Good Joy, Bad Joy

Mikki Brammer

Good Joy, Bad Joy

Mikki Brammer
52 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Chapters 27-39Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness and death.

Chapter 27 Summary

While grocery shopping for Hazel, Joy and Finn are in the supermarket when Joy spots Celeste. To avoid her, Joy sends Finn to get more ice cream. The sight of Celeste brings back feelings of shame and regret for Joy, who never confronted Thom about his infidelities. Overwhelmed, Joy creates a distraction by intentionally knocking over a large pyramid of canned beans, then feigns innocence to a store employee. In the parking lot, she sends Finn back into the store for the peanut butter she forgot to buy. Seeing Celeste’s car, Joy gives in to a vengeful impulse and deliberately rams her shopping cart into the side of the vehicle, leaving a dent. She drives away without leaving a note, feeling a sense of satisfaction.

Chapter 28 Summary

Joy meets Elizabeth in the parking lot of the hospital in Newburgh, just across the Hudson River from Beacon, to return a calculator Finn left after her house. She observes Elizabeth’s exhaustion and the messy state of her car, reflecting on their sometimes-strained relationship. They discuss Hazel’s declining health, and Elizabeth surprises Joy by proposing that the three of them visit Hazel in two weeks. Elated, Joy immediately calls Hazel to confirm the plan. On the drive home, inspired by Hazel’s adventurous spirit, Joy acts on a rebellious impulse. With Hazel cheering her on over the phone, Joy speeds for the first time in her life, driving 15 miles over the speed limit and feeling an exhilarating rush.

Chapter 29 Summary: “Beacon, 1993”

In a flashback to 1993, Joy picks up her 20-year-old daughter from the train station. Elizabeth has spent spring break with Hazel in Brooklyn, and Joy is taken aback by Elizabeth’s transformation; she has peroxide blond hair and is wearing a colorful dress, a style clearly influenced by Hazel. Elizabeth excitedly recounts her trip, which included attending an abortion rights protest. She also reveals that, after talking with Hazel, she is considering breaking up with her steady boyfriend, Jack, in search of more romantic excitement. Joy feels a private sense of unease about Hazel’s “wild” influence on her daughter and advises Elizabeth to hide the protest from her conservative father.

Chapter 30 Summary

The story moves back to the present. Worried about her finances and a new clanking noise in her car that she can’t afford to fix, Joy asks Rowan for help. He diagnoses the problem as a broken alternator bracket and offers to repair it, accepting only baked goods as payment. Joy invites him in for coffee, and they discuss Hazel’s illness. Joy expresses her frustration with feeling helpless, and Rowan shares his own experience of caring for his dying mother. He advises Joy to respect Hazel’s wishes and to treat her as the person she has always been, not as someone she is about to lose. He also suggests that Joy write Hazel a letter expressing her feelings, giving Hazel a way to feel Joy’s presence even when they are apart.

Chapter 31 Summary

During a visit to Hazel’s loft, Joy notices that Hazel’s hair roots are growing in white, a clear sign of her declining health. Following Rowan’s advice, Joy tries to act normally and suggests a trip to the Brooklyn Museum. Hazel is enthusiastic but is suddenly overcome with nausea and becomes violently ill. They abandon their plans, and Hazel asks Joy to lie down on the bed with her. In an intimate conversation, Hazel admits she feels “inconvenienced” by dying and reflects that her unattached lifestyle has left her with few deep connections besides Joy. She also reveals she has hired a death doula, which makes Joy feel slightly replaced. After Hazel falls asleep, a dejected Joy returns to Beacon, where she is surprised and comforted to find Finn waiting at the train station to meet her.

Chapter 32 Summary: “Beacon, 1998”

A flashback to 1998 recounts Joy’s friendship with Percy Strahan, a kind Scottish widower she met while volunteering at a park. They developed a deep and easy companionship, and Joy found herself happier with him than she had ever been with Thom. One day, Percy confessed his romantic feelings for her, stating they made a “good pair.” Joy realized she felt the same way, but her sense of marital duty led her to end their friendship immediately. Ten years later, after reading Percy’s obituary, Joy received a note from his estate saying that he had never stopped loving her. Joy understood then what it truly felt like to have her heart broken.

Chapter 33 Summary

The narrative returns to the present. Joy reluctantly attends a crafting circle hosted by Celeste, at the insistence of Rita. She feels immediately out of place among Celeste’s wealthy, sophisticated friends, who are named Bridget, Phyllis, and Maude, have had impressive careers, and look down on Joy’s simple lifestyle. Celeste’s attempt to act like they are lifelong friends irritates Joy. The catty conversation and judgmental atmosphere make Joy feel inadequate and acutely aware of how much she will miss her genuine connection with Hazel.

Chapter 34 Summary

Rowan invites Joy for an afternoon at the Dia Beacon art museum. There, he tells her about his appreciation for art, a passion he developed while incarcerated at Sing Sing. Trusting him, Joy confesses that she was the one who pulled the library fire alarm. Amused, Rowan reveals his own secret: He and Philippe run a side business in which Philippe produces art forgeries, and they swap fakes into wealthy homes and sell the originals to one main private client, a collector who keeps everything in a temperature-controlled room in her Chelsea townhouse and truly cherishes what she acquires. He justifies his crimes as a way of redistributing art to those who will cherish it. Joy is fascinated, and their bond deepens.

Chapter 35 Summary

Joy visits Hazel to give her a “spa day” at home. She pampers her friend with a manicure and pedicure and carefully dyes her hair to cover the white roots. Afterward, Hazel falls asleep, and Joy takes a walk through the Brooklyn neighborhood. As she passes several antique shops, she thinks about Rowan and Philippe’s forgery operation. A plan begins to form in her mind for a final, grand gesture to show Hazel how much she means to her.

Chapter 36 Summary

While Finn works on a school assignment about the human capacity for both good and evil, Joy reflects on her own recent rebellious acts. Later, she goes to the pharmacy to conduct a “premeditated experiment” in theft. She successfully shoplifts a bottle of nail polish and then, growing bolder, puts on a bright blue sun visor and wears it out of the store. Both the employee at the counter and a police officer she encounters outside notice her headwear but make no comment. Having gotten away with shoplifting, Joy feels a deep satisfaction and concludes she is ready to proceed with her plan for Hazel.

Chapter 37 Summary

Using a basket of garden vegetables as a pretext, Joy goes to Rowan’s house with an ulterior motive. Once inside, she tells him her plan: She wants his and Philippe’s help to create a replica of a specific vase so she can swap it for the real one herself. She explains the vase has immense sentimental value, as it was made by one of Hazel’s former lovers who died young. Joy insists on performing the riskiest part, swapping the vases, herself. Rowan is hesitant, warning her of the seriousness of the crime. To prove her nerve, Joy confesses to shoplifting the visor from the pharmacy. Moved by her emotional appeal and her desire to help her dying friend, Rowan says he will consider her request but makes no promises.

Chapter 38 Summary: “Beacon, 2011”

In a flashback to 2011, Joy is at the hospital with Elizabeth and a four-year-old Finn just after Thom has died following a ruptured brain aneurysm and three days on life support. Joy is shattered and overwhelmed, realizing she has no idea how to manage her life without him. She has no concept of their finances and feels she has no identity of her own. In the midst of her crisis, Hazel arrives, having flown directly from Egypt. Hazel comforts the family and promises Joy she will stay as long as needed, assuring her she will teach her all the practical skills necessary to be independent. As Joy cries, Hazel vows to walk beside her through her grief.

Chapter 39 Summary

The story returns to the present. Joy, Elizabeth, and Finn drive to Brooklyn to visit Hazel. Because Elizabeth is exhausted from work, she asks Joy to drive on the freeway, something Joy has never done. Though initially terrified, Joy gains confidence and even speeds to pass a slow car, which impresses Finn. During the drive, Elizabeth confronts Joy about a rumor she heard from Rita that Joy is spending time with a “convicted felon.” Joy defends Rowan, downplaying his past and portraying him as a kind man. Elizabeth remains skeptical, and Joy reflects that lying is much harder to do with the people she loves most.

Chapters 27-39 Analysis

Joy’s escalating acts of mischief in these chapters demonstrate an important shift in her character as she learns to weaponize her social invisibility. Knocking over the cans is impulsive and reactive, a way to cope with the overwhelming feelings of shame and regret that surface upon seeing Celeste. However, her subsequent “premeditated experiment” in theft at the pharmacy is a conscious decision to test the limits of a new freedom. The pharmacy employee and the police officer see her bright blue visor as a sign of harmless elderly eccentricity, confirming for Joy that the same societal forces that make her feel overlooked also grant her a unique form of power. This dynamic explores how Aging Erases Social Visibility, transforming a source of pain into a strategic asset. By embracing this invisibility, Joy discovers the exhilaration of Rebellion as a Path to Personal Agency. These experiences give her the confidence to propose the far more serious crime of stealing the vase for Hazel. This journey from spontaneous outburst to calculated risk illustrates her deliberate choice to nurture her “bad” side, a direct engagement with the moral questions Finn raises about humans’ capacity for goodness and wickedness.


The narrative uses flashbacks and present-day interactions to illustrate the reciprocal nature of Joy and Hazel’s bond. A flashback to Thom’s death in 2011 establishes Hazel’s emotional support and pragmatism when she arrives from Egypt to teach a newly widowed Joy essential life skills, from paying bills to fixing a dripping faucet. This practical, empowering support is Hazel’s way of caring for her friend. In the present, their roles are reversed. It is Joy who now provides intimate, dignifying care for a physically frail Hazel, giving her a “spa day” and dyeing her hair to cover the white roots that signal her decline. This exchange of care demonstrates how Friendship Relies on Contrasting Strengths, showing that their lifelong dynamic is not a simple case of the adventurous friend pulling along the cautious one, but a deep, mutual reliance where the role of caregiver shifts according to need. Joy internalizes Rowan’s advice to “treat them like the person they’ve always been to you” (165), moving from passive worry to active support that affirms Hazel’s identity in the face of her illness.


These chapters reveal the deep regrets and unrealized identities that fuel Joy’s present-day transformation. The 1998 memory of her tender, intellectual companionship with Percy introduces a life she might have led, one where a partner “felt like home” and cherished her for who she was. Her decision to end the friendship out of marital duty, juxtaposed with the lingering shame she associates with Thom’s infidelities, highlights a lifetime of sacrificing her own emotional fulfillment. The 1993 flashback, in which Joy worries about Hazel’s “wild” influence on Elizabeth, further illuminates this internal conflict, showing her long-held fear of the very rebellious spirit she is now starting to embrace. Finally, the 2011 flashback to Thom’s death solidifies the depth of her emotional and practical debt to Hazel. Together, these glimpses into the past clarify that Joy’s late-life rebellion is the culmination of decades of suppressed desires and a deep need to repay the one person who has always seen and supported her.


Joy’s reluctant attendance at Celeste’s crafting circle serves to crystallize the social world she is rebelling against. The gathering is suffused with an atmosphere of wealth, judgment, and superficiality, from the women’s expensive cashmere and cosmetic procedures to their catty gossip. Joy, in her frayed shirt and faded chinos, feels her simple, domestic life being weighed and found wanting by these women with their “impressive careers” and self-satisfied airs. Celeste’s attempt to perform a lifelong friendship irritates Joy, sharpening the contrast between this hollow social performance and the authentic, unconditional bond she shares with Hazel. The experience solidifies Joy’s social isolation but also clarifies her values. It reinforces her decision to reject a world of conventional expectations and social hierarchies. This strengthens her resolve to pursue a path defined by genuine connection and personal loyalty, as embodied by her friendships with Hazel and, increasingly, Rowan.


The emerging confidential relationship between Joy and Rowan provides her with a new moral framework, moving her from a lifetime of following rules to defining her own ethical code. Their bond is cemented in the Dia Beacon museum, a space of quiet contemplation where they trade confessions of their illegal activities. Rowan justifies his art forgery business by claiming that he is part of an “ecosystem” helping to ensure great art is truly cherished, and his reasoning offers Joy a compelling logic for her own planned transgression. She adopts this worldview, reframing the “bad” act of theft as the result of the “good” intention of giving her dying friend a final, deeply meaningful gift. The motif of the ceramic vase becomes the focal point for the main character’s new, personalized morality. By proposing the heist to Rowan, Joy merges her newfound rebellious spirit with her lifelong, caretaking devotion to her friend and proves she is ready to live by her own convictions.

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