57 pages 1-hour read

Theodore Taylor

The Bomb

Fiction | Novel | Middle Grade | Published in 1995

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Part 2, Chapters 6-11Chapter Summaries & Analyses

Part 2: “Book II: Crossroads”

Part 2, Chapter 6 Summary

While trolling for fish in midmorning, Sorry looks toward the village and sees that the church and community buildings have already been dismantled, leaving the village visibly altered. Tara now teaches school in the sand. Sorry, who became an adult at fourteen, no longer attends regularly. He feels an emptiness and new anger at the Navy for forcing them to leave. Lieutenant Hastings has told Chief Juda the relocation to Rongerik will occur in about two weeks.


As they fish, Sorry considers expanding Abram’s protest plan: the entire village could decorate their war canoes with flowers, wear leis and warrior headbands, and sail back into the lagoon just before the planned bomb drop, giving journalists something to report. Lokileni asks when they will dismantle their house. Sorry replies they will do it the morning they leave, noting that the canvas roofs Hastings promised will make the houses unbearably hot. Lokileni suggests using the canvas for sails instead. A wahoo strikes their line, temporarily distracting them from the move.


Since Abram’s death, Tara has become Chief Juda’s interpreter in his place and the village news reporter, listening to the Armed Forces Network each night. As preparations for the test continue, six thousand pairs of protective goggles have been ordered for personnel nearest the Able blast.

Part 2, Chapter 7 Summary

Dr. John Garrison, a civilian scientist, arrives by landing craft and asks children for Tara Malolo, speaking in Marshallese. He carries three knapsacks and a long-barreled pistol. Sorry and Lokileni meet him and notice the unusual weapon. Garrison explains he studied their language during his journey from Washington and was directed to contact Tara. They lead him to Chief Juda’s house, where they interrupt an argument.


Tara is demanding that Lieutenant Hastings sign a document guaranteeing the villagers can return in two years. Hastings refuses and declares the United States now owns Bikini, which it took from the Japanese, and has come to announce that an LST will soon transport a group of the island’s men, building materials, and equipment to Rongerik to begin constructing the new village. When Tara asks what would happen if they refuse to leave, Hastings says they will be forced onto the LST if necessary. Tara calmly asks if he means at gunpoint.


Garrison interrupts to introduce himself. He is from the National Museum, part of the Smithsonian and will collect specimens of island wildlife to study before and after the bombs go off. His pistol, he explains, is a custom gun for shooting bird specimens, and he is the first of many scientists expected to arrive on the atoll. He plans to return in six months to make health comparisons.


The two atomic bombs have been assembled at Los Alamos and await shipment to Kwajalein.

Part 2, Chapter 8 Summary

At twilight, Tara reports news from the radio: protests against the tests are beginning in Honolulu, with people writing to the president and Congress. Some newspapers and atomic scientists are calling for the tests to be canceled. Chief Juda warns Tara not to raise false hopes, and most villagers continue to pray for a miracle.


On February 25, the LST 1108 arrives carrying a month’s food and water along with building materials for the new village. This is the day the villagers finally surrender and accept their fate. Sorry helps load the dismantled church and community buildings onto the ship. In the late afternoon, the LST departs with 22 men who volunteered to help the Seabees with construction.


Sorry and Lokileni become Dr. Garrison’s helpers, touring him around the island and collecting marine specimens. Garrison explains that studying how radioactivity affects living organisms may help answer questions about living with atomic weapons in the future. He describes radiation as an invisible and capable of causing leukemia and other diseases and explains that radioactive fallout can contaminate the food chain, making fish dangerous to eat. Sorry, understanding Abram’s fears, wishes America would not drop the bombs.


Sorry also learns that observers at the first atomic test may not have been harmed at six miles away, that the primary target will be the USS Nevada, and that the bomb will be dropped from about five miles above the target. Sorry realizes the bomber crew will be able to see people on the lagoon below.


The Nevada is being painted bright orange-red and will serve as zeropoint at the center of the target fleet.

Part 2, Chapter 9 Summary

Sorry sails Garrison to Nantil Island to collect bird specimens. Over lunch, Garrison explains that since they cannot test on humans, animals will serve as proxies aboard the target ships, taking the place of sailors in battle positions. Pigs will be used because their skin resembles human skin; goats because their body fluids are similar to those of humans. Some animals will be killed instantly by the blast, while others will be radiated and studied afterward. White rats, guinea pigs, and special strains of mice from the National Cancer Institute will also be used, with thousands of animals kept in cages and pens. Sorry is shocked by the plan.


Garrison describes other test technologies, including pilotless planes aircraft that will fly through the radioactive cloud by remote control, and television, which will be used during the tests. When Sorry asks why the world has left the atolls so far behind, Garrison muses that in some ways they have been fortunate, expressing regret over the invention of airplanes, the atom bomb, and possibly television. Sorry finds this strange for a scientist, but Garrison explains that he studies ancient things, not modern ones.


After returning to Bikini, Garrison confirms there will be 90 to 100 target ships anchored in the lagoon, including captured enemy vessels and aircraft carriers. He says no one knows what will happen and that scientists are frightened after Hiroshima and Nagasaki. The bomb will be dropped from a B-29 Superfortress and detonate 500 feet above the Nevada.


Thousands of letters are being sent to President Truman and Congress expressing fear about the tests, including speculation that the explosion could tear open the earth’s crust or affect the oceans and atmosphere.

Part 2, Chapter 10 Summary

A Navy newsreel team films the final Sunday church service, intended to show that the villagers approve of the tests. The villagers dress in their best clothes but appear sad. The film crew repeatedly interrupts Grandfather Jonjen’s sermon, asking him to move, face different directions, and repeat his words until Tara shouts at them in English to stop.


Photojournalists from New York arrive, but when Tara tries to explain how the Navy deceived the villagers, the reporters ask only superficial questions. She tells the villagers that the world media will portray them as simple, trusting people from a tiny village, isolated for decades from civilization, suddenly swept into modern times, ignoring their true story.


On the morning of March 6, the villagers clean the cemetery and decorate the graves with flowers. Jonjen holds a farewell service honoring the dead, especially Abram, while cameras continue filming.


Commodore Wyatt then arrives with Azakel, the governor’s interpreter, and asks Chief Juda to reenact the February 10 meeting for the newsreel cameras. Juda agrees, and a furious Tara walks away. The scene is filmed multiple times, with Azakel urging everyone to smile while most look down at the sand. The cameras also film children laughing and playing in the lagoon so that viewers will think the villagers are content to give up Bikini.


Sorry thinks Abram would have called the filmmakers liars. He shouts the word Letao himself.


The Fifty-third Seabees are scheduled to arrive in early March with bulldozers, dump trucks, and cranes to remake Bikini into an atomic test site.

Part 2, Chapter 11 Summary

On the morning of March 7, 1946, Jonjen awakens the family to watch one final sunrise. The rest of the villagers emerge from their dismantled homes to join them in silent observation. Sorry, who once longed to leave the atoll, now desperately wants to stay.


In late morning, they begin loading their belongings onto the LST 1108. Small children laugh as they ride on top of the loads, and Navy newsreel cameras film the entire embarkation. The outrigger canoes are lifted aboard last by a large crane.


Lokileni tells Sorry she wants to leave her childhood rag doll, Leilang, on the island as something of herself to watch over their land. She kisses it goodbye and props it against a house upright in the sand.


As they prepare to board, they realize Grandmother Yolo is missing. After almost an hour of searching, they conclude joined her husband in the ocean grave. When they tell Jonjen, he says a prayer and murmurs that he should have gone with her.


Dr. Garrison arrives to say goodbye and give simple gifts from the ship’s store. When Tara asks him truthfully when they will be able to return, he looks around the island and sadly tells her they may never return. Tara tells Sorry to keep this secret so the others can maintain hope.


After boarding, the LST pulls away. As the ship departs, the villagers line the rail in tears. Jonjen begins singing the hymn “O God, Our Help in Ages Past” (151), and the others join him. Dr. Garrison turns away, unable to watch, as the ship sails past the islands of the atoll and into Enyu Channel. Bikini grows smaller and smaller until it disappears.


That night, the villagers lie on mats on the cold steel deck. Sorry lies beside Lokileni, missing the soft sand of home.


After the villagers’ departure, an airstrip is built on Enyu, and Bikini is transformed and fully Americanized, with recreational facilities including basketball courts, baseball fields, clubs serving beer, and a radio station broadcasting to the world.

Part 2, Chapters 6-11 Analysis

The narrative demonstrates the mechanics of colonial manipulation by contrasting the US military’s coercive tactics with its curated public image. While Lieutenant Hastings threatens to force the Bikinians onto the landing ship at gunpoint, Commodore Wyatt later makes Chief Juda reenact their original agreement for newsreel cameras. As photojournalists arrive, they ignore Tara Malolo’s attempts to explain the military’s deception, asking only if the blast will blow down palm trees. This juxtaposition reveals that the military’s primary concern is maintaining a facade of paternalistic goodwill while masking the reality of displacement from their ancestral lagoon and land. The staged smiles and edited footage replace the islanders’ distress, turning an eviction into a performance of willing sacrifice. This manipulation of representation demonstrates how control operates through both physical force and the shaping of public perception.


The introduction of Dr. John Garrison further develops the theme of The Devastating Human Cost of Scientific Militarism. Garrison calmly explains that since researchers cannot test humans, the military will place a naval “Noah’s Ark” of proxy animals—pigs chosen for their skin and goats for their fluids—on the target ships. He describes the radiation as an “invisible poison” that will permanently contaminate the food chain, extending the impact of the atom bomb beyond the moment of detonation into lasting environmental damage. Garrison’s clinical detachment strips the impending destruction as a series of observations, shifting attention toward measurement and away from lived experience. By discussing specialized mice in wire-mesh cages alongside the planned destruction of Bikini as a test site, the text highlights the distance between scientific procedure and its human consequences. Garrison embodies this contradiction; he expresses regret over the invention of the weapon yet actively prepares the site for detonation. His explanation that scientists are frightened after Hiroshima and Nagasaki, combined with his acknowledgment that “no one knows what will happen” (140), underscores the experimental nature of the tests and the willingness to gamble with human lives and the ecological stability of the atoll shaped by the atom bomb.


Against this backdrop of distant scientific calculations, the narrative localizes the grief of displacement through deep, visceral connections to the ancestral environment of the lagoon and surrounding land. On the day of departure, Grandmother Yolo walks into the ocean to drown rather than leave her home, while Lokileni leaves her childhood doll propped against a dwelling upright as a guardian. Immediately after the villagers depart on the cold steel deck of the LST 1108, Seabees transform the settlement into a military recreation site with basketball courts and an enlisted men’s club. Yolo’s death reflects the spiritual and physical severing required by the relocation; for her, life beyond the ancestral lagoon holds no meaning or continuity. Lokileni’s doll acts as a fragile attempt to preserve a connection to identity rooted in place as the atoll is abandoned. The rapid paving of the island makes this erasure visible, replacing a culturally and spiritually grounded environment with American leisure. This transition illustrates the human cost of colonial control, treating a historically rich homeland as space reorganized for external use.


In response to this erasure, Sorry’s internal development shifts toward action. Observing the dismantling of his village, Sorry imagines expanding his late uncle’s protest by having the entire village “decorate the war canoes with flowers, always the symbols of peace, […] and sail back into the lagoon” (123), turning the lagoon into a space of visible resistance. Later, he disrupts the sanitized newsreel filming by shouting the word Letao, meaning liars. Sorry’s evolving thoughts move beyond endurance toward deliberate, visible defiance. He recognizes that confronting the military physically remains impossible, yet interrupting their narrative with a culturally resonant display can expose the truth being shaped for external audiences. This evolution underscores the necessity of maintaining moral courage against insurmountable odds, suggesting that agency persists through acts that refuse silence even when outcomes remain unchanged.


The structural pacing of these chapters mirrors the creeping inevitability of the atomic test, building tension through a steady accumulation of bureaucratic milestones linked to the preparation of the atom bomb. As departure approaches, the narrative tracks the systematic dismantling of the village, paralleling the arrival of building materials and the deployment of the Seabees. This methodical countdown emphasizes expanding reach of the US military apparatus, portraying the relocation as a gradual dismantling of Bikinian cultural and spatial continuity tied to the lagoon and land. The recurring radio broadcasts detailing the weapon’s assembly serve as constant reminders of the outside world encroaching upon the atoll, reinforcing the sense that the coming detonation will reshape both the physical environment and the lives connected to it.

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