Girls Like Girls

Hayley Kiyoko

Girls Like Girls

Hayley Kiyoko
54 pages1-hour read
Fiction
Novel
YA
Published in 2023

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 32-42Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death by suicide, graphic violence, physical abuse, bullying, antigay bias, suicidal ideation, substance use, and cursing.

Chapter 32 Summary

While hanging out at Blake’s house, Coley suggests they go out. Blake complains that she’s out of weed and proposes getting some from her ex-boyfriend, who she claims owes her a favor because she ensured that he didn’t become a “teen dad.” She drives Coley recklessly to a cluster of mobile homes and tells her to wait in the car. After finding that her ex isn’t home, Blake breaks in through a window.


Terrified, Coley is startled when a truck pulls up. The driver, carrying a bat, is revealed to be Alex, Blake’s ex. Just as Alex realizes that Blake is inside his home, she climbs out with a bag of weed. As they argue, Trenton arrives and taunts Coley. The confrontation escalates when Blake kicks Alex in the knee. She and Coley speed away in the car as Trenton chases them, swinging the bat. Shaken and upset, Coley demands that Blake pull over. When Coley gets out of the car, Blake insults her and drives off, abandoning her on the side of the road. Coley tearfully calls Curtis for a ride.

Chapter 33 Summary

While waiting for her father, Coley feels overwhelmed by a sense of abandonment, reflecting on how everyone eventually leaves her: Curtis, her mother, Sonya, and now Blake. When Curtis arrives, he’s deeply concerned and gives her a much-needed hug. During the drive, Coley confesses her feelings of self-hatred and her pain over her mother and Sonya. She reveals her fear that her mother hated her and that she may have missed the school bus on the day of her mother’s death just to have a few more moments without that feeling.


Curtis pulls the car over to comfort her, insisting that her mother loved her and revealing that he read the most recent of his wife’s journals, covering the last year before she died, to understand what happened. He proposes that they start their relationship over with honesty. Coley then confesses that Sonya betrayed her by telling friends about her mother’s death. Curtis reassures Coley of her own worth, advises her to channel her love into herself, and promises to help her heal. For the first time, Coley feels like her father is beginning to earn her trust.

Chapter 34 Summary

This chapter consists of Sonya’s public and private LiveJournal entries from dance camp in July 2006. In public posts, she projects a happy, confident image, thanking SJ for a care package and teasing Trenton.


Her private entries reveal deep turmoil. She feels alienated at camp and avoids Faith, whom Sonya sees as a dangerous yet enviable model of authenticity. Sonya is consumed with thoughts of Coley, simultaneously blaming Coley for their fallout while also admitting to an intense, painful longing for her. She masturbates to memories of their time together, believing that such moments are all she will ever have. As her dance performance suffers, her instructor, Madame Rosard, becomes frustrated, even having Faith demonstrate a routine for her. Sonya feels humiliated and resents Faith for ruining her sense of belonging at camp, declaring, “This is my camp! My place!” (252).

Chapter 35 Summary

Sonya’s LiveJournal entries from late July and early August continue to document her internal conflict. In a drunken private post, she claims that she only told SJ about Coley’s mother because she needed advice, but Brooke overheard it, so the secret spread. In an unsent email to Coley, Sonya apologizes and confesses how much she misses her, writing, “You make me want to throw my life away, and I can’t” (258).


One night, Sonya secretly observes Faith kissing another girl, Orion, in a dance studio. She’s struck by how beautiful and natural they look, wondering if she and Coley ever appeared so happy. Later, Faith tells Sonya that she had forgotten to log out of the computer lab, implying that she may have seen Sonya’s private entries. Faith tries to offer solidarity, referring to Sonya’s turmoil as a “self-loathing closet-case” phase (260). Sonya is mortified and enraged, feeling that unlike Faith, she can never have that kind of open love and is trapped with only her memories.

Chapter 36 Summary

To rebuild their relationship, Coley and Curtis create a list of activities to do together. Their first outing is to a hibachi grill called Makoto’s. There, they meet Curtis’s friends, an older couple named Myra and Dan. Curtis mentions that he’ll teach Coley how to drive, which thrills her. The meal is a warm, comforting reminder of Coley’s mother. As they leave, Coley sees a “HELP WANTED” sign in the restaurant’s window. Recalling that getting a job was one of the items on her list, she goes back inside to get an application.

Chapter 37 Summary

This chapter contains another unsent email from Sonya to Coley. Writing while drunk, Sonya lashes out, blaming Coley for her misery. She states that she needs to hate Coley because it would be easier than confronting her own confusing feelings. She wonders how she could have been so wrong about her own identity before meeting Coley and ends with a desperate question: “Fuck, what do I do if I can’t?” (268).

Chapter 38 Summary

Coley gets the job at Makoto’s and quickly settles in, enjoying the work and the company of her colleagues, Kendrick and Jackie. She stays one evening for “family meal,” a staff dinner after closing. There, she meets Kendrick’s boyfriend, Tye, who supplies mushrooms to the restaurant. Coley is struck by how normal and accepted their relationship is among the staff; no one treats their affection as anything unusual. Tye shows Coley a pair of matching bracelets that Curtis made for him and Kendrick, reinforcing Coley’s growing sense of a supportive community.

Chapter 39 Summary

Work provides a welcome distraction as Coley dreads Sonya’s return from camp. Her relationship with Curtis continues to improve, and he gives her a driver’s manual to study. Before a shift, Coley confides in Kendrick about her messy relationship with a girl. Kendrick listens without judgment, and Coley expresses admiration for the open way he and Tye live their lives.


On her day off, Coley goes to a piercing shop and is surprised to find Blake working there. The encounter is awkward, but Blake gives Coley an employee discount and offers a hesitant apology for her past behavior, which Coley cautiously accepts.

Chapter 40 Summary

While working at Makoto’s, Coley discovers that Sonya and her family are there to celebrate the birthday of Sonya’s younger sister, Emma. Sonya and Coley lock eyes, both shocked. Sonya, whose hair now brushes her shoulders rather than hanging below them, follows Coley to the hostess stand and insists that they talk. Coley reluctantly agrees to meet after her shift.


In the parking lot, they share a tense but emotional reunion. Sonya confesses how much she likes Coley but says, “I know you’re wrong, but this feels right” (286), infuriating Coley. As Coley tries to leave, Sonya admits that Coley has turned her world upside down but that she’s too afraid of her family’s judgment to be with her. Coley tells Sonya that she can’t wait for someone who’s too scared to love her. As they part, seemingly for good, Sonya tells her, “One day, I’ll be as brave as you” (290).

Chapter 41 Summary

Seeking a sense of “rebirth,” Coley goes to the lake alone to swim, embracing the idea of loving herself. As she leaves, Sonya and her friends arrive. They share a silent, bittersweet smile across the parking lot before Coley rides away.


SJ chases Coley down and invites her to a party that night. SJ explains that Sonya didn’t gossip about Coley’s mother; she confided in SJ seeking advice because SJ’s own sister survived a suicide attempt and is now doing better. Brooke overheard and spread the story. SJ tells Coley that Sonya has been miserable since returning home and hopes that seeing Coley will make her happy.

Chapter 42 Summary

Coley goes to SJ’s party, determined to prove that she can be near Sonya without feeling bad about their history. Sonya is overjoyed to see her, but their reunion is cut short when a drunk Trenton aggressively pulls Sonya away. Deciding to leave, Coley is stopped by Alex, who apologizes for his behavior during the break-in.


Before she can go, Coley sees Sonya sitting alone by the pool. She joins her, and Sonya confesses that she’s tired of running and wants to be with her. As they lean in to kiss, Trenton appears, grabs Coley by the hair, and throws her back, causing her head to hit the concrete. He then violently grabs Sonya’s jaw. Enraged, Coley attacks Trenton, punching him until Alex pulls her off.


As their friends argue, Coley slips away. Sonya runs after her, and they collide in the street, kissing passionately. Sonya declares that she will stop running and says, “I love you, Coley” (301). Coley reciprocates. As Coley rides home, she’s filled with hope.

Chapters 32-42 Analysis

Coley’s journey toward stability is charted through the stark contrast between the chaotic world represented by Blake and the supportive, found-family community at Makoto’s. The reckless break-in at Alex’s mobile home is a false start for Coley, a desperate search for connection with another wounded person that only leads to more danger and abandonment. This experience pushes her toward a more constructive path. Getting a job at Makoto’s provides more than just a distraction; it introduces her to a stable environment and a model of healthy community. Witnessing the casual, accepted love between her coworker Kendrick and his boyfriend, Tye, offers Coley a vision of LGBTQ+ adulthood that’s normalized and supported, a stark contrast to the closeted fear that defines Sonya’s world. The ease with which Kendrick and Tye hold hands and wear matching bracelets from Curtis presents gay love as an integrated part of a happy, productive life. It also helps her see Curtis as a potential part of the support system she wants to build in her life. This exposure proves to Coley that while grief has shaped her past, it doesn’t have to dictate her future as she builds a life independent of Sonya.


After being abandoned by Blake, Coley’s tearful phone call to her father initiates a period of deep emotional growth, moving her beyond the confines of her initial trauma. This moment of crisis forces her to accept help, beginning the process of rebuilding her relationship with Curtis and breaking the pattern of self-reliance that Grief as an Isolating Force has imposed on her since her mother’s death. In the car, Coley’s confession that she sometimes thinks she missed the bus on purpose “so [she] could just have a few more minutes without her [mother] hating [her]” is a destructive admission of survivor’s guilt (241), a psychologically coherent response to suicide loss. It’s the first time she has voiced this deep-seated fear, and Curtis’s response, in which he offers honesty, reassurance, and a promise to start over, provides Coley with the parental support she has wanted even before her mother’s death. His disclosure that he read his wife’s final journal to understand her pain further collapses the walls between them, transforming his past absence into a present attempt at connection. This conversation is the catalyst for Coley’s healing, as she begins to form a new, healthy attachment in the wake of her foundational relationship with her mother.


The structural juxtaposition of Sonya’s private LiveJournal entries with Coley’s developing public life continues to highlight the deep split between internal reality and social performance. Sonya’s public posts project a confident, carefree image, while her private entries and unsent emails document a spiral of confusion, longing, and self-recrimination. Her forced proximity to Faith, an openly lesbian dancer who functions as a foil for Sonya, forces Sonya to see what a life of authenticity looks like. Her enraged response to Faith’s suggestion that she’s going through a “self-loathing closet-case” underscores her fear of losing the carefully constructed identity she presents to the world (260). For all her life thus far, Sonya has only received social acceptance when she wasn’t being herself, which points to the dilemma that finally being loved authentically by Coley presents to her. Sonya’s private declaration, “I don’t get to be Faith” (260), encapsulates her belief that an authentic life is a privilege she can’t afford, illustrating how deeply she has internalized the social risks of her sexuality.


This culminates in Sonya’s painful confession in the Makoto’s parking lot, “I know you’re wrong, but this feels right” (286), which crystallizes her central conflict with internalized antigay bias. Her words reveal how deeply she has absorbed the societal prejudice that frames her desire for Coley as fundamentally incorrect, a “wrong” feeling that she can’t resist. This moment illustrates The Role of Stigma in Repressive Social Environments, as Sonya’s fear of her family’s judgment and social ostracism obstructs her, preventing her from embracing the relationship she desperately wants. Coley, now more secure in her own identity and bolstered by her experiences at Makoto’s, refuses to be a secret or a source of shame, telling Sonya that she can’t wait for someone “too scared to love [her] back” (289). The emotional climax of this exchange comes when Sonya admits, “One day, I’ll be as brave as you” (290), explicitly framing Coley’s self-acceptance as the novel’s primary example of how Authenticity as an Act of Courage is a difficult, conscious choice. Coley’s bravery lies in her refusal to let fear dictate her self-worth.


The violent confrontation at SJ’s party serves as the narrative’s climax, forcing the subtext of antigay bias and possessiveness into the open. Trenton’s physical assault on Coley and Sonya is the culmination of the social control he has tried to exert throughout the story, an explosive attempt to punish their intimacy and enforce heteronormative boundaries. It’s the physical manifestation of the threat that has kept Sonya in the closet. Coley’s immediate and ferocious retaliation is a definitive act of defiance that allows her to overcome Trenton’s antagonism and resist the patriarchal ideals he represents. Coley fights back, refusing to be victimized or shamed, a physical assertion of her right to exist and love without threat. This display of raw courage shatters Sonya’s reluctance to act on her feelings, catalyzing the resolution in which she and Coley both affirm their feelings for each other. Their passionate public kiss marks the end of Sonya’s hiding, transforming her from a character defined by fear into one willing to fight for her own happiness.

blurred text
blurred text
blurred text

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs