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Content Warning: This section of the guide includes discussion of emotional abuse, gender discrimination, mental illness, illness, and sexual content.
“I want to be taken seriously. It’s hard to be taken seriously when you’re sitting on toilets and wearing turtle shells.”
This quote introduces Delilah’s core professional conflict, introducing the novel’s thematic focus on The Struggle to Combat Workplace Sexism. The turtle suit symbolizes her boss’s attempts to undermine her credibility as a serious journalist. Delilah’s playful persona is used against her to portray her as unprofessional despite her genuine desire for substantive work.
“‘Of course,’ he says, his mouth in a flat line and his hand tangled in my hair. ‘It’s you.’”
Jackson’s reaction upon colliding with Delilah captures their dynamic of chaotic inevitability, while the physical entanglement foreshadows their future intimacy. His exasperated tone frames their relationship as a recurring disruption in his life. This moment establishes an enemies-to-lovers dynamic where conflict and connection are intertwined from their first interaction.
“Who will look after the girls if I’m not here?”
Jackson’s question to his friend Aiden reveals that his professional hesitation stems from his deep sense of familial responsibility. As the guardian to his sisters, his circumstances illustrate The Strength of Non-Traditional Family Bonds. He fears disrupting the stable life and routine that he and his sisters have developed despite knowing that they’ll be safe with Aiden and Lucie, his own found family.
“‘A contract,’ I tell him without looking up. ‘So we’re both on our best behavior. If we do this, we need to be a real team.’”
This moment transforms the motif of the Post-it note from Jackson’s passive-aggressive attempts to maintain control of his environment into his willingness to compromise. By formalizing their collaboration with an impromptu contract, Jackson takes his first step toward a partnership with Delilah, both professionally and personally.
“And I think I need to try something different. Something new. I think I need to step out of my comfort zone. I think I need to know that I can.”
Here, Borison uses Jackson’s internal reflection to reveal his vulnerability and his deep-seated desire for personal growth. This admission marks his conscious decision to step beyond his rigid routines and embrace the unpredictability that Delilah represents, moving his character arc forward.
“Fly the nest, big brother. Spread those wings and soar.”
Penelope’s playful command subverts the typical guardian-child dynamic, demonstrating the maturity of his sisters within their non-traditional family structure. Her use of avian metaphors encourages Jackson to embrace the very vulnerability he fears. This supportive push from his family empowers him to step outside his rigid routines for the sake of growth.
“‘When I saw you sitting at the counter at the café,’ I interrupt, ‘I thought it was a shame you’re so handsome because you have the personality of a wet piece of cardboard.’”
Delilah’s candid insult acts as a turning point in her dynamic with Jackson, introducing an explicitly flirtatious element to their banter. This moment of honesty acknowledges their attraction and forces them to engage more authentically. Her metaphor of “a wet piece of cardboard” serves as a playful insult that’s softened by her compliment. Dropping their professional guards allows for a more genuine, if initially abrasive, interaction.
“He gets a kick out of seeing me on TV, and I like showing him he didn’t make all those sacrifices for nothing.”
Delilah reveals her primary motivation for broadcasting, introducing her bond with her grandfather as a key element of her professional ambition. Her public persona is deeply intertwined with her personal history and her desire to honor the man who raised her.
“‘I think I like you,’ I say with a sigh. That’s what this off-balance feeling is, isn’t it? The way I can still feel her hand in mine. The way I want to feel it again. I scratch at my eyebrow. ‘I don’t really understand what’s going on with me.’”
Jackson’s begrudging confession encapsulates his internal conflict between his rigid nature and his growing, unpredictable feelings for Delilah. The sigh signifies his reluctant surrender to an emotion that defies his careful planning. This exchange marks the moment when his affection becomes explicit and central to his character arc.
“It’s not so much a conscious decision as it is a bone-deep urgency. I grip the front of his jacket as he rambles on and on, then I press up on my toes and drag his mouth to mine.”
Borison frames Delilah’s impulsive kiss as an act of empathy, meant to break Jackson out of an anxiety-fueled spiral before their broadcast. This moment blurs the lines between professional support and personal intimacy, demonstrating Delilah’s willingness to be vulnerable to help him. The kiss catalyzes their romantic entanglement, escalating the stakes of their partnership.
“You’re always smiling, Delilah. You’re always positive. You have all this shit you’re dealing with, but you find a way to hold it that makes you lighter, you know? I’ve never been able to do that. It’s only ever weighed me down and I think—I’ve had trouble with that. I’ve hated how easy it seems for you.”
In this moment of raw honesty, Jackson reveals the source of his initial animosity toward Delilah. He admits that his resentment stemmed from envy of her resilience, contrasting her ability to remain positive despite her struggles with his own feeling of being burdened by his past. This confession shifts their relationship toward mutual trust, highlighting the novel’s thematic interest in Pursuing Authentic Connection Through Vulnerability.
“‘Your mic was live.’ Mark confirms my fears. ‘The broadcast went through. All of Baltimore just heard you two.’”
This moment forcibly shifts Delilah and Jackson’s private, budding connection into a public spectacle. The accidental broadcast provides Keith with the ammunition he needs to sabotage Delilah’s career, escalating the workplace conflict and forcing the protagonists to navigate their relationship under intense external scrutiny.
“You need to be the brave one. If that’s what you want, then you need to kiss me. I can’t always be the one taking charge, Jackson.”
Delilah verbalizes her need for reciprocity, refusing to be solely responsible for the emotional and physical progression of their relationship. Her demand challenges Jackson to move beyond framing their connection as a mere “distraction” for his anxiety. This dialogue forces him to confront his genuine feelings and take an active role in their developing romance.
“How do you feel about a hostile takeover?”
Jackson’s suggestion signifies a shift in his character arc, moving him from a rigid rule follower to someone willing to defy authority for Delilah. It demonstrates his commitment to their partnership and his rejection of Keith’s unjust actions. This moment solidifies their professional alliance and deepens their personal bond through mutual rebellion.
“‘Only while we’re here,’ I whisper. ‘Just for now. I don’t want expectations.’”
Delilah attempts to establish boundaries to protect herself from potential heartbreak, revealing her fear that their connection is situational. Her internal conflict between her growing feelings for Jackson and her fear that his transformation is temporary and confined to their trip away from Baltimore establishes the stakes of the narrative as they return to their regular lives and routines.
“‘You’re not difficult,’ she says quietly. ‘You just haven’t had anyone take care of you.’”
Here, Delilah demonstrates a deep understanding of Jackson’s core emotional wounds stemming from his childhood. Her empathy cuts through his self-protective guardedness and articulates the root of his anxieties. This moment of deep emotional intimacy solidifies their bond, built on genuine care that moves them beyond just physical attraction.
“‘How many different parts are you forced to play, Delilah?’ She stares up at me for another second with a sad little smile, then rests her cheek back against my sweatshirt. ‘When I’m here with you? Just the one.’”
After witnessing Delilah pretend to be her own mother to soothe her grandfather with Alzheimer’s, Jackson recognizes the emotional labor she performs. Her response to his question about how many parts she plays emphasizes her growing trust in and comfort with Jackson, establishing him as a safe and stable presence in her life.
“He swipes his fingers across the front of my underwear, groaning when he feels how wet it is. ‘Because I’ll want to keep you,’ he mutters. ‘Good,’ I groan, my fingers fisting in the sheets. ‘I want you to keep me.’”
During their first sexual encounter, the dialogue incorporates both physical desire and emotional longing. Jackson’s confession that intimacy will make him want permanence, and Delilah’s immediate affirmation, is a key shift in their dynamic. Their mutual admission reveals a shared, unspoken desire for a genuine relationship, complicating their initial agreement to keep things casual.
“There’s nothing you could do that would change the way I feel about you short of, I don’t know, creating a catfishing cult. And even then, I’d probably find some way to defend you.”
Here, Jackson reassures his sisters of his unconditional love and support, explicitly validating their non-traditional family unit. His use of hyperbole—defending a hypothetical “catfishing cult”—emphasizes his unwavering commitment to his sisters. This scene emphasizes The Strength of Non-Traditional Family Bonds, cementing Jackson’s role as a stable guardian.
“But he knows Delilah Stewart, his favorite meteorologist at his favorite news station. He knows my face and he knows my voice, even when he forgets everything else.”
Delilah’s rejection of a dream job offer reaffirms the link between her professional career and her bond with her grandfather. Her television presence acts as an essential tether to Gus, whose Alzheimer’s erases other memories of her. This motivation reframes her on-air persona as an act of love.
“‘Because,’ he says, ‘everyone else loves you.’”
Keith’s admission reveals the core of his animosity, emphasizing Delilah’s struggle against workplace sexism. He resents her for her popularity and joyful persona, which he can’t control. His dialogue confirms that his motivation is rooted in envy, punishing her for the very traits her audience adores.
“You might be too much, baby, but maybe sometimes I’m not enough. Maybe when we’re together, we fill each other up the way we—the way we need.”
Jackson’s statement defines their romantic partnership as complementary, reinforcing their compatibility and strength as a couple. He reframes their perceived flaws—Delilah’s chaos and his own rigidity—as strengths that complete each other. This acceptance of their differences as essential for mutual fulfillment resolves their romantic arc.
“Why do I need a mom when I have a Jackson?”
Adeline’s question affirms her belief in their non-traditional family structure, allowing her to finally make peace with her complicated feelings about her mother. She dismisses the need for a maternal figure by embracing Jackson’s unwavering reliability and care. This moment validates Jackson’s sacrifices and redefines family as an act of consistent love and presence, not just a biological connection.
“I wanted you to know that if you have to dress up as a turtle, then I’m going to dress up as a turtle too.”
This statement marks the symbolic transformation of the turtle suit from a tool of humiliation into a gesture of solidarity. Jackson fully embraces Delilah’s world, demonstrating his love by sharing in her professional burdens. His willingness to appear foolish for her sake shows a key moment in his character arc, prioritizing connection over his rigid self-image.
“Every hallway collision and spilled coffee. It’s always been me coming right back to you. You’re the end of every sentence, Delilah. I’ve just been too stubborn to see it.”
Jackson reframes Delilah’s professional sign-off, “And now, back to you,” as a personal declaration of fate and love. He reinterprets their history of mishaps not as random annoyances but as a series of events guiding them together. This moment of deep vulnerability shows him accepting the unpredictability he once feared, now viewing it as destiny.



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