29 pages • 58-minute read
Rona MaynardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of bullying and racism.
Imagery is language that appeals to the senses; it is most commonly visual, but can also be auditory, tactile, etc. Maynard uses this kind of sensory language to portray the school setting and Laura’s anxiety. For example, descriptions of overwhelming sounds and movement convey Laura’s hypervigilance. The narrator describes how “laughter at the back of the room rang in her ears” and how “The steel sound of the bell shattered the silence” (2). These descriptions use auditory imagery to create tension and suggest that Laura experiences school as threatening.
Visual imagery similarly reinforces Laura’s emotional state. As she prepares to speak, “twenty-five round, blurred faces stare[] blankly” at her (2), the blurriness suggesting that her perception of the audience is distorted by anxiety. Her psychological state is further conveyed through her scan of the room: “She folded her hands and looked at the wall, strangely distant now, its brown paint cracked and peeling” (2). Her simultaneous attention to detail and her sense that those details are “distant” highlight her dissociation. By filtering the classroom setting through Laura’s perspective, Maynard reveals Laura’s hypervigilance and implies that she has long felt excluded and victimized within the school environment.
“The Fan Club” combines foreshadowing—hints about future events—and misdirection, which leads readers to anticipate an incorrect outcome, to shape expectations about Laura’s role in the story. The narrative primes readers with Laura’s anxiety, encouraging the assumption that she will be the target of the “in” group’s cruelty. This expectation is disrupted when Laura realizes that “it [is] only Rachel” they are attacking (4), revealing that her fear was misplaced.
While the narrative misdirects readers, it also foreshadows Laura’s eventual complicity. Her internal judgments of Rachel—for instance, her unflattering impression of the “raggedy edge of lace” on Rachel’s slip (2)—and her silence when Ellen invites her to mock Rachel before class reveal her internalization of Class, Ethnicity, and Appearance as Sources of Social Power.
By pairing misdirection with foreshadowing, Maynard exposes the gap between Laura’s experiences and values on the one hand and her actions on the other. This tension adds to the story’s exploration of both The Impact of Peer Pressure on Behavior and Bystander Silence as Complicity, as Laura first participates in the cruelty through her silence and later through direct bullying.
In “The Fan Club,” Maynard uses situational irony—a contrast between what is expected and what actually happens—to expose Laura’s hypocrisy. During her speech, in particular, Laura criticizes discrimination and the inaction that allows it to continue, arguing, “[M]ost people don’t care enough about others […] I think we’re all responsible for people that haven’t had some of the advantages” (3). Her speech and her internal recognition of social inequality position Laura as morally aware. However, her behavior contradicts this awareness. Although she attempts to dismiss social differences—“She couldn’t let that matter” (1)—her private judgment of Rachel and her eventual participation in Rachel’s bullying reveal that she has internalized many of her classmates’ prejudices and, just as significantly, values her own social position more than addressing harm. Through this contradiction, Maynard proposes that recognizing injustice does not prevent participation in it, particularly in environments shaped by peer pressure.
Maynard uses word choice, or diction, to reveal Laura’s internalized social biases, particularly through her judgment of Rachel. Laura’s reflections frequently target Rachel’s appearance and class, such as the description of Jacob Hortensky’s “greasy little shop” or the “raggedy edge of lace” showing from under Rachel’s clothes (1, 2). These details suggest that Laura perceives Rachel’s appearance as unacceptable due to her relative poverty. The criticism extends into body-shaming, with comments on Rachel’s size—the “heavy columns of her legs” (1), her “heavy ankles” (2)—emphasizing her weight in an unflattering way. Laura also uses dehumanizing language, describing Rachel as a “lumpish, awkward creature” (2). Through diction, Maynard shows that Laura’s observations are charged with prejudice.



Unlock all 29 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.