67 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of illness, death, emotional abuse, suicidal ideation and self-harm, and mental illness.
Macy remembers that she loved mowing lawns as a teenager, working weekends for her father’s company, Mullins Mowing. After her father’s death, Macy had a brief stint at a corporate franchise that ended within the first month. Operating a mower triggered memories of working alongside her father. On several occasions, she thought she saw him in her peripheral vision. She calls this “[p]hantom person syndrome” (188), comparing it to phantom-limb syndrome.
Macy also discloses that she hasn’t cried since her father died, not even at the funeral. Revisiting old family photos produced only a tightening in her chest and a recurring vision of a white truck crashing into dark water, leaving her feeling as though she was grieving incorrectly. She has since hidden those photos in a locked folder. She recalls her father’s maxim to “walk in the rain” (189)—to accept what can’t be controlled and breathe through it—though she acknowledges that sometimes the downpour is severe enough that she has no choice but to run.
Macy enters the foyer as the white rotary phone continues to ring. On the line is a young man whose voice sounds weak and strained, as if he hasn’t spoken in years. He expresses relief that Macy hasn’t left the property. In the background, many voices scream in unison.
The man urgently instructs Macy to write down his directions. He asks about the rabbit and the woman who knocked on the door. When Macy mentions Lucy, he curses. He tells her to follow Lucy’s footprints into the woods at midnight, find whoever is waiting, and calm them without letting them leave the property. If they cry or speak incoherently, she must run back to the house first, lock the doors, and wait for a call.
When Macy protests, the man reminds her that she agreed to be the Ward of the house. Macy confirms that she did. The man warns that failure would unleash catastrophic consequences. The call ends abruptly. Macy looks through the glass door at the footprints disappearing into the woods, accepting that she must follow them.
At 11:58 pm, Macy paces the house anxiously. Despite briefly considering leaving or calling authorities, she feels an unshakable certainty that failing the Rites would doom everyone, including Jemma.
At midnight, she puts on a rain poncho, grabs a flashlight, and steps outside. Her phone buzzes with a reminder that it’s her late father’s birthday. She suppresses her emotions and enters the woods, following the muddy footprints.
The rain stops, and the trail deviates from the main path into darker woods. She hears a disembodied childlike voice declare that it knows her. Macy spots her own backpack lying at the base of a tree, and something peeks from behind it before slipping out of view. Macy’s body reacts instinctively. She sprints deeper into the woods, the mantra to “follow the Rites” overriding her survival instincts (201).
Macy enters a circular clearing dotted with mounds resembling unmarked graves. A familiar voice calls out for Zee. Macy follows the trail up a muddy slope and finds Lucy in a yellow rain poncho, her eyes now a pale, unnatural blue. Lucy doesn’t recognize Macy and explains that she’s searching for her friend Brienna, or “Zee.” Lucy is on the verge of tears.
Macy offers to help and tries to steer Lucy away from the property boundary. When she lies about hearing someone nearby, Lucy grows suspicious. A beautiful singing voice then emanates from beyond the boundary, and Lucy runs toward it, calling for Zee.
Macy chases her, insisting that it’s a trap. A voice claiming to be Zee cries for help from beyond the boundary. Lucy stops just short of crossing, drops to her knees, hits herself, and collapses into uncontrolled sobs as a storm intensifies overhead. Then, the storm suddenly ceases, and Lucy’s face goes blank. With empty blue eyes, she looks at Macy and says she knows her by name.
Lucy sprints toward the house. Macy remembers she must reach it first and gives chase. Dozens of other Visitors in yellow ponchos emerge from the trees, all running in the same direction. Macy overtakes them but can’t catch Lucy. As they near the house, she sees that the front door is wide open.
Macy tackles Lucy at the base of the concrete steps. They crash down hard, and Lucy’s face strikes a corner, caving in her nose. Unfazed, Lucy continues crawling up the steps, dragging Macy with her. Blood pours from the wound where her nose was, her pale blue eyes completely apathetic. She kicks Macy in the eye, breaks her grip, and runs into the house. Macy loses consciousness on the gravel.
Macy regains consciousness on the gravel driveway, bruised and aching. A trail of mud and blood leads up the concrete steps. As her memory of the Rites returns, she struggles to her feet. Dozens of Visitors in yellow rain ponchos stand motionless in the woods, forming a silent perimeter around the entire house.
Macy enters the house, locks the front door, and follows muddy boot prints and a bloody handprint through the foyer into the back hallway. She locks the patio door and then hears a door click shut somewhere in the back of the house.
She arms herself with the switchblade from the kitchen. The rotary phone rings, and a child’s voice instructs her to stay calm and keep her heart rate below 150 beats per minute (BPM). Macy must determine which room the Visitor occupies. She follows the muddy tracks to the study, where light shows beneath the closed door, and reports back.
The child provides Macy with new Rites: Do not open the study door, do not barricade it, do not speak to the Visitor, and do not use weapons. Macy drops the knife and writes the instructions on her arm. Her final task is to turn on all lights on the main and second floors within three minutes, keep them on, and rehang any fallen picture frames within one minute. If she maintains these Rites until sunrise, the setback from failing to burn the rabbit will be averted.
Macy rushes through the house turning on every light and finds a fitness bracelet to monitor her heart rate, which reads 122 BPM. She forces herself into the dark back hallway. She sees two shadows beneath the study door, suggesting that someone is standing directly behind it.
Lights begin turning off, and pictures begin falling in a repeating pattern, forcing Macy to race around the house restoring them within the one-minute limit. Her heart rate climbs to 132 BPM. Then, the Visitor begins speaking to Macy in Jemma’s voice, sounding frightened and confused. The study doorknob jiggles, and Macy grabs it to hold the door shut. The Visitor mimics a severe asthma attack as Macy’s heart rate hits 141 BPM.
The sounds abruptly stop, and the doorknob stills. Macy realizes that the Visitor is trying to distract her and refocuses on maintaining the Rites.
By 4:15 am, Macy has established an efficient routine, learning the pattern of falling pictures and extinguishing lights. She texts the real Jemma to confirm she’s safe.
At 4:37 am, the pattern breaks. All the lights in the back hallway turn off in unison, and the Visitor speaks again in Jemma’s voice. This time, she references Macy’s suicide attempt at the Hawthorne Hotel, a secret that Macy has never shared with anyone. She suddenly remembers the memory she has suppressed: A year after her father’s death, Macy took sleeping pills with vodka and placed a plastic bag over her head, surviving because the dosage wasn’t lethal and the bag ripped open. The Visitor recounts these details with perfect accuracy, its voice shifting from Jemma’s to a cruel, mocking tone and then finally to Macy’s own voice filled with self-hatred. The Visitor insists that Macy is worthless and too “scared” to attempt suicide again.
Macy’s heart rate spikes to 151 BPM. Every light bulb in the house shatters, and every picture frame falls simultaneously, plunging her into darkness. Overwhelmed, she hits herself in the head, berating herself until she sits numb and unable to move. From the back hallway comes the soft click and creak of a door opening.
The narrative uses Macy’s emotional suppression to deepen the theme of Grief as Ritual, positioning her unprocessed trauma as a vulnerability that the supernatural threat actively exploits. In the interlude, Macy reveals that she hasn’t shed a single tear since her father’s death and frequently experiences “[p]hantom person syndrome” (188), drawing from the medical term “phantom limb” to drive a metaphor for her experience of grief. Rather than confronting her sorrow over this loss, Macy compartmentalizes it, adopting her father’s stoic mantra to “walk in the rain” as a justification for enduring internal pain without fully processing it (189). This numbness creates an emotional void that dictates her mechanical adherence to her duties as caretaker. In this way, she mirrors David, who used the obsessive routine of the Rites to keep devastating emotions at bay. The entity utilizes her unhealed wounds as a point of entry, ultimately turning Macy’s own psychological defenses against her as the supernatural encounters escalate into personalized psychological warfare.
The increasingly arbitrary instructions delivered via the rotary phone highlight the theme of The Fragile Illusion of Control in a Chaotic World. Macy receives intricate, impossible commands from anonymous voices, first to follow Lucy and keep her from weeping and then to continuously turn on lights, rehang falling picture frames, and maintain a heart rate below 150 BPM. These directives replace overt physical violence with the intense psychological exhaustion of absolute compliance. She explicitly describes the repetitive act of switching on a light as delivering a “bump of pure dopamine: Click: relief” (219), using the language of addiction to reinforce the illusion that she can successfully manage the entity through sheer vigilance. However, this only perpetuates a cycle of dependence, driving Macy to seek more relief as soon as it disappears. This proves how thin her control over the entity really is.
Furthermore, the entity actively subverts the power of the Rites, proving that these defensive systems are easily manipulated constructs rather than genuine protections. It is ambiguous whether the Lucy Macy encounters in the woods is the real Lucy or another manifestation of the Visitor. In any case, this ambiguity feeds into the idea that Macy has to placate Lucy for fear of the consequences, rather than out of empathy for Lucy’s fear of losing Zee. This mirrors Macy’s approach to her own trauma and the management of her feelings toward her father’s death. Consequently, when Jemma tries to extend emotional support by offering to keep Macy company, Macy rejects her, believing that she can keep her feelings under control. This lie is necessary for her to avoid the bigger emotional consequences of avoiding her grief. The transformation of the Visitor into Jemma and then later into Macy reflects the actualization of these consequences, such that the devastating setback may be the resurfacing of Macy’s suppressed memories.
Ultimately, the collapse of the house’s physical defenses directly aligns with the end of Macy’s emotional repression. Now that it’s inside the house, the Visitor weaponizes Macy’s own voice to recount her heavily guarded secret: a suicide attempt at the Hawthorne Hotel two years earlier. By taunting her as an “absolute WASTE of a human being” and invoking her father’s death in the river (232), the entity weaponizes Macy’s shame over her past despair, successfully driving her heart rate past the forbidden 150 BPM threshold. The immediate consequence of the shattering lightbulbs and the fallen picture frames represent the complete and total failure of the order that David imposed using the Rites.



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