The Chase

Elle Kennedy

The Chase

Elle Kennedy
51 pages1-hour read
Fiction
Novel
Adult
Published in 2018

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Chapters 9-16Chapter Summaries & Analyses

Content Warning: This section of the guide references sexual harassment, sexual content, cursing, and substance use.

Chapter 9 Summary: “Fitz”

During a strenuous pre-game practice for a match against their rival, Harvard, Coach Jensen pushes the team hard. In the locker room, Hollis reveals he has shaved his entire chest for a date with a woman who has a phobia of body hair. Fitz reflects on his argument with Summer over the fantasy book series Shifting Winds. While he privately concedes she had a point, he still finds her overly dramatic.


Later, the team gathers to review game tape of Harvard. Coach Jensen first warns them at length about Harvard’s notorious instigator Brooks Weston, then turns their attention to Harvard’s skilled captain, Jake Connelly, whose deadly slap shot and breakaway speed make him especially dangerous. Hunter reveals that he knows Weston from their time at Roselawn Prep school. The coach emphasizes that the team must not allow Weston to provoke them into drawing penalties. The players analyze Harvard’s weaknesses, steeling themselves for the difficult away game.

Chapter 10 Summary: “Summer”

At the Briar vs. Harvard hockey game, Summer is still fuming over her argument with Fitz. She confides in Brenna that what truly upset her was Fitz’s earlier comments to Garrett that she was surface level. Brenna gets into a heated verbal exchange with some aggressive Harvard fans sitting a few rows behind them, who mock her outrage at the referee. During the game, Brenna points out Harvard’s captain, Jake Connelly, and another player, Brooks Weston, whom she calls a “goon.” Summer, who went to high school with Weston, is surprised to learn he plays for Harvard. Ultimately, Jake scores a breakaway goal at the final buzzer, giving Harvard the win.


After the game, Summer reconnects with Weston outside the locker rooms. He seems thrilled to see her and introduces her to Jake. Weston invites Summer and a reluctant Brenna to a party, and Summer accepts for both of them.

Chapter 11 Summary: “Summer”

Brenna grudgingly accompanies Summer to the Harvard party. There, they meet a player named McCarthy, who scored against Briar. Hunter calls, irritated that Summer is partying with the team that just beat them. As the night continues, Summer catches up with Weston, who does a line of cocaine. Later, Jake joins their group, and Brenna reveals that her father is Briar’s coach. McCarthy, who had been flirting with Brenna, panics upon hearing this, worried she will tell her father about his concealed knee injury.


Back at their house, Summer and Brenna join Hollis for shots of Fireball whiskey while Fitz watches disapprovingly and Hunter dozes in an armchair. Growing increasingly drunk, Summer begins dancing wildly. Concerned she will injure herself, Fitz carries her over his shoulder up to her room, despite her angry protests. The next morning, Brenna is discovered doing the walk of shame out of Hollis’ room. Hunter subsequently climbs into Summer’s bed to sleep, and an exhausted Summer joins him.

Chapter 12 Summary: “Fitz”

On Monday, the first day of the new semester, Fitz is up before dawn when a scream pierces the house. Hollis has accidentally barged into the bathroom while Summer was showering. A furious Summer confronts him in the hallway, and during the argument, her towel accidentally drops, briefly exposing her naked body to Fitz, Hunter, and Hollis. Fitz promises to fix the bathroom’s broken lock.


Later that day, Fitz receives a life-changing phone call from Kamal Jain, the legendary founder of Orcus Games. Jain is impressed with Fitz’s game, Legion 48, and schedules a face-to-face interview at the Ritz in Boston in two weeks. He tells Fitz he’s on a shortlist of seven candidates and the process will be competitive. Afterward, Fitz runs into his art classmate, Nora, who asks him out on a date. When he sees Summer on campus, they pointedly ignore one another.

Chapter 13 Summary: “Summer”

In her History of Fashion class, Summer is consumed with jealousy when she overhears Nora telling friends about her upcoming date with Fitz. During a class discussion, Nora attempts to undermine Summer’s point about designer Coco Chanel, but Summer’s articulate response impresses their professor, Erik Laurie. After class, Laurie confirms academic accommodations for Summer’s learning difficulties, but his persistent winking and flirtatious manner make her deeply uncomfortable.


While Fitz is on his date with Nora, Summer stays home and bonds with Hollis over the movie Titanic. When Fitz returns, Summer makes a series of sarcastic comments about his date. The tension escalates into a fierce argument, which ends when Fitz calls her a bitch.

Chapter 14 Summary: “Fitz”

Wanting to force a confrontation, Fitz carries a struggling Summer upstairs to her room. There, Summer finally reveals the true source of her hostility: On New Year’s Eve, she overheard his dismissive comments about her to Garrett. Overcome with guilt, Fitz apologizes, admitting he was wrong to judge her. Summer confesses that she had developed a crush on him that night and that his words had hurt her deeply.


In the days that follow, their interactions become awkward and distant. Fitz grows jealous as he observes Summer and Hunter spending more time together. One night, struggling with a creative block, Fitz does a free-drawing exercise and is surprised to find he has sketched a portrait of Summer. He realizes she is the perfect inspiration for Anya, the female lead in his new video game. Later, he stumbles upon his roommates and Summer playing Spin the Bottle. Summer spins, and the bottle points directly at him.

Chapter 15 Summary: “Summer”

Pressured by their friends, Summer and Fitz share a kiss. The kiss is unexpectedly intense and passionate, leaving Summer reeling from the moment of deep connection. However, the next day, she convinces herself the kiss meant nothing to Fitz since he left the room immediately afterward.


During the second week of classes, Summer has an uncomfortable meeting with Professor Laurie, who approves her swimwear line for the end-of-year fashion show but makes inappropriate comments about her modeling a bikini herself. Later, while attempting to outline her midterm essay, Summer is overwhelmed by her ADHD and has a severe panic attack. Fitz discovers her crying on her bedroom floor and comforts her as she confesses her long-standing struggles with her learning disability.

Chapter 16 Summary: “Fitz”

Fitz offers to help Summer with her essay if she agrees to let him sketch her as a model for his video game character, Anya. Summer accepts, and they begin nightly study and sketching sessions. As they grow closer, Fitz finds it increasingly difficult to hide his intense attraction to her. The night before his interview with Orcus Games, Summer insists on styling him and brings over bags of designer clothes. While he is changing, they share a moment of charged physical awareness.


Hunter enters during the styling session and flirts with Summer before she leaves the room to get Hollis. Hunter privately asks Fitz whether anything is going on between him and Summer, referencing both the Spin the Bottle kiss and their study sessions. Fitz downplays the kiss and insists they are just friends. Hunter declares his own romantic interest in Summer, stating he plans to ask her out and asking if Fitz has a problem with it. Feeling that Summer has placed him in the friend zone and wanting to avoid a confrontation, Fitz suppresses his jealousy and gives Hunter his blessing.

Chapters 9-16 Analysis

Summer’s confrontation with Fitz over his New Year’s Eve comments contrasts her emotional honesty with his more guarded instincts. Summer tells Fitz exactly how she feels about his comments, underscoring the novel’s thematic focus on Conflating Femininity with Superficiality. Using “a strong, even tone,” Summer insists, “I’m not fluff […] you just assumed there was nothing more to me than parties and shopping. I’m a loyal friend. I’m a good daughter, a good sister. You’d spent, what? Ninety minutes in my presence? And you think you know the whole story?” (138).


Summer’s directness combined with her vulnerability, which Kennedy demonstrates in her body language, the cracks in her voice as she speaks, and the sadness in her eyes, casts Fitz’s inability to communicate his own feelings in sharp relief. 


While Fitz apologizes to Summer, the majority of his feelings are revealed in his inner monologue, reinforcing the differences between. Fitz reflects, “I don’t know how to explain my actions without revealing just how badly I’d craved her that night. I’d been looking for negative traits because […] I wanted her […] so I started picking apart everything I perceived to be a flaw” (138). By keeping Fitz’s true feelings a secret from Summer even as he reveals them to the reader, Kennedy maintains the misunderstanding between them and escalates the narrative tension. Later, when Summer insists on styling Fitz for his important job interview, he comes to see her knowledge of clothes as a valuable source of expertise as well as a form of care, forcing him to re-evaluate the biases that led him to misjudge her.


The empathy and support Fitz provides during Summer’s panic attack reinforces The Challenges of Navigating Neurodivergence in Academia as a central theme in the narrative. The scene emphasizes the physical and emotional toll of her ADHD. Her confession that her “brain doesn’t like the meds” (158) and that she struggles to organize the “jumble of thoughts” in her mind highlights the invisible battles fought by students with learning disabilities within rigid, high-pressure, academic systems. The scattered notes serve as a visual indicator of her internal state, contrasting starkly with her articulate and confident persona that impressed Professor Laurie. Instead of offering pity, Fitz offers practical help, proposing a partnership where he assists with her essay in exchange for her help with his character designs. This deal establishes a dynamic of mutual support that validates Summer’s struggles and provides a collaborative alternative to the traditional—and for her, ineffective—methods of academic work, dismantling Fitz’s remaining prejudices.


The introduction of Professor Erik Laurie establishes a subtle but pervasive threat, illustrating the power imbalances that can enable Institutional Protection of Harmful Behavior. During their meetings, Laurie’s professionalism is consistently undermined by his flirtatious manner, from his persistent winking to his inappropriate suggestion that he has “no doubt [Summer] look[s] incredible in a bikini” (152). This behavior places Summer in a deeply compromised position. As a student with a documented learning disability, she is dependent on Laurie for the academic accommodations important to her success, yet his conduct forces her to manage her own discomfort to maintain his goodwill. Her experience reflects the precarious situation many students face when dealing with faculty who hold power over their grades and future careers, a dynamic grounded in the real-world context of Title IX protections. While Laurie has not yet engaged in overt retaliation, his actions create an environment of unease and potential menace, exploiting the institutional authority that can be leveraged to silence or intimidate students.


Throughout these chapters, Fitz’s art symbolizes his subconscious feelings, which often contradict his words and conscious judgments. After struggling with a creative block, he performs a free-drawing exercise and is stunned to find he has unconsciously rendered a portrait of a vulnerable but resilient Summer. This artistic act bypasses his intellectual prejudices, revealing that on a deeper level, he already perceives the complexity and pain beneath her sunny exterior. This insight culminates in his realization that Summer is the perfect model for his video game character, Anya, elevating her from a romantic interest to a creative muse. Their subsequent study and sketching sessions transform their dynamic—the act of drawing her becomes a form of intimate, non-verbal communication and understanding that contributes to his character growth. While he still struggles to articulate his feelings, his art becomes the space where he can see and appreciate her clearly, free from the social stereotypes and personal insecurities that clouded his initial perception.


The social dynamics of the Briar hockey team intensify the romantic conflicts through the device of a love triangle between Fitz, Summer, and Hunter. The rivalry between Briar and Harvard, a central focus in the early chapters of this section, establishes the motif of hockey as a source of tribal identity and rigid social boundaries. This “us versus them” mentality is evident when Hunter chastises Summer for attending a Harvard party and when Harvard player McCarthy panics at the revelation that Brenna is the Briar coach’s daughter. These team-based allegiances create a high-stakes environment for personal relationships. Hunter’s direct confrontation with Fitz, in which he asks if Fitz’s relationship with Summer is “going to be a problem” (171), is a territorial negotiation framed by their shared identity as teammates. Fitz’s decision to suppress his jealousy and give Hunter his blessing is driven by his insecurity and a desire to avoid team conflict, demonstrating how the sport’s emphasis on unity can supersede personal desires.

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