Face Off

Chelsea Curto
51 pages1-hour read
Fiction
Novel
Adult
Published in 2024

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Background

Authorial Context: Chelsea Curto

Chelsea Curto is a contemporary romance author known for her sports-centric novels, particularly those set within the fictional DC Stars universe, of which Face Off is a part. Based in Florida, Curto has built a devoted readership through her focus on found-family dynamics, banter-driven relationships, and athlete protagonists whose careers are given as much narrative weight as their romances. Before turning to writing full-time, Curto worked in the sports industry, an experience that informs the authenticity of her locker-room scenes, training regimens, and franchise politics. She has spoken publicly about her lifelong involvement in athletics, and in the Face Off author’s note she introduces herself as “someone who’s been an athlete [her] entire life” (vii), a background that lends her depictions of physical training, competitive pressure, and team hierarchy a lived-in specificity.


Curto’s broader body of work frequently returns to themes of ambition, public scrutiny, and the emotional cost of professional performance. Her novels tend to feature heroines who are professionally accomplished in their own right rather than positioned solely as love interests, a pattern consistent with her stated commitments to female representation. In interviews and social media posts, she has discussed the research process behind her hockey novels, including consultation with players and fans of the sport, and has been vocal about the growing cultural appetite for women’s athletics. She often cites viewership milestones as evidence of a shifting landscape, including the 2024 NCAA women’s basketball championship, which for the first time drew a larger audience than the men’s final with an average of “18.7 million viewers” compared to the men’s “14.82 million” (Romo, Vanessa. “Women’s NCAA Championship TV Ratings Crush the Men’s Competition.” NPR, 10 Apr. 2024). In her author’s note for Face Off, Curto states plainly that “the representation of women in sports is important to [her], hence the woman in the NHL” (vii). This declaration frames Emmy’s placement in a men’s professional league rather than a women’s one as a deliberate authorial intervention, one that channels Curto’s athletic background and her advocacy for female visibility in sport into the novel’s central premise. She is also active in the online romance community, where discussions of genre conventions, representation, and reader expectations shape her creative choices.

Cultural Context: The Rise of Women in Professional Hockey

Women’s participation in elite hockey has a longer institutional history than casual fans often realize, though its professional infrastructure has only recently begun to stabilize. Women’s ice hockey debuted as an Olympic medal event at the 1998 Nagano Games, with the United States defeating Canada for the inaugural gold. In the decades since, the sport has weathered multiple failed or short-lived professional leagues, including the Canadian Women’s Hockey League (CWHL), which folded in 2019, and the National Women’s Hockey League, later rebranded as the Premier Hockey Federation (PHF), which ceased operations in 2023 following a buyout. The most significant milestone at the individual level came on September 23, 1992, when Manon Rhéaume became the first woman to play in an NHL preseason game, tending goal for the Tampa Bay Lightning against the St. Louis Blues. Rhéaume went on to play in minor professional men’s leagues and to win Olympic silver with Canada in 1998, but no woman has appeared in an NHL regular season game.


The landscape shifted dramatically with the launch of the Professional Women’s Hockey League (PWHL) in 2024, backed by the Mark Walter Group and built on the ashes of the PHF buyout. Featuring six franchises across the United States and Canada, the league unified the sport’s top talent under a single, better-funded banner for the first time. The PWHL’s inaugural game on January 1, 2024, reached “2.9 million Canadian viewers” across three national networks (McLellan, Ashley. “2.9 Million Canadians Watch Opening Professional Women’s Hockey League (PWHL) Game.” PWHL, 5 Jan. 2024). The league went on to break multiple attendance records during its first season, including a crowd of over 21,000 at Montreal’s Bell Centre. Sponsorship, merchandise sales, and broadcast partnerships have continued to expand, suggesting a durable audience. Face Off enters this cultural moment with Emmy positioned as a fictional trailblazer within the NHL itself. Curto notes she began drafting before the PWHL’s existence was solidified, choosing to have Emmy “play with the boys” to dramatize the barrier that remains unbroken (vii).

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