J. Alfred Prufrock is a highly self-aware, middle-aged man suffering from social anxiety and feelings of inadequacy. He wears a morning coat with his collar mounting firmly to his chin, but fixates heavily on his thinning hair and thin limbs. His life is repetitive, measured out in coffee spoons, and he feels paralyzed by the fear of judgment from his peers.

She is the focus of Prufrock's romantic and sexual desires. Reclining by a table or settling a pillow by her head, she represents the intimate human connection Prufrock desperately seeks but fails to achieve. When he tries to express his deeper questions, she calmly dismisses his words.

The unnamed companion addressed directly by Prufrock at the beginning of his monologue. This figure acts as a silent partner on his mental and physical journey through the foggy, deserted streets toward an overwhelming question.

A group of fashionable women occupying the circles Prufrock frequents. They move easily through social spaces, discussing elite subjects like the painter Michelangelo. Their casual confidence serves as a direct contrast to Prufrock's social paralysis.

A personification of Death or mortality operating as a servant in Prufrock's mind. Rather than appearing majestic or terrifying, the Footman acts as a dismissive attendant who finds Prufrock's struggles and hesitation humorous.

Mythological sea creatures wreathed with seaweed who linger in the chambers of the sea. They represent a mystical, beautiful alternate reality far removed from the grimy, smoke-filled urban city. Prufrock watches them sing to each other, certain they will not sing to him.