53 pages • 1-hour read
Marguerite YourcenarA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content warning: This section of the guide contains reference to illness or death and death by suicide.
Hadrian is the protagonist and first-person narrator of the novel. The character is based on the historical Roman emperor, Hadrian (r. 117-138 CE), but with Yourcenar’s own interpretations of his character, ambitions, dreams, and personal philosophies. While many parts of Yourcenar’s depiction align with the historical record, she takes a novelist’s artistic license in her portrayal.
Hadrian describes himself as someone who appreciates multiplicity of opinion, dislikes cruelty and brutality, enjoys pleasure and beautiful things, and generally takes a pragmatic, practical view. He appreciates philosophy, the arts, and natural beauty, and he also enjoys travel and adventure. He has a lifelong reverence for the art, culture, and history of classical Greece, which gains him the nickname “the Greekling” as a young adult. For most of his life, he is vigorous and in good health, physically active, and able to indulge his curiosity and his appetites as he pleases.
While he samples and identifies with elements of Stoicism and Epicurean philosophy, two of the major schools of thought that prevailed in the Roman Empire, Hadrian dislikes the idea of adhering to any one system. He is curious about austerity and asceticism, but just as interested in indulgence, superstition, and magic. His vision for the empire he rules is one of ongoing peace and prosperity, where diverse cultures can mingle and assimilate, exchange of goods and ideas is ongoing, and no one is unduly exploited. He often thinks of himself as godlike: far-seeing, just, and with the best intentions toward his subjects at heart. While he is not unduly optimistic about human nature, he believes that humans usually err due to self-interest rather than innate evil, and that there are good qualities to be found in all. He prides himself on being a careful listener and takes great pleasure in the respect accorded him, which he feels he has earned.
Hadrian engages in sexual relationships with both men and women, but he finds most women narrow-minded and foolish, in keeping with the misogyny of his milieu. His prefers beautiful young men and teen boys. In his relationship with Antinous, Hadrian is also gratified by the sense that the teenager is absolutely devoted to him. This speaks to an element of vanity in Hadrian’s character that he does not himself admit. His grief over Antinous’s death reflects the loss of a beloved but is also mixed with guilt. Hadrian is not a monogamous partner and his passions tend to wane over time, which he admits. His efforts that Antinous be honored and remembered via cult worship suggest the need to compensate for his guilty belief that Antinous died by suicide because of Hadrian.
Over the course of the novel, Hadrian’s character does not fundamentally change, but the reader sees him progress from an impetuous youth, a hardy soldier, and a dedicated statesman to a grave and ill man of mature years. He is gratified when respect is shown to him, and he is deeply interested in seeing the empire continue to be ruled in the ways he deems best, which is why he eventually chooses Antoninus Pius and Marcus Arelius as his heirs. Hadrian dies of heart failure at age 62, after a reign of 21 years.
As the emperor whose reign precedes his distant kinsman Hadrian’s, Trajan serves as a foil to Hadrian. Trajan is a man of action who values vigor and conquest more than peace or justice, and most of his life is focused on expanding the Roman Empire. Hadrian disagrees with Trajan’s ambitions, but makes the strategic choice to keep his opinions to himself; he publicly supports Trajan, fulfilling his civil duties as assigned and taking part in military action in Dacia at Trajan’s request.
Trajan is an example of a warrior king, as opposed to Hadrian’s effort to be a Platonic philosopher king. Trajan also plays an antagonistic role: He shows occasional dislike for Hadrian and, at one point, they compete for the same love interest. Trajan shows a desire to hold onto his power by refusing to officially adopt Hadrian, although he gives the younger man a ring that the Emperor Nerva gave to Trajan. Hadrian sees it as his duty to give Trajan full imperial honors at his death, recognizing his legacy, even as he decides to set a much different stamp on his own reign.
Antinous has an important influence on Hadrian as first a love interest and then a monument to which Hadrian does ongoing homage. Antinous is based on the historical young man who was known to be Hadrian’s companion and lover, but Yourcenar adds her own interpretation in making Antinous somewhat dreamy, both energetic and detached, and inflexible in his beliefs, loves, and requirements.
Antinous’s father held a post in civil administration in Bithynia, leaving the boy in the care of a grandfather, who sent him to study in Nicomedia, where he is living with a friend of the family, a shipbuilder, when Hadrian meets him. Hadrian calls him “childishly trusting” but “also disposed to reflection” (154). Hadrian sees in Antinous a mixture of qualities he characterizes as Greek and Asian, with “mystic superstitions like those of a disciple of Apollonius, and the religious adoration, as well, of an Oriental subject for his monarch” (155). He notes the young teen’s silent manner and the way he follows like a “familiar spirit” or a “graceful hound, [who…] took his post at my feet” (155). The narrator describes the young man as having “the infinite capacity of a young dog for play and swift repose, and the same fierceness and trust” (155).
Antinous’s devotion gratifies Hadrian, but it also proves irritating. Antinous wishes to be monogamous while Hadrian doesn’t. For example, Hadrian suspects that Antinous is jealous of Lucius, to whom Hadrian is also attached. Antinous is portrayed as credulous, swayed by omens and superstitions; Hadrian supposes the boy dies by suicide in an effort to magically add the years of his unlived life to Hadrian’s.
After Antinous’s death, Hadrian’s effort to build a cult of remembrance allows different communities across the empire to reinterpret Antinous, sometimes as a hero, sometimes as a young god, and sometimes as a protective spirit. His death leaves an indelible imprint of grief on the narrator.
Plotina is a minor supporting character and one of the few women characters in the novel. As the wife of Trajan and eventual empress, she serves as a mentor and ally for Hadrian; she is one of the few women he admires and one of the few friends with whom he can speak freely and be understood.
Plotina serves as a model for the virtuous Roman matron: chaste, calm, docile, soft-spoken, and self-possessed. Hadrian notes her restraint of speech, observing that her words were “so measured as to be never more than replies, and these as succinct as possible” (81). She dresses simply and projects a demeanor that is calm and soothing. Plotina favors Epicurean philosophy, which Hadrian admires as “that narrow but clean bed where I have sometimes rested my thoughts” (81). Hadrian suspects that Plotina plays a role in producing the official documentation of Trajan’s adoption of Hadrian, which makes him the next emperor. However, Hadrian never confronts her with his suspicions or demands an explanation, as he does with his guardian and mentor, Attianus, who orchestrates the assassinations that mark the start of Hadrian’s reign. Plotina remains a respected friend of Hadrian’s throughout her quiet widowhood.
Arrian of Nicomedia is another historical figure who plays a supporting role in the Memoirs, serving as a foil to the protagonist. Hadrian comes to identify Arrian as one of his few friends and considers him very nearly an equal, though Arrian is 12 years younger. Arrian is an accomplished military officer and political operator, and is also a philosopher who spends two years transcribing the philosopher Epictetus’s last words. From this, Arrian gained Stoic moralism and simplicity: Hadrian describes him as being neither self-righteous nor prone to excess.
Arrian is originally from Bithynia, where Antinous was born, and he marries a well-born Athenian woman. Hadrian compares Arrian to Xenophon, a respected scholar and philosopher, and a skilled military commander from ancient Greece. Hadrian’s admiration for Arrian reflects his admiration for all things Greek; he is also glad to have a man he can trust in a position of governance.
Servianus is a supporting character who plays the role of antagonist. He is Hadrian’s brother-in-law, the husband of Hadrian’s sister, Paulina, whose daughter is the mother of Fuscus, Hadrian’s grand-nephew. Hadrian sees Servianus as an opponent who resents his succession, so he makes every effort to avoid Servianus when he can. Toward the end of his life, as he is choosing a successor, Hadrian finally finds evidence that Servianus and Fuscus are plotting to kill him, so he has them both executed. Servianus is portrayed as the kind of grasping, self-important, self-serving politician that Hadrian despises and wants to remove from power. Servianus is someone from whom Hadrian can never extract admiration, nor bend to his will, which may be one reason Hadrian dislikes him.



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