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Content Warning: This section of the guide includes discussion of racism, ableism, mental illness, suicidal ideation and self-harm, death by suicide, and death.
Fire serves as a motif of Learning to Trust after Trauma. The motif’s significance is rooted in the catastrophic deaths of Verity’s parents and the internal chaos she fears within herself. Her father, in the grips of a mental health crisis, believed something was “in the walls” and set the house on fire to “fix it” for his wife. This traumatic origin story directly informs Verity’s own experience with bipolar disorder. During her first full manic episode, she feels an overwhelming internal heat, a sensation she comes to recognize as a precursor to mania. Her psychosis fixates on Chap Brody’s Flame sculpture, and she becomes convinced that she must destroy it to survive. In that moment of crisis, she believes, “If I put out the fire, I’ll stop burning. It makes such perfect sense” (119). This delusion reveals a link between her father’s destructive actions and her own manic impulses, showing how generational trauma manifests. Fire thus illustrates the trauma that complicates Verity’s journey towards learning to trust herself and others.
Ryan uses the motif of music to present Art as Historical Reclamation. Verity and Monk each have a personal connection to the theme through their respective careers as a screenwriter and composer, and art serves as their primary medium for their bond, authentic emotional expression, and healing. From the moment Verity first sees him, she is captivated, thinking he plays “like God Himself anointed those hands” (3). For Monk, music is a spiritual act and the only space where he feels truly aligned with his purpose. He explains to Verity that when he is playing, it is “the closest [he’s] ever felt to God” (22). This confession establishes music as his most honest language, a way to communicate feelings that transcend the mistrust and pain of their past. The songs he chooses or writes become a barometer for their relationship, from the Stevie Wonder cover that marks their meeting to the original song “Walk Away,” which channels his heartbreak. Music also is a tool for Art as Historical Reclamation as Monk and Verity collaborate on the score for Dessi Blue to honor forgotten Black artists. Ultimately, music is the constant, reliable force that draws them together, offering a pathway to intimacy and reconciliation when words alone are insufficient to bridge the gap created by trauma and misunderstanding.
Verity and Tessa’s matching SOS tattoos symbolize solidarity among individuals with mental health conditions. The symbol offers the friends a constant reminder of the mutual support they offer one another as they manage bipolar disorder. The tattoos are placed directly over the scars on their wrists—Verity’s from shattering glass during her mental health crisis and Tessa’s from a suicide attempt—transforming marks of past pain and crisis into a visual promise of solidarity. Verity explains that they got the tattoos “as a covenant of sorts, a promise that one will always come running if the other is in trouble” (149). This covenant is a practical and emotional lifeline in a world that often misunderstands or stigmatizes their condition. It shows a distinct but deep form of love and trust that exists outside of the novel’s focal romantic relationship. The SOS symbol acknowledges Verity and Tessa’s shared vulnerability while simultaneously asserting their resilience and commitment to each other’s survival. It is a tangible reminder that they are not alone in their struggle and that their bond, forged in a shared understanding of their illness, provides an important source of strength and hope.



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