Cursed Fates

Caroline Peckham, Susanne Valenti
68 pages2-hour read
Fiction
Novel
Adult
Published in 2020

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Important Quotes

Content Warning: This section of the guide references graphic violence, physical and emotional abuse, bullying, sexual content, sexual harassment, cursing, death, and substance use.

“I was just staring at her, my mind wheeling as I tried to come to terms with the fact that some other asshole had been selected by the stars to be hers. Her perfect match. One true love…Except he’d said no. Or she had. And I just couldn’t understand it.”


(Chapter 2, Page 32)

This passage establishes the cultural weight of being Star Crossed. Caleb’s internal monologue defines the stakes—a rejected perfect match—and frames the defiance of fate as an incomprehensible tragedy, introducing The Tension Between Fate and Free Will.

“Father’s lips tugged into a cruel smirk, his eyes glittering with triumph which I failed to understand. ‘So, she can take orders well after all,’ he purred.”


(Chapter 5, Page 78)

In this passage, the authors use Lionel’s physicality to reinforce his role as the novel’s antagonist. The passage details his triumphant smirk and purred words underscore his sadistic nature, reinforcing his obsession with obedience and disregard for his son’s pain. This moment exemplifies The Corrupting Influence of Power, which manifests here as cruelty.

“‘Because it wasn’t a chance, Darcy,’ I said bitterly. ‘It was forever. All or nothing. Saying yes meant letting him own me. It meant I’d have to love him no matter what he did to me. What if he was just as cruel to me in love as he’d been in hate?’”


(Chapter 6, Page 93)

Tory explains that her rejection of her Elysian Mate wasn’t a denial of love but a refusal of what she perceives as ownership. Her fear, rooted in Darius’s past cruelty, is that the bond would force her to love him unconditionally, even if he continued to hurt her, illustrating a clash between fated love and self-preservation.

“He had a life before this. He had things he wanted, things he’d earned. He should be living his fucking dreams out playing in the Solarian Pitball League right now. Not stuck here teaching.”


(Chapter 8, Page 141)

Darius reframes the Guardian bond as a curse that stripped Orion of his agency and personal ambition. The specific mention of the Solarian Pitball League personalizes what was lost, contributing to Lionel’s characterization. Darius’s perspective highlights how Lionel’s power corrupts things that should be purely positive, like loyalty and trust.

“‘I’ve told you I’m not just going to accept this bullshit version of destiny for you,’ Lance growled, stepping right up into my personal space and giving me a shove which instantly set the Alpha in me snarling. ‘So it’s time you stopped acting like you accept it too.’”


(Chapter 8, Page 153)

Orion’s refusal to accept Darius’s Star Crossed status represents a call to action against passively accepting fate. By labeling destiny, a “bullshit version,” he refutes its immutability and challenges Darius’s sense of hopelessness, positioning free will as an active, defiant force against a world governed by celestial signs.

“‘I’m an Order Conversion Therapist.’ ‘And what’s that supposed to mean?’ I gritted out through my teeth, though I could have taken a wild guess.”


(Chapter 11, Page 223)

This exchange introduces the practice of Order Conversion Therapy within the world of the novel analogous to gender conversion therapy in a real-world context. Gravebone uses hypnosis and abuse to try and force Xavier to deny his authentic self and conform to Lionel’s supremacist values. Gravebone’s clinical title contrasts sharply with Xavier’s hostile response, immediately framing the concept as a violation, showing how power can be used to pathologize and erase one’s authentic self.

“You mean…that for no reason other than the pursuit of true and honest love, you wish to fix what cannot be fixed and defy the stars themselves?”


(Chapter 13, Page 264)

Geraldine’s romanticized language elevates the Heirs’ plan to a mythical quest, framing it not as a quest for true love. This dialogue establishes the stakes of their mission—defying fate itself. Max’s proposal shifts the way Geraldine sees him, advancing their romantic subplot.

“‘We’re going to fight for our throne!’ she cried. ‘And we’re going to win it!’ I finished.”


(Chapter 14, Page 294)

The Vega twins’ joint declaration acts as a turning point in their arcs, shifting their stance from survival to proactive ambition. Their amplified voices, a result of Orion’s magic, symbolize their public and undeniable challenge to the established power structure. This moment solidifies their joint identity as royals and officially declares a political war on the Heirs for their birthright.

“‘Ice melts,’ I pointed out. ‘Flowers wither,’ he countered. ‘I guess we’re both screwed then.’”


(Chapter 15, Page 305)

This exchange uses the symbolism of ephemeral crowns—Tory’s living vines and Darius’s melting ice—to represent the fragility of their power and connection. Their banter, ending with the mutual acknowledgment of being “screwed,” encapsulates the hopelessness of their Star Crossed fate. The dialogue reveals their shared predicament despite being political adversaries, foregrounding their complex romantic tension.

“There’s nothing I like more than a worthy opponent. So come at me with everything you’ve got, because I’m starving for that fire in your eyes. I know you’ve got what it takes.”


(Chapter 20, Page 416)

Seth’s challenge to Darcy reframes their conflict from bullying to a battle between equals, revealing his craving for a genuine challenge that his pack can no longer provide. His desire for the “fire in your eyes” indicates a respect for her power and attraction to her strength, complicating their antagonistic relationship and foreshadowing an evolution in their dynamic.

“I have a theory that with the bangles hiding both of your magic and me thrown into the mix while we hide down here, the stars won’t be able to figure out what we’re doing.”


(Chapter 23, Page 461)

Caleb’s plan to temporarily reunite Tory and Darius rests on a calculated attempt to subvert destiny, directly engaging with the novel’s exploration of fate versus free will. The amplifying chamber, which masks their presence and magic from the stars, becomes a space outside of fate’s control. His plan relies on exploiting loopholes rather than raw power, positioning him as a strategic player.

“‘The stars might have decided that you can never be mine,’ Darius said roughly, refusing to move away from me. ‘But I am yours. No matter what. I don’t care where we end up or who we’re with, I’ll always be yours. And I’m going to fix the damage I did to us even if the stars don’t care. I’m going to prove to you that I could have been worthy of you if I’d just listened to my heart sooner.’”


(Chapter 23, Page 473)

Darius’s declaration to Tory represents an act of defiance against their cursed fate. He separates the stars’ decree from his personal commitment, vowing eternal devotion and taking responsibility for his past actions. This is a significant shift in his character arc, moving him from arrogant cruelty to a deep, unwavering love.

“Let’s play chicken with the stars. We sit here and let them do their worst to tear us apart. The first one to get out of this seat wins.”


(Chapter 27, Page 508)

Darius’s metaphor personifies fate as an opponent in a reckless game. His suggestion showcases the fact that both he and Tory would rather face cosmic punishment than submit to forced separation. Their shared stubbornness and defiance bond them even as the world literally quakes around them.

“Yep, it’s official. I’m into my straight best friend. Thanks for the headfuck stars.”


(Chapter 28, Page 524)

Seth’s blunt internal monologue provides a moment of sudden vulnerability and character depth, revealing a queer romance subplot. The casual, resigned tone juxtaposes the gravity of his realization, and by blaming the stars, he connects his personal turmoil to the book’s larger cosmic forces, framing his feelings as another twist of fate.

“‘That’s what love is, Tor,’ Darcy said in exasperation. ‘It’s taking a leap of faith. It’s opening yourself up and letting your walls down and allowing someone to see every dark and broken corner of your soul.’”


(Chapter 31, Page 563)

Darcy’s impassioned speech centers the novel’s thematic focus on Vulnerability as a Prerequisite for Authentic Connection. Her definition of love as a “leap of faith” involving radical honesty is a direct challenge to Tory’s defensive and guarded nature. This emotional dialogue acts as the catalyst for Tory’s subsequent confrontation with Darius.

“‘I love you, Roxy,’ he said in a rough, dark voice which held no room for lies or falsehood, no space for tricks of cruelty. Only the truth.”


(Chapter 31, Page 572)

Darius’s declaration marks his complete emotional surrender, an important turning point in his character arc. The narration emphasizes the sincerity of his words, contrasting sharply with his history of cruelty and manipulation. This moment of raw vulnerability finally breaks the emotional impasse between him and Tory, culminating in their forbidden, fated kiss.

“I cast two whips of fire in my hands that were as blindingly white hot as my rage. I knew I was running into the last reserves of my magic, so I had to make this count.”


(Chapter 32, Page 584)

The imagery of fire whips emphasizes Darcy’s overwhelming grief and rage as fuel for her raw power. This moment transforms her emotional devastation into a tangible weapon, illustrating how her deepest pain fuels her greatest strength. The visceral description directly links her destructive magic to her internal state of turmoil.

“‘I mean it, Seth,’ I breathed, pushing my back against the cold tiles as I fought against the urge to bite him with everything I had. ‘I’m not myself tonight, I’m tapped out, I’m worked up, Mars is banging a fucking war drum in my head which demands sacrifice, and I can’t hurt you too. Please just go.’”


(Chapter 37, Page 659)

Caleb’s plea to Seth externalizes his internal battle against his vampiric hunger, framing it as a loss of self. The reference to Mars personifies his primal urges as an astrological force beyond his control, showing his desperation and self-awareness. This moment emphasizes his deep-seated fear of harming those he cares about.

“Shame licked down my spine and my jaw tightened as the depths of my own total fucking clueless dickhead behaviour were revealed to me and I was filled with enough self-loathing to coat my tongue with bile.”


(Chapter 38, Page 685)

Darius’s internal monologue uses personification to describe his guilt. The description of shame ‘licking’ down his spine and self-loathing coating his tongue in ‘bile’ emphasizes the depth of his remorse. His acknowledgement of his shame indicates his willingness to finally confront his past cruelty, signaling a significant shift in his character.

“He was manipulated by a girl with royal blood, a girl who has walked into this world alongside her sister and lied and cheated her way to being actually considered for the throne.”


(Chapter 39, Page 699)

Professor Highspell’s underhanded criticism of Darcy establishes her as a formidable antagonist. By publicly framing Darcy as a manipulative usurper, she twists Orion’s sacrifice into a chance to denounce the Vegas’ claim to the throne. This speech positions her as a new, institutional threat to the protagonists.

“You will guard our children from afar with everything you have, but you will never let them discover your identity while you still draw breath. And you will hide the artefact in a place where my enemies will never find it and only my children can uncover it. Swear to this oath on penalty of your soul.”


(Chapter 40, Page 730)

The Savage King’s command to Astrum reveals the deep history of sacrifice protecting the Vegas. The “soul pact” introduces a magical contract of the highest stakes, tying the guardian’s very soul to their mission.

“Get out of here and forget this place. Forget me. It’s over. Done. So, move on.”


(Chapter 41, Page 748)

Orion’s series of terse, brutal commands is a calculated act of self-sacrifice designed to sever his connection with Darcy. He uses cruelty as a shield, pushing her away to protect her social standing and future claim to the throne. The authors position his dialogue as ironic, as his harshest words are his greatest declaration of love.

“No one gets to pick my future for me. I choose what I want, and I want you.”


(Chapter 42, Page 774)

This declaration reinforces Tory’s embrace of free will over destiny, a direct rebellion against the stars that have cursed her relationship with Darius. This speech signals her decision to stop reacting to her fate and begin to actively shape it. Her words act as an assertion of personal agency.

“‘Adiuro te usque in sempiternum,’ he continued, his eyes blazing with power as he cast the ancient magic and Clara clapped excitedly as a chain of power bound Roxy’s hand to his. ‘Adiuro custodiet te milhi in filium.’”


(Chapter 57, Page 910)

Lionel’s ritual uses ancient magic to forcibly create a Guardian bond, a perversion of loyalty that strips Tory of her free will. This act is the ultimate expression of The Corrupting Influence of Power, as Lionel sacrifices another’s autonomy to secure his own.

“I tipped my head back slowly, my gaze moving over every inch of him until I finally met his eyes and the bottomless depths that were waiting for me within them. The Aries brand on my arm burned with the need to be closer to him and I whimpered as the shadows let me feel that ache for a moment before burying it again. But it was enough to give me my answer. ‘You,’ I breathed as I stared up at him and the darkness in his eyes blossomed like the shadows in my soul. ‘Only you.’”


(Chapter 60, Page 929)

This moment marks the completion of Tory’s transition into Lionel’s Guardian and a conduit of the shadows. Through the Guardian bond and shadow magic, Lionel has erased her identity and affections. Her forced declaration of love, prompted by the magical brand on her arm, shows a total loss of agency and illustrates the destruction of the self.

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