29 pages • 58-minute read
Rona MaynardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of racism, religious discrimination, bullying, and emotional abuse.
In “The Fan Club,” social power among students mirrors the hierarchies of society at large: Class, ethnicity, and appearance determine how students are categorized and treated within the school environment. Those in the “in” group are “all alike, all the same” (1)—specifically, they are all implied to be middle class, Anglo-American, and conventionally attractive. Their behavior reinforces this narrow standard of acceptability, while Laura’s inner monologue implies how thoroughly such standards are internalized.
Maynard associates Rachel’s status at school with both her appearance and background. She is introduced as “alone as always, her too-long skirt billowing over the heavy, white columns of her legs” (1). This description draws attention to her body and clothing in ways that mark her as different from the “in” group; the focus on her weight, for instance, implies that fatphobia lies behind some of the bullying she experiences. Equally important are the references to her father: “She called herself Horton, but everyone knew her father was Jacob Hortensky” (1). This suggests that her social standing is so inseparable from her family’s ethnicity that she has tried to hide that ethnicity by adopting a more Anglicized name. Finally, there is her economic status, already hinted at by the description of her unfashionable clothing but confirmed by details about her father’s job and the family’s living situation: “Laura thought of the narrow, dirty street and the tattered awning in front of the tailor shop. An awful district, the kids said” (1). Rachel thus has multiple traits deemed unacceptable by the controlling “in” group, making her an easy target for their ridicule.
The standards set by the dominant “in” group are internalized by Laura, shaping how she perceives both Rachel and herself. In the above passage, she hesitates to accept an invitation to Rachel’s house, knowing that it lies in a less affluent part of town. Her dehumanizing description of Rachel as “a lumpish, awkward creature” further illustrates that she has absorbed the school’s hierarchy (2), as does her anxiety about her own appearance—her fear that her “stringy hair” might make her a target of ridicule. This internalized bias plays a role in Laura’s eventual complicity in Rachel’s bullying; she resents the school’s social structure and implies in her speech that it is unjust, but, as she herself says, “[M]ost of us are prejudiced—whether we know it or not” (3). That prejudice, Maynard implies, colludes with more overt enforcement of inequality to perpetuate an unjust system, both in school and outside of it.
Peer pressure shapes Laura’s thoughts, behaviors, and decisions in “The Fan Club.” Maynard traces how Laura’s fear of exclusion influences her perception and actions, operating through anticipation, internalization, and, eventually, participation. In doing so, Maynard demonstrates how peer pressure can override critical thinking and morality.
Peer pressure impacts Laura even before she arrives at school. She approaches the school, anticipating having to “face” the popular students. When she does arrive, she interprets their chatting as a direct threat—“Laura flushed painfully. Were they talking about her?” (1). Laura’s anxiety places her in a constant state of awareness in which she evaluates herself through the lens of the “in” group’s judgment. This reaction suggests that peer pressure does not require direct confrontation; it can operate indirectly through social conditioning.
That peer pressure impacts Laura’s capacity to function in the school setting, as her ongoing anxiety disrupts her ability to engage with her academic responsibilities. In class, she struggles to focus, attempting to review “the theorems she hadn’t looked at the night before” (2). Later, she sorts through “last week’s half-finished homework papers” (2), suggesting that she is consistently behind in school because her thoughts are dominated by her awareness of the “in” group and her desire to belong. Instead of an educational setting, the classroom becomes a place that polices social status and behavior.
As the story progresses, Maynard reveals how the pressure to conform to the “in” group’s social standards has altered Laura’s value system. Although Rachel approaches Laura with kindness, complimenting her poem and inviting her over, Laura attempts to disengage: “Laura tried to sound interested […] It was as if an invisible hand tugged at Laura’s sleeve” (1). Laura’s thoughts further reveal her attitude, as she questions Rachel’s appearance and implicitly blames her for becoming a target of emotional abuse. Such moments demonstrate that peer pressure reshapes moral judgment—a point that culminates in the final scene. As the “in” group reveals the Hortensky Fan Cub, the clapping takes on a “pulsing, frenzied rhythm” while the “stamping” grows “faster and faster” (4). The escalating pace creates a sense of inevitability, emphasizing the collective force of the group. This intense energy, combined with Laura’s consistent fear of exclusion, drives her to contradict her stated values regarding discrimination and to participate in the humiliation of Rachel.
Laura’s progression from anticipation to participation demonstrates how peer pressure impacts her perception and behavior. The pressure to conform to the social standards set by the “in” group has conditioned her to prioritize belonging over fairness. Through this portrayal, Maynard shows how peer pressure can preserve social hierarchies, encouraging individuals to conform to the status quo.
Bystander silence, in “The Fan Club,” is a force that actively sustains the social hierarchy headed by the “in” group. Maynard presents this complicity across multiple levels, demonstrating how individual inaction, collective non-response, and institutional failure preserve systems of exclusion through passive complicity.
Though Laura ultimately becomes an active participant in Rachel’s bullying, she first enables it through her silence. When Ellen tries to get Laura to mock Rachel’s outfit—“Hey, how’s that for a smart outfit?” (2)—Laura says nothing but privately blames Rachel’s choice of clothing for Ellen’s cruelty. The association between silence and victim-blaming (even unvoiced) underscores that Laura’s inaction is not neutral; rather, it upholds an abusive system from which Laura ultimately benefits.
Silence also operates collectively in the story, as the broader student body reinforces the social hierarchy through shared inaction. The most notable moment of collective silence occurs when Rachel is preparing to give her speech and Steve comments that she is “dumb”: “His voice could be clearly heard all through the room” (3). The silence following his cruel comment suggests that such behavior has been normalized; no one challenges it, whether because they agree or because they do not want to make themselves a target. Similarly, when Rachel drops her boxes of seashells, the narrative emphasizes that “no one went to help” (3). Through this portrayal, the narrative argues that bystander passivity helps normalize abusive behavior.
Miss Merrill’s inaction shows how institutions, like the educational system, become complicit in this injustice. As a teacher, she occupies a position of power that allows her to shape the classroom environment, yet she uses her power to maintain a veneer of order rather than to ensure accountability and fairness. During Rachel’s speech, Miss Merrill taps her pen “for silence,” but does not address Steve’s comment that Rachel is “dumb.” When Rachel becomes flustered after being bullied throughout her speech, Miss Merrill scolds her for a supposed lack of preparation rather than addressing the “in” group’s disruptive behavior. She is also notably inactive when the “in” group reveals their Hortensky Fan Club. By failing to confront this cruelty, Miss Merrill legitimizes the “in” group’s abusive behavior. Her complicity shows how authority figures and the institutions they represent can reinforce social hierarchies.
In tracing bystander silence across individual, collective, and institutional levels, Maynard argues that complicity functions at a systemic level. Each layer reinforces the others—Laura’s passivity coincides with prejudice, the class’s silence normalizes bullying, and Miss Merrill’s inaction legitimizes the hierarchy. Within this structure, resistance becomes difficult, as silence is modeled, expected, and rewarded. As Laura says, “Lots of people sit back and fold their hands and wait for somebody else to do the work” (3). This is ultimately the story’s message: that injustice often persists because bystanders choose not to intervene.



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