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Content Warning: This section of the guide includes discussion of sexual violence, illness, death, substance use, addiction, and pregnancy loss.
For two days, Reina’s Uncle David has been hiking with her group. He insists on carrying her pack due to her injured knee. The pilgrims, including Matt, Ted, and Ned, arrive at the Cruz de Ferro, the highest point on the Camino at over 1,500 meters above sea level, which is marked by a tall wooden post topped with an iron cross. The cross stands on a massive mound of stones left by generations of pilgrims. David explains the tradition of leaving a stone to symbolically release one’s burdens.
When Reina asks if her parents left stones, David reveals that her mother, Isabelle, was not with them for this part of the journey; he never saw her again after León. He also tells Reina he only returned home from his years of travel after learning of Isabelle’s death. As the group members leave their own offerings—a ribbon, stones, a package of Oreos—Reina notices Matt place a small rock painted like a ladybug with the name “Fiona” on it. When it starts to rain, Matt discovers that Reina had hidden rocks in his pack weeks ago in Navarrete, and he jokingly declares war.
Isabelle rests in a small apartment, recovering from what her host, a nurse named Eliana, believes was a partially collapsed lung brought on by a bad cold and physical exertion. Isabelle has been there for two days and worries that she only has seven days left to hike to Finisterre to meet Peter.
She calls her mother, who warns her not to return home because it is too dangerous. Her mother explains that Isabelle’s sister, Ana, has been sent to an aunt in Barcelona, while her brother, Xavier, is still with their father searching for her. Before hanging up, her mother tells Isabelle to look at the stars each night, and they will send love to each other via “Sagitta’s arrow,” calling Isabelle her “masterpiece” (205).
While struggling up a steep ascent to the hamlet of O Cebreiro, Reina recalls a conversation with her Uncle David from the previous day. By a river in the village of Molinaseca, David apologized for abandoning her after her father’s death, calling it his “second-greatest regret” (210). He explained that he couldn’t cope and drank for three years before finding his purpose at the Sanctuary of the Gods. He promised to never leave her again.
David also revealed the truth about Reina’s mother, Isabelle. She was not Portuguese but Andorran, and she was fleeing a violent family feud over mining rights and a proposed development in a town called Dur. This danger is why her parents lived secretly in Portugal and why her share of the mountain passed to Reina, making her a potential target. He clarified that Isabelle was not murdered; she died of a pulmonary embolism while pregnant with Reina’s would-be brother. David concluded by saying Isabelle had inspired his mission: in the Burgos Cathedral, she showed him a painting of his namesake, King David, and later, when he stopped to rest at Santuario de los Dioses, she came to him in a dream, and that was how he knew tending to God’s will was his calling. The weight of these revelations exhausts Reina as she continues her climb.
After Eliana drops her at a train station, believing she is leaving the Camino, Isabelle prepares to continue her journey on foot. She has six days to hike nearly 40 kilometers a day to reach Finisterre and meet Peter. Before setting out, she calls Senor Sansas, the head of the rival family, at his hotel in Santiago.
Sansas confirms that he blames Isabelle’s father for his sons’ deaths. Isabelle infers from the subtext of their conversation that he intends to exact two lives for two lives—hers and either Xavier’s or Ana’s. Isabelle proposes a deal: She will disappear forever and never cast her deciding vote on the disputed land if he spares her mother, brother, and sister. She intentionally omits her father from the agreement, sacrificing him to save the others and hoping he can protect himself. After a long silence, Sansas agrees to her terms. The call ends, and Isabelle collapses as a thunderstorm begins.
In O Cebreiro, Reina uses a clue from her father’s journal to find a secret hermitage once used by the Knights Templar. In the woods nearby, she is stung by a bee and, having left her EpiPen with her uncle, suffers a severe allergic reaction. She collapses, unable to breathe.
Matt, who realized she was missing and deduced her location from the journal, finds her just in time. He carries her to the stone hermitage to shelter from the rain and works to keep her conscious by telling jokes, flicking her cheek, chafing her neck with his beard, calling her “Velma,” and humming the Scooby-Doo theme song. He tells her about his older sister, Fiona, who has an intellectual disability and lives in a residential community he supports. When Reina mentions her wedding plans with her fiancé, John, they joke about his idea to hold the ceremony in a pub. Eventually, their friend Tuck, sent by a worried Nicole, arrives to help. As Matt and Tuck enter the hermitage, Reina tries to stand but falls, collapsing in front of them.
Soaked from persistent rain and weakened by her worsening cough, Isabelle struggles onward. The bargain she made with Senor Sansas weighs on her: by agreeing to never return home, she has given up her identity and any chance of legal citizenship. She realizes she cannot ask Peter to sacrifice his life in the United States to live with her as a fugitive.
In the town of Monforte de Lemos, she stops at a church to pray for guidance but feels nothing. In the church graveyard afterward, she sees an epitaph on a headstone: “I WAS ONCE WHAT YOU ARE NOW. / YOU WILL ONE DAY BE WHAT I AM NOW.” (237) The message prompts her to act. Understanding she is in serious trouble and needs help, she decides to call her friend Gemma.
Reina recovers in a hospital in Lugo. After her rescue, a local hotelkeeper drove her there. The medical staff has treated her reaction, drained her blisters, and removed the fluid from her swollen knee. A doctor notes that bee venom is sometimes used to treat stress and inflammation, which may explain her rejuvenated state.
After her release, Reina travels to Sarria, where she receives a call from her fiancé, John. As he details his plans for a 200-guest wedding at a pub, Reina realizes she cannot marry him. She ends their engagement, telling him she is not returning to New York and is considering going to Andorra to learn about her family. John hangs up, blaming the Camino for changing her. Reina feels an overwhelming sense of relief.
At a train station, Isabelle’s friend Gemma arrives and is shocked by Isabelle’s frail and sickly appearance. Isabelle is grief-stricken, knowing that today was the day she was supposed to meet Peter in Finisterre. She is too ill to continue, and her impossible situation makes any future with him seem out of reach. Gemma comforts her distraught friend.
In Portomarín, Reina’s group plays poker. Reina, having learned Matt’s tells, successfully bluffs him out of a large pot. Her Uncle David proudly calls her “a chip off the old block,” (249) a phrase her father used. When Matt’s friends Nicole and Cami rejoin the group, Nicole makes up with Matt, and Reina feels a surprising pang of jealousy, which she dismisses as misplaced gratitude for her rescue.
Later, Matt jokingly calls a sleeping pilgrim “Camino-tose,” a pun that reminds Reina of “Cat-a-tonic,” the title of an article he supposedly stole from their coworker Karen. Realizing Karen’s writing was never so clever, Reina checks the magazine’s archives online. She discovers that Matt had been ghostwriting Karen’s articles for over a year to help her as she struggled, and Brenda likely changed the byline to give him proper credit. Stunned by how badly she misjudged him, she confides in David, who advises her to forgive her mistakes and move on.
Isabelle wakes from a feverish nightmare in a hospital in Porto, Portugal. Her friend Gemma is with her. A doctor explains that she had advanced pneumonia but is responding to antibiotics. To protect her, Gemma’s uncle, a hospital director, has had her admitted under the false name Joan Silva.
It is the day she was supposed to meet Peter at Finisterre. Heartbroken, Isabelle imagines him waiting for her. She feels defeated, believing she has lost her home, her identity, and any chance of a future with the man she loves. Gemma attempts to reassure her, but Isabelle sees no way for things to work out.
As long-hidden truths come to light in this section of the text, both timelines increasingly focus on the sacrifices required to protect others. David’s revelations finally provide Reina with a fuller understanding of her mother’s past, but the most important insight comes from Isabelle’s own actions. When she contacts Senor Sansas and offers to disappear in exchange for the safety of her mother and siblings, she becomes the solution to the conflict through a calculated trade in which she sacrifices her own future. Her decision develops the theme of Secrecy as an Act of Protection, emphasizing the cost that can come with it. Earlier sections established secrecy as a means of survival; here, it becomes a lasting sacrifice that costs Isabelle her home, her legal identity, and her future. By revealing that bargain alongside David’s explanations to Reina, the novel emphasizes that the life Reina inherited was made possible by choices she never knew her mother had to make.
Several symbols reinforce the novel’s focus on burden, loss, and perseverance. At the Cruz de Ferro, the highest point of the trail and a symbol of catharsis, pilgrims leave stones and personal objects to emphasize the burdens they are ready to release. The variety of offerings—from ribbons to painted rocks to packages of Oreos—illustrate how each pilgrim carries a different form of grief, responsibility, or hope. The scene serves as a reminder that although every traveler walks the same route, each journey is deeply personal. At the same time, it underscores the theme of Physical Endurance as a Path to Healing, as these solo pilgrims are united through their difficult path to Cruz de Ferro. Similarly, symbolic guidance appears again when Isabelle’s mother tells her to look for Sagitta’s arrow in the night sky, as the stars become a source of connection despite their physical separation. Later, the graveyard inscription Isabelle encounters, which reads “I WAS ONCE WHAT YOU ARE NOW. / YOU WILL ONE DAY BE WHAT I AM NOW” (237), forces her to confront her own vulnerability and mortality. Together, these various markings encourage reflection on burdens the characters carry and the choices they must make to continue moving forward.
The harrowing scene in the hermitage, where Matt saves a collapsing Reina, demonstrates how extreme circumstances can foster The Intimacy of Shared Struggle, dissolving personal animosity in the face of a life-or-death emergency. Earlier in the story, Matt seemed defined by arrogance, competitiveness, and petty cruelty. However, his actions increasingly challenge that perception. His desperate efforts to keep Reina conscious—sharing his jacket, telling her about his sister Fiona, and annoying her with jokes and the Scooby-Doo theme song—create a bond rooted in shared vulnerability rather than social or professional roles. This forced intimacy breaks down the simplified caricature Reina has constructed of Matt as a ruthless rival. Her perspective is fully reoriented when she later discovers he had been ghostwriting articles for their struggling coworker, Karen. Rather than presenting Matt as either hero or villain, the novel gradually reveals the gap between appearance and reality, encouraging readers to question first impressions and recognize the complexity of human emotion. Central to this idea is the Camino environment; by stripping away the characters’ ordinary social armor, it proves that the gravest human connections are often forged when individuals become mutually reliant and emotionally exposed.
Throughout this section, Reina’s sense of identity undergoes a significant change. Learning that her mother was Andorran rather than Portuguese challenges assumptions that she has carried her entire life, noting, “My whole life I’ve prided myself on being Portuguese” (212). The disclosure of the violent family feud and her own inheritance of the disputed land reframe her existence, revealing that her quiet life was predicated on a carefully maintained fiction. At the same time, David’s confessions about his own past—his alcohol addiction, his abandonment of Reina, his guilt-driven penance—further complicate the narrative she held about her family. Rather than simply uncovering facts, Reina is being forced to reconsider how she understands herself and her place in the world. This process mirrors the broader purpose of the Camino itself. The pilgrimage repeatedly strips away certainty, replacing inherited assumptions with hard-won understanding. By the end of this section, Reina is beginning to redefine who she wants to become.



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