69 pages • 2-hour read
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Content Warning: This section of the guide contains depictions of death by suicide, illness or death, sexual content, and substance use.
Cordelia’s fundraiser resumes immediately after Stella’s confrontation with Maddie. Tyler promises Stella she will never have to see Maddie again, and other guests avoid the couple entirely. Her rage pulls her into a flashback: Seven years ago, Maddie fled the scene of Runa’s accident, leaving Stella alone to face the consequences. She recognizes this as the culmination of a pattern she once excused as professional PR training, given that Maddie’s family owns a media company. Tyler squeezes her thigh and murmurs that she needs to compose her expression.
The stress of the evening triggers a gastritis flare, limiting what Stella can eat. When Tyler urges her to eat more, her mother Georgianna takes it upon herself to brief him on the warning signs while he takes notes on his phone. Stella is mortified and fears he will weaponize the information. By dessert, however, a wave of self-pity gives way to resolve. Actively helping Tyler pursue the guilty parties feels like reclaiming agency she has spent her whole life suppressing.
After dinner, the group moves to the ballroom. Light pressure from Richard and Georgianna pulls a reluctant Stella onto the dance floor with Tyler. They exchange insults through fixed smiles; her dance training as a former ballerina allows her to follow his effortless lead. At the song’s close, he dips her dramatically, and Stella privately admits a fierce physical attraction, which she frames as a contest for dominance. The crowd has stopped dancing to watch. When guests tap their glasses, Tyler dips her again and gives her a brief, firm kiss. They take a bow, and Stella immediately retreats from the floor.
Tyler follows Stella off the dance floor through a side door, where she is already with a group of younger guests. She introduces him as Tyler, her boyfriend. Among the group are AJ, a man with dark curly hair and green eyes; Julia, a blonde woman; and a broad, sandy-haired man named Tommy. Tyler pulls Stella aside to ask which guests are his targets; she names everyone except AJ. When Julia almost catches them whispering, Tyler pulls Stella into a convincing embrace. Once the group moves ahead, Stella declares a new rule: no more kissing. Tyler taunts her about a sexual dry spell, and their exchange escalates until he pins her to the wall and touches her through the fabric of her dress, demonstrating she is equally affected. Julia reappears, and Stella shoves Tyler off and covers with a breezy excuse. Privately, he reflects that fighting with Stella is the most mentally engaged he has felt in months.
Thirty minutes later, the group has settled in a billiards lounge. AJ probes Tyler’s background and mentions Stella’s past partner, Caleb. Tyler deflects with a vague claim of northern lineage, then demonstrates impressive card flourishes before proposing a no-limit poker game. He initially declines to play himself, claiming it would be unfair—successfully goading the others into demanding he join—and asks Stella to deal.
An hour in, Tommy accuses Tyler of cheating. Tyler calmly recites each of Tommy’s unconscious tells. Tommy attempts to overturn the table, finds it bolted down, and directs a misogynistic slur at Stella. AJ quietly orders him to leave, and Tommy obeys without protest—a display of social authority that intrigues Tyler. On the way out, a man named Federico pulls Tyler aside and reveals he knows Tyler runs underground parties, naming his cousin Grant as a source. Tyler denies it while mentally noting to have Grant warned. Outside, Stella warns Tyle that Federico once hazed a classmate to suicide; Tyler reveals he was already aware, establishing that he thoroughly researches his targets. He explains his strategy: Withholding access makes Federico and Julia desperate and easier to control. He also reveals they are sleeping together despite being second cousins. Tyler tips each valet $100. Stella schedules their next event: a soiree on Wednesday.
More than two weeks after Cordelia’s party, Stella rushes to get ready for a Saturday evening event with Tyler. They have attended three more parties in the interim, falling into a routine of pretend flirtation and relentless bickering that frequently turns sexual. They have developed a shared signal—“Truce”—to pull back before things go too far. Stella last used it three nights ago.
In the car, Stella notices Tyler is wearing the suit cut she once recommended and teases him for buying it in every color. Their banter escalates into an exchange of playful insults. Stella accidentally uses her mother Georgianna’s mispronunciation of the word “pervert”; Tyler correctly identifies it as Georgianna’s and gives Stella an offhand compliment on her ability to mimic her. Startled by the praise, Stella reaches over to check his forehead; he deflects her hand so firmly she punches the ceiling. On the steps of the venue, Tyler teases Stella for appearing short—she is in flats due to a blister. When he asks if she is coming up the stairs, Stella quips that she is just breathing hard, prompting a gasp from a nearby couple and laughter from the valet.
The party is hosted by AJ’s parents at their grand family home. Tyler finds it indistinguishable from every other society event. During cocktail hour, he overhears two wealthy men casually discussing doomsday plans that include shock collars for guards and land-mine perimeters, deepening his contempt for the elite class. He notices Stella is eating slightly more than usual and stops himself from asking whether her condition has improved.
After a lengthy auction—during which Tyler bids publicly on several lots, winning diamond cufflinks purely for show—AJ signals for them to slip away. Stella’s parents linger at the table; Georgianna teases them about going to use drugs with their friends. As Tyler passes her chair to leave, Georgianna grabs his arm and asks him to be careful with Stella. He smiles warmly and feels nothing.
By early morning, the younger guests have gathered in the basement, a cavernous Roman-style pool area, most of them swimming naked. Tyler notices Stella is deep in conversation with AJ and seems unbothered by the woman hanging off Tyler’s arm. He dismisses the woman, approaches Stella, and—stung by being ignored—removes her untouched drink and drops her onto his lap. AJ, amused, reveals that Stella has been watching Tyler when she thinks he is not looking. Tyler taunts her, and when she leans in to threaten him, he cuts her off with a quick, hard kiss. Afterward, AJ gently wipes the smeared lipstick from Tyler’s mouth and asks whether it is always just the two of them. Tyler asks if he is offering to join in. AJ confirms that he is.
In AJ’s bedroom, Stella panics and tells Tyler to call the whole thing off. He turns the decision back on her, daring her to be the one to back down. She recognizes the move as another attempt to win and refuses to concede. When AJ re-enters, she launches herself at Tyler and initiates a kiss to hold the bluff—and pressed against his chest, realizes he is fully erect.
Rather than retreating, Tyler directs AJ to kiss her neck. Stella grinds backward against Tyler to test him; he matches her and kisses the other side of her neck, and she is unsettled to find the sensation genuinely good. As things progress, Stella has a private reckoning: Exhausted by years of restricting every meal, drink, and stressor to manage her illness, she decides to let herself feel pleasure for once.
She removes her dress with Tyler’s help. AJ looks at her with uncomplicated desire, making her feel wanted. Tyler removes her pasties with surprising gentleness, and the endorphin rush begins to ease her chronic pain. Together, Stella and Tyler undress AJ, keeping him positioned between them. When Tyler fully undresses, AJ praises his appearance, then declares that Tyler is almost as pretty as Stella. Tyler contradicts him, saying “no one’s as pretty as Stella”—a comment that stops her cold (193). Neither backs down as they each climb onto the bed on opposite sides of AJ.
Tyler is annoyed that Stella remains partially dressed while he and AJ are naked. He kisses AJ partly to provoke her but catches an unguarded look of genuine lust on her face, which settles the question: He commits fully. He pulls Stella between them and tears off her underwear. Noticing two small heart tattoos near her pubic area, he is surprised by a spike of jealousy.
AJ manually pleasures Stella and confirms she is very aroused; she licks his fingers while holding eye contact with Tyler. AJ asks Tyler if he can sleep with Stella; Tyler agrees. Stella then states she wants AJ inside her while Tyler uses her mouth, and she means it. Tyler acknowledges that their mutual desire is simply undeniable.
The three find a rhythm together. Tyler asks her to remove her Monroe piercing before performing oral sex; she asks what if she wants him to hurt her. AJ and Tyler enter Stella simultaneously, working harder until AJ announces he is close. The combined sensation drives Tyler to climax first. Stella immediately demands AJ go harder. They climax together, and Tyler finds the sight unexpectedly moving.
Afterward, Stella collapses against Tyler. He holds her; AJ joins them from behind, and the three lie there together. Tyler stares at the ceiling, shaken, asking himself what they have just done—and why he wants to do it again.
On a Sunday afternoon, Tyler is at the home of his best friend Josh, whose fiancée Aly is an ER nurse with whom Tyler once had a casual arrangement. While they play video games, Josh spots a notification on Tyler’s phone, snatches it, and runs. Tyler gives chase in genuine panic—Josh is a skilled hacker who could expose Tyler’s covert operation. Aly intercepts the phone and returns it. Josh asks who Stella is; Tyler deflects.
Two weeks have passed since the threesome with AJ. Tyler and Stella have attended four more events, the tension between them escalating each time. He once tried to address that night, but Stella shut him down so definitively he dropped it. He tries to convince himself he hates her, but the reasons no longer hold: She is spending her own money to cover someone else’s debt, she is actively helping him, and whatever class-based grievance he carried has dissolved. He admits he has been punishing her for his father’s sins. Before leaving, he reveals that he effectively set Josh and Aly up. Tyler leaves laughing, feeling lighter than he has in weeks.
That evening, Tyler arrives late to a company soiree for Stella’s parents’ business—his day consumed by logistics for his upcoming secret party and the need to hire a new security team. He finds Stella pacing outside, visibly tense. She tells him Maddie is inside. Tyler intends to confront Maddie directly; Stella tries to pull him back, warning that he looks like he is about to destroy someone. He promises to remove Maddie from the venue and to send her a game night invitation soon, potentially ending their arrangement. He also offers to split Maddie’s debt with Stella so she can recover the money she spent covering Runa. Stella warns that Maddie’s family is powerful enough to pursue anyone who comes after them; Tyler counters that he knows about other victims and will threaten to expose the family if they retaliate. He walks inside before she can respond, and she follows.
As they search for Maddie, they trade jokes, and Stella breaks into genuine, unguarded laughter. They slow to a stop, and Tyler realizes clearly, without the cover of anger, that he does not hate her. He breaks the moment by pointing out that her dress matches a nearby dinosaur in the exhibit. She calls him a name and walks away, and the throwaway comment stings more than it should. Their banter halts when Stella spots her parents beside Richard. The sight of Richard floods Tyler with barely contained rage; each encounter makes hiding it harder. Richard steps forward with a warm smile and extends his hand. Tyler forces a smile, takes it, and privately vows that Richard’s happiness will soon end.
Tyler and Stella’s participation in high-society events highlights how identity functions as a calculated performance within the elite sphere. As Theo Strickland, Tyler flawlessly executes ballroom waltzes and manipulates social interactions at both Cordelia’s fundraiser and AJ’s family home. Stella matches this facade, using her formal dance training to follow his lead while trading whispered insults through a fixed smile. These deliberate performances act as armor, allowing Tyler to infiltrate the wealthy echelon undetected while protecting Stella from the judgment of her peers. Performance extends beyond their public appearances, as the pair gradually develop private rituals, inside jokes, and negotiated boundaries—such as their mutually agreed-upon “Truce” signal—that blur the distinction between the roles they are playing and the relationship they are actually building. This psychological maneuvering deepens a common dark romantic comedy convention where a coerced, fake-dating relationship forces characters into intimate proximity. As the arrangement continues, however, maintaining the performance becomes increasingly difficult because both characters begin developing genuine emotional investment in one another.
The motif of gambling continues to develop The Corrupting Influence of Wealth and Privilege while advancing Tyler’s broader campaign against the social world surrounding his father. Throughout these chapters, Tyler uses parties, poker games, and exclusive gatherings to gather information about the people who occupy the same elite circles as Richard. His interactions with figures such as Federico, Julia, Tommy, and AJ reveal a strategy built on observation, patience, and social engineering. Allen portrays Tyler as someone who studies weaknesses, identifies patterns of behavior, and exploits opportunities others overlook. At the same time, the novel emphasizes how wealth creates environments in which recklessness, entitlement, and harmful behavior often go unchecked. Whether exposing Federico’s history of cruelty, observing the casual excesses of wealthy partygoers, or listening to affluent guests discuss increasingly absurd displays of privilege, Tyler finds confirmation of many of the frustrations that fuel his resentment toward the upper class. However, these chapters also complicate his worldview by examining Stella and AJ, whose behavior resists his simplistic assumptions about wealth, forcing him to distinguish between systemic privilege and individual character.
Stella’s shifting perspective on Tyler’s blackmail scheme illustrates the seductive, empowering nature of retribution. Instead of resisting her role as Tyler’s girlfriend, Stella experiences a “sense of righteousness” (154) and resolves to actively help him target guilty individuals like Maddie and Federico. After years of quietly absorbing the fallout from Maddie’s hit-and-run and managing severe stress-induced gastritis, Stella finds an outlet for her suppressed rage. By adopting Tyler’s vigilante mission, she transitions from a passive victim to an active participant, shedding her defensive posture to curate a list of targets for Tyler’s underground operation. This development represents a significant stage in Stella’s character arc, as she increasingly begins making choices based on her own values and objectives rather than simply reacting to circumstances imposed upon her. This psychological shift complicates the theme of Revenge as an All-Consuming and Self-Destructive Force. It suggests that while vengeance demands moral compromise, it also offers marginalized or traumatized characters a compelling method to assert control in a world that typically denies them justice. Stella’s willingness to leverage Tyler’s criminal enterprise to enforce consequences represents a reclamation of her agency. Her collaboration with Tyler also reflects the growing ideological overlap between them, as both become increasingly invested in exposing people who have escaped accountability.
The escalating sexual tension between the protagonists culminates in a scene that dismantles their established power structures. At AJ’s family estate, a game of mutual provocation leads to a threesome among Stella, Tyler, and AJ. During the encounter, Tyler acknowledges that he “didn’t hate being ordered around in the bedroom” (199), responding profoundly to the unexpected dynamic of following commands. This physical intimacy dissolves their carefully constructed hostilities once they fully give in. By refusing to back down from the challenge, neither Tyler nor Stella can maintain their emotional distance. The encounter forces both characters to confront feelings they have spent weeks disguising beneath banter, competition, and performative hostility. This growing emotional intimacy is evident even outside explicitly romantic moments. Reflecting on her constant arguments with Tyler, Stella privately admits that “maybe like one percent of the time, I was trying to make him laugh,” revealing that their exchanges increasingly serve as a means of connection rather than simple conflict (194). The confession exposes the gap between Stella’s outward resistance and her private investment in the relationship, demonstrating how their carefully maintained antagonism has begun to evolve into genuine affection. Tyler’s realization of his submissive tendencies directly contrasts with his dominant, controlling public persona. By placing the transition from enemies to lovers within a sexual encounter, the narrative forces characters to confront their authentic desires, destabilizing the coercive foundation of their arrangement. The attraction is also presented as unmistakably mutual. Stella finds herself unable to look away from Tyler, describing him as “a work of art” and imagining that “[t]he Renaissance masters would have wept to see him” (194). The exaggerated artistic language reflects the extent of her fascination, reinforcing that the growing connection between the protagonists extends far beyond the obligations of their arrangement.



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