Score

Kennedy Ryan
58 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Prelude-Part 1Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of racism, ableism, antigay bias, mental illness, suicidal ideation and self-harm, death by suicide, substance use, addiction, cursing, sexual content, illness, and death.

Part 1: “Movement One”

Prelude Summary: “Verity”

Award-winning screenwriter Verity Hill attends a high-stakes meeting at a luxurious LA rooftop restaurant with acclaimed director Canon Holt and his producing partner, Evan Bancroft. Canon offers Verity a career-defining opportunity to write and actively consult on a new biopic about Dessi Blue, an African American singer from the Harlem Renaissance. Thrilled by a dream project perfectly tailored to her academic background and deeply appreciative of Canon’s desire for a Black female writer’s perspective, Verity eagerly accepts the job on the spot.


However, her excitement vanishes when Canon casually mentions the film’s musical composer is Canon’s old friend Wright “Monk” Bellamy, a man Verity knew during her brief, tumultuous time at college years ago. The sudden mention of Monk leaves Verity physically rattled, as she is forced to confront a deeply painful, unresolved past with the man who broke her heart.

Part 1, Chapter 1 Summary: “Verity”

The narrative flashes back to October 2014 at Finley College, a historically Black college in Georgia. Verity, a junior transfer student, is at a club with her girlfriend, Petra, and their friends, Ezekiel and Gillian. Verity is immediately captivated by Monk, a handsome and talented piano player. She learns from her friends that he is a senior and a musical prodigy with early acceptance to Juilliard. After his set, Petra insists on introducing them. Verity is nervous but feels an undeniable and intense connection to Monk the moment they shake hands. Petra invites Monk to a party at her apartment the next night.

Part 1, Chapter 2 Summary: “Monk”

The narrative shifts to Monk’s perspective. He’s intrigued by Verity but hesitant to pursue her because she is in a relationship with Petra. Despite this, he decides to attend Petra’s party, turning down a paying gig just for the chance to see Verity again. At the party, Monk and Verity find themselves alone on the patio. She mentions that her parents are dead, and they bond over their shared artistic passions and family histories. When Ezekiel casually mentions that Petra and Verity have an open relationship, Monk offers only a polite smile and changes the subject. He watches, captivated, as Verity emerges from the bedroom.

Part 1, Chapter 3 Summary: “Verity”

The narrative moves back to Verity’s perspective. At the end of the party, all other guests have left, and only Verity, Petra, and Monk remain on the couch. Petra proposes a threesome with Monk, and Verity agrees. Petra establishes rules, framing the session entirely around Verity’s pleasure. During the encounter on the couch, Monk performs oral sex on Verity, and the two share a deeply intimate, non-verbal connection.


After they all fall asleep in Petra’s bed, Monk wakes and prepares to leave. Verity follows him to the foyer, where he confesses he only came to the party to see her again. He admits that while he was grateful for the night, he is not interested in an open relationship. He kisses her forehead and departs, leaving Verity contemplating their intense, brief encounter.

Part 1, Chapter 4 Summary: “Monk”

A month later, in November, Monk attends a mandatory campus art exhibit for his African American art class, taught by Dr. Sonya Garrison. He unexpectedly runs into Verity there. He learns she and Petra broke up approximately two weeks prior. Verity is fascinated by a copper sculpture that presents an abstract interpretation of fire, an installation by artist Chap Brody titled Flame. After Monk finds out she is single, he asks her to get food with him, and she accepts.

Part 1, Chapter 5 Summary: “Verity”

Verity goes to an off-campus dive called Top Dog with Monk. She explains her passion for her double major in film and African American studies, expressing a desire to tell forgotten Black stories. Monk shares the painful story of his parents’ divorce, which was caused by his pastor father’s infidelity. This experience is why he highly prefers monogamy.


After dinner, they walk through the campus arboretum. In a secluded, moonlit spot, they share their first kiss, which is passionate and intense. Monk stops things from escalating further, explaining that he wants to slow down and build a real relationship because he believes what they have could be special.

Part 1, Chapter 6 Summary: “Monk”

The following day, Monk goes to Verity’s dorm. They discuss their expectations for a relationship, and Verity agrees to be monogamous with him. Monk reiterates that fidelity is a “hard line” for him due to his family trauma. After establishing this understanding, they have vaginal sex for the first time. The experience is deeply emotional for both of them.

Part 1, Chapter 7 Summary: “Monk”

The narrative moves forward to Thanksgiving break. Monk has a tense holiday dinner with his mother and his siblings, Charlie and Shrieva. His siblings have sided with their father since the divorce, creating a rift in the family. When Monk shows them a photo of Verity, Charlie makes a judgmental comment about them having sex. Monk’s father calls, and his mother makes him take the phone. After a brief, cold exchange, Monk hangs up and leaves the apartment to call Verity, telling her he misses her and is ready to come back to campus.

Part 1, Chapter 8 Summary: “Verity”

The narrative flashes forward to January. Verity walks to her screenwriting class while talking on the phone with her aunts, Roz and Grace. They express concern about her new relationship with Monk and her mental health, reminding her to take her medication. They also confirm they are sending her money for tuition as she lost her full scholarship after a difficult period at USC. In class, Professor Rollins berates Verity for her tardiness, but her peers’ encouraging response to her screenplay gives her confidence.

Part 1, Chapter 9 Summary: “Monk”

In February, Monk plays a jazz gig. He worries when Verity is late, knowing she has been neglecting sleep to work on a major screenwriting project. After his set, Petra and Randi approach him outside the club before Verity arrives, and Petra warns him that Verity was fragile after her experience at USC. Later that night, Monk wakes to find Verity on his apartment floor, working on her script. She is unusually energetic and talkative.


Monk suggests deferring his admission to Juilliard for a year to stay with her, which triggers their first major fight. Verity becomes defensive and accuses him of not trusting her when he asks about her past. They quickly reconcile and have sex. As she’s falling asleep, Verity mumbles that she loves him. Monk says it back but wonders whether she will even remember saying it. He wakes up later to find her working on the script again.

Part 1, Chapter 10 Summary: “Verity”

In March, Verity is rushing to the financial aid office to pay the remainder of her tuition. She feels euphoric, energetic, and invincible. On her way, she is captivated by a bright pink dress in a boutique window. On a manic impulse, she enters the store and buys the expensive dress and a new pair of shoes, spending all the money her aunts had sent for her tuition.

Part 1, Chapter 11 Summary: “Monk”

Verity surprises Monk at a recording session, wearing the new dress and heavy makeup. Her behavior is erratic as she tries to perform oral sex on him in the control room in front of the other musicians. Monk, shocked and embarrassed, stops her and pulls her into the hallway. He confronts her about her inappropriate behavior, and they get into a heated argument. She accuses him of not knowing her and storms out of the studio, leaving Monk confused and worried.

Part 1, Chapter 12 Summary: “Verity”

After her fight with Monk, Verity goes to Top Dog alone. Still in a state of mania, she feels euphoric and seeks attention. She invites a group of men to her table and begins drinking heavily, which is out of character for her. Her behavior escalates until she climbs onto the table and performs a “flirtatious” dance. Petra and her girlfriend, Randi, are also at the diner and try to intervene, but Verity angrily rebuffs them, dumping a pitcher of water on Petra’s head.

Part 1, Chapter 13 Summary: “Monk”

After his session ends, Monk gets a frantic call from Petra, who tells him to come to Top Dog because Verity is drunk and surrounded by a group of men. Monk rushes to the diner, arriving just as Petra and Randi are leaving. He cannot find Verity in the main room. When he calls her phone, he hears her ringtone from the men’s restroom; checking the women’s restroom first and finding it empty, he enters the men’s room. Inside, he discovers Verity in a stall with a strange man—her halter top down leaving her naked to the waist, the man’s hand up her skirt gripping her ass and squeezing her breast. Verity appears indifferent and unashamed of being caught. Devastated and betrayed, Monk tells the man he is “done with her” and leaves.

Part 1, Chapter 14 Summary: “Verity”

After Monk leaves the restroom, Verity pushes the other man, Carl, away. He becomes aggressive, revealing that he and his friends had all planned to have sex with her that night. She manages to get away from him, and he leaves. Still feeling no pain or remorse from her encounter with Monk, Verity’s manic energy persists. She returns to the main room, finds the group of men gone, and immediately joins a new group at the pool table, offering to buy them all drinks.

Part 1, Chapter 15 Summary: “Monk”

Monk waits for hours at his apartment, furious and heartbroken. When Verity finally returns, he confronts her about her behavior. She offers vague excuses about stress and being drunk, but Monk, whose trust was irrevocably broken by his father’s affair, sees her actions as unforgivable infidelity. He tells her they are finished, takes his apartment key off her keyring, and forces her to leave. Though devastated, Monk is resolute in his decision, telling Verity to stay out of his life for good.

Part 1, Chapter 16 Summary: “Verity”

After Monk kicks her out, Verity feels numb rather than hurt. Her mania intensifies, and she runs barefoot through campus, stripping off her clothes. An overwhelming heat consumes her, and she becomes fixated on the Flame sculpture in the fine arts building, believing it to be the source of a fire that will destroy everyone. She uses a rock to smash the glass door and then reaches through the broken glass to turn the knob, cutting her forearm. As she attempts to destroy the sculpture, campus police arrive and tackle her. She fights them, convinced she must extinguish the fire. Dr. Garrison arrives and urges the police to release Verity.

Part 1, Chapter 17 Summary: “Verity”

A week later, Verity is in the psychiatric ward of a hospital near her hometown because Dr. Garrison prevented her arrest. Verity learns from her aunts that she has been withdrawn from Finley. A psychiatrist, Dr. Simmons, explains that Verity experienced a manic episode with psychosis. Based on her recent behavior and her past depressive episode at USC, Dr. Simmons gives her a preliminary diagnosis of bipolar disorder. She also suggests that Verity’s father may have had an undiagnosed mental illness, as bipolar disorder is often genetic. Realizing the destructive potential of her condition, Verity believes that her breakup with Monk was necessary to protect him from the same kind of chaos that destroyed her parents.

Prelude-Part 1 Analysis

In the novel’s first section, Verity and Monk’s painful family histories deeply impact their approach to relationships, establishing the theme of Learning to Trust after Trauma. When Monk first discloses his father’s infidelity to Verity, he establishes that for him, fidelity is a “hard line.” Monk’s trauma from his family’s dissolution leaves no room for error or nuance; he requires absolute loyalty as a precondition for vulnerability. Verity readily agrees to monogamy, but her own trauma remains largely unspoken. She alludes to her parents’ “volatile relationship” that “ended badly” but conceals the full story of their deaths and her subsequent depressive episode at USC. This creates a foundational imbalance: Monk is transparent about the wound that dictates his boundaries while Verity hides the mental health struggles that will ultimately lead her to break them. Their relationship is thus built on a shared ideal of honesty that is not matched by a shared practice of it, leading to a collapse rooted in mutual, albeit tragic, misunderstanding.


The couple’s initial connection is forged through the motif of music. When Verity first sees Monk perform, she is captivated by his artistry, believing he plays “like God Himself anointed those hands” (3). Music functions as their primary language of intimacy, a pure form of expression that communicates the deep compatibility they feel before they even speak. Monk’s identity is inextricably linked to his musicianship; it is the arena where he feels most authentic and connected. The couple’s shared passion for creative expression in the form of his music and her screenwriting solidifies their bond, with Monk prizing their “artistic kinship.” Their connection is established as one between two artists who understand each other on a creative and spiritual level, making their eventual inability to communicate during Verity’s crisis all the more tragic. 


Verity’s fascination with Chap Brody’s sculpture, Flame, introduces fire as a motif of Learning to Trust after Trauma. The artwork, an “abstract interpretation of fire” where “each lick of flame has a life of its own” (43), reflects the volatile, chaotic energy of Verity’s undiagnosed bipolar disorder. Her inexplicable draw to the piece foreshadows the internal “fire” of the manic episode that will later consume her. The sculpture’s form, a singular conflagration composed of many distinct parts, mirrors the dual nature of mania, which can feel like both a unified state of euphoria and a storm of fragmented, uncontrollable impulses. The statue’s significance becomes devastatingly literal during Verity’s mental health crisis, when her delusion centers on the need to “put the fire out” (119). Her internal, psychological state of “burning up” is projected onto the sculpture, vividly illustrating the difficulty of living with an undiagnosed mental illness and foreshadowing the traumatic revelation about the fire that killed her father.


The narrative structure of this section carefully chronicles the clinical progression of Verity’s manic episode, moving from early, ambiguous signs to a full-blown mental health crisis. The chapters chart her escalating behavior, from the seemingly positive burst of productivity on her script to the more alarming impulsive spending, hypersexuality, and aggression. This structural choice aligns with the medical context of Bipolar 1, demonstrating how hypomania can subtly escalate into severe mania with psychosis. By presenting these events from the characters’ limited perspectives before revealing the diagnosis, the narrative allows the reader to experience confusion and alarm alongside Monk. Dr. Simmons’s eventual explanation of symptoms like “out-of-character sexual behavior” re-frames Verity’s actions as a consequence of her illness (128), shifting the central conflict from a simple drama of infidelity to a complex tragedy of mental health crisis and misunderstanding.


The Prelude’s frame story establishes the broader context for this personal tragedy, positioning Verity’s difficult past as the foundation for her future work. Her meeting with Canon and the biopic about the fictional Harlem Renaissance singer Dessi Blue introduces the theme of Art as Historical Reclamation. Verity’s passion is for telling the stories of Black figures whose legacies have been lost or distorted, a mission that connects with the historical erasure faced by real-life artists like Gladys Bentley and Hazel Scott. The entire flashback to her time at Finley is thus framed as the origin story of the artist she is in the present. The experience of being “broken” by her illness and her relationship with Monk becomes the crucible that forges her creative voice, suggesting that her own journey of reclamation is a necessary prerequisite for her to authentically honor the life of another artist.

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