Caller Unknown

Gillian McAllister

62 pages 2-hour read

Gillian McAllister

Caller Unknown

Fiction | Novel | Adult | Published in 2026

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Part 3Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death.

Part 3: “Three Fugitives”

Part 3, Chapter 53 Summary

Reunited at the rental house, Simone, Damien, and Lucy find a moment of peace. While Simone cooks, Lucy tells Damien details of her kidnapping that she had withheld from her mother. Later, while Lucy bathes, Simone and Damien sit outside alone. Damien expresses gratitude that Simone was the one to handle the ransom, admitting that he would have involved the police, which might have prevented Lucy’s return. Simone then confesses to shooting the kidnapper’s accomplice.


Damien explains the police’s version of events: They believe Simone and Lucy invented the kidnapping to cover up a drug deal gone wrong. Evidence against them includes a text from Damien about a “business opportunity,” Simone’s texts about the restaurant’s overdraft, and the fact that the officer who first responded to Simone’s call felt she was too calm. Damien reveals the severe charges they face: murder and drug crimes for Simone, and accessory plus attempted homicide of a police officer for Lucy. As Simone grapples with this, Damien says he has a plan.

Part 3, Chapter 54 Summary

Damien proposes that they buy false identities on the dark web and flee to a place like the Bahamas to start a new life. Simone is hesitant, wanting to wait for Moody to find the British man from the bus. Damien argues that even if Moody finds him, they would still face the risks of a trial.


Lucy emerges from her bath and furiously rejects Damien’s idea, insisting that their only option is to find the real kidnapper and prove their innocence. In her anger, she reveals more disturbing details of her captivity. The argument leaves Lucy distraught, and she confesses to Simone that she has only been pretending to be fine. The family is left at an impasse, torn between Damien’s plan to disappear and Lucy’s determination to seek justice.

Part 3, Chapter 55 Summary: “The Kidnapper”

The narrative shifts to the kidnapper’s perspective. In a bar in Terlingua, the kidnapper searches for their target. They observe the patrons, considering it a perfect place to find a young woman with her guard down. The kidnapper spots a woman with suspicious body language leave through a side door but doesn’t get a clear look at her face. Before leaving, the kidnapper follows another woman with similar hair as a practice run. The search for the target continues.

Part 3, Chapter 56 Summary: “Simone”

Simone discovers that Lucy snuck out of the house. Confronted, Lucy admits to going to a local bar for a glass of wine to cope with her stress. She tells Simone that she felt like she was being watched the entire time she was there and adds that if she ever found the kidnapper, she might kill him.


Later, Damien shows Simone a news report announcing that he is also considered missing and that a $20,000 reward has been issued for information leading to the family’s arrest. The increased danger convinces Damien that they must leave immediately. He persuades a reluctant Simone to at least take the necessary photographs for the false identities, even if they don’t use them right away.

Part 3, Chapter 57 Summary

The family remains in a stalemate at Moody’s house, having not yet sent the photos for the false identities. They lie low, reading books and watching movies to pass the time. Simone receives a text from Moody assuring her he is still pursuing leads on the British man. Meanwhile, they check the news and notice that the stories about their case are becoming less frequent.

Part 3, Chapter 58 Summary: “The Kidnapper”

The kidnapper identifies a house in Terlingua where every shutter is closed despite lights being on inside, a detail they find suspicious. Circling the property, the kidnapper finds the patio doors locked. They observe as a female hand emerges from the shadows to briefly open and then close the door.


Convinced that this is the right place, the kidnapper goes to a hardware store and buys rope and duct tape, concealing them among other purchases. Returning to the house, the kidnapper hears a young woman’s voice and is certain it belongs to the target. They watch a shadow in a bedroom and conclude that she is sleeping alone.

Part 3, Chapter 59 Summary

At four in the morning, Simone receives a text from Moody with bad news. The British man from the bus has been identified as Max Pearson. He is an inspector at the summer voice camp, but he has been interviewed by police and has an airtight alibi. He is not the kidnapper. With their best lead gone, Lucy accepts that they have no choice but to follow Damien’s plan to flee.


The conversation turns personal, and Lucy confesses she didn’t want to leave home to live at school because she feared Simone would fall apart without her. As they talk, Lucy makes a pointed and cryptic statement: “[P]arents have to let their children go” (264).

Part 3, Chapter 60 Summary

Later that night, the family hears voices outside and realizes the police have found them. They rush to hide in a shed in the garden as officers surround the area, shouting that they have intelligence on the fugitives’ location. From inside the shed, Simone peers out and sees that the police are not at their rental but at Moody’s own house next door. After searching Moody’s property and finding nothing, the police leave. The family narrowly escapes capture but is now terrified that Moody betrayed them.

Part 3, Chapter 61 Summary

Believing Moody has turned them in, and that their capture is imminent, the family fully commits to Damien’s escape plan. A heartbroken Lucy silently agrees to have her picture taken for the false identity documents. Damien photographs her and Simone against a blank wall. Following the instructions from his dark web contact, Simone uploads the photos to a draft email, which the forger can access without leaving a digital trail.

Part 3, Chapter 62 Summary

The family receives confirmation that their new identities will be ready for pickup at Galveston Port the next morning. They immediately reserve tickets on a cruise ship to the Bahamas. At 3:30 am, they board a bus out of Terlingua, wearing simple disguises. During the ride, Simone asks Lucy about her earlier comment about “letting go,” but Lucy is evasive and claims she meant nothing by it.

Part 3, Chapter 63 Summary

After a long bus ride, the family arrives at Galveston Port. Damien goes into a storage facility, meets a man by a designated locker, and pays him cash in exchange for a brown envelope. Inside are three sets of forged documents, including passports with new names. Simone’s new identity is Sarah. With the false papers in hand, they walk toward the passport control building to board their ship.

Part 3, Chapter 64 Summary

As they approach the border office at the port, Simone, Damien, and Lucy notice two officers outside armed with machine guns. To avoid drawing attention to themselves as a group, they decide to split up and enter separately, joining different queues to have their documents checked.

Part 3, Chapter 65 Summary

Inside the border office, Simone nervously presents her fake passport, stating her reason for travel is vacation. To her immense relief, the official stamps her passport without issue. Lucy and Damien also pass through their respective checkpoints successfully. The family reunites on the tarmac, shocked that their plan worked, and boards the cruise ship.

Part 3, Chapter 66 Summary

Aboard the ship, the family settles into their cabins, but Simone soon realizes that the vessel has not departed, despite the scheduled time having passed. An announcement blames the delay on a signaling issue. Simone joins Damien on the deck and, in a symbolic gesture, throws her burner phone into the sea. Suddenly, the ship is flooded with the lights of police boats, and officers swarm the lower deck. An officer informs another guest that they are there to remove a passenger. Simone and Damien realize their escape has failed; they have been betrayed and trapped.

Part 3, Chapter 67 Summary

As police move toward them, Damien reveals something he learned during his interviews: The authorities offered a plea deal: If Simone pleads guilty to all charges, they will drop the case against Lucy. Simone instantly believes that this is what Lucy meant by her statement about parents letting their children go. To give her daughter freedom, Simone decides to sacrifice herself. She apologizes to Damien for ever doubting his love for Lucy.


Just as the police reach them, Lucy appears. Simone urgently explains the deal, telling Lucy that she must accept it so she can be free. A devastated Lucy protests as the police formally arrest Simone. Before being led away, Simone tells her daughter that she doesn’t regret anything because it was all worth it to save her.

Part 3, Chapter 68 Summary: “The Kidnapper’

The kidnapper returns to the house in Terlingua to find it empty. On their phone, they watch a news report about the family’s capture, with a headline stating: “MOTHER IN POLICE CUSTODY. DAUGHTER REMAINS FREE.” (287) The kidnapper concludes that it will now be much easier to abduct her. The plan is back on.

Part 3 Analysis

Damien’s reunion with his family introduces a fundamental ideological conflict that splinters their fragile unity and exposes their divergent paths toward resolution. His proposal to buy false identities and “settle somewhere people aren’t looking” is a pragmatic response born from his interactions with a police force that has already convicted them in principle (241). Damien understands the legal machinery they face and concludes that escape is the only logical move. Lucy’s furious rejection of this plan—“The best solution is to find the kidnapper and prove what he did to us” (246)—is an idealistic, trauma-fueled demand for truth and public accountability. She presents her argument in visceral terms to underscore its importance, punctuated by horrifying new details of her captivity, such as using “the bucket [she] had to piss in and pass to him” (246). This clash reveals how the crisis has forced each character into a different relationship with Seeking Justice When Institutions Fail. For Damien, the system is a corrupt and biased force to be outrun. For Lucy, it is a mechanism that must be forced to acknowledge her suffering and their collective innocence. Simone is caught between these two poles, torn between her husband’s protective impulse to flee and her daughter’s desperate need for exoneration, a conflict that freezes the family in a stalemate until external pressures force their hand.


The chapters narrated from The Kidnapper’s first-person perspective create a sustained dramatic irony, functioning as a separate narrative within the main plot. While the Seaborns focus their fear and strategy on evading the authorities, the reader is made aware of the much more intimate and immediate threat that is physically closing in on them. The Kidnapper’s methodical search of Terlingua—from scouting a local bar to identifying a house by its meticulously closed shutters—unfolds in parallel to the family’s own frantic planning. This structural choice shifts the narrative’s primary tension. The legal thriller plot, centered on the family as fugitives from the law, is amplified by the psychological horror of them being prey for a hunter they do not see. The Kidnapper’s tone is detached and professional, observing targets and performing a “practice run” as if on a routine job. This cold professionalism contrasts with the family’s turmoil. The irony peaks when Lucy sneaks out to a bar and returns saying, “I felt like I was being watched” (251), something that is plausible with the context of The Kidnapper nearby. Their near-miss with the police at Moody’s house is a misdirection; the true danger is The Kidnapper who observes from the shadows, concluding with terrifying certainty that their target is “sleeping alone.”


As hopes for legal exoneration collapse, the family’s flight from the desert to Galveston Port charts the painful construction of an Identity Forged by Crisis. The act of obtaining false documents is both a logistical necessity and a moment of deep self-annihilation. Damien taking photos of his wife and daughter that “look like mug-shots” visually confirms their forced transformation into state-defined criminals (269). For Simone, receiving a passport with the name “Sarah” marks the final erasure of her hard-won identity as a celebrated chef and business owner. The life she built at her restaurant, Dishes, is irrevocably lost, replaced by the anonymity of a fabricated persona. This loss is mirrored in Lucy, who confesses that her composed exterior is a performance: “I’m pretending. I’m pretending. I’m always pretending to be fine” (247). Her trauma has forced her to become an actor off-stage in order to shield her parents from the full extent of her suffering. This theme culminates in these chapters with the symbolic gesture of Simone throwing her burner phone into the sea. The act is an attempt to sever all ties to her past self and commit fully to the blank slate of a future on the run, demonstrating how the crisis has compelled her to methodically destroy her own identity in order to survive.


Throughout this section, domestic objects and actions become fraught with symbolic weight, aligning the high-stakes narrative with the conventions of the domestic thriller subgenre. In the temporary safety of the pink house, Simone’s immediate impulse is to cook a whole chicken, an act of nurturing that momentarily restores a sense of normalcy and reasserts her role as a provider. This contrasts with Lucy’s memory of the “cutlery he gave me with dinner that had other people’s old food on it” (246), where the domestic act of eating was a source of degradation. The motif of cooking recurs as a measure of Simone’s lost identity; she grieves that in a new life she could only be a “pot washer,” never a chef. Similarly, the burner phones used by the family continue to function as a symbol of their entanglement with the criminal world—they are both lifelines and liabilities. Moody’s texts deliver both false hope and destructive news, while Damien uses his to research their escape. Simone’s decision to throw her burner phone into the ocean is a deliberate, final attempt to disconnect from the technology that has defined their ordeal. Yet this act of liberation is immediately followed by their capture, suggesting that such ties cannot be so easily severed.


Lucy’s cryptic statement, “[P]arents have to let their children go” (264), evolves into a recurring idea for Simone as she ponders Lucy’s meaning. Initially raised during a conversation about Lucy’s reluctance to leave home for drama school, the phrase is freighted with the separation of a child’s growing independence. Lucy confesses she feared Simone would “fall apart” without her, revealing a codependency that the kidnapping has both intensified and made untenable. Aboard the captured cruise ship, Damien’s revelation of a potential plea deal recasts this idea entirely. Simone experiences a moment of painful clarity, realizing that Lucy’s statement was not about college but about a far more absolute form of release. She immediately accepts and enacts this idea with her swift decision to plead guilty, a transaction that embodies the novel’s exploration of Motherhood as Its Own Moral Code. By confessing to crimes she was coerced into committing, Simone secures her daughter’s legal freedom at the cost of her own. Her final thought before her arrest—that “[t]he parent always leaves first” (286)—illustrates that she sees her legal surrender as the natural fulfillment of her maternal role. She redefines justice in personal terms, securing Lucy’s future by sacrificing her own.

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