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Content Warning: This section of the guide contains depictions of graphic violence, sexual violence and harassment, rape, death, death by suicide, murder, substance use, physical abuse, emotional abuse, and cursing.
Jo takes a hungover Nessa to Harriett’s house, where Harriett provides an herbal remedy. Jo and Harriett then explain their encounter with Amber Welsh. Amber believes the police have not properly investigated her daughter’s disappearance. To search for further information, Harriett announces they will travel by water. The next day, her friend and sometime lover, Celeste, takes them out on her boat to Danskammer Beach. The women are delighted to see a humpbacked whale nearby; Harriett whimsically implies that she has communicated with the whale.
On the water, Nessa sees the ghosts of Mandy and an unidentified Asian girl and makes a sketch of the second girl to help with identification. A drone flies over the boat, and they follow it to the wealthy, gated community of Culling Pointe, where they meet the operator, a friendly man named Leonard who claims to be whale-watching.
Later, Harriett finds her ex-husband, Chase, waiting at her house. His advertising career is failing, and he believes that Harriett has cursed him. (In reality, he is struggling in the absence of her talent and ideas—a hard truth that Harriett soon points out.) Harriett refuses to help with any “curse”; she offers to feed him advertising ideas one more time, but only if he takes her and her friends to Jackson Dunn’s Memorial Day party on Culling Pointe. He agrees.
Meanwhile, Jo and Nessa go to meet Amber Welsh at the Stop & Shop where she works, but the irate manager tells Jo that Amber never showed up and is now fired. Reflecting that every true-crime case starts this way, Jo drives to Amber’s trailer, only to find the site cleared of almost all evidence that Amber and her family had been there.
Jo and Nessa report Amber’s disappearance, but the Chief of Police, John Rocca, is dismissive and suggests that the troubled Welshes simply left town. Outside, Nessa confronts Franklin Rees for siding with Rocca. Franklin quietly explains that while Rocca may be right about the Welshes, he will investigate their disappearance privately. He also tells Nessa that he lacks the evidence to launch an expensive search for bodies near Danskammer Beach based on her “hunch.” Nessa doesn’t tell him about the third ghost or the true nature of her visions, which frustrates Jo.
Overwhelmed by the voices of the dead, Nessa drives through town late at night. She goes to the county morgue and is met by the ghost of the unidentified girl from the beach, whom she brings back to her house. After drawing the girl’s portrait, Nessa calls Franklin and asks him to come over.
She shows him her sketches of all three dead girls and explains the full truth of her “gift”: that she can see ghosts in real time. Franklin believes her, recounting a childhood experience in which a similarly gifted woman insisted she could see a dead girl in the nearby canal; a body matching the woman’s description was found there later that day. He agrees to post the first girl’s portrait to a missing persons database and promises to search for the other bodies.
Two weeks later, the police investigation has stalled, and a discouraged Nessa is staying at Harriett’s house to avoid the ghost sitting on her couch. Meanwhile, Harriett and Jo attend a Memorial Day party at the Culling Pointe home of Jackson Dunn, a prominently misogynistic CEO who once sexually assaulted Harriett years ago. The women are escorted by Harriett’s ex-husband, Chase.
At the party, they meet Leonard Shaw (the drone pilot and self-professed whale-watcher), as well as his much younger partner, Claude Marchand, who works as an event planner for Culling Pointe. While the men gather on a private roof deck—a long-held tradition—Harriett opens her hands and tosses seeds into the air, letting the ocean breeze carry them inland.
Later, Jo and Harriett walk along the beach to an adjacent property, where they discover Jo’s missing gym client, Rosamund Harding, sitting alone on her deck. Rosamund picks up an apple and carves a word into its skin with a paring knife, then tosses the apple to them. It reads “FAITH.” As Rosamund hurries inside, her husband’s bodyguard, Chertov, confronts Jo and Harriett with a gun, but Claude intervenes. Claude and Leonard then escort the women to the party’s roof deck, where they meet Rosamund’s abusive husband, Spencer Harding. Harriett and Jo confront Spencer about his wife’s well-being, implying they know he is a threat.
This chapter flashes back to Claude Marchand’s past. The daughter of a French immigrant who built a wealthy hedge fund, Claude grew up organizing lavish parties that helped to recruit investors for her father’s business. Her father refused to let her join the fund, explaining that men only trust other men with their money, and he separately suggested that she marry a prestigious man to boost her own family’s fame and position.
After Claude became engaged to such a man, her father’s business was exposed as a Ponzi scheme. He died by suicide, leaving her penniless and abandoned by her fiancé. She rebuilt her life by becoming a consultant for the newly rich, teaching them the rules of high society. She also formed a partnership with Leonard Shaw, who helped her to ruin the family of her former fiancé. The experience left Claude determined to maintain her own power and security.
After the party, Spencer Harding sends Harriett a bouquet of white lilies, which she interprets as a threat because the delivery confirms that he knows where she lives. She and Nessa discuss the men they met at Culling Pointe, identifying Leonard Shaw as a major philanthropist and Claude as the daughter of the infamous con man Antoine Marchand.
Franklin calls with news that a woman named Laverne Green has claimed that the unidentified girl is her missing daughter, Venus. The next day, Laverne visits Nessa’s house. Nessa deduces that Laverne is lying about being the girl’s mother, as the ghost, sitting beside Laverne on the couch, shows no recognition of the woman. Nessa saves Laverne’s coffee cup to test her DNA.
A flashback reveals the history of Laverne Douglass. Once a beautiful and successful model, she fell into misfortune after an unplanned pregnancy. Her partner abandoned her, and her family disowned her. Seven months into the pregnancy, she miscarried the child. A botched surgical incision left her with a prominent scar, and she was unable to have more children. Her modeling career ended, and she was left working a retail job when she was offered money to impersonate the dead girl’s mother. Resentful of her past losses, she accepted the payment without hesitation.
Nessa arranges a funeral for the unidentified girl. After the service, Franklin comforts a grieving Nessa, and they kiss. He reveals that Laverne Green declined an invitation to the funeral, and he now believes Nessa’s suspicions. He agrees to help her get a DNA test comparing Laverne’s cup to a strand of the girl’s hair that Nessa collected. At the cemetery, Harriett plants a large, poisonous bush called angel’s trumpet on the grave, intending it as a warning to the killer.
During the service, Jo receives a call that her client, Rosamund Harding, has died in a car crash. The police are at her gym to retrieve Rosamund’s belongings from her locker. Joe races to the gym. After the police leave, she discovers that Rosamund was secretly using a second locker that is secured with a combination lock spelling “FAITH.” Inside, she finds a Polaroid of the now-buried girl, naked and terrified.
This chapter recounts events from Rosamund Harding’s perspective before her death. After a career-ending injury led to addiction, she married art dealer Spencer Harding. While living on Culling Pointe, she hired a local girl, Mandy Welsh, as a personal assistant, but Mandy never showed up for the job. Rosamund then found three photos inside a portfolio case; at the bottom of one, someone had written the name “FAITH.” She stole a different, unlabeled photo to hide in her gym locker.
Suspecting her husband of being a serial killer, Rosamund hid the photo at Jo’s gym. Spencer began telling her that she was mentally unstable; he even had a doctor prescribe her sedatives, which he administered. Addled by the drugs and dimly realizing that her own life was in danger, Rosamund tried to signal for help by carving the word “FAITH” into an apple and tossing it to Jo and Harriett on the beach.
Chief Rocca arrives at the gym to oversee the investigation into the photo. He dismisses the women’s theory about Spencer Harding, citing a lack of forensic evidence. A lab analysis later confirms that there are no usable fingerprints on the photo.
Jo runs into Claude Marchand at the gym; Claude has joined because Culling Pointe is experiencing an infestation of bees, which are attracted to an invasive weed. Claude reveals that Jackson Dunn is in intensive care after a bee attack. She also states that Leonard Shaw knows about Spencer’s money-laundering scheme; she is certain that Spencer had Rosamund killed by hacking her car’s computer system. She offers to help Jo and her friends get revenge. Jo confronts Harriett, who confirms that the seeds were Scotch broom—a weed that attracts bees. She also admits to knowing that Jackson was allergic. Harriett states that she does what she believes to be necessary, not what is simply “good.”
Nessa arrives with news that a DNA test has confirmed Laverne Green is not related to the dead girl. Laverne has disappeared. Later, Spencer’s bodyguard, Chertov, breaks into Harriett’s house. She ambushes him in her garden, paralyzing him with a potent poison and demanding information.
The Memorial Day party at Jackson Dunn’s Culling Pointe estate establishes the exclusive community as a symbol of untouchable patriarchal power and systemic corruption. Harriett describes the setting as a “parallel universe” (148), a world physically and ethically separate from Mattauk, where the rules of ordinary life do not apply, and her words carry weight because she used to be a part of this world herself. The misogynistic patterns of this rarified social sphere are further emphasized by the men-only roof deck, a private space where business deals are made and women are deliberately excluded. Seeing this, Jo reflects on her own career difficulties and suddenly realizes that she was never meant to succeed in a corporate world that views women as “turds in the punchbowl” (181). As Miller draws these invisible connections across the women’s life experiences, the idyllic, perfectly manicured appearance of Culling Pointe transforms into a poisonous lie with moral rot at its core. Given that all the clues about the murdered girls lead straight to Culling Pointe, this exclusive but hostile environment embodies the novel’s focus on the Systemic Exploitation of Women. Miller designs the setting as a direct parallel to the private islands and exclusive compounds of real-world figures like Jeffrey Epstein, grounding the novel’s supernatural elements in the tangible outrage of the #MeToo era, where the ultra-rich have purchased impunity from legal and moral consequences.
This section employs a series of flashbacks and shifts in perspective to explore how different women are shaped and broken by patriarchal systems. To this end, the narrative pauses to relate the backstories of Claude Marchand and Laverne Douglass, whose own ethically suspect actions are further contextualized by the fact that their lives have been derailed by the actions of powerful men. Claude, the daughter of a con man, is abandoned by her fiancé and high-society connections after her father’s public disgrace and suicide, and she realizes that her value was tied entirely to male wealth. She survives by weaponizing her knowledge of social etiquette, transforming herself into a broker of status for the newly rich. In contrast, Laverne, a former model, is discarded by her partner and family after a pregnancy and goes on to lead to a life of poverty and resentment, and she has no moral qualms about pretending to be a murdered girl’s mother in order to gain the money she needs to survive. This narrative structure juxtaposes Claude’s strategic survival with Laverne’s tragic defeat, illustrating that in both cases, resilience within this system often requires a degree of cynical complicity.
Rosamund Harding’s perspective chapter further develops this pattern, revealing how her husband uses a diagnosis of “depressive psychosis” (242) and sedatives to isolate and silence her, demonstrating how medical and psychological language can be weaponized to control women. Through most of the novel, she is a mere shadow-character in the background of the action, and it is only her pointed absence from the narrative in key scenes that galvanizes the other women to find out what happened to her. Just like the other murdered girls, she haunts the narrative, and only one flashback chapter reveals just how desperate her own oppressed lifestyle had become under the control of her abusive husband. Like all of the characters in the novel, she represents an extreme version of abusive situations and patriarchal structures, and Miller uses these hyperbolic examples to shine a critical light on system-wide patterns that appear in greater or lesser forms in the real world.
In addition to the primary murder mystery, another conflict emerges between the slow, compromised legal system and the women’s growing commitment to vigilante justice. Detective Franklin Rees embodies the former, counseling patience and adherence to protocol, and most notably, insisting that the “law is reason free from passion” (246) and must be followed to the letter. However, with his own firing from the force, his methodical approach proves ineffective against the power wielded by men like Spencer Harding, and Franklin cannot overcome the institutional indifference of Police Chief John Rocca, who is proven to be complicit in the murders themselves. In the meantime, Jo’s frustration grows as she examines a system that protects wealthy criminals and leaves girls and women unprotected, and her rising fury emphasizes the concept of Channeling Anger to Enact Change. Harriett escalates this ideological tension when she scatters Scotch broom seeds at Culling Pointe, knowing that the resulting bee swarm will endanger the life of the allergic Jackson Dunn. When she later asserts to Jo that she is not a “good guy” but merely does what is “necessary” (254), this statement marks her definitive break from conventional morality, positioning her actions as a form of natural justice that transcend the bounds of human law.
On a more symbolic level, Harriett’s calculated attack on Jackson Dunn becomes a form of feminist rebellion. By seeding the pristine lawns of Culling Pointe with Scotch broom, she unleashes a force of nature that cannot be easily controlled, disrupting the artificial order of the billionaire enclave. The invasive plant and the bees it attracts serve as agents of her will, meting out a natural punishment for a man who violated her body and her boundaries. This act solidifies Harriett’s archetypal role as a crone or witch, a figure who draws power from the natural world to challenge patriarchal structures. Harriett’s presence thus aligns the novel with the contemporary feminist thriller genre, which often reclaims such figures as agents of radical justice.



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