Half City

Kate Golden

Half City

Kate Golden
62 pages2-hour read
Fiction
Novel
Adult
Published in 2026

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Themes

Content Warning: This section contains descriptions of graphic violence, cursing, substance use, sexual content, emotional abuse, and death.

Accepting a Monstrous Self

In Half City, the path to self-acceptance is framed not as an internal, solitary journey but as a process made possible through external connection and vulnerability. Protagonist Viv Abbot views her innate bloodlust as a “sick, insistent desire” (2), a monstrous part of her nature that she must suppress and control in isolation. The novel argues that this shame-fueled isolation is what truly makes her nature destructive. It is only by finding a community that sees beyond her perceived monstrosity—and by encountering others who struggle with their own non-human heritage—that Viv can begin to reframe her identity, suggesting that acceptance comes from finding a context for one’s whole self, rather than trying to excise the parts deemed unacceptable.


Viv’s initial relationship with her aeon abilities is defined by secrecy and self-loathing. Raised to hide her nature, she experiences her compulsive need to hunt as a personal failing. This is evident in her memory of crushing a beetle as a child, which filled her with a “morbid allure” that she has fought against ever since. This internal battle creates a cycle of shame; after killing a demon on the subway to save a mother and her children, her initial sense of triumph quickly “loops back into shame” (15). She sees herself as much a monster as the creature she just defeated. Because she believes she is fundamentally different and dangerous, she isolates herself, unable to share her biggest secret with her closest friend, her family, or her boyfriend. This secrecy reinforces her belief that her true nature is something to be hidden and despised, a sickness that makes genuine connection impossible.


Her perspective begins to shift upon meeting Reid Graveheart and enrolling at Harker Academy. Reid, a demon who has rejected his own violent heritage by choosing not to take human souls, offers Viv a model for living with a “monstrous” nature without succumbing to its darkest impulses. He, too, struggles with his identity, admitting he loathes the demonic legacy his family represents. However, by aligning himself with hunters at Harker, he has found a way to repurpose his abilities and live by a chosen code of ethics, even if it leaves him isolated among his peers. He challenges Viv’s perception of her abilities as a curse, reframing them as a “privilege” and a responsibility. This encounter introduces the possibility that her nature is not inherently evil, but a power that can be consciously directed.


Ultimately, it is the unconditional acceptance she finds within her new community at Harker that provides the catalyst for her self-acceptance. Her roommate, Sophia, upon learning Viv is an aeon, responds not with fear but with immediate, unwavering support. She nonchalantly refers to Viv’s bloodlust as one of many “vices,” demystifying the trait that has caused Viv so much shame. For the first time, Viv’s identity as an aeon is met with belonging rather than judgment. This external validation allows Viv to stop seeing her nature as an absolute barrier to connection. The novel thus concludes that monstrosity is often a product of isolation, and that finding one’s place among others who accept and understand one’s complete identity is the truest path to accepting oneself.

Found Family Over Blood Ties

Half City consistently argues that true belonging is not an inherited right but an active creation, forged through shared vulnerability and unconditional support. The novel draws a stark contrast between the conditional, pressure-filled dynamics of biological families and the deep acceptance found within chosen ones. Through the experiences of Viv Abbot, whose relationships with her mother and sister are fraught with misunderstanding, the narrative suggests that a “found family” of friends provides the emotional safety and validation necessary for survival and self-discovery. True kinship, the story illustrates, is built on a foundation of mutual trust and acceptance of one’s whole self, secrets and all.


Viv’s relationship with her biological family is characterized by emotional distance and superficial expectations. Her mother, Beatrice, is more concerned with Viv’s social standing—her job at the prestigious Windsor museum, her relationship with the wealthy James Pine—than with her emotional well-being. During a phone call, Beatrice dismisses Viv’s feelings about a box of her deceased father’s belongings, quickly pivoting to criticize the safety of Viv’s neighborhood. This pattern of judgment continues at a family dinner, where Beatrice offers a backhanded compliment about Viv’s appearance, noting how hard it must be for her “to put in this kind of effort” (128). Her sister, Nora, is similarly dismissive, attributing Viv’s frustrations to “mood swings” and jealousy. These interactions highlight a family dynamic where love and approval feel conditional upon Viv presenting a version of herself that aligns with their expectations.


In stark contrast, Viv’s friendship with Penny Pine serves as her primary source of stability and unconditional love. Having met at the elite Belaire School for Girls, where Viv felt like an outcast, Penny was the only person who offered her genuine friendship without pity or judgment. Their bond is so foundational that their shared apartment above the Cobwebs bar feels more like home to Viv than any space she shares with her mother. Penny accepts Viv’s flaws, including her chronic lateness and emotional complexities, providing a safe harbor that her biological family cannot. This relationship represents Viv’s first successful attempt at forging a family of her own, one based on mutual care rather than obligation or blood.


The community Viv discovers at Harker Academy expands this concept of found family. Her friendships with Sophia, Peter, and Elliot solidify the novel’s argument that belonging is chosen. This group not only embraces Viv’s personality but also her deepest secret: her aeon nature. When she confesses what she is, Sophia immediately offers her loyalty, and later, Peter and Elliot vow to protect her secret with their lives. This complete acceptance, which stands in direct opposition to the constant need for concealment she feels around her mother and sister, allows Viv to be her authentic self for the first time. It is within this network of loyal friends that Viv finally finds a place where every part of her, including the parts she once considered monstrous, is accepted.


The theme also extends beyond friendship into the broader network of relationships Viv builds throughout the novel. Although she initially struggles to trust others, she gradually learns to rely on people who consistently choose her despite her secrets and mistakes. Reid repeatedly supports her investigations, protects her during dangerous encounters, and offers emotional validation she rarely receives from her family. Fiona reveals that she has quietly guided Viv toward Harker for years, while Sophia, Peter, and Elliot repeatedly place themselves at risk to help her. Even Penny, hurt by Viv’s deceptions, ultimately helps her during the confrontation at the docks. These relationships are not perfect, but they are characterized by active choice rather than obligation. In contrast to the resentment, misunderstandings, and expectations that often define Viv’s biological family, her found family is built through loyalty, trust, and a willingness to stand beside one another during moments of crisis.

The Weight of a Hunter’s Duty

In Half City, a hunter’s duty is portrayed as a complex and often contradictory force, caught between an innate, compulsive urge and a consciously chosen ethical responsibility. The novel explores this tension through Viv Abbot, an aeon hunter whose biological need to kill is both a source of power and deep self-loathing. Her journey from a solitary vigilante, driven by instinct, to a member of a disciplined community at Harker Academy deconstructs the idea of a preordained purpose. The narrative suggests that a meaningful sense of duty is found not in unquestioningly following one’s nature, but in deliberately integrating that nature with a moral commitment to protect others.


Initially, Viv’s duty is presented as an oppressive biological compulsion. Her aeon blood gives her a “sick, insistent desire” for the kill (2), a visceral need that she feels she must satisfy or else she will “crack.” This urge often overrides her personal commitments, as when she misses her best friend Penny’s birthday dinner to hunt a demon on the subway. While she is driven by a desire to protect the innocent mother and her children, she also feels a “thrill” at the prospect of violence and rages at her own nature for craving it. This internal conflict frames her duty as a burdensome secret she must manage alone, blurring the line between a noble calling and a destructive addiction that isolates her from a normal life and fuels her self-perception as a monster.


However, this compulsion is tempered by an ethical framework inherited from her father, who taught her that a hunter’s purpose is to protect those who cannot protect themselves. This chosen responsibility elevates Viv’s actions from mere slaughter to a noble duty. After saving the family on the subway, she reflects, “This is why my father taught me what he did” (16), finding meaning in her protective role. This commitment is most powerfully tested when she confronts Dean Driscoll, the man who murdered her father. Presented with the opportunity to have Driscoll remove the syrabraxa—and with it, her aeon nature—Viv instead chooses to kill him. In this moment, she prioritizes her duty to protect the world over her personal desire to be free of her curse, demonstrating a conscious choice to uphold her responsibility.


Harker Academy serves as the crucible where these two facets of duty are forged together. The school’s strict rule against unsupervised hunting challenges Viv’s impulsive, solitary methods, forcing her to approach her duty with discipline rather than just instinct. Furthermore, Reid reframes her abilities as a “privilege” and a responsibility. By training within a community of hunters, Viv begins to see her duty less as a personal, monstrous burden and more as a shared, structured commitment. This shift allows her to move toward a more integrated understanding of her purpose, one that reconciles her innate power with a deliberate choice to wield it for the greater good.


The burden of duty becomes most apparent as Viv learns that being a hunter requires difficult moral choices rather than simple acts of violence. Throughout the novel, she repeatedly places herself in danger to protect others, whether saving civilians during deviant attacks, risking punishment to investigate missing students, or confronting increasingly powerful enemies despite knowing she may not survive. This conflict reaches its peak after the syrabraxa is cast. Faced with Dean Driscoll, Viv learns that killing him will permanently eliminate her only known chance of removing the spell and freeing herself from its consequences. Nevertheless, she chooses to stop him, prioritizing the safety of others over her own future. In doing so, Viv demonstrates that a hunter’s duty is not defined by a desire to kill but by a willingness to accept personal sacrifice in service of protecting the vulnerable.

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