55 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of death.
Sixteen-year-old Calisa arrives alone at the edge of a Vermont forest after a long journey from Brooklyn, New York. She has come to spend the summer at her great-aunt Zee’s bed-and-breakfast to escape the pain of discovering her boyfriend Ethan cheating on her. She walks down a forested road toward the Faraway Inn, struck by how different the pine scent and stillness are from the city.
When the inn appears, Calisa is shocked. Instead of the charming establishment she remembers from childhood, she finds a deteriorated three-story building with peeling paint, a lopsided roof, a boarded window, and gardens overtaken by weeds. Her mothers, Kate and Elise, had mentioned that the property needed help but hadn’t revealed the extent of its decline.
As Calisa approaches in the rain, she passes a gray stone statue of a woman in the yard before stepping onto the porch and crashing through rotted boards, becoming wedged by her backpack. A young man named Jack Jones, the groundskeeper’s son, finds her. After an awkward conversation, he leaves to finish his tasks, saying that he’ll come back to rescue her after he finishes. Calisa extricates herself by crawling under the porch, where she hears eerie, unintelligible whispers that start and stop around her.
Inside, the lobby is dusty and decaying, and a grimy mirror reflects only smoky shadows. Calisa explores the empty common rooms and eventually finds Auntie Zee in the kitchen. The elderly woman says that Calisa can stay one night but must leave the next day, insisting that she’s neither needed nor wanted.
Calisa initially thinks that Auntie Zee is angry about the damaged porch and offers to repair it. However, Zee dismisses her abilities and reveals that she doesn’t want help, comparing Calisa unfavorably to Mom-Kate (Zee’s biological niece), who also failed to assist the inn in her youth. When Calisa insists that she needs to stay, Zee demands the truth. Calisa confesses that she caught Ethan with his hand up another girl’s shirt and needs to escape Brooklyn.
Appreciating the honesty, Zee acknowledges that the inn has always been a refuge for those needing escape but still refuses to let Calisa stay the summer. She relents slightly, granting a three-day trial.
In the lobby, Zee refers to the grimy mirror as pessimistic and consults a leather-bound logbook at the reception desk. She assigns Calisa to room 2, emphasizes that all guests deserve privacy, and then vanishes along with the logbook.
Jack returns, relieved that Calisa has spoken with Zee. He explains that his employer is very particular about room assignments and has consistently refused to hire additional staff. Calisa admits that her stay is only a three-day probation. Jack offers to teach her how to repair the porch, and they agree to meet outside. Before leaving, Calisa notices the stone statue in the yard and speaks to it, feeling as though she’s being watched.
Calisa retrieves the key for room 2, noting a red “X” painted above the door. Inside, she finds the room charming despite its age and wear, with a canopy bed, mountain views, and a working fireplace. After changing into dry clothes, she calls her mothers to report her safe arrival, omitting details about the inn’s poor condition and her precarious arrangement.
Outside, Jack explains the term “petrichor” for the rain-scented air and begins teaching her carpentry. As they repair the porch together, he reveals that he and his father, Thomas Jones, live at the inn because Auntie Zee needs them. In his father’s absence, Jack alone handles all cleaning, laundry, meal service, repairs, and guest needs. His mother died when he was born.
When Calisa asks why Zee refuses to hire additional staff, Jack says that she simply doesn’t want to and then abruptly ends the conversation and asks her to find a broom.
While searching through a hallway of supply closets, Calisa opens one labeled “Alligator feed.” When she opens another door, she encounters total darkness, a blast of wind, and a howling scream. Zee slams it shut and then reopens it to reveal an ordinary broom closet. Dismissing Calisa’s shock as fatigue, Zee states the inn’s first rule: Never open doors without permission. The only other rule, she adds, is not to ask questions.
Outside with the broom, Calisa attempts to rationalize her experience with the closet. Jack finds her and offers a benign explanation: The old building’s faulty wiring creates strange sounds and lighting effects. Sensing that Auntie Zee may be listening, Calisa changes the subject and volunteers to make breakfast pancakes.
As they pass through the lobby, Calisa sees another flicker in the grimy mirror. Jack abruptly says goodnight and retreats upstairs, leaving her confused.
Alone in her room, Calisa can’t sleep in the unfamiliar quiet. Reflecting on Ethan’s betrayal, she reassures herself that she knows what she saw—a certainty that parallels her conviction about the closet incident. After hearing noises, she investigates and finds a thin, theatrical man dressed entirely in black. He introduces himself as Mulligan, a regular guest, and invites her to join him in making hot chocolate, which he frames as a remedy for heartache.
As they prepare and drink the remarkably comforting beverage, both share that they’re nursing heartaches—Calisa from her breakup and Mulligan from regret and failure in love. Mulligan mentions obtaining the ingredients from a Night Market and carefully pours a small amount of hot chocolate into a tiny vial with a silver stopper. Through the kitchen window, Calisa sees the stone statue now standing beneath the apple tree in the backyard and wonders how it moved from the front.
Feeling better, Calisa returns to the broom closet and opens it one final time. It’s completely ordinary.
Birds wake Calisa at dawn. In the shared bathroom, she again hears distant murmuring whispers but finds the hallway empty when she investigates.
In the kitchen, Jack is arranging specialty maple syrups. He tells her that three guests are staying but that only two will eat breakfast; a third is expected soon. As Calisa cooks, Jack prepares elaborate room service trays and explains that guests prefer to eat in their rooms. He mentions that Mulligan only emerges at night. Upon looking outside, Calisa no longer sees the statue beneath the apple tree.
Jack reveals that the inn is experiencing a slow period, with many regular summer guests not yet returned. After breakfast, he declines her offer to help repair the roof, explaining that the structure can’t safely support two people. Calisa decides to deep-clean the sitting room to impress Auntie Zee.
As she scrubs, she imagines erasing memories of Ethan’s lies with each motion. While removing dust-covered sheets, she discovers beautifully carved furniture, including a couch shaped like a conch shell. While taking dirty linens to the laundry, she overhears Zee welcoming a new guest named Kendra. In the kitchen, she sees Zee closing a cleaning supply closet door just as Kendra appears, making it seem as though the woman emerged from it. The elegant, intimidating woman with white hair catches Calisa staring and curtly says that she dislikes being watched.
Startled, Calisa flees. When she returns to the sitting room, the teapot she just cleaned is steaming with fresh tea, and a fire is burning in the previously cold fireplace.
Calisa calls up to Jack on the roof to ask if he made the tea and lit the fire. He offers straightforward explanations: The teapot must be battery operated and she accidentally triggered it, while Auntie Zee likely lit the fire.
They discuss restarting the inn’s tradition of afternoon tea service. When Jack enthusiastically asks if she can bake cake, Calisa learns that Zee has permanently banned him from cooking after he nearly burned down the kitchen the previous year. Despite his embarrassment at sharing the story, Calisa finds it amusing.
Upon returning to the sitting room after starting the laundry, Calisa finds Kendra already there with a cup of tea. The elegant woman criticizes Calisa’s lack of training but acknowledges that the tea is acceptable—then adds a generous amount of salt to her cup and declares that it tastes exactly as she remembers. When Calisa politely inquires where Kendra is from, the woman sharply rebukes her, reinforcing Zee’s rule against personal questions.
Kendra leaves to finish her tea in private. Alone, Calisa notices that the fire has extinguished itself, leaving an unburned log, while the teapot continues to rattle and steam on its own.
The narrative immediately frames physical relocation as a necessary precursor to emotional clarity, reflecting the conventions of the cozy-fantasy genre. Following a painful betrayal by her boyfriend Ethan, Calisa travels from Brooklyn to rural Vermont, viewing her isolated retreat as a crucial form of “essential self-care” (2). This sentiment is echoed by the other residents; Auntie Zee explicitly states that her establishment has always attracted individuals searching for refuge, while Kendra demands absolute solitude. Rather than treating avoidance as a character flaw, the text normalizes the act of stepping away from toxic or demanding environments to regroup. The characters use geographic and social distance to carve out a safe space for introspection before they eventually face their external obligations. This introduces the theme of The Restorative Nature of Retreat Spaces and aligns with the broader cultural appeal of cozy fantasy, which frequently eschews high-stakes, world-ending conflicts in favor of localized, character-driven narratives. By prioritizing Calisa’s emotional stabilization and her search for sanctuary over a high-stakes battle against external adversaries, the narrative establishes a comforting framework where internal healing takes precedence over epic heroism.
The pattern of physical mending that emerges in this first section of the novel establishes a direct parallel between repairing the environment and the characters’ internal psychological processes. Calisa’s initial interaction with the bed-and-breakfast involves crashing through the rotted porch, an accident that forces her into immediate collaborative work with the groundskeeper’s son, Jack. Later, she channels her unresolved anger over Ethan’s lies into rigorously scrubbing the neglected sitting room, using the physical labor to erase the metaphorical grime of her recent past. The tangible work of sawing wood, hammering nails, and clearing cobwebs externalizes Calisa’s recovery. Instead of passively brooding over her heartbreak, she reclaims her agency through constructive action and immediate problem-solving, operating under Jack’s philosophy that the most pressing task is “whatever just broke” (35).
As Calisa bakes morning pancakes and fixes broken floorboards alongside Jack, she slowly integrates herself into the inn’s eccentric ecosystem. The shared maintenance of the property functions as a bridge between the isolated characters, suggesting that personal restoration is deeply intertwined with the collective effort required to rebuild their shared environment. Calisa’s burgeoning connection with Mulligan over shared conversation and the task of making hot chocolate functions similarly: Mulligan’s willingness to share both the delicious hot chocolate and his own feelings of regret and sorrow give Calisa a caring space to open up about Ethan and begin to heal. Calisa’s connections with Mulligan and Jack are the beginning of the text’s exploration of The Healing Power of Found Family and Community.
The dilapidated state of the building establishes the Faraway Inn as an emblem of prolonged stagnation, introducing the theme of Accepting Change as a Catalyst for Growth. The structure is initially presented as a failing property marked by peeling paint, a lopsided roof, and gardens actively being swallowed by the surrounding forest. Zee fiercely resists any assistance and insists on maintaining the status quo, going so far as to demand that Calisa leave to prevent any disruption to her routine. The inn’s severe decay mirrors Zee’s rigid refusal to adapt to her aging limitations. By hiding beautifully carved furniture under dust sheets rather than maintaining the rooms for her guests, the innkeeper illustrates how rejecting inevitable transitions leads to deterioration rather than preservation. Conversely, Calisa’s willingness to engage with the ruined state of her summer plans pushes both her and the building toward a necessary transformation. Rather than mourning the loss of the idyllic season she envisioned, she confronts the flawed reality in front of her by stepping into a caretaker role. Her active engagement with the inn’s disrepair highlights how releasing rigid expectations allows for new, unanticipated forms of stability to take root.
The tension between Zee’s rigid refusal to accept change and Calisa’s curious, proactive nature is also developed through the symbolism of the inn’s mysterious doors. Calisa encounters multiple cryptic doorways during her first days in Vermont, from a howling, wind-swept broom closet that Zee quickly seals to the cleaning supply closet from which the impeccably dressed Kendra seemingly emerges. Zee explicitly commands Calisa never to open these doors without permission, establishing a strict boundary around the building’s secrets. These thresholds operate as literal barriers to the inn’s underlying magical reality and figurative boundaries that Calisa must eventually navigate to fully accept her new environment. The innkeeper’s strict rules highlight a deep tension between maintaining absolute control and embracing unpredictable possibilities.



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