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Content Warning: This section of the guide includes discussion of death, bullying, gender discrimination, substance use, and sexual content.
As winter arrives at Bloodwing Academy, preparations begin for the annual Frostfire Festival. In the refectory, Medra observes her peers, including a moody Blake. She notices Catherine with her two female thralls, with whom Catherine also seems to have a romantic relationship, and exchanges a brief, respectful nod with Lysander, who’s watching his sister, Lunaya, rehearse in the school orchestra.
Naveen joins Medra after his flute practice. Medra praises his solo, and he confides that he has liked Florence, whom he knows from outside Bloodwing, since they were eight and is too afraid to tell her. Medra encourages Naveen to ask Florence out. Their conversation is interrupted by Regan, along with two other highblood women, Larissa and Gretchen, who mock Naveen’s musical talent. Medra defends him, recognizing that Larissa, another flutist, is merely jealous.
Afterward, Medra pulls Regan aside and proposes that they work together for survival in the upcoming Consort Games. Regan rejects the offer. Later, Naveen expresses his own feelings of being an outsider, admitting that he came to Bloodwing primarily for Florence. He tells Medra that unlike Florence, he knows he will never fit into highblood society. Neville believes that Florence would have been thrilled to be chosen as a consort. Back in her room, Medra finds a note from Regan expressing hope that Medra dies a painful death in the Games.
From his table in the refectory, Blake secretly watches Medra. He reflects on his strained, politically arranged relationship with Regan. He has stopped having sex with Regan ever since he was betrothed to Medra. Blake also worries about his growing rift with his second-in-command, Theo, who resents him for carrying out Viktor’s orders. Theo refuses to understand that Blake has to pretend to do Viktor’s bidding to protect Theo, Medra, and Blakes’s mother and sister. When Blake tries to speak with Theo, his cousin angrily shrugs him off and leaves.
At the table, Quinn openly says that Regan must be looking forward to putting Medra in her place, and Regan begins to agree before Blake slams his palms down and intervenes. He forcefully reminds Regan that she’s to leave Medra alone, using his uncle’s authority and a false display of affection to ensure Regan’s compliance. Alone, Blake fantasizes about Medra, admitting that his powerful attraction is fueled by her defiance. He worries that Viktor may intend to take Medra for himself. After Regan leaves, Blake speaks with Visha, warning her not to harm Medra again. Visha had attacked Medra in the arena on Blake’s bidding so that she could trust Medra’s battle-worthiness. It wasn’t Blake or Visha’s intent to seriously harm her. They discuss Regan’s untrustworthiness, and Blake implies that he views Visha as his true ally for the Games.
Medra has a recurring, sexually charged dream in which she and Blake fight before kissing passionately. The dream ends with a vision of a dragon as the training yard collapses around them. She awakens to a real earthquake shaking the First-Year tower. In the hallway, Florence, acting as a warden, calmly reassures the panicked students that the tremors are normal for the island.
Medra accepts Florence’s offer to sleep in her room. Florence reveals that she has two invitations to the Dance of the Longest Night, a key event at the Frostfire festival: one from a Third Year House Orphos strategist named Ebbot and another from Naveen. Medra encourages Florence to go with Naveen. They discuss the Frostfire Festival tradition of making a blood offering at the Temple of the Bloodmaiden. Florence explains the creation myth of highbloods and blightborns and mentions that Blake’s mother entered the Bloodmaid’s Sanctum after her husband died and hasn’t been seen since.
Weeks later, after passing her Wintermark exams, Medra’s nightmares have shifted from Blake to a dragon destroying Bloodwing. On the last day of term, Medra lies to Florence and says that she must stick to Blake and Regan during the ball, creating an opportunity for Florence and Naveen to be alone together.
Kage invites Medra to be his date to the ball, presenting the invitation as a chance for her to defy Blake and show him that she doesn’t belong to him. Kage also reveals that without Medra’s consent, Blake will never be able to draw power from her blood properly, which makes her a hindrance rather than an asset and frees her from the bond in the one way that really matters. He adds that even bonded consorts are permitted to take lovers. Medra tells Kage she will think about his invitation.
The Frostfire Festival begins with the Night of Silent Offerings at the Bloodmaid’s Sanctum, a temple on a nearby island. Having accepted Kage’s invitation to the ball, Medra travels there in a carriage with Florence and Naveen. At the Sanctum, blightborn students are required to make a blood offering with a quick slice across the palm, while highbloods consume a red tablet, infused with drops of blightborn blood.
Blake spots Medra in the offering line and publicly orders her out, stating that as a consort, she’s exempt from the ritual. While waiting, Medra overhears Regan and Quinn discussing a secret, exclusive highblood ceremony called the Adoration Rite. They mention that a blightborn woman is chosen to play the Bloodmaiden and is honored before living out her days in the Sanctum, though Quinn notes that the woman never gets to go home. Regan dismisses the woman’s fate as a benefit. Medra, sensing something sinister, resolves to find a way to witness the rite herself.
Two days before the ball, Kage sends Medra a black and silver gown in House Avari’s colors. On the night of the event, Florence helps her get ready. Kage meets her in the First Year Common Room and gives her a silver necklace with a half-moon pendant before escorting her to the ball.
When they enter the decorated refectory, Blake sees Kage and Medra together and becomes visibly enraged. Kage leads Medra to a table with other House Avari students, where she’s introduced to a woman named Evie. Catherine approaches with her male and female consorts and compliments Medra’s dress. Kage tells Medra that, unlike other houses, Avari archons choose their own consorts, and he hasn’t selected any one yet. When the orchestra begins to play, Kage leads Medra to the dance floor.
Blake is consumed by a primal, possessive rage upon seeing Medra enter the ball on Kage’s arm, wearing House Avari colors and a necklace he recognizes as a claim. He cruelly dismisses Regan’s attempts to get his attention and stalks the perimeter of the room, watching Medra and Kage with intense jealousy.
At the bar, he confronts Kage, who taunts him for failing to appreciate Medra and losing her to someone who will treat her better. At midnight, the traditional Longest Night Waltz begins, reserved for archons and consorts. Blake intercepts Medra and commands her to dance with him. He attempts a romantic gesture, but she rebuffs him, citing his consistently cruel treatment. He responds by possessively declaring, “You’re mine,” which enrages her. She retorts that she will never be his and storms off the dance floor, leaving him publicly humiliated.
Furious after her encounter with Blake, Medra leaves the ballroom. Florence checks on her, but Medra sees a drunken Blake departing and decides to follow him, sending Florence back to the tower. She trails him through the secret tunnels beneath the school, this time through a passage in the House Orphos catacombs.
She eventually finds a hidden panel that opens into an upper-level balcony of the Bloodmaid’s Sanctum. From her hiding place, she witnesses the Adoration Rite. In a courtyard below, masked highbloods are grouped around a man on a throne and a young, unmasked blightborn woman. After a ritual exchange, the woman straddles the man. As the scene becomes more intimate, Blake suddenly appears behind Medra and covers her mouth, revealing that he knew she was following him.
Blake reveals that he has known all along that Medra was following him through the passage out of Bloodwing; the previous time, he had failed to detect her because he was so desperate to reach a blood brothel and feed that he had dismissed the noises as his imagination and taken no precautions. Blake offers Medra a one-night truce so that they can watch the rite together, promising to claim responsibility if they’re discovered. He extinguishes nearby candles to conceal them in shadow.
Below, the blightborn woman playing the Bloodmaiden is publicly undressed, fed upon, and sexually joined with a masked highblood, while the assembled votaries gradually abandon their ceremonial composure and couple openly on the courtyard floor. While watching the scene, Medra and Blake grow aroused by each other’s proximity and the intimacy on display. Blake caresses Medra and brings her to the edge of climax with his hand. He voices his desire to have sex with her but stops short of intercourse, wanting her active, enthusiastic consent whenever that happens.
Under the influence of bloodwine, Medra allows Blake to touch her intimately. Despite her self-recrimination and awareness that she should have fled from him, she doesn’t resist Blake, and the encounter culminates in an intense climax that she acknowledges is unlike anything she has experienced before.
In the aftermath, Blake makes a possessive declaration, warning Medra that no other man is to touch her as he just did, which immediately shatters the moment and enrages Medra. Before the confrontation can develop further, both of them notice that something has gone wrong with the woman in the courtyard below. Medra and Blake freeze side by side, and Medra demands to know what is happening to the woman.
Blake, who has never attended an Adoration Rite, is shocked to discover its true nature. As he and Medra watch, the blightborn woman slumps lifeless over the throne after her climax. The masked highblood man then lifts her corpse, wraps chains around her ankles, and hoists her body over a silver bowl, allowing her blood to drip in and power an enchantment. Both Blake and Medra realize that this magic is the thrallweave what keeps the blightborn population compliant. A maiden is sacrificed every year to generate the spell. Horrified, Medra accuses Blake of knowing the true nature of the rite and runs.
Blake catches Medra in a secret passageway and insists that he didn’t know the woman would die at the end of the ritual. He explains that he couldn’t have stopped the powerful highbloods; his uncle was present among them, possibly the masked man on the throne. To protect Medra, Blake forces her into silence, threatening that she and her friends, including Florence, will be killed if she ever reveals what she saw. Medra reluctantly agrees, and they head back to Bloodwing. Blake knows that Medra hates him more than ever, and Blake hates himself.
Upon returning to the First-Year tower, Medra and Blake discover that a blightborn servant’s little girl, a child named Poppy, has gone missing. When Medra learns that there was blood found near Poppy’s pillow, she realizes that another attack has occurred, possibly by Aenia. Suspecting that Blake knows where the child is, Medra insists on accompanying him, telling him that if he wants her to stay quiet about the rite, she’s coming with him. He reluctantly agrees and leads her through the Avari house catacombs into ancient, hidden dwarven ruins deep beneath the academy.
They follow screams and find Aenia feeding on the small girl. Blake immediately pulls Aenia off Poppy and instructs Medra to help the child. As Aenia breaks free and lunges at Medra, Blake stops her with a powerful thrallweave command, revealing an unexpected ability. He orders Medra to take Poppy to safety while he deals with Aenia. Medra accuses Blake of protecting a monster, but he dismisses her. On her way back, Medra shields Poppy during a sudden earth tremor that collapses part of the tunnel. She successfully returns Poppy to Professor Rodriguez in the Common Room before retreating to her own room, exhausted and tormented by her conflicting feelings for Blake, who saved the child but also protected her attacker.
The Adoration Rite in Chapters 41-44 explores the text’s symbolism of blood as a commodity and also illustrates the theme of Manufacturing History to Perpetuate Injustice. Before she witnesses the rite, Medra thinks of it as a curious, arcane ritual spectacle performed every year. Many highbloods around her, including Blake, are unaware of the true meaning of the rite, considering it as an enactment of the Bloodmaiden myth at the heart of Sangrathan lore. However, the horrors of the rite, in which the stand-in for the holy, goddess-like Bloodmaiden is killed and her blood is collected in a silver bowl after her death, shows that the myth itself is a cover for a very sinister reality. The myth has served to convince mortals that the Bloodmaiden died of her own volition, sacrificing herself for them, but its enactment suggests that the Bloodmaiden may have been killed. Further, the story around the rite frames it as a privilege for the chosen woman—Regan and Quinn call the chosen woman’s participation “the only time [mortals] hold any value in their entire pathetic lives” (358)—to hide the truth that the blightborn maiden’s blood is being used to cast a thrall on her people, keeping them perpetually docile.
Regan’s note slipped under Medra’s door—“I hope you die a slow and painful death in the Games” (331)—arrives moments after Medra has attempted a pragmatic alliance and been refused, and it reveals the social dynamics of Sangrathan society: Survival at Bloodwing is a zero-sum competition managed entirely through coercion. Blake enforces this same logic in Chapter 35 when he suppresses Regan’s threats by invoking Viktor’s authority and simulating an affection he doesn’t feel for her. Blake’s treatment of Regan shows The Moral Cost of Survival in a Brutal World. In one sense, he’s doing what he can to ensure the safety of Medra and his other loved ones, but he also uses the same oppressive tools as Victor to achieve his goals, which thins the line between him and his uncle. Blake’s handling of Aenia presents a similar moral conundrum: He “hides” his sister to ensure her survival, endangering others in the process. When Medra accuses him of protecting a monster, Blake responds that he saved Poppy from Aenia. Blake’s response is the closest he comes to a defense, and it’s deliberately insufficient. The text suggests that Blake pairs intervention with concealment, hoping that one will cancel out the other, without resolving the problematic pattern itself. His self-recrimination at the end of Chapter 44, stating that he “hate[s] [him]self,” registers the moral cost of failing to convert a realization into action.
Blake’s treatment of Regan also reveals the misogynistic gender dynamics at Viktor’s court and at Bloodwing: Consorts, often women, are trained to be submissive and obedient, and their “archons” hold their fates in their hands. Blake’s perspective shows that he thinks of Regan as expendable, reducing her to a body, noting that “she ha[s] lost all appeal. Even in bed” (376). He doesn’t examine his own privilege in getting to favor Medra over Regan, casting aside his first betrothed.
The interaction between Regan and Blake demonstrates that relationships at Bloodwing function as extensions of power rather than as genuine bonds, meant to reinforce a strict hierarchy. The hierarchy doesn’t simply rank students; it requires its participants to perform roles—devoted consort, loyal second, obedient blightborn—that crowd out any authentic relation between them. It also suppresses their choice, trapping them in fatal positions, highlighting the theme of Free Will Versus an Imposed Fate, as when the text foreshadows Naveen’s fate as a sacrifice. His admission to Medra that he couldn’t leave Bloodwing even if he wanted to because “they would probably […] come for [him], even if [he] tried to refuse” (328), shows that he’s conscripted in a prewritten role.
The theme of fate versus free will also plays out in Medra’s character arc, with Medra trying to resist the fated labels and identities that are imposed upon her. Resisting her fate as a consort, she exercises her free will in going to the ball with Kage, and she spars with highbloods at every turn, rejecting the notion that blightborns are weak. Yet, her actions repeatedly pull her into the relational orbit that the system designed for her, suggesting that escaping a predetermined fate or hierarchy is extremely difficult. Even Medra’s dream of a dragon rising through the rubble introduces a competing claim on her identity: She is “fated” to be a dragon rider.



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