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Content Warning: This section of the guide includes discussion of mental illness, substance use, emotional abuse, and child abuse.
Hess and Thulin drive from the Rostock ferry terminal in a convoy. Hess recalls how Genz manipulated the investigation: guiding them to the first chestnut man to implicate Rosa, sending them on wild goose chases, hacking hospital databases, and framing Bekker with the planted machete, all while separately manipulating evidence in Kristine’s abduction as the head of Forensics.
It is confirmed that Genz was born Toke Bering and that he hacked databases to erase his original identity. Genz’s GPS records shows trips to northern Germany, which the police used to locate Toke’s sister, Astrid, in a small village. Astrid was identified walking with a child around 13 years old.
Astrid anxiously prepares to flee her remote German cottage with a young girl she calls Mulle. Genz was due days ago but is out of contact. A year prior, Genz took Astrid from a psychiatric institution and brought her to the cottage. He arrived with drugged Kristine, intending to use her in revenge against Rosa, and threatened to kill her unless Astrid cared for her, monitoring via hidden cameras. Astrid and Kristine developed a bond and daily routine. After an escape attempt, Genz hit Kristine with the flat of his hand and imposed a month’s pantry quarantine.
Defying Genz, Astrid decides to leave. Taking bags to the garage, she is ambushed by police. Hess questions her in Danish. She tells them what they want to hear before collapsing beneath him.
Inside the cottage, Kristine waits. She knows Astrid isn’t her real mother and has been biding her time. She notices Genz hasn’t appeared in days and Astrid is nervous. Seeing Astrid hasn’t returned and the front door open, she risks it, moving toward the exit despite the camera.
Waiting with the German task force, Nylander feels humiliated for having to publicly credit Hess and Thulin for solving the case. Hoping there is still a chance to avoid this outcome, he approaches the cottage. The door swings open and a skinny, short-haired girl runs out. Nylander recognizes Kristine Hartung.
Rosa and Steen wait anxiously for the result of the police operation. Overwhelmed by guilt about her childhood sin, she nearly demands they leave. Then Thulin emerges from the trees holding a scruffy young child’s hand. When the child looks up, Rosa knows it is Kristine. Steen weeps as Rosa runs into the field. Kristine lets go and runs to her mother; they embrace.
The following day, Hess waits outside Copenhagen airport for his Bucharest flight, hoping Thulin will appear. Earlier that day they visited Magnus, who has a prospective foster family. Then, at the Science Museum with Le and Thulin, things grew awkward when Hess looked at Thulin hoping to say something. Finally, Hess visited his late wife’s grave for the first time, placing a flower and burying his wedding ring beneath the stone.
Resigned to leaving without seeing her, Hess receives a text from Thulin with a picture of Le’s family tree project on which she’s glued Hess’s photo next to a parakeet and hamster. He laughs.
Thulin reflects that she left Hess at the museum to avoid thinking about the idea of a conventional family life. Le was the one insisted on sending the picture of her project. Thulin smiles and decides to pin the drawing to her kitchen wall.
Linus Bekker is released and waits at Slagelse Station, feeling disappointed rather than relieved. He’d noticed the chestnut doll in a crime-scene image, deduced who planted the machete, and confessed to be part of something larger, yet he considers Genz a “bungling amateur” whose plot fizzled.
Aboard the train, his gloom lifts when he notices a single mother with her young daughter. Exchanging a polite smile with the mother, he plots something ominous.
The resolution finds the survivors of the novel’s cycle of abuse emerging into states of freedom. The shift to Astrid Bering’s perspective inside the remote German cottage briefly reframes the story into one of captivity and complicity. Coerced by her brother and monitored by his cameras, Astrid establishes a maternal routine with Kristine. Set within a house that functions as an extension of the novel’s basements and hidden rooms, this domesticity blurs the line between survivor and perpetrator: Astrid is both jailer and only companion, her fear of Genz warring with affection for the girl. When Genz punishes Kristine’s escape attempt, he reasserts absolute control, shattering their fragile normalcy. Their bond, born of shared trauma, shows how survival forges connection in the most perverse circumstances.
The reunion between Rosa and Kristine Hartung in a muddy German field provides the novel’s emotional catharsis, but as recovery shadowed by irreversible loss. Battered by false hope, Rosa tries to flee before seeing her daughter. Her mutilated hands are a permanent record of her ordeal, linking her to his other victims. When Kristine appears, the reunion begins a difficult new reality for them both. This scene insists that the trauma inflicted on the Hartung family is permanent.
The concluding chapters resolve Hess and Thulin’s partnership while leaving their personal connection ambiguous. Hess visits his wife’s grave for the first time and buries his wedding ring, leaving “lighter than when he went in” (513). Faced with the “danger of a life in the same rut as the families around them” (514), Thulin pulls away from him at the Science Museum, reasserting her independence against conventional domesticity. Their final exchange captures the ambiguity: Hess is integrated into Thulin’s family’s story, but only as a distant figure. Their arcs close with mutual, unspoken acknowledgment of their separate needs for healing and freedom.
The novel’s final scene with Linus Bekker’s release ensures the story ends with renewed threat. Bekker’s disappointment with Genz reveals his own pathology and his hunger to belong to a grand narrative of violence. As he watches the mother and child, the cycle of violence is poised to begin again with a different predator whom the system has just released. The ending subverts any comfort from Kristine’s rescue and delivers a final commentary on institutional fallibility: the same system that failed to identify Genz within its ranks has now certified Bekker as safe to reenter society, stressing the Shortcomings of the Social Welfare System.



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