Face Off

Chelsea Curto
51 pages1-hour read
Fiction
Novel
Adult
Published in 2024

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Themes

Content Warning: This section of the guide includes discussion of bullying, sexual content, sexual violence, gender discrimination, emotional abuse, and illness.

The Double Standard for Female Athletes

In Face Off, Chelsea Curto argues that female athletes in male-dominated sports face a pervasive and exhausting double standard that forces them to constantly prove their legitimacy. This disproportionate scrutiny manifests in public perception and media coverage as well as within intimate relationships, where a woman’s professional success can be framed as a threat to the male ego. Through Emmy’s journey into the NHL, the novel illustrates how this systemic sexism questions a female athlete’s skill, scrutinizes her personal life, and demands a level of resilience far exceeding that of her male counterparts.


The most public form of this double standard appears in media interactions, where Emmy’s achievements are often diminished by gendered qualifiers. During her first press conference as a D.C. Star, reporter Simon Buttecker dismisses her impressive ECHL statistics by stating they are impressive “for a female athlete” (63). This comment seeks to invalidate her skill by suggesting it exists on a separate, lesser scale from men’s achievements. Maverick’s furious defense of Emmy highlights the injustice, as he points out that no one would ever qualify his own stats as good “for a male athlete” (64). Even before this, Emmy reveals her awareness of this tokenism, worrying that the Stars only offered her a contract as a “‘diverse hire’ thing” (4). This internal anxiety demonstrates how the constant external questioning of her merit leads her to doubt her own hard-won success, a burden her male teammates do not share.


The novel extends this critique of sexism from the public sphere into private relationships, showing how the double standard can fuel emotional abuse. Emmy’s past relationship with fellow hockey player Cole is a stark example. His support soured the moment her career began to eclipse his. After she was promoted to the starting line over him, he began a campaign of psychological torment, claiming her opportunities were due to her looks or that coaches wanted to sleep with her, not because of her talent. He even cruelly joked about letting teammates sexually assault her. This backstory reveals a toxic dynamic where a man’s insecurity, threatened by a woman’s superior ability in a shared profession, twists into a need to belittle and degrade her. Cole’s verbal abuse is a direct consequence of a culture that struggles to accept female excellence in a male-dominated space.


Despite the psychological toll, Emmy transforms this relentless sexism into a source of motivation. She uses hateful, sexist comments as fuel to silence her critics on the ice. While this shows her resilience, it also emphasizes the additional emotional labor required of her. Emmy must not only perform at an elite level but also constantly battle a barrage of public and private attacks on her legitimacy. Thus, her success demonstrates her ability to withstand and repurpose the very sexism designed to hold her back. Through the fictional story of Emmy’s trailblazing career in the NHL, Curto calls for real change in society’s treatment of female athletes.

Vulnerability as the Foundation of Intimacy

Face Off posits that genuine, lasting intimacy requires the courage to be vulnerable. Both Maverick and Emmy begin their relationship shielded by defensive exteriors. Their journey from a purely physical arrangement to a deep emotional bond illustrates that true connection is forged only when individuals are willing to dismantle their emotional armor. 


Initially, both protagonists use their public-facing identities as a form of self-protection. Maverick, the NHL’s “golden boy,” has a reputation as a womanizer who never sleeps with the same woman twice. He later reveals this behavior is a coping mechanism stemming from his childhood in the foster care system, a past that left him with a deep-seated fear of not being wanted. His one-night stands allow him to control the terms of engagement and leave before he can be left, thereby avoiding abandonment. Similarly, Emmy’s “prickly” personality and snarky comebacks are a defense against being hurt again, a direct result of her ex-boyfriend’s emotional abuse. These guarded exteriors prevent anyone from getting close enough to inflict pain, but they also preclude the possibility of real intimacy.


The turning point in their relationship occurs when they begin to share these hidden vulnerabilities. Their recurring “question of the day” game slowly evolves into a ritual of trust. It is through these questions that Emmy learns about Maverick’s deep love for his niece, June, and Maverick learns about Emmy’s difficult family history, including her father’s accident and her mother’s resentment of her career. Maverick’s confession about growing up in foster care is particularly key. By explaining his fear of being unwanted, he gives Emmy the key to understanding his behavior, transforming him from an arrogant player into a complex man with deep-seated wounds. This exchange of deeply personal histories moves them beyond a physical connection and begins building a foundation of genuine trust.


This emotional intimacy is solidified through an act of physical vulnerability. When Emmy becomes violently ill with food poisoning, Maverick breaks down her apartment door to care for her. He finds her at her absolute weakest and most exposed; she’s sick, helpless, and unable to maintain her tough exterior. In this moment, he sees the real, unguarded Emmy, and his choice to care for her proves that his feelings are sincere. Emmy and Maverick’s love story proves that intimacy blossoms when people are brave enough to show their true, vulnerable selves.

Found Family as Emotional Anchor

In Face Off, the concept of the found family provides the unconditional support and sense of belonging that traditional family structures sometimes fail to offer. Protagonists Maverick and Emmy, both of whom come from difficult backgrounds. Maverick aged out of the foster system, and Emmy has a strained relationship with her mother. As a result, their chosen families of teammates and friends become their primary source of stability and acceptance. The novel champions these bonds of camaraderie and mutual respect, illustrating that the deepest connections are often forged through shared experience rather than blood.


The D.C. Stars hockey team functions as far more than a professional organization; it is a surrogate family for its players. This is most evident in their weekly Tuesday night dinners, a tradition where hockey talk is forbidden, allowing them to connect on a personal level. This camaraderie translates into fierce loyalty. When the team learns that Cole emotionally abused Emmy, they immediately and instinctively rally to protect her. Grant Everett’s declaration, “You’re ours now” (299), encapsulates this sense of belonging. From her first practice, when Hudson assures her, “You’re one of us now. We’ve got you,” (54) Emmy is absorbed into a unit that offers unwavering support, providing the acceptance she never received from her mother.


Beyond the team, both Maverick and Emmy rely on deep friendships that function as family. Maverick’s primary family unit consists of his best friends, Dallas and Reid. Their bond is so strong that they collectively raised Dallas’s daughter, June, after she unexpectedly came into his life. Maverick’s role as “Uncle Mav” is the one he is most proud of, demonstrating his commitment to this chosen family. Similarly, Emmy’s relationships provide her with important support systems. Her long-distance friendship with Grady is a constant, and upon moving to DC, she quickly forms a tight-knit “girl squad” with Piper, Maven, and Lexi. These female friendships offer her a space for vulnerability and understanding that she has long been missing, helping her navigate the pressures of her career and her burgeoning relationship with Maverick.


Ultimately, these found families fill the emotional voids left by the main characters’ families of origin. For Maverick, who has no biological family to speak of, the Stars and his close friends provide the brotherhood and stability he never had. For Emmy, whose mother resents her career choice, her teammates and friends celebrate her athletic prowess without judgment or condition. In a world where both characters have experienced forms of abandonment, their found families become their steadfast anchors, proving that love and loyalty are actively chosen and cultivated through shared respect and care.

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