62 pages • 2-hour read
Gillian McAllisterA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summaries & Analyses
Reading Tools
Content Warning: This section of the guide includes discussion of death.
Simone and Lucy speed away from the shooting scene. At Lucy’s request, they call Damien. Lucy tells him she is safe and asks him to meet them at the Del Rio Airport. Damien is overwhelmed with relief.
Lucy recounts the details of her kidnapping to Simone. The kidnapper, who always distorted his voice, wore leather gloves and smelled of a distinct lemony aftershave. After a short drive, he held her in a windowless room with floral wallpaper. She never saw his face. During her captivity, Lucy glimpsed a female visitor she believes is the kidnapper’s daughter. A second, taller man brought her to the handover.
Simone explains that the exchange failed because the drug traffickers claimed the bag was missing a package. They both worry that the kidnapper knows their identities and may have targeted their lodge because of its broken lock.
Two hours from the airport, Lucy falls asleep. Simone receives a text from Damien confirming that he will meet them there. She reflects on how her normal life as a chef and mother has been shattered. Soon after, Damien texts again, asking her to call him.
Simone pulls into a gas station to make the call, but Damien doesn’t answer. He then sends a message on WhatsApp using the disappearing messages feature, telling her to check the news.
Simone googles Texas news and sees the breaking news story about a “double shooting” in Shafter. It includes dashcam photos of her holding a gun and of both her and Lucy standing over the dead man. The footage does not show the trunk of the car or the kidnapping context, and she realizes that without footage of Lucy escaping the trunk, the event looks like a drug deal. The article also reports that they injured a police officer who was in an unmarked Buick.
Simone realizes Lucy shot at a police officer, not an accomplice of the kidnapper. Their car’s license plate is visible in the photos, and the report names Simone and Lucy Seaborn as suspects wanted for murder and attempted murder. Understanding that the police likely have Damien in custody, Simone knows they cannot go to the airport. She wakes Lucy and shows her the news.
The kidnapper is aware that a man has been shot and that two people have escaped. Seeking revenge, they decide they must find “her.” They conclude with the chilling declaration that kidnapping is easy if one obsesses over it.
Lucy is horrified to learn she shot a police officer, but she speculates he might have been corrupt and working with the kidnapper. They realize their passports will be flagged, making air travel impossible. Fearing they will not be believed and Simone could face the death penalty in Texas, they decide against turning themselves in. Lucy suggests they lie low, gather evidence to prove the kidnapping occurred, and then report to police in a different town.
Lucy proposes they head to Terlingua, a town she heard of at voice camp; she thinks it is large enough to hide in. They agree to ditch their phones and the rental car. As they drive, Simone reflects on her past with her parents, who had addictions, and her relationship with Damien. She leaves a final, loving voicemail for Damien before planning their next steps: buy a new, untraceable phone, and get a different car from the gas station’s scrapyard.
At the gas station, Simone buys a new Motorola phone with cash. To mislead the police, she and Lucy leave their old phones switched on inside a garbage can, which will make it appear that their movements stopped there. They discover that the scrapyard is closed. As an alternative, Simone uses black tape to alter the rental car’s license plate. They then begin driving toward Terlingua, doubling back on their route to evade detection.
While driving to Terlingua, Simone reflects on Lucy’s reluctance to move out for university. Their drive is interrupted by the sound of approaching police sirens. Simone quickly swerves into an abandoned garage with a roller door. Lucy jumps out to pull the door up, allowing Simone to drive inside before they close it again, hiding just as the police cars speed past.
Realizing that the police are actively searching for their car, Simone and Lucy decide they must abandon it and continue on foot. Lucy suggests that they can walk the remaining distance to Terlingua, a journey of a few days across the desert, using their camping equipment. They pack their gear, food, and water into rucksacks, leave the car hidden in the garage, and set off into the desert night.
After walking for two hours in the cold desert, Simone reflects on a past family vacation, contrasting the luxury of time they once had with their current reality, where they are forced to live only in the present moment. Their water supply is limited, and they have miles to go. They walk through the dark landscape under a vast, starry sky, feeling utterly isolated.
Exhausted, Simone and Lucy decide to pitch their tent, though the hard ground makes it difficult. Simone considers their few options, concluding that finding the kidnapper is their only path to freedom. Simone asks Lucy to recount the kidnapping again, hoping that a new detail might emerge. Lucy recalls that the kidnapper was smaller than the man who Simone shot. As Lucy falls asleep, Simone holds her hand, vowing to protect her.
Early the next morning, Simone wakes up feeling the crushing guilt of having killed a man. Sitting outside the tent, she thinks about her restaurant, Dishes, and her dream of earning a Michelin star. When Lucy joins her, they discuss their only real option: to find the kidnapper as a first step toward exoneration. Simone cooks them a breakfast of tinned mackerel.
Simone’s phone gets a signal. She stops to check the news, without alerting Lucy, and finds an article detailing a press conference where Damien publicly condemned her actions, accusing her of taking the law into her own hands. Heartbroken but suspicious, Simone checks the Instagram account for their restaurant and sees a new post of a fish they don’t serve, which she eventually decodes as a “red herring,” a coded message from Damien.
That evening, they find a stream and replenish their water. Simone extracts salt crystals from the boiling water and uses them to cook potatoes. As they eat, Lucy becomes defensive when questioned about her life before the trip. To lift their spirits, they go for a swim.
The swim prompts Simone to recall a strange detail: an overly familiar British man in his fifties with gray hair who was on her coach to and from Mexico. Lucy is stunned, remembering a man with the same description and a northern English accent who visited her voice camp. They theorize that he is the kidnapper and that he must’ve distorted his voice to hide his distinctive accent. They speculate that he may have been at the camp to assess potential targets. Lucy googles Terlingua and finds a lawyer named James Moody who specializes in wrongful convictions and also rents out a house. Seeing it as a sign, she books the rental under a fake name.
That night, once Lucy is asleep, Simone sends a coded reply to Damien’s post on Instagram. He responds, explaining that he is publicly acting angry to throw off police surveillance so he can join them; however, Simone is dismayed that he does not deny that his anger is also real.
Damien reveals that the police believe they faked the kidnapping to cover a drug deal for their financially troubled restaurant, a story supported by a witness who claims to have seen them together at the border. He adds that both the officer who stopped at the lodge and the officer Lucy shot have been discounted as accomplices, undermining Lucy’s corruption theory. Simone tells him about the British man, and Damien agrees to investigate before they log off.
At dawn, flashing lights wake Simone and Lucy. They realize that a drone is scanning the desert and quickly pack their camp to avoid being spotted. As they continue walking, Simone’s phone gets a signal, and she sees a news report that states that the police are searching for them in Houston. She also notices that the phone’s search history has been cleared, wondering if Lucy has been using the phone while she slept. Soon after, Lucy spots Terlingua on the horizon.
Upon arriving, Simone and Lucy discover Terlingua is a tiny “ghost town” with a population of 180, making it a terrible place to hide. Simone confronts Lucy, who apologizes for misremembering the town’s size. As they walk through the main street, they feel dangerously exposed. They find the rental house, a pink bungalow owned by James Moody, and Simone tells Lucy to wait outside while she goes in.
The kidnapper is in Terlingua, methodically searching for the woman. They watch several houses from a distance, trying to determine who lives there. After ruling out a few properties with male occupants, they feel certain they will find her soon.
Inside the rental house, Simone is startled by a record player turning on. She finds a tall, slim man in the living room who introduces himself as James Moody, the owner. He begins to ask for paperwork and ID. Overwhelmed, Simone starts to cry, explaining she has had a terrible day.
Moody’s expression changes, and Simone is certain he recognizes her from the news. He abruptly waives the formalities and tells her that he is their neighbor before leaving. After he is gone, Simone checks the phone and finds Lucy’s search history, which, unlike the last time she checked, has not been deleted. It includes the phrase “Torture kidnapper.”
Simone tells Lucy that Moody likely knows who they are. Simone then confronts Lucy about her strange Google search, “Torture kidnapper.” Lucy defensively claims she was looking for stories from other victims. After showering, they watch a news report that identifies the man Simone shot as Jon-Paul Delves, a delivery driver with no criminal record. Overcome with emotion, Lucy cries about missing her father. They comfort each other with hot chocolate before falling asleep in the same bed.
At 4 am, Simone wakes and messages Damien, who replies that he must come and join them. At her request for proof of his identity, he messages that he met her by a Christmas tree. Trusting him, Simone tells him that they are in Terlingua. A few hours later, she sees a news alert that her restaurant, Dishes, has been awarded a Michelin star.
The next day, Simone and Lucy go to James Moody’s law office. He immediately confirms that he knows who they are, stating that “even fugitives” need lawyers. He listens to their story and says he believes them, as their situation does not fit the profile of a typical drug crime. Moody has them write down every detail about the kidnapping and the British man. He agrees to investigate their case pro bono for a few days, advising them to lie low in the small town.
Simone and Lucy go to the small, local grocery store to buy food. While Lucy waits outside, Simone shops, thinking about the Michelin star awarded to a life she can no longer lead. She hurries through the store, paying with cash and avoiding interaction, burdened by the constant fear of being recognized.
The kidnapper continues to search Terlingua, watching the few shops and bars. They spot a woman in a baseball cap who they think could be a target and follow her. However, he loses her when she disappears down an alley.
Simone comes out of the shop and meets Lucy, and they take a back alley to avoid tourists. Feeling a sense of progress now that they have a lawyer, their guard is momentarily down. They return to their rental house, but as they enter, they see the shadow of a person in the backyard. They freeze, holding hands, as the figure steps into the light.
The man is Damien. He explains that he was walking the streets when he saw them leave, so he waited in the backyard to meet them privately upon their return. He tells them that he escaped police surveillance during a brief window of opportunity, taking multiple cabs to cover his tracks.
The family is reunited in an emotional embrace. Damien holds Lucy, overwhelmed with relief. However, he avoids Simone’s gaze, and she realizes the conflict over how to handle the kidnapping has damaged their relationship. Despite this, she feels a surge of optimism.
The discovery of a news report with dashcam footage of the shooting fundamentally alters the narrative, transforming Simone and Lucy from survivors of a crime into fugitives from the law. When Simone finds the article with its damning headline, “TWO WOMEN IN DRUG DEAL GONE WRONG” (132), the official story created by the police instantly overwrites her and Lucy’s lived experience. The decontextualized images—Simone gritting her teeth while holding a gun, both women standing over a body—cast them as violent criminals, making seeking help from the authorities even less possible. This public branding forces them into a new, terrifying reality, illustrating how Identity Forged by Crisis is a process driven as much by external perception as by personal choice. Their decision to go on the run is a direct reaction to this imposed narrative, which invalidates their trauma and recasts their desperate acts of self-defense as murder and attempted murder. This key moment ejects them from the relative safety of their car and into the wilderness, shifting the action into a survival narrative. The legal system, which should offer a path to justice, becomes the primary antagonist they must evade, forcing them to abandon civilization entirely, a physical manifestation of their complete isolation.
The introduction of the kidnapper’s first-person perspective in chapters titled “The Kidnapper” is a significant structural shift that offers a new source of tension and suspense to the narrative. While Simone and Lucy grapple with evading the police, the reader is made privy to a second threat that appears to be stalking them. The kidnapper’s chillingly casual declaration that they are “seeking revenge” and that “kidnapping’s easy if you obsess over it” reveals their motive to be a personal vendetta (135). This reframes the central conflict, aligning with the novel’s focus on the “whydunit” by prioritizing their psychology over their identity. These brief interludes give the reader a degree of omniscience as “The Kidnapper” methodically searches Terlingua for their target. The narrative becomes a three-way pursuit—police, kidnapper, and fugitives—escalating the stakes and complicating the theme of Seeking Justice When Institutions Fail, as The Kidnapper pursues retribution while the official system hunts Simone and Lucy. This structural choice builds a cumulative sense of dread, suggesting that even if Simone and Lucy escape the law, they may not escape completely unscathed.
As Simone and Lucy are forced to abandon their car and travel on foot, the desert landscape becomes a physical representation of their isolation and altered state of being. Their trip into the desert is a perversion of their planned camping trip, a grueling ordeal where the environment itself is an antagonist. Simone reflects on their new reality as a “kind of burning mindfulness” where “there is only now” (154), a contrast to their previous life where time felt abundant, and the future was stable, a known quantity. The unforgiving terrain tests their resourcefulness and strips their existence down to fundamental needs: finding water, rationing food, and seeking shelter from the elements. This elemental struggle highlights their internal state of vulnerability and desperation. The motif of the desert landscape functions as an externalization of their psychological journey, in which they are forced to shed their identities as a chef and a student and adopt the new, hardened roles of fugitives, utterly removed from the world they once knew.
The extreme pressure of life on the run both strengthens and strains the bond between mother and daughter, revealing new depths and emerging secrets within their relationship. The crisis forces them into a partnership of equals, with Lucy often taking the lead in strategy by suggesting their destination, identifying a potential lawyer, and piecing together clues about the British man. At the same time, this evolving relationship is complicated by growing suspicion and deceit. Simone’s discovery of the phone’s cleared browser history, followed by the disturbing search for “Torture kidnapper,” suggests a hardening in Lucy’s character and a private exploration of vengeance that alarms her mother. Lucy’s defensive and evasive responses when questioned about her life before the trip or her choice of Terlingua create a subtle but significant fissure of distrust. This dynamic complicates the theme of Motherhood as Its Own Moral Code, as Simone must protect a daughter who may be developing a dangerous agenda of her own—an agenda born from a trauma Simone was unable to prevent and which she sees as a maternal failure.
While the desert setting is primitive, the novel utilizes technology throughout the family’s transformation from ordinary citizens into a covert unit operating outside the law, and this unit, in these chapters, expands to include Damien. The narrative uses the technological conventions of the modern thriller to connect the family, as when Simone deciphers Damien’s “red herring” post on Instagram, establishing a clandestine communication channel that subverts police surveillance. This digital lifeline, hidden within the public-facing platform of their restaurant, allows the fractured family to secretly strategize and reunite. The coded messages rebuild trust between Simone and Damien, revealing him as an essential ally who successfully misdirects the police search. Damien’s eventual arrival in Terlingua is the physical culmination of this digital trust, demonstrating how modern tools can facilitate seeking justice when institutions fail.
Amid the chaos of their flight, the motif of cooking and the restaurant, Dishes, continues to be Simone’s link to her shattered identity and a means of asserting control. In the desert, her culinary skills transform from a profession into a survival tool. The act of extracting salt crystals from stream water or cooking tinned mackerel over a burning paper towel is a reclamation of her core self—the chef—in a world where her identity has shifted to fugitive. These moments of cooking are acts of both maternal care and defiance, providing nourishment and a semblance of normalcy for Lucy while grounding Simone in her own expertise. The news that Dishes has been awarded a Michelin star arrives as the ultimate bittersweet irony. This pinnacle of professional achievement, the dream that once defined her, is awarded to an identity she feels she no longer possesses. The award emphasizes the tragic distance between her past identity and her present reality, showing everything she has sacrificed, continuing the novel’s examination of the idea of maternal sacrifice.



Unlock all 62 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.