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The term “Omegaverse,” also known as A/B/O (Alpha/Beta/Omega), refers to a subgenre of speculative erotic fiction that originated in online fanfiction communities around 2010, most notably within the fandom for the television show Supernatural. According to research by academics like Kristina Busse, the genre builds worlds around a biological hierarchy where humans are divided into dominant “alphas,” neutral “betas,” and submissive “omegas.” These roles dictate social status and reproductive biology, often including animalistic traits like scent marking, mating cycles (or “heats”), and a specific anatomical feature known as a “knot” for alphas (Busse, Kristina. “Pon Farr, Mpreg, Bonds, and the Rise of the Omegaverse.”). While early iterations focused heavily on male-male pairings and established rigid gender and power dynamics, the genre has since evolved. It has become a commercially successful niche in the independently published romance market, with authors like Joel Abernathy (Bro and the Beast) and Allesandra Hazard (Just a Bit Twisted) increasingly subverting its original tropes.
Jasmine Mas’s Psycho Shifters engages directly with this history. The content warning explicitly references “knots” and confirms the book’s connection to the genre, stating, “This is not a traditional omegaverse but (hint) it will become one” (1). However, Mas subverts a core trope by centering the narrative on Sadie, a female alpha. This choice challenges the genre’s traditionally male-dominated alpha role and reframes its exploration of power, dominance, and biology. By positioning a female protagonist at the top of the hierarchy, the novel uses the established framework of the Omegaverse to explore themes of female agency and strength in a context originally defined by male power dynamics.
Psycho Shifters is the first of six books in Jasmine Mas’s Cruel Shifterverse series, published between 2022 and 2023. The series is structurally divided into two interconnected trilogies, each following a different protagonist through an expanding multiverse of realms. Recognizing this architecture helps readers understand how the first novel’s unresolved tensions and mysteries function as narrative groundwork rather than loose ends.
The opening book in the first trilogy (Psycho Shifters, Psycho Fae, Psycho Beasts) follows Sadie’s transformation from abused servant to alpha warrior, her fraught relationships with Jax, Cobra, and Ascher, and the looming threat of the fae queen, culminating in Ascher’s betrayal and the group’s capture. Psycho Fae transports the characters to the fae realm, where they are forced to compete in gladiatorial games and discover that their homeland has been misrepresented to them. Psycho Beasts relocates the narrative to Serpentine City in the beast realm, where Cobra’s criminal lineage forces the group into mafia-controlled trials as they attempt to solidify their bonds.
The second trilogy (Psycho Academy, Psycho Devils, Psycho Gods) shifts perspective to Aran, Sadie’s best friend, whose true identity as the fae princess Arabella is revealed at the end of Psycho Shifters. Psycho Academy follows Aran disguised as a male student at a supernatural war academy, introducing three new love interests known as the Kings. Psycho Devils pits Aran against Sadie and her mates in the brutal Legionnaire Games, and Psycho Gods concludes both characters’ arcs. This dual-trilogy structure means that seeds planted in Psycho Shifters, particularly Aran’s concealed identity, the fae prophecy, and the realm’s hidden geography, reach fruition across all six volumes.



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