67 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of sexual content, child sexual abuse, child abuse, illness, substance use, addiction, antigay bias, gender discrimination, and racism.
After learning from Garnett Pittman that Meg may be sent to a cannery, Birdie reverses her stance and agrees to help Charlie run the brothel. She finds Charlie and Flossy on the back porch announcing their intention to leave and intervenes. Birdie agrees to manage the establishment’s dance club facade on two conditions: Charlie must promise not to lie to her again and must delay visiting Meg, allowing Birdie to contact Meg’s guardians herself first. Charlie consents but counters that Birdie must accept her full share of all profits, arguing it is a matter of trust. Birdie reluctantly agrees.
A party-line telephone is installed in the house. Flossy begins educating Birdie on the business, explaining jargon like “keys” for rooms and “wallets” for customers, and detailing the need for medical checks. She also warns that the Anti-Vice League, for whose state presidency Garnett is campaigning, has been shutting down brothels. To recruit more workers, Charlie decides to place a coded “cat call” advertisement in newspapers in surrounding counties.
Birdie uses the new telephone to call the Heidelberg residence in Byhalia, posing as an orphanage worker to discreetly check on Meg’s welfare. The maid who answers becomes suspicious and says Mrs. Heidelberg will call her back.
Birdie, Charlie, and Flossy spend the day rebuilding and leveling the backyard dance floor. During a break, Flossy reveals that her uncle forced her into sex work at age 12 to spare her younger sister from the same fate.
Later, Birdie receives a return call from Isabelle Heidelberg, the elder Mrs. Heidelberg and Tom’s mother. Isabelle is irate, explaining that her son and his wife were supposed to adopt an infant with a good pedigree from a prestigious Memphis agency, not an older child from the county orphanage. She declares Meg unsuitable for the family and says she will recommend her son return her. When Birdie pleads on Meg’s behalf, Mrs. Heidelberg mentions she knows Dr. Welty Pittman and intends to contact him to resolve the matter. Horrified, Birdie realizes she has escalated the crisis and fears Welty’s involvement will lead to Meg’s return to Garnett’s custody and the cannery work program. She leaves a follow-up message with the Heidelbergs to buy more time and resolves to keep this development from Charlie.
By Thursday, the cat-call advertisement has run, and interviews are held on the front porch. A secretary arrives by mistake and is politely dismissed. A coarse and aggressive woman from Flossy’s past, Ruby Slipper, is hired despite her hostility. A woman who has syphilis is gently turned away, leaving the household shaken. Identical twins from Texas, Trixie and Dixie, are hired as a pair after admitting they prefer to work together. That evening, Birdie cooks a large Southern supper for the full household. Charlie persuades Birdie that they should hire Mrs. Tartt’s driver, Mr. Binny, to play music and ensure his silence about the business.
On Friday morning, as the first trainloads of students arrive in Oxford for the fall term, the household prepares to advertise the club. Esmeralda, who had visited the previous day and left abruptly after finding the house too shabby, returns wearing a stained dress and asks to be hired; Charlie takes her on after brief negotiations.
The women borrow dresses from Frances’s and Mrs. Tartt’s wardrobes to look inconspicuous, and Esmeralda drives the group to town to hand out calling cards to college boys. Against Charlie’s explicit instructions to stay away from the depot, Flossy convinces Esmeralda to drive there; the women nearly attract the stationmaster’s attention and flee back to the car.
Meanwhile, Birdie goes to the bank to postpone a date with Jack Walsh, arranging instead to attend church with him on Sunday. In the bank lobby, she encounters Dr. Welty Pittman and is unsettled by how strongly he resembles Meg. Outside, he confronts Birdie privately, insisting she stop contacting the Heidelbergs, while also revealing that he has been trying to persuade the family not to return Meg. Back at the house, Birdie finds Mr. Binny has agreed to play. Esmeralda reports the depot near-miss and presses Charlie to make a formal arrangement with the sheriff.
Late in the afternoon, a young woman named Virginia Cunningham arrives in place of the elderly Dr. Kleinkamp, explaining that his testing methods are unreliable and that he is too fearful of the Anti-Vice League to come to Idlewilde. Virginia sets up a makeshift laboratory in the cellar with equipment borrowed from the university, examines Ruby, and tests Flossy for syphilis. Flossy, who is terrified of a positive result, weeps with relief when she is cleared. The women decorate the yard, and Esmeralda paints a coded menu disguising the services on offer; she jokingly suggests naming the club “The Tart Club,” a proposal Birdie immediately rejects.
The club’s opening night on Saturday gets off to an ominous start as gusty storm winds knock glass ornaments off the trees. After hours of waiting with Mr. Binny playing to an empty yard, only one potential customer appears: a pale, terrified young man who approaches Birdie’s table, freezes, and then flees after his departing taxi, leaving without buying a single dance. No further customers arrive.
At midnight, Charlie and Birdie sit alone in the dining room, staring at each other over the empty ledger. Birdie finally tells Charlie the full truth she has been withholding: Garnett is actively working to have Meg returned to the orphanage, and the elder Mrs. Heidelberg is considering it after Birdie’s own phone call inadvertently alarmed her. Birdie recounts her conversations with both Isabelle Heidelberg and Welty Pittman, who confronted her outside the bank. Charlie is furious that Birdie withheld this information. Birdie explains she feared Charlie would act recklessly and get them all arrested, but Charlie insists that Birdie has underestimated her.
Tom and Lucille take Meg to a tense supper at the elder Heidelbergs’ estate. Mrs. Heidelberg probes Lucille about her new dress and makes pointed references to Meg’s origins, hinting at her suspicions about the adoption from the orphanage. Tom eases the atmosphere by revealing he is writing a novel and tearfully expressing how much Meg has changed him for the better, visibly moving both his parents.
The next morning, Willy May summons Meg alone to the big house. Mrs. Heidelberg confronts Meg about having lied about her origins, but tells her she will not be returned. She reveals that she has been sending Willy May to search the house for liquor, believing that Tom is still experiencing alcohol addiction. She enlists Meg as a secret informant: If either Tom or Lucille drinks, Meg is to come and tell her. Trapped, Meg agrees to the arrangement. She lies to Mrs. Heidelberg’s face, claiming there is no drinking in the house, and is dismissed to the parlor to be fitted for school dresses.
Meg continues in the uneasy aftermath of her meeting with Mrs. Heidelberg. When Lucille asks why she was called to the big house, Meg deflects by claiming she was only there to fit a new dress.
Willy May invites Meg to go with her cousins shopping for school supplies at the Little store. Tom persuades a reluctant Lucille to go along. At the store, Meg carefully selects her school supplies within their tight budget while Lucille struggles to maintain a civil facade with the hostile cousin-wives Sarah and Rowena. The trip ends badly when Marybeth attempts to give Meg a baby doll, and Marybeth’s mother makes a contemptuous remark about Lucille, triggering a public argument between them.
On the drive home, Lucille drinks from a bottle hidden under the seat and warns Meg never to trust the Heidelbergs. That evening, Mrs. Heidelberg arrives unannounced with a copy of Meg’s adoption papers, proving that Tom and Lucille lied about using the Memphis agency and spent the adoption money, some of which went to cover Tom’s gambling debts. Mrs. Heidelberg refuses to reinstate their family allowance and leaves in anger. Tom, Lucille, and Meg sit together on the sofa in silence. Later, Tom rests his hand briefly on the liquor cabinet key but does not open it, and Meg watches with relief as he retreats to his typewriter.
After the failed opening night of their brothel, Birdie and Charlie find their bond deepened despite their mutual deceptions. The household gathers for breakfast, and the women strategize on how to drive business. Virginia suggests they target the socially awkward “Last Resort” students near campus.
That afternoon, Birdie prepares for her Sunday church date with Jack Walsh, prompting Flossy and Esmeralda to voluntarily give her an unasked-for makeover. At church, Birdie learns that Garnett Pittman has been elected president of the state Anti-Vice League. Afterward, Birdie and Jack go to his apartment, where their intimacy escalates before Birdie stops, reasoning that her innocence will be easier to defend if Jack ever learns about her connection to the brothel. Jack then reveals he is returning to Jackson the next day and does not know when he will come back.
On Monday night, the club has another discouraging evening with only two customers. Letters arrive for Birdie: one from Frances in Jackson saying that she is nearly out of money, and one from Birdie’s mother reporting that Birdie’s job at the Foote has been given to someone else and the family owes $12 to the store. A letter addressed to Charlie reveals she has preemptively registered Meg for sixth grade at a California school; Birdie criticizes her when it becomes clear that Charlie has no real plan for getting Meg back.
The rain that has been threatening finally arrives, canceling any hope of business for the next two nights. Charlie copes with her anxiety by diligently doing house chores. She gathers the women for “teatime,” during which the sex workers are asked to drink a substance that will control their menstruation. To distract them, Virginia reads aloud from a medical textbook about the absurdity of diagnosing women with “hysteria,” provoking dark laughter around the table. The group debates names for the club, cycling through increasingly profane options that include “The Calamity Club” before settling on Ruby’s invention, “The See You Next Tuesday Club.” A delivery boy brings Birdie a telegram from Frances, urging her to call them for important news about Rory.
Birdie calls Frances in Jackson, who tells her that Rory was spotted heading south to Gulfport. Frances urges Birdie to send them money to continue their search, forcing Birdie to reluctantly promise her $10. This turns Frances hopeful that business at the dance club is doing well. Frances asks discreet questions about the girls working at the club since Mrs. Tartt is in the room with her, listening in. When Mrs. Tartt grabs the phone from Frances, Birdie diverts the conversation, asking if she knows the Heidelberg family in Byhalia. Mrs. Tartt confirms that she does, but is less familiar with Tom, linking him to a son of the family who was experiencing alcohol addiction in New York City. Before they hang up, Birdie instructs Frances to warn her before they return home so that she can restore the house to its earlier state.
That evening, Virginia brings crucial news: a car full of drunk students crashed returning from Priscilla’s rival brothel in Sweetwater, and the university’s Morals Committee has threatened expulsion for any student caught driving in that direction. With Priscilla’s now effectively off-limits, the club stands as the only safe option for miles.
On Thursday evening, the club’s fortunes dramatically change. A truck full of college boys arrives from the back road, followed by a stream of taxis. Ruby pushes Mr. Binny into playing a rousing jitterbug that livens up the yard.
The night becomes chaotic and overwhelmingly busy, with over two dozen boys cycling through the dance floor and the rooms upstairs. Birdie manages her telephone table, selling drinks and collecting dimes, though the evening is not without ugliness: She witnesses a fraternity pledge being bullied into going upstairs against his will, and a drunk boy punches her in the arm before being dragged off by his friends.
Near closing time, Birdie notices a lone figure parked in the dark across the road watching the house; Charlie tells her to do nothing about it. After the last customers leave around two in the morning, Charlie and Birdie count the night’s earnings. The take is large enough to cover Birdie’s back taxes and make a meaningful dent in the amount Charlie and Mrs. Tartt need. Faced with a mountain of badly soiled sheets, Birdie suggests bringing in Mrs. Tartt’s maids, Picador and Polly, to help with the laundry, but insists they must not be told the true nature of the business. Charlie is skeptical they can keep the secret, but agrees to Birdie’s terms.
With a private telephone line now installed, business grows steadily as grown men begin booking longer, more expensive appointments alongside the college boys. When Picador and Polly arrive to help with the laundry, they quickly and quietly deduce the truth, much to Birdie’s embarrassment.
The household holds a birthday celebration for Flossy. During the party, the women share stories of how they entered sex work: Esmeralda reveals she began in New Orleans’s Storyville decades ago; the twins disclose they fled Texas after killing the circus man who exploited them; and both Flossy and Esmeralda admit they have children they are not allowed to see. Flossy’s insight that it is sometimes necessary to let a child go, accepting they will be better off with someone else, hangs heavy over Charlie.
Before dawn, Esmeralda sees the lone car outside the house and guesses that it must be the sheriff. She deduces that Charlie failed to make a deal with the sheriff before opening the brothel. She issues Charlie an ultimatum: make a deal with the sheriff or she leaves. Birdie volunteers to negotiate with him herself. The meeting with Sheriff Porter is unsettling: He has an old calling card, questions Birdie pointedly about racial mixing, and tells her he plans to come out for a visit, leaving the situation unresolved.
Meanwhile, a letter arrives from Jack disclosing that his estranged wife wants to reconcile and that he has told his wife he has fallen in love with someone else; he speaks of wanting more children and a family. Unable to offer him what he wants, Birdie writes back telling him that she cannot have children and ends the relationship. Frances then calls from Biloxi to report that she has found Rory, who has been arrested for striking a policeman with the Studebaker and faces charges including “unnatural acts” at a party the police broke up.
The next morning, the newspaper carries a photograph of Sheriff Porter dragging Priscilla out in handcuffs, with Garnett Pittman quoted calling for the arrested sex workers to be incarcerated and sterilized. As the stakes of their operation sink in, Charlie privately asks Birdie to promise that if Charlie is arrested and Garnett gets her hands on Meg, Birdie or Frances will try to adopt Meg before she can be sent to the work program.
Birdie’s decision to join the brothel, which she frames with her father’s story of the Mississippi River running backward, is a deep recalibration of her moral framework: “[I]f a river as hell-bent as the Mississippi could change its mind, then, evidently, so could I” (369). Her rationale is a deliberate reversal of her principles. This choice is spurred by two external pressures: Garnett Pittman’s threat to send Meg to a cannery, a fate revealing the cruelty of the child welfare system, and the sight of Charlie’s ledger, whose sparkling numbers represent a “rotten, terrible, ingenious idea” for financial salvation (370). Birdie’s complicity underscores the necessity of adapting her moral compass to the situation at hand, forcing her to accept the business Charlie is suggesting, even if she doesn’t generally accept the value of sex work. This transaction exemplifies The Impact of Economic Desperation on Morality, pushing Birdie from a bystander constrained by respectability to an active partner in Charlie’s business. Her journey illustrates how the dire economic and social pressures of the Great Depression expose the double standards of moralistic systems, which favor privileged people while forcing marginalized people to put themselves into situations that would incriminate them.
The hiring process for the brothel establishes the business as a fragile, makeshift community forged from shared struggle, rather than mutual affection. The applicants, from a woman who mistakes the coded ad for a secretarial position to the coarse but profitable Ruby Slipper and even a woman dying of syphilis, represent a cross-section of women with severely limited options in 1930s Mississippi. Their backstories, from Flossy’s forced entry into sex work during her childhood to the twins’ flight from Texas after killing an exploitative circus man, reveal lives defined by economic hardship and male violence. The first dinner together thus becomes a tense gathering of survivors, where Flossy’s slang and Ruby’s hostility underscore the precariousness of their alliance. This collective of marginalized women highlights the social landscape of the Depression, where extrajudicial enterprises became one of the few available, albeit dangerous, refuges from starvation and institutionalization.
As for Meg, the conflict within the Heidelberg family transforms her into a pawn, forcing her to work on both sides without a clear sense of how she can remain in the family. After being summoned by the elder Mrs. Heidelberg, Meg is forced to become a spy in her adoptive home, agreeing to lie about Tom and Lucille’s drinking to protect her fragile security. Even then, she cannot steadily trust in Mrs. Heidelberg, whose conversation with Birdie suggests the possibility of her return to the orphanage. Meg’s forced duplicity mirrors Birdie’s own manipulations, such as posing as an orphanage worker on the phone and withholding important information from Charlie. Both characters, a young girl and a young woman, must resort to deception as a tool for survival within systems of power they cannot directly challenge. Meg navigates the hypocritical social rules of the Heidelberg family, while Birdie maneuvers around the legal and moral codes of Oxford society. The parallel between their character arcs suggests that for women and children with limited agency, concealment and strategic dishonesty are necessary, and even courageous, survival tactics in a world that offers them few direct paths to safety.
Garnett Pittman’s election as the state president of the Anti-Vice League, followed by her raid on Priscilla’s brothel, transforms her from a personal antagonist for Meg into a figure of greater institutional authority, threatening both Birdie and the entire community the club represents. This development externalizes the theme of Moral Purity as a Mask for Corruption, linking Garnett’s personal cruelty to a broader, state-sanctioned agenda. Her public statements in the newspaper, which advocate sending the arrested women to a state hospital to “stop their kind from propagating” (531), employ the pseudoscientific language of the eugenics movement, reframing the brothel raid on Priscilla’s as an act of Eugenics as a Weapon of State Control. Garnett’s rhetoric conflates the poverty and profession of marginalized women with hereditary inferiority. While the crackdown on the rival brothel makes Charlie’s establishment “the only game for sixty miles” (532), giving them an advantage to drive new business, this success comes at the cost of drawing the attention of a politically empowered enemy who now wields the law as a weapon.
Virginia Cunningham’s arrival provides an intellectual and moral counterpoint to the male-dominated institutions that oppress the other women. Her impassioned critique of the medical establishment, which she accuses of neglecting and devaluing women, articulates a feminist perspective that gives a name to the systemic abuse the sex workers have endured for much of their lives. By taking equipment from the university to create a functional lab in the cellar, Virginia establishes a parallel underground enterprise, one based on care and scientific rigor rather than exploitation. Her makeshift clinic becomes a sanctuary where Flossy can weep with relief after a negative syphilis test, a rare moment of medical and emotional safety. Virginia’s presence links the brothel’s struggle for survival to a wider fight against patriarchal systems, from the biased practices of doctors to the professional sexism she faces in academia. Her character is a bridge between the physical and economic vulnerability of the sex workers and the intellectual currents of female resistance.



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