The Chestnut Man: A Novel

Søren Sveistrup
74 pages2-hour read
Fiction
Novel
Adult
Published in 2019

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Part 8Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death, graphic violence, child death, child sexual abuse, substance use, addiction, emotional abuse, and child abuse.

Part 8: “Friday, October 30th”

Part 8, Chapter 99 Summary

Now that the case is closed, a hungover Hess boards a flight to Bucharest, relieved over his imminent return to Europol. His only regret is not saying goodbye to Thulin. 


Hess sees a blocked email from forensics, which contains the “hit list” of crime-scene photos frequently viewed by Bekker. Curious, he opens it and discovers a photo of a murdered policeman from a 1989 Møn case was viewed 37 times, more than any photos from any of the recent murders. Zooming in, he spots shelves of chestnut dolls above the body. Hess immediately gets off the plane.

Part 8, Chapter 100 Summary

In the airport business lounge, Hess re-examines the archive, trying to understand Bekker’s obsession with the 1989 photo. He begins scrutinizing background details and discovers a chestnut man hanging from a playpen rail in a 2001 Risskov murder photo, and another from a rearview mirror in a 2015 Nyborg murder. Convinced Bekker had found a serial killer’s signature spanning nearly 30 years, Hess rents a car.

Part 8, Chapter 101 Summary

On her last day in Major Crimes, Thulin prepares for her transition to NC3. Nylander tells her about Hess’s tragic past: his pregnant wife died in a fire five years earlier. Since Hess has been reassigned abroad and isn’t returning her calls, Thulin resolves to move on. 


Running with Genz, Thulin voices unresolved questions about the chestnuts with Kristine’s fingerprints. Later, at Le’s Halloween party, a teacher mentions there are many chestnut varieties beyond common edible and horse chestnut types. This sparks a realization. After sharply questioning the teacher, Thulin runs out.

Part 8, Chapter 102 Summary

Thulin urgently asks Genz to identify the exact species of chestnut used for the doll. Annoyed, Genz checks the reports: All three cases used an edible species, Castanea sativa x crenata. Thulin recalls Steen saying the family tree Kristine used was a horse chestnut tree. Realizing the species don’t match, she declares they have a serious problem and must find the expert who identified the evidence.

Part 8, Chapter 103 Summary

Struggling with grief, Rosa forces herself to run while movers remove Kristine’s belongings at her psychiatrist’s suggestion. Steen still clings to hope and secretly continues to search for Kristine, refusing to sign the death certificate he requested for. 


Returning to her house, Rosa finds a wreath of five chestnut dolls on her doorstep. The sight triggers a memory: she knows who gave it and why. She forbids the au pair to call the police and flees, convinced she is being watched.

Part 8, Chapter 104 Summary

At the ministry, Rosa searches the archives for her former foster family, the Petersens from Odsherred Council. With her ID number, they find her adoption record; her birth name was Juul Andersen. Prompted by the memory of a foster brother and sister, Rosa also finds a 1987 case file for twins Toke and Astrid Bering, who stayed with the Petersens for three months. 


Reading the social worker’s report sickens Rosa. She believes it contains a message from the killer directing her to the address where the twins were transferred. A text arrives from an unknown number: a “shushing” emoji commanding silence if she wants to learn Kristine’s fate.

Part 8, Chapter 105 Summary

Driving through a snowstorm, Hess investigates the older cases. The 2001 Risskov case yields little new information. In the 2015 Nyborg case, the inspector mentions a chestnut doll in the victim’s car, which her mother found strange because the victim had a severe nut allergy. 


Continuing to Vordingborg, Hess is rebuffed by Police Chief Brink to help with his investigation. When Hess specifies he is looking into the 1989 Møn case, Brink stops.

Part 8, Chapter 106 Summary

Brink recalls the details of the Møn case: on October 31, 1989, Marius Larsen had driven to the Ørum farm in response to an animal complaint. Brink and a colleague responded to Larsen’s call for assistance. The Ørums were struggling financially and took foster children for payments. Inside, Brink found Ørum’s two teens and the mother dead around the house. Larsen was also discovered beaten to death in the basement. Ørum himself was missing, and was only found three years later dead in a fertilizer pit. In the basement Brink and his colleague also found foster twins held in dungeon conditions. Videotapes showed prolonged sexual abuse of the girl by Ørum and his teens with the mother filming. The boy was repeatedly locked away and told to make chestnut dolls. 


Hess needs to locate both twins urgently. He doesn’t believe Ørum killed Larsen or the others. Brink protests that it was impossible for the boy to have killed the family.

Part 8, Chapter 107 Summary

Researching the Møn case, Hess finds that Toke Bering’s records stop at age 17 while Astrid’s address was unregistered from ages 18 to 27. She moved between psychiatric hospitals before vanishing just under a year ago at age 38. 


Calling Odsherred Council, Hess learns from a caseworker that before the Bering twins were adopted by the Petersens, the Petersens had already adopted a child named Rosa. Cross-referencing information, Hess confirms this Rosa is Rosa Hartung. He realizes this shared past is the link. Unable to reach Rosa, he suddenly receives a texted class photo that includes a young Toke Bering. Zooming in on the boy’s eyes, Hess has a shocking realization about the killer’s identity and fears he is too late.

Part 8, Chapter 108 Summary

Self-satisfied after his press conference, Nylander contemplates having an affair with a communications consultant. His thoughts are interrupted when Hess calls. Nylander prepares to rebuff Hess, but ends up shocked when he hears what Hess has to say. Nylander sprints back and orders his detectives to reassemble the task force and contact Rosa immediately.

Part 8, Chapter 109 Summary

A drunken Steen canvasses a neighborhood to look for Kristine. Mortified to learn that he has already visited this neighborhood, Steen runs to his car and sobs. He answers his phone thinking it’s Gustav. It is the au pair frantically telling him to find Rosa, mentioning that the police are looking for her.

Part 8, Chapter 110 Summary

Acting on Hess’s theory, Nylander leads a convoy to Forensics. Inside everything appears normal. Genz is in a meeting; his lab and private office are empty but tidy. Skeptical of Hess’s theory, Nylander glances into Genz’s office and sees his ID, keys, work phone, and access card laid neatly on the desk. Next to them sits a small chestnut doll.

Part 8, Chapter 111 Summary

Hess connects with Nylander en route: Genz has disappeared; his apartment was searched but was empty. Rosa is also missing after finding a chestnut man ornament at home. Nylander then informs Hess that Thulin is also gone. She was last seen getting into Genz’s car hours earlier; her phone was found in a trash can. 


Stunned, Hess reasons Genz’s primary target remains Rosa. Thulin must have discovered something to make her a liability. Acting on a hunch, he makes a dangerous U-turn across the central divider and speeds back.

Part 8, Chapter 112 Summary

Thulin and Genz search Møn for a specific chestnut tree. Earlier, a botany expert had confirmed the crime-scene chestnuts were a hybrid, Castanea sativa x crenata, with the last registered trees on Møn. 


About to give up, Thulin spots an enormous tree, confirms the type, and finds matching chestnuts. She notices a small snow-covered road into the woods next to it and insists they follow it. Genz reluctantly agrees.

Part 8, Chapter 113 Summary: “Autumn 1987”

In a flashback to her childhood, Rosa happily teaches her foster siblings Toke and Astrid to make chestnut dolls. When her parents announce they’ve decided to keep the twins and ask if she agrees, she gives the answer they want. 


Later, social workers arrive to take Toke and Astrid away. Rosa, recalling a kindergarten incident involving a false sexual allegation, had told an story that caused her foster siblings’ removal. On her bed she finds a parting gift: five chestnut dolls representing a family. As the car pulls away, Rosa runs after them, catching a final glimpse of Toke staring at her through the back window.

Part 8 Analysis

Hess’s discovery of the Møn Island case file gives renewed significance to the recurring motif of basements and hidden rooms. Inspector Brink’s account of the 1989 massacre at the Ørum farm reveals that the farmhouse basement was a literal dungeon where the foster twins were regularly abused. The relitigation of the novel’s opening scene thus provides an origin and motivation for the antagonist. The Ørum basement is the novel’s primal scene of trauma: a hidden, subterranean space where unspeakable violence occurred, concealed from the outside world. This motif extends beyond the physical; the police archive where Hess researches the case is itself a kind of institutional basement, a repository of forgotten suffering and buried truths. The act of uncovering the old case file is akin to excavating a repressed memory, bringing the horrors of the past into the light. The motif of basements and hidden rooms here is a metaphor for the dark secrets festering beneath the surface of society, connecting directly to the theme of Shortcomings of the Social Welfare System. The abuse at the Ørum farm was able to flourish precisely because it was hidden from view, in a space that the authorities, responsible for the children’s welfare, never inspected.


The symbol of the chestnut man deepens from a killer’s calling card into a complex emblem of corrupted innocence and personal accusation. The symbol’s origin is horrifically clarified by Brink’s testimony: Toke was forced to create the dolls during his sister’s abuse, transforming a harmless autumn craft into a compulsive marker of his trauma. The object that should represent childhood creativity becomes inextricably linked to powerlessness and horror. This meaning is weaponized in the present when a wreath made of five chestnut dolls is left on Rosa Hartung’s doorstep. This specific arrangement triggers Rosa’s repressed memory of the twins and causes her to realize her own role in their fate. The symbol becomes a direct, personal indictment, collapsing the 30 years between her childhood betrayal and her current nightmare. This act demonstrates The Ethics of Vigilante Justice, as the killer uses the dolls to force his primary target to confront her own complicity.


The narrative structure in these chapters builds tension by running the parallel investigations of Hess and Thulin, showing their contrasting but complementary methods. While preparing to abandon the case and the country, Hess is pulled back in the archive of photos viewed by Linus Bekker. He pieces together the past through data, archives, and phone calls. Thulin conversely finds her breakthrough in a decidedly analog and mundane setting: Her daughter’s school Halloween party. An offhand remark leads her to question the physical evidence and pursue help from a botanical expert. Her investigation is grounded in the material world: the specific type of tree and the soil of Møn Island. By separating the partners, the narrative demonstrates that the full truth can only be reached through a combination of their distinct skills: Hess’s ability to see patterns in historical data and Thulin’s attention to inconsistencies in physical evidence.


The flashback to Rosa’s childhood in 1987 provides the story’s important psychological and moral turning point, revealing that her connection to the killer is intensely personal. Her decision to tell a false story about the twins, motivated by childish jealousy, is the catalyst for their removal from a loving home and their placement with the abusive Ørums. This revelation recontextualizes the entire narrative. The killer is enacting a decades-long revenge plot against the individual who personally destroyed his life. This moment complicates the theme of Shortcomings of the Social Welfare System by demonstrating that systemic failure is often precipitated by individual moral compromise. The authorities who moved the twins were acting on information they failed to properly vet, showing a fatal flaw in a system built to protect children. The idyllic Petersen home, which should represent The Facade of Suburban Safety, is instead exposed as the origin point of the tragedy, proving that catastrophic harm can begin with a small transgression, like a lie.

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