-driven rigidity and her intuitive adaptability—into a functional and effective partnership.


Jackson’s decision to open up to Delilah about his past foregrounds the novel’s thematic focus on Pursuing Authentic Connection Through Vulnerability. By admitting his own feelings of inadequacy, rooted in a difficult childhood spent managing his mother’s instability, he allows her to see the context for the gruff, controlled persona he projects. He reveals that his meticulous routines are a coping mechanism developed as a child when he “tried to make it easier” for his mother by creating charts and organizing her pills (186). His disclosure shifts Delilah’s view of him from a person with the “personality of a wet piece of cardboard” to a person with a complex defense system rooted in trauma (109). The Father’s Day card from Jackson’s sisters addressed to the “BEST BAG BROTHER EVER” reinforces Delilah’s sense that there’s much more to Jackson than she originally believed (150). When Jackson asks what she found while looking through his things, she responds, “Just pieces of you” (153), suggesting that she’s slowly assembling a more nuanced understanding of who he is.


Keith’s repeated attempts to sabotage Delilah’s success during her assignment centers the novel’s thematic focus on The Struggle to Combat Workplace Sexism. The cancellation of her hotel reservation, which Keith is careful to ensure cannot be immediately traced to him, forces her into the dangerously dilapidated Liberty Hall, compromising both her comfort and her safety. Keith targets her using methods designed to destabilize and intimidate her, an insidious form of sexism that’s difficult for Delilah to combat or prove. As Delilah tells Jackson, “I’ve gone to HR before about his behavior, and he wiggled his way out of repercussions. I think he has some sort of deal with management” (140). The incident also prompts a surprising reaction from her cameraman, Mark, who warns her to “put [her] best foot forward” so that no one can “find a reason to detract” from her talent (168-69). His clumsy but genuine concern suggests a growing, if unspoken, recognition among her colleagues of the unfair obstacles she faces.


Jackson’s use of the lamp metaphor to describe Delilah traces the evolution of his feelings for her from disdain to admiration. He tells her, “You—you have this light inside of you that […] shines so fucking bright. And I think I’ve hated that about you because […] It’s never been like that for me. My light’s gone out, or it’s flickering, or maybe it’s a faulty bulb” (185). By allowing himself to open up to her and be vulnerable, Jackson is able to acknowledge that his feelings of resentment toward her were rooted in a desire to be like her. He admits,


You have all this shit you’re dealing with, but you find a way to hold it that makes you lighter, you know? I've never been able to do that. It’s only ever weighed me down […] I’ve hated how easy it seems for you […] even when you’re hurting, you find a way to glow. You find a way to make everyone else glow too (187).


The metaphor of the lamp gives Jackson an opening to tell Delilah about the pain of his childhood—an act of vulnerability that cements their bond, paving the way for their first kiss.

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