Tell Me Softly

Mercedes Ron

Tell Me Softly

Mercedes Ron
54 pages1-hour read
Fiction
Novel
YA
Published in 2025

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Chapter 26-EpilogueChapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of sexual content, physical abuse, emotional abuse, death, child death, and cursing.

Chapter 26 Summary: “Kami”

On Sunday morning, Kamila “Kami” Hamilton comes downstairs to find her father, Roger, and younger brother, Cameron, but not her mother, Anne, who has left for a week at a spa resort. Roger is clearly angry and confronts Kami about nearly insulting Anne during a car ride the previous day. After Kami apologizes, the three make and eat breakfast together. Kami notices Cameron’s eyes are puffy from crying and resolves to pay him more attention. After the meal, Roger and Cameron surprise Kami with a new bicycle to replace her car, which had been sold. The family spends the afternoon cycling and eating by Lake Carsville.


Kami does not miss Anne or her friends during the week Anne is away. She notes that her mother always contrives to be absent around this particular date each year. At school, her friend Ellie confronts Kami about missing cheerleading practice, saying the team wants her back as captain but is afraid of how Kate would react. When Ellie accuses Kami of dropping her friends for Taylor, Taylor arrives, and Ellie leaves. Kami withholds from Taylor that Roger is nearly bankrupt and has listed the family beach house for sale. She feels guilty accepting Taylor’s support, given that this week marks the anniversary of the affair that wrecked his family. When Taylor notices that something is wrong, Kami refuses to explain her family problems. She kisses Taylor, says she loves him and is sorry, then walks out of the cafeteria as everyone watches. She reflects on how far her social standing has fallen.


By Thursday’s detention, Thiago appears visibly distressed, and Kami spends the full two hours sketching a portrait from memory of the four of them—herself, Taylor, Thiago, and Lucy—happy and unaware of what lay ahead. When the session ends, Thiago looks at the drawing; his pain turns to rage. He grabs the paper, crumples it, and announces detention is over, then walks away. Outside, Taylor asks what happened, and Kami claims Thiago dislikes doodling. At the lockers, Taylor again presses her to forgive herself. Kami shouts that she deserves the contempt she receives and that neither years of therapy nor her mother’s reassurances have ever lifted her guilt. As she turns to leave, she finds Thiago on the other side of the lockers—he has heard everything. He grabs her arms, then steps aside and lets her go.


At home that evening, a storm begins. The rain connects painfully to a specific past event. Kami lies to Roger that she is going to Ellie’s to study, then rides into the storm on her bike toward a place she associates with bad memories. The ride triggers a flashback: When she was 10, she and 12-year-old Thiago were in their tree house when they saw Kami’s mother and Thiago’s father, Travis Di Bianco, walk into the woods below and kiss. As it became clear the two adults were having sex, Thiago covered Kami’s mouth to stop her from calling out, then put headphones on her, playing Marvin Gaye and Tammi Terrell’s “Ain’t No Mountain High Enough” to block the sounds. Hearing that same song now jolts Kami back to the present, where she realizes she has pedaled into unfamiliar territory.


Afterward, Thiago forced Kami to promise to stay silent about the affair so their parents would not split up. She agreed but grew increasingly troubled. Soon she overheard Roger and Anne fighting—Roger suspicious of Anne’s late nights, Anne hostile—and heard Roger threaten divorce. Anne retaliated by threatening to use the courts to ensure Roger would never see Kami again. Terrified, 10-year-old Kami spent a sleepless night reading about divorce and custody, and encountered a question asking whether people would prefer to live a lie or know the truth—a moment that began to shift her thinking. Kami now identifies that moment as the beginning of the end for both families—and for Lucy.

Chapter 27 Summary: “Kami”

Still on her bike, Kami reaches the Yellow Bridge just as the storm worsens. The bridge triggers a memory of the birthday party where everything unraveled. In flashback, Kami recalls that the night before the party she told Roger everything she had witnessed—the affair, the tree house, Thiago’s demand for silence—because she was afraid her mother would take her away if they divorced. She now understands Roger received the news calmly because he intended to catch the two together himself.


In the present, rain is coming down hard. Kami has no lights on her bike and no phone, and she begins pedaling for home through the dark.


The flashback continues: At Lucy Di Bianco’s fourth birthday party, Anne and Travis disappeared before the cake was cut, and Roger went inside looking for them. Shouting erupted from the house, and then Roger and a shirtless Travis burst outside, fighting. Thiago, though still a child, threw himself between the two men and tried to stop the fight. The brawl destroyed the party, and someone called the police. Officers took Roger away. Katia Di Bianco stood frozen until the chaos overtook her; she then gathered Thiago, Taylor, and a sobbing Lucy and drove off. Kami reflects that everything fell apart after that party.

Chapter 28 Summary: “Thiago”

The narrative shifts to Thiago Di Bianco’s perspective on the same Thursday. He is struggling with growing feelings for Kami and jealousy over her closeness with Taylor. At home, their mother, Katia, is locked inside Lucy’s old bedroom, and Taylor is escaping into video games. Unable to bear the weight of the day, Thiago gets in his car and drives into the storm, drawn toward the Yellow Bridge.


The drive pulls him into a flashback: After the party, Katia drove in a state of collapse—crying, speeding, telling Taylor his father was cheating on her with her best friend. Near the bridge, driving at 90 miles per hour, a deer crossed the road. The car struck the bridge’s railing and plunged into the lake. Katia was knocked unconscious. Water poured in. Thiago directed Taylor to retrieve a tire iron from the trunk, then smashed a window and dragged his unconscious mother out. He surfaced, then dove again, finding Taylor unable to free four-year-old Lucy from a jammed seatbelt. He pulled a paralyzed Taylor free, intending to return for Lucy, but ran out of air and was forced to surface. Katia, now conscious, dove alongside him on the next attempt. Together they finally freed Lucy’s body and brought her up. On the shore, a bystander performed CPR for 20 minutes without success. As paramedics continue their efforts, Thiago sees his father arrive at the scene while Katia remains consumed by grief. The paramedics cut open Lucy’s Cinderella costume in their efforts, and that is the image that finally broke Thiago. Taylor took his hand, and the two brothers ran from the scene.


Back in the present, Thiago spots Kami stranded in the rain near the same bridge. He pulls her into his car and drives until he can park. Kami asks if he will ever be able to forgive her. Thiago recalls Lucy’s funeral, where he confronted a 10-year-old Kami, told her Lucy’s death was her fault, and shoved her to the ground. Taylor immediately defended Kami and told Thiago the fault was his own for not getting Lucy out in time. That accusation has haunted Thiago ever since, because he knew it was true.


Now, sitting in the car with Kami, Thiago asks her forgiveness instead. He admits he blamed her because it was easier than blaming himself. Kami tells him it was no single person’s fault and urges him to stop punishing himself and live fully for Lucy’s sake. Thiago catches one of her tears and feels, for the first time in years, a reason to go on. He asks whether she ever cared for him more than for Taylor. Kami says it has always been him. Thiago kisses her.

Chapter 29 Summary: “Kami”

The kiss releases years of buried feeling on both sides. Through tears, Kami begs him never to leave her again. He tells her she has been his since they were children. The moment breaks when Kami whispers Taylor’s name.


Thiago acknowledges that Taylor has always had strong feelings for Kami and admits his own jealousy drove much of his behavior since returning to Carsville. He then states plainly that a relationship between them is impossible. Kami privately agrees, reflecting that Thiago works at the school as a coach, that a relationship would violate the rules, that her mother would make her life unbearable if she found out, and that she and Thiago have always been fundamentally different. Thiago frames what happened as an olive branch—the peace they should have made years ago—and helps her back to the passenger seat.


Kami asks whether he has truly forgiven her. He says he will try, but his phrasing—that it was not entirely her fault—reopens her wound rather than closing it. She explains that she told Roger about the affair because Anne had threatened that Roger would never see her again, and a terrified 10-year-old had believed her. Thiago listens but then says coldly that he hates both Anne and his own father and wishes them dead. The statement shakes Kami. She asks to go home.


When they arrive, Thiago notices Cameron visible through the living-room window. Kami tells him Cameron is not his half-brother—Roger required Anne to take a paternity test, and Cameron is his son. Thiago asks about the bike; Kami says Roger is bankrupt and had to sell her car, and calls it karma. She turns away before Thiago can see how much the admission costs her.

Chapter 30 Summary: “Taylor”

The perspective shifts to Taylor Di Bianco, who watches Kami step out of Thiago’s car from his window and feels powerless. He recognizes his feelings for Kami but cannot ignore the way she and Thiago seek each other out. Noticing that Thiago avoids his eyes, Taylor suspects something has happened between them. He reflects that since Lucy’s death he has tried to be the person who moves forward—the high-achieving, agreeable son—and he is tired of feeling guilty for being the one who managed to find happiness.


Taylor confronts Thiago downstairs, then tells him Katia is in Lucy’s room. Both brothers go in.


The room is exactly as Lucy left it eight years earlier: her toys and a miniature tea service laid out on a low table as though guests were still expected. Katia is on the floor holding Lucy’s old pajamas. Taylor and Thiago sit with her. Thiago, gently but firmly, reminds their mother of the agreement they made before returning to Carsville—that they would truly start over. Katia says she knows, stands, and wipes her face. She tells her sons they are what matter most to her and agrees to donate Lucy’s belongings the next day. She asks only for one more day to grieve, noting that today would have been Lucy’s twelfth birthday.


Taylor kisses his mother’s forehead and walks out with Thiago. On the way, he quietly picks up a small porcelain teacup that Lucy had painted with his name, keeping it for himself.

Epilogue Summary: “Thiago”

The following week, the Di Bianco family packs up all of Lucy’s belongings and donates them to a local church. They then visit her grave at the Carsville cemetery, leaving a bouquet of flowers. Thiago places a lollipop against the headstone and quietly addresses his sister, pretending to warn her not to eat it before dinner—a running joke from when she was alive.


Thiago decides he needs a few days away from Carsville to think. Before leaving, he watches from his car as Kami walks over to be with Taylor. He pulls out the crumpled portrait she drew in detention, smoothed since he took it. It shows the four of them as children—Taylor, Lucy, Kami, and himself—at a moment when he was trying to catch Kami’s eye. He tells himself he must forget her.


As he drives away, Kami glances toward his car; Taylor does not. Thiago considers telling her to wait for him, that they could be together the following year. He decides against it. Taylor deserves her. Thiago concludes he has nothing good to offer and can no longer sustain the fight. He drives away.

Chapter 26-Epilogue Analysis

These concluding chapters use flashbacks embedded in the storm sequence and present-day returns to important locations to develop the theme of The Past’s Hold on the Present. As a severe rainstorm descends on Carsville, Kami and Thiago move toward the Yellow Bridge at the same time, a convergence that brings the central childhood tragedy back into the present. For Kami, pedaling through the rain after losing access to her car because of her family’s bankruptcy leads to memories of the initial affair in the woods and the catastrophic birthday party. For Thiago, driving through the storm brings back the memory of his mother’s speeding car plunging into the lake. As the narrative moves between the storm in the present and the events in the past, it is clear that Kami and Thiago are still shaped by what happened eight years earlier. The storm heightens the danger of the scene, while the Yellow Bridge brings both characters back to the place connected to Lucy’s death. Their return to this setting forces them to confront the memories behind their guilt, anger, and grief.


The motif of Secrets and Silence drives the central conflict during these flashbacks, as Kami’s memories show how secrecy places children inside conflicts created by adults. Kami’s recollections center on the moment she and Thiago witnessed their parents’ affair from the tree house. Once a childhood sanctuary where the three friends could remain apart from adult conflict, the tree house becomes the place where Kami and Thiago first witness the betrayal that divides their families. Thiago’s insistence that Kami stay silent comes from his desire to protect his family from collapse, but it places a painful burden on a 10-year-old child. Kami’s eventual decision to break this silence is not an act of malice. It is the choice of a frightened child who fears losing her father, prompted by an internet search about divorce that asks whether it is better to “live a lie or know the truth” (227). Her attempt to protect her own family contributes to the chain of events that leads to the birthday party brawl and the ensuing fatal crash. Thiago’s lingering bitterness over her confession underscores his belief that the affair should have remained hidden, even though the novel shows that secrecy had already damaged both families. Ultimately, the text suggests that both silence and disclosure carry consequences, especially when children are forced to manage truths created by adults.


The scene in Thiago’s car addresses the theme of The Problems With Assigning Blame for a Tragedy by allowing Thiago and Kami to reconsider the blame that has shaped their relationship for years. After rescuing Kami from the rain, Thiago finally admits the guilt beneath his anger, saying, “I blamed you because it was easy. Because I thought maybe that way, I wouldn’t have to blame myself” (242). This confession changes the way he and Kami understand the past. Thiago’s realization that Lucy’s death followed a chain of adult choices, accidents, and childhood helplessness weakens the blame he has directed at Kami. Kami’s explanation that she exposed the affair because she feared losing her father further shows that her childhood decision came from fear rather than malice. Their conversation complicates blame without fully resolving it, since both characters are still carrying guilt and grief. They share a kiss after Kami declares, “It was always you, Thiago” (243), yet their later acknowledgment that they cannot be together shows that forgiveness does not immediately repair the damage caused by the past. The practical complications in their lives—including Thiago’s staff position at her school, Anne’s likely reaction, and Taylor’s steady affection for Kami—make a relationship between Kami and Thiago impossible at this point.


The novel concludes by showing how the Di Bianco family begins to face Lucy’s absence without fully leaving the past behind, developing the theme of The Past’s Hold on the Present. On what would have been Lucy’s 12th birthday, Katia finally agrees to donate the belongings in her daughter’s bedroom, which has remained untouched for eight years. The room’s unchanged state shows how strongly Lucy’s death has kept the family fixed in the past. By donating the toys and clothing, Katia takes a difficult step toward changing the way the family lives with its grief. Taylor and Thiago also respond to Lucy’s memory in quieter ways: Taylor quietly saves a small porcelain cup painted with his name, a private reminder of his bond with his sister, while Thiago leaves a lollipop at Lucy’s headstone, continuing a playful childhood routine. These details show that the brothers do not forget Lucy; instead, they each find a private way to carry her memory. While these concluding actions suggest movement for the Di Bianco family, the central conflicts remain largely unresolved. Thiago’s final decision to drive away and step aside for his brother ensures that his feelings for Kami, Taylor’s attachment to her, and the legacy of Lucy’s death will continue to shape their transition into adulthood.

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