The Auction

Sadie Kincaid

The Auction

Sadie Kincaid
60 pages2-hour read
Fiction
Novel
Adult
Published in 2026

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Chapters 11-21Chapter Summaries & Analyses

Content Warning: This section of the guide discusses death, violence, and sexual content.

Chapter 11 Summary: “Lincoln”

Three days later, Lincoln works in his basement lair, using a bank of computers to monitor security, run an automated stock-trading program, and track the criminal organization known as the Brotherhood. He reflects on the rumors about him, which he allows to circulate because they help conceal his activities.


Lincoln explains the Brotherhood’s structure, which is modeled after a chess set with a hierarchy of Pawns, Bishops, Knights, Rooks, a Queen, and a King. His mission for the past eighteen years has been to rescue the women sold at their auctions and dismantle the organization by killing its King. He tells Pierre that this mission is failing because he cannot locate a Rook, who holds the key to finding the King. In the past, he killed two of the Brotherhood’s Bishops but realized it was an ineffective strategy.


He then reveals he once served as a Knight under a Rook he knew well: Luca DeMotta, Imogen’s father. The Brotherhood believes Lincoln killed Luca for being a traitor, and Lincoln is burdened by the guilt of Luca’s death.

Chapter 12 Summary: “Lincoln”

Two weeks after Imogen’s arrival, Lincoln observes her and Pierre in the kitchen. When Pierre tells Imogen they are out of her usual oatmeal, she appears anxious about choosing a different breakfast. Pierre suggests pancakes, which surprises her, and he happily begins to cook. As he does, Imogen and Lincoln share a prolonged, intense gaze from across the room, which is only broken when Pierre serves the food.


Later that night, Lincoln finds Imogen reading by the fire in the library. He stands in the shadowed doorway; he is not wearing his mask but feels comfortable because the room is too shadowy and dim for Imogen to make out his scarred face. She approaches him without fear, and he allows himself to gently touch her cheek. She leans into his hand, but he quickly pulls away, reminding her that he is a monster. He says goodnight and leaves, but her soft reply nearly makes him turn back. He forces himself to keep walking, remembering an unspecified promise he made to her father.

Chapter 13 Summary: “Lincoln”

Lincoln finds his desire for Imogen is increasing. One day, after living him for nearly a month, Imogen approaches to ask for sanitary pads. Realizing she has her period and is in pain, Lincoln immediately volunteers for the two-hour drive to the nearest town. Hy purchases pads, Advil, several types of candy, and a calendar so Imogen can track her cycle.


Back at the house, he gives the items to Imogen. She is visibly moved by his thoughtfulness. Overwhelmed by his desire for her and conscious of the power imbalance between them, Lincoln quickly leaves.

Chapter 14 Summary: “Lincoln”

Late that night, Lincoln finds Imogen awake and in pain from cramps. He brings her a hot water bottle, a remedy she has never seen before, and sits on the bed to place it on her abdomen. When a thunderstorm begins, she becomes frightened and asks him to stay with her. Lincoln understands her fear, recalling the violent storm on the night her father was killed 18 years ago—the same night he found a three-year-old Imogen and her mother hiding in the woods.


He agrees to stay, and they watch a zombie movie. She tells him she was rarely allowed to watch television growing up and that her favorite book was The Secret Garden. She admired the characters for their bravery. Lincoln sits with her, fighting his physical attraction.

Chapter 15 Summary: “Imogen”

Imogen feels a pang of sadness when the movie ends, as it means Lincoln will leave. The thunderstorm triggers a vague, distressing childhood memory of being trapped and wet. After Lincoln goes, she is left with a deep, aching longing for him, which she connects to the romantic scene in the movie. She thinks about masturbating but stops herself, recalling the lessons of her former caretaker, Larissa, who taught her that female pleasure was a weakness. Instead, Imogen buries her face in the pillow Lincoln used, breathes in his scent, and falls asleep dreaming of a faceless hero.

Chapter 16 Summary: “Lincoln”

Lincoln calls Harriet Hardman, an antiques dealer in New York whom he has worked with before. He asks her to find a first-edition copy of The Secret Garden, specifying that it is a gift and money is no object. He arranges for payment and has the book shipped to a P.O. box. He reflects on Imogen’s ability to find joy in small things, feeling that while he cannot give her the world she deserves, he can bring elements of joy.

Chapter 17 Summary: “Imogen”

Five days later, Imogen remains consumed by fantasies about Lincoln. In the library, she discovers a beautiful, leather-bound copy of The Secret Garden waiting for her. Inside is an inscription: “For Imogen. Who is braver, stronger and more courageous than any character from any story ever written.” (106) She is overwhelmed with emotion when Lincoln enters and confirms he left it for her. He insists he meant the words he wrote, which intensifies her attraction to him, but he dismisses her and returns to his work.


Feeling rejected, Imogen goes to the garden and finds Pierre. She asks if he resents her presence, and he admits he would rather she weren’t there, but only because he wishes she were living a free and happy life elsewhere. He gives her the affectionate nickname “mon chou” (my little cabbage). Imogen considers that she might be able to find happiness in her current life, and wonders if it would be worth sacrificing her freedom.

Chapter 18 Summary: “Lincoln”

Believing his presence is preventing Imogen from healing, Lincoln decides to stay away. He leaves in his plane that night without telling anyone. Upon landing, Lincoln meets with Edgar North, an ally who helps him with his project of destroying the Brotherhood. Edgar provides him with a car and supplies, and Lincoln drives alone to a farmhouse in Appalachia. Lincoln is on a mission to rescue another woman from the auction, Lot 17, who was bought by a meth dealer named Henry Finch.


Arriving at his destination, he silently infiltrates the house, killing two guards. He overhears Finch’s men speaking crudely about the girl before one of them, Billy, goes into her room. Lincoln follows, interrogates, and then kills Billy. He finds the young woman, Leah, injured and in a catatonic state. He gives her clothes and promises to get her out.


Leah is terrified and begs for a weapon. Lincoln reluctantly gives her a gun. When they attempt to sneak out, they are discovered, and a firefight breaks out. Leah kills two men, and Lincoln kills another. Leah leads him through a basement passage to a barn, but they are cornered. Just as Henry Finch is about to execute Lincoln, Leah shoots and kills him. They escape in an armored SUV. In the car, Lincoln tells Leah he is taking her to a safe house where she can start a new life. When she asks how to repay him, he tells her to live the best life she can.

Chapter 20 Summary: “Imogen”

Lincoln has been gone for a day, and Imogen misses him. To distract herself from her romantic fantasies, she looks for a book in the library and finds a copy of Lady Chatterley’s Lover. She recalls Larissa warning her that the book was sinful. As she reads, she is captivated by the tender and passionate relationship depicted. The mutual desire and connection between the characters is a revelation compared to the crude, one-sided portrayals of sex in the videos Larissa showed her as part of her “training.” Overwhelmed by her own longing to be touched with such passion, Imogen closes the book.

Chapter 21 Summary: “Imogen”

Feeling lonely, Imogen knocks on Pierre’s door and asks if he would like to have hot chocolate with her. He agrees, and she brings two mugs to his sitting room. He invites her to watch his movie, The Avengers, as long as she remains quiet. Imogen, completely unfamiliar with the story, immediately begins asking questions. Realizing her lack of pop-culture knowledge, Pierre decides to give her a proper introduction to the Marvel universe, starting with Iron Man. He uses the remote’s voice command to start the film, which astonishes Imogen. After watching, she is enthralled and agrees to watch the sequel with him the next night. She leaves feeling peaceful and content, recognizing that while her time with Lincoln is thrilling and intense, she has found a true friend in Pierre.

Chapters 11-21 Analysis

Exposition in this section of the novel provides more information about the Brotherhood’s hierarchy, establishing the recurring motif of chess and framing the novel’s central conflict as a strategic game of power and sacrifice. The ranks of Pawns, Knights, Bishops, and a King, casts the characters as pieces in a high-stakes match and heightens the theme of Necessity of Challenging Authority and Systems. Lincoln’s history as a Knight who once served Imogen’s father, a Rook, positions him as a powerful but subordinate figure within this structure. His 18-year mission to “sever its head” by taking the King is a long-game strategy born from the realization that eliminating lesser pieces is ineffective. While he acknowledges Imogen’s presence as a new and “more pleasant, form of solace” (77), his role in the deadly game he is playing requires a level of ruthlessness and isolation that is fundamentally incompatible with the human intimacy he craves.


While Lincoln remains trapped by his past, Imogen begins to contemplate a future where she can define her own identity, a process centered on Reclaiming Bodily Autonomy After Subjugation. Imogen’s repressive upbringing has limited and warped her understanding of sexuality and desire. With her newfound freedom, she begins reading D. H. Lawrence’s Lady Chatterley’s Lover, a novel that was controversial at the time of its 1928 publication due to its frank depictions of sexuality and female desire. The novel features a female protagonist who rejects social convention in favor of exploring her own desires, and Imogen is moved by its depiction of sexuality built on mutual tenderness and connection. She contrasts the novel’s depiction of sexuality with the pornography that she watched as part of her training, characterizing the latter as “vulgar, crude videos” (131) that depicted sex as an act of male dominance. The contrast between depictions of sexuality in conventional pornography and in novels adds a metafictional element to Kincaid’s “spicy” (sexually explicit) romance: The popularity of sexually explicit romance fiction, especially among female readers, is sometimes attributed to a centering of female desire and the context of caring relationships (in contrast to more transactional traditional pornography). The juxtaposition of pornography and sexually explicit literature is nonetheless complex, and it should be noted that Lady Chatterley’s Lover was written by a male author and has been criticized for its portrayal of consent and female sexuality.


Imogen’s burgeoning sexuality emerges due to her newfound freedom and her attraction to Lincoln. However, her conditioning remains a formidable barrier. When she considers masturbating, she is stopped by the memory of Larissa’s instruction: “A woman’s pleasure is an unnecessary distraction […] Do not be weak” (100). Imogen’s internal conflict—caught between her emerging desires and the ingrained ideology that female pleasure is a liability—demonstrates the deep psychological labor required to dismantle a lifetime of training designed to erase her agency. Her hesitation to take ownership of her own body and pleasure deepens the theme of Necessity of Challenging Authority and Systems by showing that she won’t experience true freedom (and the freedom to connect with someone else) until she can extricate herself from the repressive beliefs imposed on her.


Likewise, the representation of food functions throughout these chapters to measure Imogen’s slow transition from a controlled existence to one of simple choice and pleasure. Her initial anxiety about selecting a breakfast other than oatmeal reveals a history of deprivation and rigid control. Her exposure to touchstones of pop culture, such as movies from the Marvel cinematic universe and Bruce Springsteen’s music, further shows her finding newfound pleasure in feeling connected and relatable to others. Her project of restoring the estate’s overgrown garden suggests she is beginning to see her prison not just as a place of confinement but as a space where she can actively cultivate life and find a measure of happiness. It also gives her a project and a sense of purpose, fulfilling a need for her to feel useful.


While Lincoln’s inner monologue reveals his simmering desire for Imogen, he externally takes on the role of caregiver and nurturer. His purchase of pads, pain relief, and candy for her menstrual cramps represent acts of care and nourishment that are entirely new to her. These small kindnesses provide a foundation of safety that allows her to begin exploring her own desires. The explicit presence of Imogen’s menstrual cycle highlights Lincoln’s non-plussed reaction to a biological function that is nonetheless often shrouded in shame and taboo. Lincoln exemplifies many aspects of a traditional masculine hero, but he is also a caretaker, revealing that he can fulfill a variety of Imogen’s needs: he can both keep her safe and nurture her. This dynamic expands with Lincoln’s gift of a rare first-edition copy of The Secret Garden. The book, a childhood talisman for Imogen, becomes a symbol of sanctuary and the potential for renewal.


However, the constant presence of masks, both literal and metaphorical, interrupts this burgeoning trust and develops the theme that Deception Undermining Genuine Trust. Lincoln consistently creates emotional distance after moments of vulnerability. After giving her the deeply personal gift of the book, for example, he immediately reverts to a cold, dismissive demeanor. Imogen perceives this emotional armor, recognizing the mask he wears is one “of pain and guilt” (107). This dynamic creates a central paradox: Lincoln desperately wants Imogen to see the man behind his persona, yet his own deceptions are the primary obstacle to the trust required for such a connection. His secret promise to her father, Luca, is the most significant deception of all, a hidden motivation that dictates his actions and makes an honest relationship with Imogen unattainable.

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