The Change

Kirsten Miller
60 pages2-hour read
Fiction
Novel
Adult
Published in 2022

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Chapters 21-30Chapter Summaries & Analyses

Content Warning: This section of the guide contains depictions of graphic violence, sexual violence and harassment, rape, death, death by suicide, substance use, physical abuse, emotional abuse, and cursing.

Chapter 21 Summary: “Going Rogue”

Jo Levison wakes from a recurring nightmare feeling an intense internal heat, which she tries to channel as a source of power. Her meditation is interrupted by the sound of an intruder. After waking her husband, Art, and telling him to call 911, she goes to check on their daughter Lucy. Jo finds Lucy’s bedroom door shut and breaks it down. Inside, Lucy is bound with zip ties and gagged. Before Jo can react, the intruder knocks her unconscious.


When Jo awakens, she is also zip-tied. In her fury, her intense body heat melts the plastic restraints. She attacks the intruder and subdues him, then uses her heat to burn a perfect handprint onto the intruder’s face, telling him to deliver a violent message to Spencer Harding.


In the aftermath of the attack, fearing for her family’s safety, Jo sends Art and Lucy to a family lake house in Vermont. Later, she confronts Franklin at Nessa’s house, ignoring the clear signs that Nessa and Franklin have spent the night together and are now clearly a couple. Jo declares that someone in the police department must be a mole for Harding. She then demands that Franklin leave so she, Nessa, and Harriett can plan their next move and “go rogue” without police involvement. Franklin consults briefly with Nessa, who is forced to choose her friends over her burgeoning romantic relationship. Franklin reluctantly departs.


As the women discuss their plans, Harriett suggests murdering Harding, countering that Jo and Nessa’s desire to go public would never work, as mainstream media bosses know Harding and would kill any story against him. Jo proposes contacting Josh Gibbon, host of the true-crime podcast They Walk Among Us.

Chapter 22 Summary: “Where Do All the Girls Go?”

Nessa recalls a childhood memory of her grandmother’s friend and ally, a formidable woman named Miss Ella. She remembers that Miss Ella once murdered a child predator and fed him to an alligator, an act her grandmother defended as killing a monster. This memory informs her perspective as she and Jo meet with Josh Gibbon. Initially, Josh is hesitant to publicize their accusations against Spencer Harding for fear of a lawsuit, but Nessa shames him by questioning his motives and claiming that he profits from sensationalizing the stories of murdered girls. Josh agrees to help if they can provide more evidence. He suggests they look for the other two bodies Nessa has seen. Jo, who is scuba-certified and has her own gear, agreeing to dive for the bodies.


They return to find that Harriett has already arranged for Celeste to take them out on her boat. Celeste now knows the truth of what the other women are doing. That night, Jo confesses everything to her husband, Art, who offers his unconditional support, strengthening their relationship and her resolve. The next morning, as they leave to pick up her dive gear, Jo tells Nessa that she is prepared to do whatever it takes.

Chapter 23 Summary: “Jo Sets a Bridge Ablaze”

The narrative shifts to a flashback on Jo’s past. Three months after being fired, Jo pitched her business plan for Furious Fitness to a loan officer named Jeremy Aversano. Aversano was immediately condescending, and his comments revealed that he never read her documents. He dismissed her market research, questioned the gym’s “angry” name, asked for her husband’s opinion, and patronizingly suggested that she hire an MBA to review her plan, unaware that she herself had an MBA. He then mentioned her termination from her last job and effectively denied the loan by requiring a cosigner. Enraged by his sexism, Jo experienced an intense internal heat, and the metal pen in her hand melted into a puddle on his desk. Realizing she had a strange new power, she laughed at the man and left. Outside, she decided to stop playing by the rules, so she called her financial advisor and liquidated her 401(k) to fund the gym herself. She then emailed Aversano’s wife, offering to invest in the woman’s own business idea.

Chapter 24 Summary: “Whatever It Takes”

In the present, Jo, Nessa, and Harriett take Josh Gibbon to a specific location offshore. Jo dives into the cold water equipped with a GoPro camera and soon discovers a massive pile of abandoned lobster traps. In two separate traps, she finds the skeletal remains of young women stuffed into black plastic bags. She films the gruesome evidence, confirming Nessa’s knowledge that a serial killer is active in Mattauk.


That evening, they record a live, unedited episode of Josh’s podcast, and Nessa and Jo detail their discoveries. Jo discusses the nude Polaroid of the first victim, which the late Rosamund Harding hid in a secret gym locker. She publicly accuses Spencer Harding of being the serial killer and states that he was also behind the recent break-in at her home, where her daughter was attacked. Josh ends the show by vowing to pursue the story until Harding is brought to justice.

Chapter 25 Summary: “The First and Last Time Mandy Welsh Broke a Promise”

The narrative flashes back to Mandy Welsh’s last day alive. While walking along a road to meet Rosamund Harding, Mandy Welsh was stopped by a man in a luxury car. The man introduced himself as Spencer Harding, Rosamund’s husband, and confirmed that he knew who she was and where she was going. He showed her his driver’s license, and despite her initial hesitation, Mandy was persuaded to accept a ride to the house to see Rosamund, who was eager to hire her. Later, she realized that Spencer meant her harm. Remembering her promise to her mother to be careful, she decided not to fight him, planning to keep the impending assault a secret so that her mother would not worry about her. The narrative states that this was not a decision she was ultimately able to make.

Chapter 26 Summary: “Mayday”

In the present, Jo wakes at Nessa’s house to find a reporter at the window. The woman informs her that Spencer Harding is presumed dead after his helicopter crashed. As news vans descend on the house, they watch a broadcast confirming that police have recovered the two lobster traps containing bodies off Danskammer Beach. Authorities speculate that Harding experienced a medical emergency just before the crash. Harriett arrives, warning them that although Harding is dead, his accomplices are still at large, and justice is not yet complete.


The chapter jumps to July for the funeral of Mandy Welsh, one of the recovered victims. Nessa gives a powerful eulogy, condemning the community’s inaction when Mandy went missing and vowing to protect other vulnerable girls. The man who broke into Jo’s home is out on bail, and the third victim remains unidentified. Jo and her husband agree to let Harriett punish those who are still free.

Chapter 27 Summary: “Newsnight”

Jo, Nessa, and Harriett gather to watch a Newsnight special on the Danskammer Beach murders, which presents a completely fabricated narrative of the investigation. Police Chief Rocca appears on the show and takes credit for all the key discoveries, claiming that he suspected Spencer Harding from the start. Rocca’s official story portrays Harding as a serial predator who murdered his wife and assaulted numerous young women in a secret room that also contained a safe filled with thousands of Polaroids. These pictures depicted imprisoned women and girls. The chief claims that Harding’s bodyguard, Danill Chertov, confessed to everything after being pulled over by a Mattauk officer on June 8th. According to Rocca, a fisherman named Randall Duffy helped dispose of bodies at sea, but he died of a heroin overdose before making his final pickup, thus leaving the body open to discovery. Rocca publicly blames the women’s podcast interview for tipping off Harding, leading to his escape and subsequent death.


After the broadcast, Harriett states that Rocca is lying. She knows because Chertov broke into her house on June 7th. She killed him then, and his body has been in her compost pile ever since. Harriett concludes that Rocca was directly involved in the murders. Hearing this, Nessa and Jo realize that they cannot expose Rocca’s cover-up without implicating Harriett in murder.

Chapter 28 Summary: “Wolves in Sheep’s Clothing”

In the aftermath of the Newsnight interview, the podcast episode is pulled, and Josh admits that he cannot publicly support them due to the backlash. Nessa, whose ghost-induced migraines are worsening, is approached by a desperate mother seeking help finding her missing daughter, reinforcing Nessa’s mission to identify Harding’s victims. Meanwhile, Harriett’s neighbor, Annette, discovers that Harriett is providing the means for angry women in town to punish the men who have wronged them.


Meanwhile, Claude approaches Jo and proposes to give her $20 million fund from her companion, Leonard, to start a national self-defense and empowerment program for girls. Jo, who has been struggling with rage and fear for her daughter Lucy, enthusiastically agrees to lead the project. That evening, Jo and Nessa share the news with Harriett. When Jo relays a request from Claude for help with invasive plants at Culling Pointe, Harriett agrees to meet someone there the next morning.

Chapter 29 Summary: “The Day Harriett Finally Opened Her Eyes”

The narrative flashes back to the events that led to Harriett’s transformation. After being passed over for a partnership at work and discovering she has entered menopause, Harriett spent three weeks on a marijuana-fueled retreat in her home, letting her garden grow wild and studying botany, poisons, and herbal remedies. Her divorce lawyer, Colin Clarke, made an unannounced visit, expressing concern over her unkempt property and the neighbors’ complaints. He presented an offer from her ex-husband, Chase, to buy the house so she could move to an apartment and get “help.” Clarke belittled her garden, calling her carefully cultivated plants “weeds.” This confrontation led Harriett to a realize that she had spent her life accepting men’s judgments. She rejected his condescension, fired him, and asserted full control over her life and property. As he left, a large tick mysteriously appeared on his neck, and Harriett pointedly compared him to the parasite. That evening, a handsome deliveryman named Eric expressed admiration for Harriett’s plants, and the two spent the night together. The next morning, empowered, Harriett went to her job, intending for it to be her last day.

Chapter 30 Summary: “Whales”

After spending a night with Celeste on her boat, Harriett is dropped off at Culling Pointe for a meeting with billionaire Leonard Shaw. He wants to hire her to eradicate an invasive Scotch broom infestation, a job for which a now-terrified Jackson Dunn has recommended her. At breakfast with Leonard and Claude, Harriett learns that Leonard leases all the lots on the Pointe and therefore has control over the residents. When her hosts are distracted, Harriett meets a domestic worker named Isabel, who recognizes Harriett as a fellow witch. Isabel reveals that Jackson Dunn was responsible for the disappearance of a young worker two years ago. She also tells Harriett that a police officer (Rocca) was at Spencer Harding’s house before Harding escaped, contradicting Rocca’s public statement. Harriett also learns that Leonard secretly records everything on the Pointe, and that Claude had the poisonous wolfsbane removed from Harding’s garden just after his death. Harriett invites Isabel to visit her, now armed with critical new information against her enemies.

Chapters 21-30 Analysis

Jo’s encounter with the condescending loan officer, Jeremy Aversano, galvanizes her into embracing her own inner power, as dramatically demonstrated by the melted metal pen and her sudden determination to forge her own path toward making Furious Fitness a reality. This early scene stands as a critical turning point in her development, and Miller uses the confrontation to transform the menopausal imagery of fire and heat into a bold, empowering force. As Jo rejects the patriarchal financial system that now attempts to control her through condescension and gatekeeping, she undergoes a personal revolution that influences all her future actions. This iron-hard core reemerges when she declares to her friends that they are “going rogue” (271), clearly committing to Channeling Anger to Enact Change. By literally melting the tools of a male-dominated corporate world, Jo abandons its rules and embraces a power that operates outside them, fully accepting her new, independent identity.


By this point, Harriett’s own quiet rebellion has gained considerable traction, making it clear that she no longer complies with society’s standards of right and wrong. While Harriett is by necessity a morally ambiguous character, Miller seeks to justify the “witch’s” ethical stance and punitive role by placing her in a broader sisterhood of fellow “punishers.” Specifically, Nessa’s childhood memory of Miss Ella, a woman who fed a child predator to an alligator, establishes an alternative moral framework that sanctions such women’s vigilante justice whenever the official systems fail to protect the vulnerable. Her grandmother’s exemplifies this position with her declaration, “Nobody goes to hell for killing a monster” (279), and this idea becomes a guiding principle for the three protagonists as they confront a similar failure of law and order in the present day. The ultimate embodiment of this moral code can be seen in Harriett’s quiet admission that she murdered Danill Chertov when he invaded her house a full day before Rocca claims to have interrogated him. Although the act was committed in self-defense, it nonetheless shows that the women have moved beyond systemic justice and are determined to dispense it themselves. Crucially, their actions are not portrayed as a descent into lawlessness; instead, they are merely responding to a world where the law has failed to protect those it is meant to serve.


The confrontation between Harriett and her divorce lawyer in her overgrown garden dramatizes her full embrace of a new, untamed identity. Clarke, acting as an agent of societal expectation, belittles her cultivated plants as “weeds” and pathologizes her unkempt property as a sign of mental decline. His judgment reflects a worldview that values nature only when it is “trained and domesticated” (363), a direct parallel to patriarchal expectations for women. Harriett’s garden thus becomes an extension of herself—wild, fertile with powerful botanicals, and resistant to male control. By firing Clarke and reclaiming her physical and psychological space, Harriett embraces Menopause as a Source of Empowerment, rejecting the societal narrative that equates female aging with a loss of value.


The Newsnight special, in which Police Chief Rocca presents a fabricated version of the murder investigation, highlights the institutional mechanisms that protect the powerful and erase women’s agency. Rocca’s narrative systematically appropriates the women’s discoveries, recasting their work as the product of his own department’s diligence while portraying himself as the heroic detective. He co-opts their story to reinforce his own authority and the legitimacy of the police force, a clear example of the Systemic Exploitation of Women that reappears throughout the novel. By blaming the podcast for Harding’s escape, Rocca deflects attention from his own complicity and punishes the women for stepping outside their prescribed roles. This battle for narrative control reflects the dynamics of the #MeToo era, which revealed that powerful institutions often seek to discredit whistleblowers. Harriett’s revelation that she killed Chertov exposes Rocca’s lies as a deliberate cover-up that implicates him directly in the conspiracy.


The introduction of Culling Pointe residents Claude Marchand and Leonard Shaw shifts the novel’s conflict from overt villainy to a more insidious form of patriarchal control. Their offer of $20 million to fund Jo’s self-defense program appears generous, yet it subtly frames the problem of male violence as something that individual girls must be trained to survive. It also completely ignores the real issue: that a corrupt system must be dismantled. Harriett immediately identifies this flawed logic, asking why they do not just “get rid of the handful of men like Spencer Harding” (376). Because Leonard exerts full control over Culling Pointe, leasing all the land and vetting the residents, this conversation stands as the clearest foreshadowing of his role in the girls’ disappearances over the years. Essentially, the classy veneer of Culling Pointe hides the grim underbelly of a carefully curated ecosystem of power. Within this metaphor, Harriett’s use of weeds and invasive species mirrors the fact that she and her allies are themselves an “invasive” presence that seeks to undermine the established roots of patriarchal corruption. Ironically, although Harriett is hired to eradicate the Scotch broom, she understands that the true “pests” in this situation are the corrupt men of the Pointe, and anyone who condones their actions.

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